We found 4104 price guide item(s) matching your search

A group of decorative vases, also delftware, spill vases, (A Lot). The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A BRISLINGTON WILLIAM III PORTRAIT CHARGER LATE 17TH CENTURY Painted in shades of green, manganese, blue and green, 35cm diameterFor a closely related charger, see Sotheby's London, L13302, 3rd December 2013, Lot 37 (£5,250 incl BP). See also M.Archer, Delftware in the Fitzwilliam Museum (2013), p.11, A.12 for an illustration of a similar example. Condition Report: Chips to base. Chips and glaze loss to rim. There are two hairline cracks one at 10'o clock and another at 4 o' clock. There are 3 areas of paint and glaze loss to the portrait. Overall fritting. No further serious damage or restoration detected.Condition Report Disclaimer

A Delftware vase and a similar jug, handpainted and a Sargadelos vase. H.29cm (largest).

An 18th century English delftware flower brick, 15cm wide, 8cm high. Condition - edges chipped and larger chip to one corner, usual for pottery type, use and age

18th century polychrome delftware dish, decorated in the Chinese style, 30.5cm diameter

Turquoise vase with lustre finish and branch patterning. Round body. Brass spout. 'Handpainted, Delft, Holland' backstamp. #delft #delftware #brassIssued: 20th c. Dimensions: 5.5"HManufacturer: DelftCountry of Origin: HollandCondition: Small spots of tarnish to outer brass. Dark tarnish to the inside of the brass spout.

Turquoise toned with lustre finish & branch patterning. With handle. Brass accented spout & handle. Hand Painted Delftware Made In Holland on bottom. This item has no reserve. Dimensions: 3"W x 5.75"HManufacturer: DelftCountry of Origin: HollandCondition: Age related wear.

Two antique blue and white delftware plates, 30cm diameter, together with a polychrome delftware plate, 33cm diameter (damages)

Four various antique Continental Delftware and majolica dishes, the largest 37cm wide

A quantity of Delftware etc

Duitsland, drie keramische pullen, 18e/19e eeuw, één Delftware met blauw en rood floraal patroon, en twee steengoed met tinnen deksel. h. [3]

18th century Delftware ware including a Dutch Delft polychrome plate, painted with a garden scene and stylised ornamental pool, 19cm diameter, c.1765; another polychrome Delftware plate, painted in colour with aster sprays on a lattice fence terrace with surrounding foliage, 23cm diameter, c.1785; others

A 18th century English Delftware plate, decorated with vases on plinth, peonies and twining vines, the rim with sprigs of similar flowers, in pale blue, orange, red, green and yellow tones, pale blue grey glazed ground, unmarked, a similar example attributed to Liverpool c.1760 in the Bristol collection, 35cm diameter;  two dished Delft chargers/bowls, one with Bird on a Pillar, with floral border, possibly Liverpool c.1730 (3)

A 19th century Delftware enamel snuff box, the hinged cover mounted with a young man plucking a fiddle, the sides decorated with Dutch flowers, shell thumb piece, 4.5cm x 5.5cm x 4.5cm, mark to base

An 18th century Delftware tin-glazed earthenware plate, Liverpool (Fazakerley), of circular form and painted in green, blue, and yellow with floral sprays, painted mark verso, 22.5cm diameter; with a Delft blue and white plate, 23.5cm diameter (2) (at fault)

A collection of porcelain reference books and catalogues to include An Encyclopedia of Pottery and Porcelain in the Nineteenth and Twentieth Centuries, European Porcelain, and specialist books on Minton, Fairyland Lustre, Davenport, Staffordshire, Worcester, Wedgwood, Masons China, English Delftware, and Doulton (qty.)Provenance: The Estate of the Late Jackie Mann

A vintage hand painted Delftware pottery bowl having brass foot and lid, a Poole Pottery Dolphin study, a set of Viners cutlery and a selection of other assorted flatware and knives etc.

CHINESE PAGODA TULIP VASE, blue and white Delftware style ceramic, 90cm H x 19cm W x 19cm D.

