We found 976 price guide item(s) matching your search

▲ Joseph Klibansky (Dutch, b.1984) 'Leap of Faith', 2019 polished bronze, signed 'Joseph Klibansky', numbered '20/20' and dated '09-09-2022' on top of backpack 45cm wide 80cm deep 69cm high 180cm high overall, on a white plinthSouth African-born Joseph Klibansky is a contemporary artist based in Amsterdam. Known for his innovative approach, Klibansky blends traditional artistic techniques with cutting-edge digital technology to create captivating works of art. His sculptures, often crafted from polished bronze, are celebrated for their reflective surfaces and playful yet thought-provoking themes. As in the present lot he often blends traditional craftsmanship with modern aesthetics. In 'Leap of Faith' we see a spaceman attempting to take 'one giant leap for mankind' but is weighed down by a crucifix on his back. The sculpture explores themes of courage, risk and transformation, which are often central to Klibansky's work.Condition ReportPlinth: 34 x 74 x 110cmPresents well overall. A little light surface dust and dirt. Tarnishing with light surface scuffs and scratches to the crucifix. Some tarnishing to spaceman. No obvious major condition issues visible on inspection. Please see additional condition images.

AFTER ANTON RAPHAEL MENGS SELF-PORTRAIT Watercolour and bodycolour Bears inscription 'Rafael Mengs / Pittore / Fatto di se stesso' (verso) 13 x 10cm (5 x 3¾ in.) Provenance: James Harris, 1st Earl of Malmesbury Sale, Christie's, London, 13 July 1984, lot 104 Literature: S. Roettgen, The Digital Catalogue Raisonné of Anton Raphael Mengs, 279/WK_05, as a copy After the painting in The Walker Art Gallery, Scotland Condition Report: The sheet has been laid down at the corners to a sheet of metal. The extreme edges with some wear commensurate with age. The left edge with some more substantial wear and small areas of loss. The lower edge with a small tear (approx. 2.5cm). The colours are generally good. There is some discolouration to the grey background area. Also with some spots of surface dirt, again this is mainly to the background areas. Some light craquelure scattered within the red pigment. Country of origin: Scotland (UK)Condition Report Disclaimer

(ARR) Antwan Horfee (French, b 1984)Never Wanted ThisPhotocopy book Print on beige paperSigned and numbered 16/100 by artist Antwan Horfee (French, b1984) first gained recognition as an independent creative artist in Paris. Inspired by Avant-Garde art movements, he projects the action and performative aspect of his work outdoors into his gallery work, still using spray techniques for his abstracted and slightly distorted representations. He skilfully combines figurative and abstract elements, in works that are often critical about the contemporary art world and the art historical canon. The often surreal characters in his works, which are dominated by abstract gestures, are signs of an age of diversity, noise, abundance, and uncertainty. His intense dynamics and colour palette are symptomatic of a time when the flow of (digital) images is extensive and fast. Antwan Horfee is continuously experimenting with techniques, materials and bearers as potential trademarks of his time and generation. He combines fragile painting and drawing techniques with industrial materials such as plastic, which is created with the intention to stay unchanged for hundreds of years. He allows coincidences to affect his works in order to create an individual, nuanced and contemporary visual language.Measures approx. 39.5cm x 27cm (15 3/4" x 10 1/2")

Robert Silvers (American, b. 1968). Large c-print photomosaic on aluminum with Fuij crystal archive titled "American Flag" depicting the flag of the United States of America created from a digital collage of many smaller pictures of iconic American landmarks, 2004. With a label from Scott Richards Contemporary Art Gallery, San Francisco, along the verso. Editioned 1/6 and signed along the label.Height: 48 in x width: 74 in x depth: 1 1/2 in.Condition: There are no major dents, scratches, breaks, or restorations. Light wear to the edges. Dust gathered along the verso.

Bob Dylan (b.1941)Classic Car Show, Cleveland, from The Beaten Path (2016)Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941)Florida Country, from The Beaten Path Series (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941)  East L.A, Side Street, from The Beaten Path (2016)Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941) Favela Villa Candido, from The Brazil Series (2015)Digital pigment print in colours, 2015, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, with the accompanying certificate of authenticity, in association with Black Buffalo Artworks, on wove paper, with full margins, sheet 530 x 670mm 

Bob Dylan (b.1941)Ranchers, from The Brazil Series (2015)Digital pigment print in colours, 2015, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 650 x 430mm (25 1/2 x 17) 

Bob Dylan (b.1941)Train Tracks (Pink), from The Drawn Blank Series (2014) (medium format)Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 765 x 580mm (30 x 21 3/4in) 

Bob Dylan (b.1941)Brooklyn Heights, from The Beaten Path (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941)Woman In Red Lion Pub, from The Drawn Blank Series (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in)

Ronnie Wood (b.1947)The Blue Smoke Suite (2012)The set of four digital pigment prints in colours, 2012, each signed in pencil, numbered from the edition of 150, printed and published by Washington Green Fine Art, Birmingham, with the accompanying certificate of authenticity, on wove paper, with full margins, each sheet 820 x 580mm (32 1/4 x 23in) (4)

Bob Dylan (b.1941)Vine Street, West L.A., from The Beaten Path Series (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (30 x 23in)

Bob Dylan (b.1941)Midnight Caller, from The Beaten Path Series (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941)Man On A Bridge, from The Drawn Blank Series (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in)

