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A Regency pollarded oak partner's kneehole writing desk in the manner of Gillows, with an established tooled inset leather top fitted three frieze drawers to each side and a further six short drawers to the pedestals and two figured cupboard doors to the opposing side, supported by simple moulded plinth feet and castors. 153 cm long x 90 c.m deep x 74 cm overall height, 59 cm knee clearance
A 1970s Dyrlund rosewood reading desk/bar, the black vinyl inset slope with inset brass mounts hinged to form a larger flat surface with large bottle compartment behind, the case with inset brass handles on rectangular legs joined by stretchers, labelled, 89.5 cm wide, 115.5 cm high, 49 cm deep. CITES Article 10 certificate no. 24GBA10166YUF
Concorde: a good collection of British Airways passenger souvenirs, to include unused luggage tags, desk watches, stationery, drinks coaster with silver mounts, silver decanter labels and other items, mostly boxed and apparently unused.From the estate of the late Tony Berry, former Deputy Chairman of Tottenham Hotspur FC
Six British Quad and US One Sheet film posters and related memorabilia - British Quads include: Deadpool, Matrix Reloaded, Spiderman, and The Hulk, all rolled, 30 x 40 inches; US One Sheets include: The Matrix Reloaded and Assassin's Creed, all rolled, ; together with framed European The Dark Knight theatre poster, 14 x 21 ½ inches, framed and glazed, 15 x 22 inches; Suicide Squad Harley Quinn and The Joker mounted poster 24 x 16 ½ inches overall; Matrix Reloaded postcards (x6 in x2 designs); Matrix Reloaded desk-set; Eragon holographic notebook; Superman Returns spiral-bound notebook, and Reign of Fire lobby cards. (17)From 2000-2020, the vendor's late husband worked for a company that printed film posters. Their main clients were Buena Vista, 20th Century-Fox, Warner Bros., and other small independent film companies.
A collection of jewels, late 19th and 20th century, comprising: a pair of brilliant-cut diamond stud earrings totalling approximately 0.40 carats, mounted in 18ct white gold, post fittings, British hallmarks; a diamond ring, stamped 18CT; a synthetic blue spinel and diamond cluster ring in 18ct gold, British hallmarks; a step-cut emerald and baguette diamond ring in white gold, stamped 14K; an oval amethyst brooch; a pair of amethyst and diamond cluster stud earrings mounted in gold, stamped 9K; a cultured pearl necklace with a cultured pearl and diamond clasp modelled as a bow, stamped 14K; an amethyst and white chalcedony-handled desk seal mounted in gold, length 5.2cm; a horseshoe stick pin set with half pearls; a rose quartz and diamond pendant, stamped 375; a portrait miniature brooch in 18ct gold, British hallmarks; a gold brooch designed as a Rococo scroll frame; four gold lockets; a fox head bar brooch; a lady's gold Rotary watch with gilt metal bracelet; and a collection of jewels in gold, silver and gilt metal, in a wooden jewellery box
Collection of bisque fired white stoneware desk top objects consisting of five books, an inkwell and quill, magnifying glass and candlestick, unmarked (9) From the collection of the late Maurice Costley Condition ReportCandlestick cracked and broken through stem, in two. Chipping to feathered quill, the end of the quill is cracked off and detached. The open book with two loose pages (detached but present). The majority of the other books with some minor chipping to edges.
A Gothic Revival bronze desk stand, 19th century, French, the removable roof over a revolving triangular body, fitted with a silvered dial 'thermomètre’, seven-day initialled gilt note-holders and a paper calendar, on a triform claw foot plinth,11.5cm diameter35.5cm highProvenance: The David Morris Collection.Condition ReportWith wear.
A collection of 'Ball' desk timepieces to include various brass mounted and paste set examples with white enamel dials, the largest 8.5cm high (7)Provenance: The property of the late Baron John Mauger Langin Condition ReportOne lens missing and one lens detached. Cannot be tested and therefore the working condition is unknown.
An Eames 'EA117 Aluminium Group' desk chair, of recent manufacture, originally designed in 1958 by Charles and Ray Eames, manufactured by Vitra, with a cast and polished aluminium frame, raised on a five-pointed base terminating on to plastic castors, upholstered in black leather, with manufacturer's marks, 58cm wide54cm deep88cm high, seat height adjustable Condition ReportWith some wear to the leather. Some tarnishing to the aluminium. Wear commensurate with use.
An Eames 'EA117 Aluminium Group' desk chair, of recent manufacture, originally designed in 1958 by Charles and Ray Eames, manufactured by Vitra, with a cast and polished aluminium frame, raised on a five-pointed base terminating on to plastic castors, upholstered in black leather, with manufacturer's marks,58cm wide54cm deep88cm high, seat height adjustableCondition ReportWith some wear to the leather. Some tarnishing to the aluminium. Wear commensurate with use.
