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Group of antique ceramics, including an 18th century blue and white delftware plate, a 19th century English porcelain plate painted with cob nuts, a Liverpool saucer with Sadler print, Bow cup, etc

17th/18th century English tin-glazed polychrome delftware character flask having male and female costume and features, possibly modelled after Elizabeth I. Height 26.5cm.

CHINESE PAGODA TULIP VASE. Delftware style, 89cm H x 18cm W x 19cm D.

A London Delft Plate, probably Lambeth, circa 1750, painted with a lady in a flowing dress, an attendant holding an umbrella, another holding her train 22cm diameter A Similar Dish, painted in blue with a pheasant, a fisherman and islands 30.5cm diameter (2)For a similar plate dated 1748 see Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, B212

A London Delft Dish, probably Lambeth High Street, circa 1760, painted in blue with a butterfly amongst bamboo, peony and chrysanthemums within a bianco-sopra-bianco scroll border 35cm diameter A Liverpool Delft Dish, circa 1760, painted in green, yellow and manganese with a flowerspray within a foliate border 34.5cm diameter (2)For a similar example to the first dish see Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, B83

A Pair of London Delft Plates, Lambeth or Mortlake, circa 1780, painted in colours with flowers and rockwork in a fenced garden within a foliate and diaper border 23cm diameterFor a similar example see Archer (Michael) Delftware, B81

A Liverpool Delft Plate, circa 1750, painted in coloured enamels with a chinoiserie river landscape with fishermen in boats and pagodas on islands 23cm diameterFor a similar example see Archer (Michael) Delftware in the Fitzwilliam Museum, item no.B101

An English Delft Plate, probably Lambeth High Street, circa 1775, painted in blue, yellow and manganese with buildings on islands 16.5cm diameter A Similar Dish, probably Liverpool, circa 1750, painted in blue, yellow, ochre and green with a chinoiserie boy in a fenced garden 34cm diameter (2)Provenance: Plate with Gary AtkinsFor a similar plate see Archer (Michael) Delftware, B108 Landscape - with a long crack from the rim and through the well. Rim chips and fritting. No repair.  Boy - broken into three, re stuck but left honest. Rim abraded, with fritting and chips.

A London Delft Charger, Lambeth High Street, Abigail Griffith, circa 1770-85, painted in coloured enamels with a peony spray within a foliate panelled geometric border and foliate rim 34.5cm diameterFor a similar example see Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, item B179

A Bristol Delft Charger, probably Richard Frank Redcliff Back, circa 1750-70, painted in blue with an estuary scene with figures in boats, sailing ships and buildings beyond 33cm diameterFor similar examples see Archer (Michael) Delftware, The Tin-Glazed Earthenware of the British Isles, pgs.222-224 where it is noted that a related plate destroyed in the Alexandra Palace fire of June 1873 was inscribed Ye 1st Sept January 1761 Bowen fecit No cracks or restoration. Rim chips and fritting. Glaze scratches.

An English Delftware dish, Lambeth, c1760, painted in cobalt with willow tree, rock and fence, 34.5cm diam Old rim chip at 6 o'clock and one or two small rim chipsNot cracked, no recent or professional restoration

A German spirally lobed faience jug and a similar smaller Delftware jug, probably Dutch, both 18th c, painted with a chinaman seated between rocks or with a peacock on a rock flanked by flowers, each with blue dash handle, 17.5 and 23cm h Some typical flaking of the glaze around the rim and on the larger on top of the handle, but both in substantially good condition with no significant cracks or chips and no restoration

A pair of Dutch Delftware dishes, 19th c, painted in polychrome with stylised flowers in trailing border, 30.5cm diam Typical flaking of glaze around rims

Decorative Delft-Style Ceramic Tile with Pastoral Scene This square glazed ceramic tile, measuring approximately 15 cm x 15 cm, features a raised relief design with a pastoral scene. The foreground depicts a woman in traditional European attire, including a blue skirt and white blouse with a kerchief, carrying two buckets. She is accompanied by a black-and-white cow grazing on grassy terrain. The background shows rural structures, including a red barn, a peaked-roof farmhouse, and a windmill, surrounded by trees and a cloudy sky. Framed by a brown ceramic border and designed for wall hanging with a black cord, the tile bears the embossed markings "Delft" in cursive script and "FRIESLAND" in block capitals on the reverse. These inscriptions suggest it originates from Friesland, a Dutch region known for Delft-style pottery. Produced in the mid-20th century, this decorative tile reflects the Dutch cultural and artistic heritage often associated with Delftware.