Bob Dylan (b.1941)Endless Highway, from The Beaten Path (2016)Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 953 x 1270mm (37 1/2 x 50in)

Bob Dylan (b.1941)Holbrook Arizona, from The Beaten Path (2016)Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in) 

Bob Dylan (b.1941)Sunday Afternoon, from The Drawn Blank Series (2014)Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in) 

Bob Dylan (b.1941)Boxing Gym, from The Brazil Series (2015)Digital pigment print in colours, 2015, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 650 x 430mm (25 1/2 x 17in)

Bob Dylan (b.1941)Bandera Texas, from The Beaten Path (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941)Amusement Park Alleyway, from The Beaten Path (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x762mm (23 x 30in)

Bob Dylan (b.1941)Donut Shop, from The Beaten Path (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941)Little Italy, Lower Manhattan, from The Beaten Path (2016) (large format)Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 722 x 1016mm (28 1/4 x 40in)

Bob Dylan (b.1941)Lighthouse In Maine, from The Beaten Path (2017) Digital pigment print in colours, 2017, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, image 420 x 610mm (16 1/2 x 24in)

Bob Dylan (b.1941)Cityscape, from The Drawn Blank Series (2014)Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in) 

Bob Dylan (b.1941)The Beaten Path (Set of Four) (2016)Four digital pigment prints in colours, 2016, each signed in pencil, each numbered from the edition of 295, printed by GTZ Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificates of authenticity, presented in the original presentation folio sleeve, on wove paper, with full margins, each sheet 1016 x 722mm (40 x 30in)Including: Little Italy, Lower Manhattan; Holbrook, Arizona; Classic Car Show, Cleveland, OH; Manhattan Bridge, Downtown New York.

Bob Dylan (b.1941)The Retrospectrum Collection, set of six (Autopen Edition) (2022)The set of six digital pigment prints in colours, 2022, signed with autopen, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, each sheet 760 x 580mm (30 x 23in) 

Bob Dylan (b.1941)Manhattan Bridge, Downtown New York, from The Beaten Path (2016) Digital pigment prints in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, co-published by Washington Green Fine Art, Birmingham, and Black Buffalo Artworks, New York, on wove paper, with full margins, sheet 762 x 1015mm (30 x 40in)

Bob Dylan (b.1941)Theater, Downtown L.A., from The Beaten Path Series (2016)Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941)Wilton Iowa Farmyard, from The Beaten Path (2016) Digital pigment print in colours, 2016, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 585 x 762mm (23 x 30in)

Bob Dylan (b.1941) Bragg Apartment, New York City, from The Drawn Blank Series (2014)Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in) 

Bob Dylan (b.1941)The Beaten Path (The complete set of ten) (2016)The complete set of ten digital pigment prints in colours, 2016, each signed in pencil, each numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, co-published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificates of authenticity and presented in the original portfolio box, each on wove paper, with full margins, each sheet 585 x 762mm (23 x 30in) (10)This set includes: Donut Shop; Vine Street West L.A.; Florida Country; Brooklyn Heights; Wilton Iowa Farmyard; Midnight Caller; East L.A. Side Street; Theater Downtown L.A.; Bandera Texas and Amusement Park Alleyway.

Bob Dylan (b.1941)Train Tracks, from The Drawn Blank Series (2013) (large format)Digital pigment print in colours, 2013, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 1230 x 9150mm (48 x 36in)

Bob Dylan (b.1941)Sunflowers, from The Drawn Blank Series (2014)  Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 750 x 560mm (29 1/2 x 22in) 

Bob Dylan (b.1941) Bicycle, from The Drawn Blank Series (2014)Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in) 