Fünf Miniatur-TiereFayence, farbiger Mischdekor. Ein paar liegende blaue Pferde, eine sitzende Katze mit Mangandekor und zwei farbige Vögel. Ohne Marken. Kleine Glasurchips, die Ohren der Pferde restauriert. H 6 - 8,3 cm.Delft bzw. englische Delftware, 18./ 19. Jh.ProvenienzWestdeutsche Privatsammlung.

Delftware-Schüssel mit Blumenvase, Vogel und InsektenKeramik, Blei- und Zinnglasur, Bemalung in Blau und Gelb. Krakelée, ein Radialriss, Glasurberieb am Rand. Durchmesser 41 cm.Frankfurt oder England, Ende 17. Jh.ProvenienzWestdeutsche Privatsammlung.LiteraturZum Typus vgl. Kat. Natuurlijke Pracht 1. Een selectie van vormen uit vuur uit de Terra Verde Collectie, 2019, S. 122 f.

Mid 18th century Bristol delftware plate, decorated with a long tailed bird flanked by tall sponged trees, together with a delftware plate decorated with flowering foliage and stylised Chinese style fence, and another with stylised geometric decoration, 23cm diameter and smaller (3)

Four assorted 18th century Dutch Delft and English delftware plates, comprising two with chinoiserie 'Long Eliza' figures in landscapes, a third with fenced garden, and another with flowerhead design, 22cm to 22.5cm diameter, a/f (4)

18th English delftware plate, decorated in Chinese style with birds and butterfly, 33.5cm diameter, and a Dutch Delft multi-lobed dish with seated figure, 33.5cm diameter x 7cm high, both a/f (2)

Eight mid 20th Century delftware chargers with blue transfer printed decoration - sold with another similar

A pair of 18th Century English delftware tiles each decorated in manganise with a single flower

Two English delftware plates, circa 1730-60, one polychrome with a formal fence, the other in blue with a seated Chinese figure, diameter 22cm. (2) Condition reports for each lot are available on our website.

Delftware, blauw wit aardewerk klepkan met tinnen montering, 18e eeuw Met chinoiserie decoratie. 19e eeuwse tinnen montering. h. 25 cm [1]

Collectable ceramics, including blue and white Delftware and Royal Worcester vases

A small collection of vintage ceramics, including Huge Delftware "The Four Seasons" plates made by Chemkefa in 1970s Holland, Aynsley "Wild Tudor" bowl and Wade blue and white tea set. Delftware diameter 23cm. In good condition, no signs of damage.

A pair of Dutch delftware blue and white wet drug jars the 'peacock' labels inscribed 'S Rhei' and 'Oxym:Simpl', one with mark for 'Cornelis van Dyck at De Klauw', mid 18th century, 20cm [minor damage].

Thirteen Dutch delftware and other tinglazed earthenware blue and white tiles, 18th c and later, 6in and smaller Several damaged

A DELFTWARE CHARGER (BADLY DAMAGED)painted with a stylised pagoda, with figure at window and flying birds 33.5cm dia, a slipware jug, a novelty teapot and other ceramics

A PAIR OF DELFTWARE WALL POCKETSwith a framed Delft tile and a cornucopia wall pocket and two small Delft vases

18th century English blue and white delftware bowl, with patterned decoration, manganese rim, 19.5cm diameter

Blue and white delftware Sack jug, inscribed with the date 1642 but dates from later, 21cm highChips and glaze wear to rim and footrim. Fine hairline to the handle. Otherwise in good condition.