A 17th Century delftware Meiping type Vase, in blue and white glaze, with Oriental landscape with figures in foreground, A/F, with later associated wooden lid, 1ft H

An 18th century style English Delftware enamel bowl, decorated in the Chinese manner, 22.5cm diameter

Six Delftware vases numbers 402, 411 and 412, tallest 20cm high / AN38

Delftware including Duck, vases and teacup with saucer, tallest, 15cm high / AN38

Four small Delftware vases including one pair, tallest, 15cm high / AN38

A pair of English blue and white delftware plates, mid-18th century, each decorated with a building before a boat, dia.22.5cm

Group of Continental blue and white delftware comprising baluster vase, painted in the chinoiserie taste with pagoda type building amongst rocks, another painted with stylised floral sprays, soup bowl, tiles, etc, 19cm high and smaller (5)

A rare English blue and white delftware marriage dish, inscribed with the initials 'M A F' and the date '1733', with foliate borders, 21.75cm diameter, together with another 18th century delft dish painted in the Chinese style (2)The marriage dish has rim chips and the glaze has worn from the whole of the rim. The other dish has some chips and glaze wear. No repairs or restoration.

A BRISTOL DELFTWARE CHARGERCirca 1750 Painted with a bird perched amongst flowers, an insect flying above, 34cm diameterThere are some typical nibbles around the border, but overall in good condition

Mixed collectables, including: Royal Doulton Bunnykins, Willow Tree figure, collectors plates, Delftware etc

18th century English delftware circular dish, decorated to centre with a fence and stylized flower pattern with border, D35cmNibbles and visible losses to edge, medium chip to rimShipping £38.00 plus vat (UK Only)

18th century English delftware circular dish, decorated with a dancing figure and a tree with a repeating geometric border, D35cm with note on base referring to Tile 300 p.56 English Tin Glazed Tiles by Jonathan HorneNibbled edge, large chip to edgeShipping £38.00 plus vat (UK Only)

Blue and white Delftware pottery including Dessicat jar 15cm, two plates, each 23cm diameter, and three baluster vases, each 23cm. (6)

A collection of decorative china plates to include Limoges, Delftware, and more. Lots of examples in blue and white Willow pattern. **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**

An interesting collection of miniature ceramics and collectibles including Leigh Aldrich style bronze cowboy on driftwood, delftware, crown staffordshire, cloisonne, limoges type pill box etc. (1 Tray)

A Lambeth (Abigail Griffiths) delftware charger, c.1760, painted in polychrome enamels with a Chinese figure seated before an ornamental fence and flowering plants, the rim with a formal floral and foliate border, 34cm.

A large delftware charger, c.1735, Bristol or London, decorated in blue, green and red with an insect in flight above flowering Oriental plants, the rim with a stylised foliate border, 34cm.

A rare delftware salt, c.1720-30, the circular well inscribed with an S and edged with a simple blue dash border, raised on a wide domed foot with a trellis and foliate design, 7.5cm.

An early delftware drug or pill jar, c.1680, painted in blue with an angel with outstretched wings around a ribbon banner inscribed 'P RUFFI', minor rim chipping, 9.7cm.Pilulae Rufi were named after the 1st century AD anatomist and physician, Rufus of Ephesus, who developed them. The pills contained Socotra aloes, myrrh and saffron and were believed to have anti-pestilential qualities.