Jo Chate Warrior 2, 2025 Tempera gouache on inkjet print Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jo Chate is a contemporary artist who transforms moments and phenomena from everyday life to create complex, enigmatic paintings. Her way of working is exploratory; embracing dualities which result in connections and complexities that are not easily definable. The paintings ultimately become the site of transformation, refracting and colliding experiences with future recollections. Alongside working on paintings, Jo Chate is experimental with collage, photography and painting on prints. Working this way has become part of her process to defamiliarise the familiar, to absorb and change until the final image evolves incorporating elements of the original. Education 2002-2004 MA in Fine Art Painting, Royal College of Art, London, UK 1999-2002 BA Fine Art, 1st class, Kingston University, Kingston, UK 1998-1999 Foundation Diploma, City & Guilds, London, UK Solo Exhibitions 2024 OUTLIERS, Q&C Gallery, Cambridge UK 2017 NOTES FROM THE WHITE BOOK, The Perfume Factory, London, UK 2012 ANGELIS DEFENSA, Vicoli Poli, Spoleto, Italy Group Exhibitions 2025 DISTURB THE LOGIC, TondoCosmic, London UK 2024 LIGHT IT UP: WINTER MENAGERIE, TondoCosmic, London, UK MICROSTORIA, Polarraum, Hamburg, Germany GOTH IN A LANDSCAPE, Museum Galleries, Aberystwyth School of Art, Wales, UK UNDONE, TondoCosmic, London, UK YOU ARE THE CIRCLE, Excelsior, London, UK THIS YEAR'S MODEL 2024 PART II, Studio 1.1, London, UK RADICAL RESIDENCY VIII 2024 EXHIBITION, Unit 1 Gallery, London, UK 2023 OPEN04, Excelsior, London, UK CUSTARD SPLITS, SET London, UK THIS YEAR'S MODEL 2023 PART III, Studio 1.1, London, UK SIDE STEP, SET London, UK 2022 WOMXN - FAIR ART FAIR CURATED II Unit 1 Gallery, London, UK Public Collections The Royal College of Art, London, UK Statement about AOAP Submitted Artwork Three mixed media works from the mannequin series; two are paint on digital prints of mannequins originally seen in shop windows. In 'Warrior 2' she becomes a she warrior in a post-apocalyptic world, flanked by her skeleton partner and child. In the second card, the mannequins emerge from the darkness, human but not human, part AI. The third postcard 'Line up' - three headless mannequins in a row, one blue. These works challenge traditional depictions of the female form from the perspective of a female artist. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Lily Kemp Blue Dream, 2025 Acrylic gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About With an underlying interest in exploring narratives touching on the fluidity of gender and identities; Lily Kemp's paintings explore escapism, storytelling, the act of dressing up and playing out imagined roles. Drawing from a range of visual references and written sources, through the process of collage she interweaves figures and images from popular culture alongside found images of landscapes and her own personal photographs. Looking in part at the relationships between popular culture, gender norms and our sense of self. More specifically at our relationship with fashion, how the way we choose to present ourselves can be considered an extension of ourselves and a way of exploring our identities outside of socially constructed binary categorisations. The sense of scale in Lily's paintings is often distorted and exaggerated with an interchangeable indistinct relationship between her figures and the space surrounding them, her landscapes seeming to breathe a life of their own. Scenes are often hyper idealised and fantastical; her figures living within these imagined worlds and dream like realities which are both familiar, yet also border on the performative and theatrical. Education 2016 - 2019 BA Fine Art Painting, University of the Arts London, London 2015 - 2016 Foundation Diploma in Art and Design, University of the Arts London, London Solo and Duo Exhibitions 2024 Inner Voyage Out (duo show with Minyoung Kim), Over the Influence, Hong Kong 2023 Taking flight, Taymour Grahne Projects, London 2022 Cry me a river, Galeria Duarte Sequeira, Seoul Selected Group Exhibitions and Art Fairs 2024 International Women's Day Auction, Art on a Postcard, London New Now, Guts Gallery, London 2023 Duo presentation with Over the Influence at Kiaf Seoul 2022 Group presentation with Galeria Duarte Sequeira at Art Busan Intimacy, Taymour Grahne Projects, London What Now?, PM/AM gallery, London Assemble, V.O Curations, London 2021 Confluence of Tongues, Grove Collective, London Solo presentation with Galeria Duarte Sequeira at ARCO Madrid Bloomberg New Contemporaries 2020, South London Gallery, London Get a load of this, Daniel Raphael Gallery, London 2020 Bloomberg New Contemporaries 2020 Digital Platform That's How The Light Gets In, AucArt Virtual Gallery The Recent Graduates Exhibition, The Battersea Spring Affordable Art Fair, London Herstory - Women in Art, Maddox Gallery, London The Signature Art Prize, Bankside Hotel, London 2019 The Clyde & Co Art Award, St Botolph Building, London The Woon Foundation Painting & Sculpture Prize, Gallery North, Newcastle upon Tyne BA Degree Show, Wimbledon College of Arts, London Everyday Forms, Four Corners Gallery, London For Love or Money, Copeland Gallery, London 2017 Spilt Milk, Pop up venue, London 2016 Foundation Show, Camberwell College of Arts, London 2015 Young Art, Royal College of Art, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Catherine Hyland The Future of Farming I, 2025 Archival Pigment Inkjet Signed on Verso with Digital COA 10 x 15cm (3¾ x 5¾ in.) About Catherine Hyland is an artist based in London. She graduated from Chelsea College of Art and Design with a First class BA (Hons) Degree in Fine Art and completed her Masters at the Royal College of Art. Her photography centres around people and their connection to the land they inhabit. Primarily landscape based, her work is rooted in notions of fabricated memory, grids, enclosures and national identity. Her large format images depict humanity's attempts - some more effective than others - to tame its environment. An observation that has led to both artistic and commercial outreach, with residences at venues such as Focal Point gallery in Southend for the RADICAL ESSEX programme and has exhibited work at Month of Photography Los Angeles, Renaissance Photography Prize, National Portrait Gallery, Royal Photographic Society, LES MAGASINS GÉNÉRAUX, Somerset House, Design Museum in London, ICA & MAC in Birmingham. Hyland's ongoing projects highlight humanity's attempts to tame and transform nature, both past and present. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Kamila Sipika The Garden, 2025 Aquarelle on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Visual artist currently working in The Netherlands and Poland. Nature is rooted at the core of Kamila's creative inspiration as she works with subjects such as ephemerality, decay, tranquillity, folk traditions and timeless plants' symbolism. Her materials of choice are linens and cotton that serve perfectly the natural pigments, oil paints and dying the textiles. Her work encourages viewers to re-consider the relationship between nature and the painting medium. Her practice is founded on the curiosity in the surroundings. She collects a range of objects, primarily from nature, such as stones, seeds, shells, plants, and flowers to dry as a starting point of the creative process. Kamila strongly believes epiphanies can appear hidden in the most ordinary moments, textures, colours, and fragrances. Education Royal Academy of Art, The Hague, Netherlands, 2019 - 2021 Academy of Fine Arts, Warsaw, Poland, 2015-2019, 2021-2022 Group Exhibitions 2024 On Physiognomy of Nature, de Bouwput, Amsterdam (NL), duo show Sidewalk Hussle, collaboration, exhibition event of Orisun Studio, Den Haag (NL) Art Rotterdam Fair (with Rademakers Gallery) (NL) Wandler x Hotel l'Europe, Amsterdam (NL) 2023 Homebound exhibition, Den Haag (NL) Enter Art Fair (with Rademakers Gallery), Copenhagen (DK) Popłyniemy napięci w prąd radosnej energii, Galeria Nanazenit, Warsaw (PL) Springboard Art Fair, Utrecht (NL) Tiny Gallery x Fig, Sofia, Bulgaria 2022 Image Desires, Mysia 3, Warsaw (PL), solo show DAGLICHT, The Grey Space in The Middle, The Hague (NL) 2021 Fata Morgana (digital exhibition, NL) ART The Hague (NL) Graduation Festival, Royal Academy of Art, The Hague (NL) Awards 2024 Mondriaan Artist Start Fund 2023 Piket Prijs Nominatie Stroom PRO Invest 2022 Nominatie Buning Brongers Prijzen Statement about AOAP Submitted Artwork Discovering hidden in the daylight flowers blooming in the soil full of treasures and life, calms the mind of the one who wondered this way. The tactility and the fragrance are easily recognisable and recalled. Each flower carries a different meaning and perhaps a treasure of one's own memories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Maayan Sophia Weisstub Fertility, 2024 Digital collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Maayan Sophia Weisstub is a multidisciplinary artist based in the United Kingdom. A graduate of the Royal College of Art, Maayan's work has been exhibited in renowned museums and galleries internationally, including Christie's, Omer Tiroche Gallery, Saatchi Gallery, Museum of the Home in London, and Pavlov's Dog Gallery in Berlin. Maayan has been recognized as a shortlisted finalist for the Robert Walters Group UK New Artist of the Year Award and the John Ruskin Art Prize. Her work has garnered attention in prominent publications such as WhiteHot Magazine, Kaltblut Magazine, Hyperallergic Magazine, White Paper By Magazine, and many more. Education 2019-2021 Royal College of Art, MA Information Experience Design Solo Exhibitions 2024 Mama Salon, London, United Kingdom 2022 Poum Gallery, Lyon, France 2021 Mnḗmē, Omer Tiroche Gallery, London, United Kingdom 2019 Alliance House, Jerusalem, Israel Group Exhibitions 2024 Bath Society of Artists Annual Exhibition, Victoria Gallery, Bath, UK Art Bellow, Regent's Park Tube Station, London, United Kingdom Summer Exhibition, Green & Stone Gallery, London, United Kingdom Essential Structures, Gerald Moore Gallery, London, United Kingdom John Ruskin Art Prize, Trinity Buoy Wharf, London, United Kingdom Art on Postcard, The Bomb Factory, London, United Kingdom 2023 Women in Art Prize, Roundhouse, London, United Kingdom Tom of Finland Festival, The Standard, London, United Kingdom The Self-Portrait Prize Online Exhibition, Artsy No Future, No Cry, Galeria Alfaia, Loule, Portugal No Future, No Cry, Centro Cultural De Lagos, Lagos, Portugal Fetish, Mama, London, United Kingdom 2022 Marianne Brandt Award, Industrial Museum, Chemnitz, Germany Tom of Finland Festival, Second Home, London, United Kingdom Art on Postcard x Go with Yamo, Koppel X, London, United Kingdom Next at Christie's, London, United Kingdom Brixton Art Prize, The Department Store, London, United Kingdom Sleep, Museum of the Home, London, United Kingdom Beit Kandinof Gallery, Jaffa, Israel 2021 Robert Walters Group UK New Artist of the Year Award, Online Gallery, London, United Kingdom Robert Walters Group UK New Artist of the Year Award, Saatchi Gallery, London, United Kingdom Beep Beep, Menier Gallery, London, United Kingdom Beyond the Frame, Horse Hospital, London, United Kingdom Awards 2024 Shortlisted, John Ruskin Art Prize 2023 Finalist, Women in Art Prize 2022 Nominated, Marianne Brandt Award Shortlisted, Zealous Amplify Shortlisted, Brixton Art Prize Outset Contemporary Art Fund 2021 Global Talent Visa UK Shortlisted, Robert Walters Group UK New Artist of the Year Award Public Collections Tom of Finland Collection (Los Angeles, United States of America) Statement about AOAP Submitted Artwork The feminine embodies the essence of creation, transformation, and the intricate dance of existence, with the potential of the mother as its core. It carries the profound ability to give life, shape new worlds, and nurture them with care and resilience. The egg, an ancient symbol of fertility, represents the embryonic potential from which life emerges, while its connection to the breast signifies not only life-giving sustenance but also the enduring strength of the maternal force in nurturing and protection. Together, these symbols reflect the sacred cycle of birth, growth, sustenance, and renewal. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Anne Desmet RA Dawn Flight, 2024 Digital print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anne Desmet RA was born in Liverpool. She has BFA and MA degrees in Fine Art from Oxford University and a Postgraduate Diploma in Printmaking from Central School of Art, London. In 2018 she was elected Honorary Fellow of Worcester College, Oxford University, for 'distinction in the world of art'. She exhibits wood engravings, linocuts, lithographs and mixed-media printed collages widely, has won over 40 national and international awards (including a Rome Scholarship in Printmaking; Pollock-Krasner Foundation Award, USA; three Elizabeth Greenshields Foundation Awards, Montreal, Canada; and the London Original Print Fair Prize at the RA Summer Exhibition) and has works in major public and private collections worldwide. The Ashmolean Museum, Oxford, the Whitworth Art Gallery, Manchester, and the V&A all have substantial holdings of her work. Over 50 solo shows include two major museum retrospectives at the Ashmolean (1998) and Whitworth (2008) respectively: each toured UK museums for two years. She had an earlier retrospective at Moscow's Ex Libris Museum, Russia (1995); and different solo exhibitions of recent works at the Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); Pallant House Gallery, Chichester (2022-23); and Guildhall Art Gallery, London (2024-25). Desmet is author of seven published books on printmaking and drawing (published variously by Bloomsbury, the RA and Ashmolean Publications) and was editor of Printmaking Today magazine from 1998-2013. Commissions include engravings for the British Museum; National Gallery; British Library; V&A; Balliol and Worcester Colleges, Oxford; Sotheby's and the Royal Mint. She is only the third wood engraver ever elected to membership of the UK's Royal Academy of Arts (RA) in its 256-year history and she curated an historic exhibition celebrating 100 years of