λ AN OTTOMAN MOTHER-OF-PEARL, SILVER AND EBONY-INLAID CALLIGRAPHER’S DESK Ottoman Turkey, mid to late 19th centuryOf typical rectangular shape, resting on four faceted, narrow, column-like legs, each side panel carved with cusped and curved profiles, the exterior profusely inlaid with micro-mosaic marquetry work in ebony, mother-of-pearl and silver, the table top decorated with a sunburst medallion in-filled with an Ottoman tughra, flanked by hexagonal cartouches with foliate arabesques, the side panels and front narrow drawer repeating an analogous vegetal scroll pattern, all set against a chequered ground of hexagonal roundels in-filled with silver stars.58cm x 67.5cm x 41cm This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. 58cm x 67.5cm x 41cm Qty: 1
A FINE ANGLO-INDIAN CARVED SANDALWOOD PORTABLE WRITING DESK Mysore, Karnataka, Southern India, 19th centuryOf rectangular shape with a stepped profile, with a hinged lid at the top and a forward-opening writing slope on the front, the lid concealing several square and rectangular compartments, some with their own lids, meant to be used for writing tools and stationary storage, the writing slope lined in green velvet, presenting two different storage units for documents underneath the velvet, one easy to access by lifting a circular hoop, the latter concealed under the fabric and with a recessed pin mark, possibly an added security measure to avoid the slope lid from being lifted too easily, the exterior an impressive tour-de-force of high-quality sandalwood carving featuring two overlapping registers on the body livened with wild animals and Hindu deities seated or standing under lobed arches, all set against lush vegetal meanders, the panel covering the writing slope decorated with a rectangular figural frieze showcasing the Churning of the Milk Ocean (Samudra Manthana), the subjects flanked by female deities slaying demons, possibly a reference to the Goddess Durga, the lid decorated with a single rectangular frieze with Sarasvati, the Goddess of Knowledge and Arts, flanked by musicians and winged apsaras with pairs of peacocks on the sides.14.5cm x 30.5cm x 43cm 14.5cm x 30.5cm x 43cm Qty: 1
Heavy silver novelty "pig" desk or butcher's bell, hallmarked London 1903 maker William Hornby. In full working condition, restored over 20 years ago by a clockmaker. After winding, when you depress the snout, the bell rings and the tail moves. Metal mechanism engraved inside as by A.Barrett & Sons of Piccadilly. Pig has several clear hallmarks and is finely detailed. Measuring approx 15cm long and 8cm high, approx weight 587g
An Art Deco walnut framed desk chair, with green leatherette upholstery, the arms and frame with crossbanded decoration82 x 51 x 48cmIn generally good decorative order, upholstery is good, a dowelled repair to the top of one arm, general scuffs and wear commensurate with age and use, a few minor veneer nibbles.
An Art Deco maple desk, the rectangular top above a pair of frieze drawers and a single cupboard to the left side opening to reveal drawers within73.5 x 150.5 x 70cmThere are several splits/deep scratches on the desk top. However, there are many chips and dents, some of which have had restoration/repairs. These are particularly found along the edges. Please see the condition report images.
An Aesthetic period oak pedestal desk by Gillow & Co., of breakfront outline, the leather inset top with brass gallery back, central long frieze drawer and four further short graduated drawers to either side, all with horizontally reeded fronts, stamped to top of drawer76 x 121 x 57cmIn generally good and structually sound condition for age. Noting some scuffs and scratechs to leather inset top. Brass gallery has lifted to one side, with a resultant partial split to timber on one edge. There are a number of small veneer chips and losses to top surface on right hand side. Vacant recesses where there may have previously been a footrest, general scuffs and wear commensurate with age and use but more noticeablly so to either side of the well.
In the manner of Charles and Ray Eames, an aluminium and black leather swivel desk chair, with hydraulic height adjustable seat94 x 58 x 61cmThere is scratches to the aluminium frame, some wear to the corners of the leather and some dirtying to the leather surface. Please see the images for more detail.
A mid-century Danish teak desk, the rectangular top with three short drawers to either side and raised on tapering cylindrical legs75 x 154 x 75cmThe angles to the drawer handles are a little chipped ad scuffed, otherwise general scuffs and wear commensurate with age and use. Internal dimensions for drawers are 4 x 33 x 48cm (h x w x d)
An Art Deco burr maple leather inset desk, the inverted breakfront with frieze drawer flanked by four short graduated drawers to either side and book recesses to either end76 x 129 x 72cmRe-leathered top, the timber to top surface rather more faded than the rest of the desk, minor chips and cracks commensurate with age and use, along with the usual scuffs and signs of use.
A QUEEN ANNE WALNUT AND BURR-ELM KNEEHOLE DESK early 18th century and later, the rectangular herringbone banded top over an arrangement of seven drawers and a concealed apron drawer surrounding a recessed cupboard, on shaped bracket feet, 78.5cm high x 76cm wide x 49cm deepProvenance: The Grey-Egerton Family, formerly of Oulton Hall.
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154978 item(s)/page