A commemorative delftware plate, c.1780, probably London, painted in blue with a head and shoulders portrait of Admiral Keppel within a formal foliate border, the rim inscribed in manganese with 'Admiral Keppel for Ever', well restored around the cavetto, 22.5cm.The image of Admiral Augustus Keppel, 1st Viscount Keppel derives from a print by T. Cook after D. Dodd, and is loosely based on the portrait by Sir Joshua Reynolds. Cf. Michael Archer, Delftware, p.123, fig B.14.

A delftware drug or ointment jar, c.1700-20, painted in blue with a basket of fruit flanked by birds perched on leafy stems, above a cartouche inscribed 'V. ENVLAT', two small drill holes, 19.3cm.Unguentum Enulatum was an ointment made from elecampane rhizome, oil of wormwood, turpentine and lard, which was used to treat skin disorders.

A delftware Royal dish, c.1690, probably Brislington, the gently fluted form painted in blue with a portrait of King William, inscribed KW, the wide rim with three flowerheads and stylised foliage, a 6cm rim crack, 21.3cm.

A rare and early Brislington delftware plate, c.1685-90, the octagonal well painted in shades of blue, yellow and manganese with a standing Chinese figure in a simple rocky landscape, the unusual rim moulded with a repeated shell motif, 24.2cm.Provenance: a private collection from Devon and thence by familial descent.Very few dishes with this unusual moulded rim are recorded. Cf. Michael Archer, Dated English Delftware, p.46, no.124 for a dish dated 1688 and believed to commemorate Halley's Comet, which appeared in 1680/81. This dish, formerly in the Thomas Greg Collection, is now in Manchester City Art Gallery. Alongside the following lot, another Royal dish is known from the Longridge Collection.

A London delftware wet drug or syrup jar, mid 18th century, the globular body painted in blue with a cartouche inscribed 'OX: SIMP', surmounted with two birds flanking a basket of fruit, some retouching, a replacement spout, 17.5cm.Oxymel Simplex was a basic syrup obtained by heating clarified honey and vinegar. It was used in the treatment of sore throats and as a basis for more elaborate remedies.

A large delftware charger, c.1785-95, of 'Ann Gomm' type, painted in polychrome enamels with a seven-sided central motif radiating a formal floral design, the design echoed to the rim with four floral sprays, 33.8cm.The pattern takes its name from a well documented set of plates in the same design, inscribed for Ann Gomm and dated 1793.

A rare and early Brislington delftware Royal plate, c.1685-88, the octagonal well painted in shades of blue, yellow and manganese with a standing portrait of James II holding a sceptre and a parchment, the rim moulded with an unusual repeated shell motif, broken in half and restuck, 24cm.Provenance: a private collection from Devon and thence by familial descent.Very few dishes with this unusual border are known, but another featuring James II (formerly in the Lipski Collection) was later sold at Christie's as part of the Longridge Collection on 11th June 2010, lot 102.Following James II's deposition after the Glorious Revolution of 1688, many objects featuring his image were destroyed or hidden for the safety of their owners. Jacobite followers continued to grow in number into the 18th century and Devon was a key area, especially for a planned uprising in 1715, following the death of Queen Anne. Family legend reports that the dish was broken deliberately during this turbulent time but resuced by a relative who still held true to the old king and his descendants.

A Bristol delftware charger, c.1730, painted in blue, green and red with a peacock raised on rockwork before flowering plants, the rim with a floral panelled border reserved on a red trellis ground, 34.5cm.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

A pair of elaborate Victorian bronzed brass and delftware candlesticks together with a pair of Victorian push-eject brass candlesticks, former 23 cm, one (a/f)

An Assortment of "925" and Other Jewellery, to include a figaro link chain, charm bracelet suspending assorted novelty charms, moonstone set pendant, Delftware panel brooch, heart drop earrings (damages), tri-colour multi-strand bracelet, Modernist panel ring etc.