the art of wood engraving for the Ashmolean (2020). She lives and works in London and is represented by Eames Fine Art. www.annedesmet.com Instagram: @anne_desmet   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Nazanin Moradi Cycle of Strength I, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Nazanin Moradi is a London-based artist with a Master's degree in Fine Art from Chelsea College of Art, UAL (2016). Her dynamic career spans continents, with exhibitions in the UK, EU, USA. As a classically trained painter who also specializes in digital art, body painting and performance art, Moradi explores the profound interplay between the body and its environment. Her work delves into the complex relationship between movement and space, enriched by cultural history, mythology, and memory. Through the abstraction of form and the use of fluid, expressive techniques, she captures the vulnerability and transformation of the human body. Her compositions evoke a sense of dreamlike motion, where figures blend with their surroundings, highlighting the tension between identity and physicality. This fusion creates immersive, emotionally charged works that challenge perceptions of the body in space.   Education 2016 MA Fine Art, Chelsea College of Art, London, UK Solo Exhibitions 2024 28 Clarendon Road, Watford, UK 2019 King St Studios, Lancaster, UK 2013 SOAS University, London, UK Group Exhibitions 2024 Black & Global Majority Art Fair, CasildArt Contemporary Gallery, London, UK Senses, Performance, HDN Mayfair, London, UK Londoners, Capital Art Gallery, London, UK Dawn Unveiled, Performance, Folklore Hoxton, London, UK Olympiada, 6 Charlton Place, London, UK 2023 WomenEmpowerment, Performance, Gustave, London, UK Art for Relief, charity auction organised by Sothebys in Turkish ambassador's residency, London, UK 2022 Crossing, V.O Curations, London, UK Concept, CICA Museum, Gyeonggi, South Korea The Body Language, Venice, Italy 2021 Circle, 44 Great Russell st, London, UK Dialogues of Distance, One Paved Court Gallery, London, UK 2020 MKCalling2020, MK Gallery, Milton Keynes, UK Restless Elements, Re:Centre, London, UK 2019 Flourish Award, West Yorkshire Print Workshop (WYPW), Bristol, Mirfield, Preston, UK Peace in the Middle East, Asia Movie Festival, Lahore, Pakistan Statement About AOAP Submitted Artwork My work explores the body in perpetual motion, using circle and rotation as central themes. Through gestural brushstrokes and muted tones, I depict figures that hover between abstraction and figuration, their forms dissolving and reforming in an endless cycle. The circular motion in each piece suggests fluidity, capturing the body as a vessel of transformation. The figures, caught in mid-turn, exist in a space where time loops rather than progresses. The rotation of their movements echoes both the physical rhythm of dance and the internal shifts of emotion. Each brushstroke mirrors this energy, creating a dreamlike atmosphere where the boundaries of self and space blur. By using the motif of the circle, at times resembling a hula hoop, an orbit, or a rippling current, I explore the tension between control and release, presence and absence. The repetition of movement suggests both liberation and entrapment, inviting viewers to consider the cyclical nature of experience. In this way, my paintings are not just about figures in motion but about the sensation of transformation itself. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Kamila Sipika Yellow Elder, 2025 Aquarelle on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Visual artist currently working in The Netherlands and Poland. Nature is rooted at the core of Kamila's creative inspiration as she works with subjects such as ephemerality, decay, tranquillity, folk traditions and timeless plants' symbolism. Her materials of choice are linens and cotton that serve perfectly the natural pigments, oil paints and dying the textiles. Her work encourages viewers to re-consider the relationship between nature and the painting medium. Her practice is founded on the curiosity in the surroundings. She collects a range of objects, primarily from nature, such as stones, seeds, shells, plants, and flowers to dry as a starting point of the creative process. Kamila strongly believes epiphanies can appear hidden in the most ordinary moments, textures, colours, and fragrances. Education Royal Academy of Art, The Hague, Netherlands, 2019 - 2021 Academy of Fine Arts, Warsaw, Poland, 2015-2019, 2021-2022 Group Exhibitions 2024 On Physiognomy of Nature, de Bouwput, Amsterdam (NL), duo show Sidewalk Hussle, collaboration, exhibition event of Orisun Studio, Den Haag (NL) Art Rotterdam Fair (with Rademakers Gallery) (NL) Wandler x Hotel l'Europe, Amsterdam (NL) 2023 Homebound exhibition, Den Haag (NL) Enter Art Fair (with Rademakers Gallery), Copenhagen (DK) Popłyniemy napięci w prąd radosnej energii, Galeria Nanazenit, Warsaw (PL) Springboard Art Fair, Utrecht (NL) Tiny Gallery x Fig, Sofia, Bulgaria 2022 Image Desires, Mysia 3, Warsaw (PL), solo show DAGLICHT, The Grey Space in The Middle, The Hague (NL) 2021 Fata Morgana (digital exhibition, NL) ART The Hague (NL) Graduation Festival, Royal Academy of Art, The Hague (NL) Awards 2024 Mondriaan Artist Start Fund 2023 Piket Prijs Nominatie Stroom PRO Invest 2022 Nominatie Buning Brongers Prijzen Statement about AOAP Submitted Artwork Discovering hidden in the daylight flowers blooming in the soil full of treasures and life, calms the mind of the one who wondered this way. The tactility and the fragrance are easily recognisable and recalled. Each flower carries a different meaning and perhaps a treasure of one's own memories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Lily Kemp A quiet stillness, 2025 Acrylic gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About With an underlying interest in exploring narratives touching on the fluidity of gender and identities; Lily Kemp's paintings explore escapism, storytelling, the act of dressing up and playing out imagined roles. Drawing from a range of visual references and written sources, through the process of collage she interweaves figures and images from popular culture alongside found images of landscapes and her own personal photographs. Looking in part at the relationships between popular culture, gender norms and our sense of self. More specifically at our relationship with fashion, how the way we choose to present ourselves can be considered an extension of ourselves and a way of exploring our identities outside of socially constructed binary categorisations. The sense of scale in Lily's paintings is often distorted and exaggerated with an interchangeable indistinct relationship between her figures and the space surrounding them, her landscapes seeming to breathe a life of their own. Scenes are often hyper idealised and fantastical; her figures living within these imagined worlds and dream like realities which are both familiar, yet also border on the performative and theatrical. Education 2016 - 2019 BA Fine Art Painting, University of the Arts London, London 2015 - 2016 Foundation Diploma in Art and Design, University of