Two 18th century English delftware plates, one with bianco sopra bianco detail, 23cm diameter. Condition - fair

Très rare miroir en faïence de Delft, vers 1680A very rare Dutch Delftware mirror, circa 1680In moulded high-relief with a grotesque mask at the top supported by putti arising from the wild baroque foliage, mirrored scrolling foliage on both sides, the top with a larger round hole and two smaller ones likely for fitting a metal candle bracket, 38.6 cm. x 31.4cm diam. (the mirror a later replacement)Footnotes:Provenance:The Ivan B. Hart Collection;Sold at Rob Michiels Auctions, Bruges, 28 March 2015, lot 103;Private European CollectionLiterature:Aronson, R. and Brouwers, E., Dutch Delftware, The Ivan B. Hart Collection, Aronson Antiquairs, Amsterdam, 2013, no. 3, p. 10This rare mirror is one of only four examples of Dutch Delft mirror frames currently recorded; the other three are in the collection of the Rijksmuseum (BK-NM-12400-95, BK-1959-55).Delftware pieces made for the interior were often based on metal examples, such as candlesticks and wall sconces. This mirror, too, appears to be based on a late 17th-century wooden or metal model, and at least partly influenced by the work of Daniel Marot (1661-1752), the great French-born Dutch Baroque architect, furniture designer and engraver.These kinds of precious objects were often associated directly with the Royal Court of William and Mary, for whom Marot designed the palace interiors at the Dutch Royal Palace of Het Loo from 1684. Exceptional designs and objects were found among the items excavated at Het Loo and listed among the 'Delft porcelain' in the inventories. A courtly poem on the Gelderland Castle of Rosendael by Johannes d'Outrein (1662-1722) suggests that it is highly likely that much of the Delftware was made or designed to Queen Mary's specifications. In the stanza on the queen's closet he refers to 'porcelain vases, which have been made to order for this place by the great queen Mary'. This closet was a small pavilion in the garden of Kasteel Rosendael that was dedicated to Mary and was probably a gift from the Queen to her courtier, Janne Margriete van Arnhem (1635-1721), shortly before Mary left for England. Unfortunately, it was dismantled and is known only from descriptions. The mirrors in Jan d'Outrein's poem were fitted in the wall: 'Het Midelst vercierd met d'heldre spiegelglasen, Waar in sig't kabinet ten tweedenmaal vertoont' (see A.M.L.E. Erkelens, Delffs Porcelijn' van koningin Mary II, 1996, pp.28-29).For further information on this lot please visit Bonhams.com

THREE SQUARE DELFT POTTERY TILES WITH OTTOMAN MAIDENS BY RAVESTEIJN Utrecht, The Netherlands, second half 19th centuryComprising three wall tiles of square shape, painted in cobalt blue on white ground, two tiles repeating the same motif depicting a veiled maiden wearing a long dress and pointed shoes, and the third tile with a Greek maiden in profile, with an elaborate hairdo and open sandals, all set within circular medallions, the corners filled with stylised floral motifs.Each 15.2cm x 15.4cm Delftware tiles of this type and precise measurements are usually attributed to the late 19th-century Ravesteijn tile factory manufacture in Utrecht. Their inspiration for the non-European subjects was drawn from the engravings of Oriental and Ottoman figures published in 16th and 17th-century travelogues and diaries, such as the Navigations et Pérégrinations Orientales by Nicolas de Nicolay, published in Lyons in 1568. An analogous set of tiles was successfully sold at Sotheby's London, 6 April 2011, lot 411. Each 15.2cm x 15.4cm Qty: 3

Mid 18th century Delftware plate, probably Bristol, painted with a stylised tree and rockwork, 22cm diameter

Quantity of ceramics to include North African blue and white vase, Staffordfordshire blue and white transfer printed Pearlware plate, 19th century Chinese Canton Famille Rose mug, Delftware tile, etc

A delftware large wall plaque, 12 inches diameter,

9 Blue and white lidded pots to include Spode and Delftware etc 

A group of English and Dutch delftware tiles, mid 18th century and later including a blue and manganese tile painted with a man by a bridge, probably Lambeth; a similar Dutch tile painted with a vase of flowers; and seven various blue and white and polychrome tiles [9].

A garniture of five Dutch [Het Bijltje] blue and white delftware vases and three covers, painted with elaborate flower sprays within moulded cartouches, hatchet marks, 18th century, 27-37cm [some losses and repair].