Large Old Master oil on canvas painting depicting a butcher in his shop surrounded by meats and tools of his trade, likely northern Italian circa 16th-17th century. With various conservation notes as photographed in the listing.Provenance: Holzerman's, Minneapolis, MN; Collection of Tom Sewell; Collection of Dudley Riggs, Minneapolis, MN.Unframed; height: 56 in x width: 91 in. Framed; height: 67 in x width: 81 1/2 in x depth: 4 in.Condition: The painting was conserved most recently in 1996; please see the documents in the lot listing photographs for details on the work done in that treatment. The painting has been relined and re-stretched. The varnish is discolored, making finer details difficult to see. There is extensive craquelure and stretcher bar marks along the perimeter of the work. There is cupping throughout that appears to have been treated, the surface is currently stable. When examined under UV light there are numerous areas of inpainting. The most extensive areas of inpainting are: the area surrounding the delftware jug, the background in between the man and the severed cow head, along the edges, and on and around the man's face. There's also evidence of restoration and inpainting vertically through the center of the work; possibly from a previous stretcher. There is also a horizontal line running between the length of the work about nine inches from the bottom. It is possible that the work was folded in the past, causing this crack. There is wear to the frame including: small losses, worm holes, and drill holes. The painting has been reinforced within the frame with thirteen pieces of wood, please see photographs of the verso.

A Lancaster Delft plate, in polychrome with pagoda, foliage and rockwork, 22cm diam, c.1760, see Blenkinship and Hobson, Lancaster Delftware (1754 - 1786); another, possibly Lambeth, in polychrome in the Chinoiserie manner, with flowers and foliage, 23cm diam, c.1760; etc (3)

A rare 18th century English delftware pharmacy ointment pot, on short foot, probably London, 3.5cm high x 4.5cm dia.

Sundry items, including an antique delftware plate, copper kettle, cast iron money box, etc

19th-century delftware pillbox

Turquoise vase with lustre finish and branch patterning. Round body. Brass spout. Original Delft stickers on the side and bottom. #delft #delftware #brass Issued: 20th c. Dimensions: 5.6"HManufacturer: DelftCountry of Origin: HollandCondition: Dark tarnish to brass spout.

Seven boxes containing various figurines, animal ornaments etc to include Beswick cockatoo 1180, various Delftware cow ornaments, a Studio Six (Fulham) cat designed by Seneshal and signed "A. Short", a Winstanley cat, 15 blue and white Delft and faience ware animals, etc. (7 boxes)

A Delftware polychrome vase, late 19th century, manner of Samson, Edmé et Cie, the octagonal panelled body painted with cartouches depicting merchant figures in Chinese style, bordered by brightly coloured scroll and leaf motifs, marked "PVM 36" to base, height 32cm

An English Delftware charger, Lambeth, London, late 18th century style, decorated in Chinese taste, diameter 31cm

A pair of 18th century Dutch delftware desert plates, decorated in underglazed blue with floral patterns, 22.5cm diameter; another pair similar, 19.5cm diameter (4)

An 18th century Delftware charger, decorated in the Chinese taste in underglaze blue with a fence, flowers and leaves, 35.5cm diameter

A collection of homewares and collectables, to include Delftware ceramics, an Edwardian water jug and bowl, figurines, Pendelfin stonecraft rabbit figures, carlton ware vase, brass/metal wares and other cabinet pieces. (5)

An 18th century English (London) delftware blue and white part food warmer with mask and scroll handles, 7" high (ex Lucy Johnson Antiques and Dr Dallas Bache Pratt collection)

Collection of various ceramics to include: six Delftware tiles, various Devon slipware tankards, a smal tin-glazed baluster vase, glass biscuit barrel with silver plated mounts and decoration, three faience ware plates, and Arts and Crafts style clock, three French 'Paris Addiege', a Salopian ware vase, with impressed marks to the footrim, plates etcProvenance: The property of a Gentleman, from a period Winchcombe Town House. Overall wear, dust and dirt to all. Crazing to the glaze to almost all. Barnstaple vase with damage and losses to the glaze. Both storage jars and covers with bark type decoration with damages and repairs. One Devon slipware mug with chips to the footrim. Tiles are chipped. Pair of vases with some losses. Small teacup with damage to the handle. One of the black and white plates are cracked. Earthenware pedestal vase with damage and repairs. Small Salopian ware vase on cream ground with paint chipping and flaking from the rim. Other plates with chips and cracks.