the Arts London, London Solo and Duo Exhibitions 2024 Inner Voyage Out (duo show with Minyoung Kim), Over the Influence, Hong Kong 2023 Taking flight, Taymour Grahne Projects, London 2022 Cry me a river, Galeria Duarte Sequeira, Seoul Selected Group Exhibitions and Art Fairs 2024 International Women's Day Auction, Art on a Postcard, London New Now, Guts Gallery, London 2023 Duo presentation with Over the Influence at Kiaf Seoul 2022 Group presentation with Galeria Duarte Sequeira at Art Busan Intimacy, Taymour Grahne Projects, London What Now?, PM/AM gallery, London Assemble, V.O Curations, London 2021 Confluence of Tongues, Grove Collective, London Solo presentation with Galeria Duarte Sequeira at ARCO Madrid Bloomberg New Contemporaries 2020, South London Gallery, London Get a load of this, Daniel Raphael Gallery, London 2020 Bloomberg New Contemporaries 2020 Digital Platform That's How The Light Gets In, AucArt Virtual Gallery The Recent Graduates Exhibition, The Battersea Spring Affordable Art Fair, London Herstory - Women in Art, Maddox Gallery, London The Signature Art Prize, Bankside Hotel, London 2019 The Clyde & Co Art Award, St Botolph Building, London The Woon Foundation Painting & Sculpture Prize, Gallery North, Newcastle upon Tyne BA Degree Show, Wimbledon College of Arts, London Everyday Forms, Four Corners Gallery, London For Love or Money, Copeland Gallery, London 2017 Spilt Milk, Pop up venue, London 2016 Foundation Show, Camberwell College of Arts, London 2015 Young Art, Royal College of Art, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Renata Fernandez Lady of the Night, Venezuela, 2025 Digital drawing digitally cut vinyl on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Renata Fernandez. b. 1971, Venezuela. Based in London since 2003. Fernandez delves into themes that revolve around immigration, notions of territory, identity, and displacement. These societal issues serve as a potent source of inspiration and contemplation for her, whilst showing a deep yet subtle emotion, as she strives to bring attention to the sociopolitical aspects inherent in the found imagery she incorporates into her work. Through a multidisciplinary and self-referential approach, Fernandez weaves together a reconstructed memory of landscapes and inhabited spaces, with a static narrative where monster-like tropical plants and outdoor furniture act as signifiers. Her artistic process stems lately from mostly appropriated social media posts. As Fernandez incorporates these ready-made visuals into her work, she reflects upon how people perceive and define the world through the permanently fast-evolving media, the importance and influence of self-publishing as to what has become more visible, and the impermanence/permanence of images in the digital realm that we would rarely see again. Drawing on her background in journalism, social sciences, and theatre set design, Fernandez employs her diverse skill set to source, curate, and present her artwork thoughtfully, emphasising the inherent materiality of her works. She remains dedicated to hand-intensive processes, perpetually exploring and experimenting with materials. EducationFine Art, painting and sculpture, Armando Reveron University Institute (now UNEARTE), Caracas, VenezuelaSocial Sciences, Media and Drama-Set Design, Universidad Catolica Andres Bello, Caracas, Venezuela    Solo Exhibitions2024: Traders' Court (end of Artist Residency granted by Earls Court Developing Company), Earls Court, London 2013: Trópico Camuflado, Museo Alejandro Otero, Caracas, Venezuela    Group Exhibitions2025: Feb, San Esteban, Cabinet Gallery, Caracas, Venezuela 2024: Bury My Songs, curated by Small Works Gallery, in association with Terrace Gallery2023: 238/ARTURO, Espacio Proyecto Libertad, Merida, Venezuela; All women group show with Alex Slato Gallery, Miami2022   CARTOGRAPHY OF CARE, Spilt Milk Gallery, EdinburghATLAS INCONCLUSO, ABRA CARACAS Gallery, Caracas, VenezuelaCASAX EXHIBITION, BA curatorial project from Central St Martins, UKMexican Art Society - now Sommers Gallery - LondonWEARY HAROLD, ASC Gallery, London    Public CollectionsEarls Court Development Company, LondonBreton House, Groucho Club (Yorkshire)    Statement about AOAP Submitted ArtworkThe submitted pieces are digital drawings meticulously translated into glossy black self-adhesive vinyl, set against a matte paper backdrop. Each work depicts tropical flowers, rendered in bold, monochromatic contrast. Stripped of their usual vibrant colors, the flowers transcend their traditional associations with lushness, vitality, and tropical abundance. Instead, the absence of color reframes these motifs, inviting viewers to consider their forms, textures, and shadows anew. The interplay between the glossy vinyl and matte surface creates a striking visual tension, further distancing the imagery from conventional expectations and imbuing the pieces with an unexpected sense of intrigue and ambiguity.    You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Anne Desmet RA Star/Scaffolding, 2024 Digital print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anne Desmet RA was born in Liverpool. She has BFA and MA degrees in Fine Art from Oxford University and a Postgraduate Diploma in Printmaking from Central School of Art, London. In 2018 she was elected Honorary Fellow of Worcester College, Oxford University, for 'distinction in the world of art'. She exhibits wood engravings, linocuts, lithographs and mixed-media printed collages widely, has won over 40 national and international awards (including a Rome Scholarship in Printmaking; Pollock-Krasner Foundation Award, USA; three Elizabeth Greenshields Foundation Awards, Montreal, Canada; and the London Original Print Fair Prize at the RA Summer Exhibition) and has works in major public and private collections worldwide. The Ashmolean Museum, Oxford, the Whitworth Art Gallery, Manchester, and the V&A all have substantial holdings of her work. Over 50 solo shows include two major museum retrospectives at the Ashmolean (1998) and Whitworth (2008) respectively: each toured UK museums for two years. She had an earlier retrospective at Moscow's Ex Libris Museum, Russia (1995); and different solo exhibitions of recent works at the Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); Pallant House Gallery, Chichester (2022-23); and Guildhall Art Gallery, London (2024-25). Desmet is author of seven published books on printmaking and drawing (published variously by Bloomsbury, the RA and Ashmolean Publications) and was editor of Printmaking Today magazine from 1998-2013. Commissions include engravings for the British Museum; National Gallery; British Library; V&A; Balliol and Worcester Colleges, Oxford; Sotheby's and the Royal Mint. She is only the third wood engraver ever elected to membership of the UK's Royal Academy of Arts (RA) in its 256-year history and she curated an historic exhibition celebrating 100 years of the art of wood engraving for the Ashmolean (2020). She lives and works in London and is represented by Eames Fine Art. www.annedesmet.com Instagram: @anne_desmet   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.  