A pair of Dutch blue and white delftware baluster vases and covers of ribbed octagonal form, the covers with lion finials, painted in the Chinese manner with jardinieres, flowers and foliage, BV marks, 41cm [some damage and repair].

Assortment of ceramics to include a Rosenthal, Germany hand painted floral vase, H 20cm, a late Victorian Silver and Pottery scent bottle by John Reading and Sons. Wemyss Strawberry jar (missing cover lid), Delftware hand painted mermaid and seahorse footed jar and a pair of two handled hand painted mugs and a cockerel mug.

Three vases in Dutch Delftware and Iznik-style pottery, 18th/20th C.H 44,5 - 43 - 29,3 cm

A set of 3 Mid 20th Century delftware plates. Probably French. 20cm

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.Condition Report: All of these lots of books are in new condition, and have not been out of there outer packaging.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

A mid 18th century English polychrome delftware dish, decorated in magenta, blue, green and yellow with stylised roses, 34cm diameter, 6cm high Numerous old chips around the rim, other small firing marks scattered throughout the glaze, rubbed around the foot rim but essentially fair to good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A set of six London delftware polychrome plates, late 18th century, each painted with a fenced garden scene within flower swag borders, 23cm diameter All of the plates with varying degress of fritting and chipping around the rims, one plate with a crack running three quarters of the way around rim.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Six 18th century style manganese-decorated delftware tiles, each painted with figures in military uniform, 13cm x 13cm

An English delftware blue and white bowl, probably Bristol, c.1750, the interior with inscription One Bowl / more and / Then., within concentric ring borders, the exterior with a continuous landscape with a young lady and an architectural ruin, with birds in flight beyond, 26.5cm diameter, 11cm highFootnotes: Note: a smaller example with the same inscription within concentric rings to the interior is in the Bristol City Art Gallery Collection, no. G.2013, illustrated in Frank Britton, English Delftware in the Bristol Collection (1982), p. 286, no. 18.30. Condition Report: There is some evidence of overpainting and clear lacquer suggesting that this bowl has probably been broken through and repaired.  The restoration is discreet and well carried out, making it difficult to discern the exact nature of the damage concealed.  There is some slight peeling of the overpainting to the left and right of the lady, and in places there is some very slight yellowing as the restoration ages.  In time the bowl will benefit from being restored again.  In addition, there is some flaking to the glaze on the rim.

An English delftware blue and white flower-brick, mid-18th century, each side painted with two panels of mimosa flowers enclosed by line borders, the top with a rectangular aperture flanked by six small circular apertures, 9cm high, 15.8cm wide, 6.8cm deepFootnotes: Note: For similar examples of shape and decoration see Frank Britton, English Delftware in the Bristol Collection (1982). Condition Report: There is some flaking / slight chipping to the extremities / edges, which is to be expected.  There are some cracks to the upper part with a crack running down one side and into the base.  On each end there is a crack from the upper part running part way down the end.

An English delftware blue and white oviform pharmacy jar, probably London, c.1720-30, blue cross mark, with a short foot and rim, the front painted with a label inscribed U: CÆRUL . FORT in a strapwork escutcheon with winged putti holding flowers and centred by a shell, the lower part with pendant flowers and husks and centred by a winged cherubim mask, 18cm highFootnotes: Note: The original contents of this drug-jar were Caeruleum, unguentum, known as ‘The Blue Ointment’, which was an unguent used as an anti-venereal disease agent which was made from hog’s lard, turpentine and mercury. Condition Report: Overall this drug-jar is in reasonable condition – the principal issue is the flaking and chipping to the upper rim and footrim.  The cracks to the glaze throughout, some of which are dirt-filled, is more minor.  There has been an attempt to disguise the flaking / chipping to the upper rim with some slight filling / overpainting – this is very crudely done.  Ideally a restorer should remove this crude repair and either carry out a proper filling (which should be reasonably low cost) or it could be left without any repair.