Bellamy Jean The Star, 2025 Textile Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bellamy Jean is a contemporary textile artist and designer specialising in original and bespoke embroidery. She started sewing in the back of her mother's lingerie shop and has spent years developing her skills and style. Focused mainly on textiles, Bellamy creates meaningful pieces using fabric and thread. Through her work, she studies the art of alchemy and the symbolism surrounding world religions past and present, as well as colour compositions through the work of Hilma af Klint, Joseph Albers, and Alexander Calder. Each of her pieces is hand-drawn and embroidered freehand using an Industrial freehand embroidery machine. Education Art Foundation, City and Guilds school of fine art 2006 Freehand machine embroidery course, London Embroidery Studio 2017 Digital embroidery course, London Embroidery Studio, 2018 Group Exhibitions Babes in Arms, The De La Warr Pavilion, Bexhill, UK, September 2022 Babes in Arms, Big Yin Gallery, St Leonards on Sea, UK, November 2021 Statement about AOAP Submitted Artwork The two pieces that I have created are symbolic portrayals of femininity, with a star being the focal point of both embroideries. I used a star as an independent symbol within the pieces to show a life-giving source, the most common perception of being female. My aim is to further the conversation on the way women are perceived and portrayed in today's society. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Bellamy Jean Finding the Light, 2025 Textile Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bellamy Jean is a contemporary textile artist and designer specialising in original and bespoke embroidery. She started sewing in the back of her mother's lingerie shop and has spent years developing her skills and style. Focused mainly on textiles, Bellamy creates meaningful pieces using fabric and thread. Through her work, she studies the art of alchemy and the symbolism surrounding world religions past and present, as well as colour compositions through the work of Hilma af Klint, Joseph Albers, and Alexander Calder. Each of her pieces is hand-drawn and embroidered freehand using an Industrial freehand embroidery machine. Education Art Foundation, City and Guilds school of fine art 2006 Freehand machine embroidery course, London Embroidery Studio 2017 Digital embroidery course, London Embroidery Studio, 2018 Group Exhibitions Babes in Arms, The De La Warr Pavilion, Bexhill, UK, September 2022 Babes in Arms, Big Yin Gallery, St Leonards on Sea, UK, November 2021 Statement about AOAP Submitted Artwork The two pieces that I have created are symbolic portrayals of femininity, with a star being the focal point of both embroideries. I used a star as an independent symbol within the pieces to show a life-giving source, the most common perception of being female. My aim is to further the conversation on the way women are perceived and portrayed in today's society. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Poulomi Basu Saraswati, 16 Years, 2025 Digital photographic print on paper Signed on Verso with COA 10 x 15cm (3¾ x 5¾ in.) About Poulomi Basu is a neurodiverse artist known for her exploration of the interrelationship between systems of power and bodies through work that exists at the limits of art, technology and activism. Basu's diverse body of work is committed to multiplicity. Eschewing linear notions of history, her approach to investigating themes such as the shifting notions surrounding landscape and the conditions female experience are cyclical in nature. With roots in photography, her practice demonstrates a fidelity to no single artistic modality or creative process; rather, interdisciplinary pursuits that are in constant, active flux. Her evolving, embodied approach to artmaking is emblematic of the plurality of experiences and the myriad ways in which identity is constructed in contemporary culture. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Dragonfly-Shaped Brooch with Red Stones SilverA detailed brooch fashioned in the shape of a dragonfly, crafted from a silver-toned metal, and adorned with multiple faceted red stones, likely garnets or glass. The design features four elongated, intricately detailed wings highlighted by rows of symmetrical, round-cut stones. The body has a central oval red stone surrounded by smaller matching stones, with additional stones forming the tail, head, and eyes. The fine metalwork includes textured detailing around the stone settings. A functional pin mechanism is affixed to the back. - **Approximate Dimensions**: 7 cm wide, 5 cm high (estimated from graph paper in the image). - **Weight**: 23.09 g (as shown on a digital scale). The design suggests Victorian or Art Nouveau influences, although it may be a mid-20th century or modern reproduction inspired by antique styles. A lack of visible hallmarks prevents precise dating or attribution.

limited edition digital print on paper, signed in silver ink and numbered 58/100, from the Revelations : A Portrait of Magic series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

The Connor Brothers (b.1968)The Truth (Orange)Digital pigment print in colours with silkscreen varnish, 2022, signed, dated and inscribed ‘PP’ in pencil, aside from the edition of 75, published by DeMontfort Fine Art, Lichfield, on wove paper, with full margins, sheet 745 x 500mm (29 7/32 x 19 5/8in)

Bob Dylan (b.1941)Cityscape Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by Washington Green, Birmingham, printed GTZ Fine Art Editions, New York, on wove paper, with full margins, sheet 610 x 460mm (24 x 18in) 

The Connor Brothers (b.1968)The Truth (Blue)Digital pigment print in colours with silkscreen varnish, 2022, signed, dated and inscribed ‘SP’ in pencil, numbered one of eight studio proofs, aside from the edition of 75, published by DeMontfort Fine Art, Lichfield, on wove paper, with full margins, sheet 745 x 500mm (29 7/32 x 19 5/8in)

* STUART MCALPINE MILLER (SCOTTISH b. 1964), FROM THE EVIL WITHIN limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

* RUTH MULVIE (BRITISH b. 1979), BROWN BASKET oil on canvas, signed, titled versounframedoverall size 70cm x 100cm Note: Ruth Mulvie is a contemporary fine artist, known for her vivid palette and for the delightfully unexpected detail in her paintings. She graduated from the Glasgow School of Art and over the years comparisons have been made with Hockney. She cherishes that visceral connection that Kodachrome™ gives us with our past. That single moment frozen in time that one can look at forever. Old photographs are her initial inspiration for each new piece; a digital springboard atop which she dives into her latest delicious fantasy landscape. "Mulvie’s colour choices yell and fizz. They quicken the heartbeat. Sherbet yellow next to candy pink or lime green besides turquoise, they all elevate the mood. In her paintings we are invited to join the most wonderful party or shared experience. Mulvie’s realms surprise and delight. Hers are playful, glamorous worlds with pure glee for oxygen. And in each we are granted a day in happy valley. At the heart of Mulvie’s pieces is the palpable joyfulness in her response to colour. She is at her happiest when mixing and combining paint, waiting for the thrill of the perfect shade. For her, colour is emotion, colour is memory, colour is her favourite place to be. And we are all invited. There’s no place like it." Julie Tellouche

* STUART MCALPINE MILLER (SCOTTISH b. 1964), SPELLBOUND IN MOTION limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.