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Lucian Ercolani for Ercol "Model 355" Studio Couch or Daybed Late 1970s manufacture, with original webbing and retaining gold label to underside, for restoration (af).206cm wide, 75cm deep, 76cm highBoth arms with fractures to curved sections, these will need to be repaired, webbing in good condition, further general wear to frame commensurate with age and use, additional images available.
Kent (William), After. Bust of Queen Caroline in an interior decorated with shells, an elevation of the Hermitage, Richmond, below, engraving, faint scratched date or number in the upper left '[?]06', 188 x 204 mm (7 3/8 x 8 in), under glass, minor surface dirt, framed, [circa 1735]Provenance:Collection of John and Eileen HarrisLiterature:cf. Sicca, M, 'Like a shallow cave by nature made, William Kent's natural architecture at Richmond', Architectura (Munich, 1986), vol.16, pp. 68-82cf. Bridgwater, David, Queen Caroline's Hermitage at Richmond and the 5 Marble Busts by Giovanni Battista Guelphi (1690-1736), see bathartandarchitecture.blogspot.com August 2015*** Scarce, with no other examples that we can trace at auction, or impressions held within institutional collections. Although her building and landscaping commissions were relatively few, Queen Caroline commissioned William Kent to build Merlin’s Cave (a thatched Gothic structure) and a hermitage in Richmond, the latter a subject in present print; neither of these two commissions survive. The Soane Museum hold a preliminary design by William Kent for Queen Caroline's Hermitage at Richmond Gardens, which was acquired by Robert Adam before being sold to the Soane, and shows a section of the interior with a table in a shell-decorated niche with a daybed on either side, as in present print
REGENCY MAHOGANY 'GRECIAN' DAYBED EARLY 19TH CENTURY with scroll ends and a loose cushion seat, the frame carved on all sides with foliate scrolls and anthemion, raised on outswept legs ending in scroll capped feet, in black and gold striped plush upholstery 209cm long, 69cm high, 62cm deep; seat 43cm high
Poul Kjærholm (1929-1980) for Fritz Hansen Model 'PK80' daybed, originally designed 1957, executed 1983 Steel, Leather upholstery Manufacturer's label to frame 31cm high, 194cm wide, 81cm deep Condition Report: Structurally sound and sturdy, some general surface wear to leather to include faint scuffs commensurate with use, there is some wear to colour of leather on corners. The frame with light general surface wear to include faint scratches and scuffs.
Mies van der Rohe, LudwigAachen 1886 - 1969 Chicago, war einer der bedeutendsten Architekten der Moderne, Daybed "Barcelona", Entwurf: 1929, Ausführung: 1980er Jahre, Knoll, Holzrahmen einseitig gerundet und die Ecken auf Gehrung, auf vier verchromten Metallbeinen, 11 graue Lederriemen als Gurtung und 2 Spannbügel aus Eisen, die Polsterung aufgelegt und mit Gurten befestigt, cremefarbener Lederbezug und Heftung mit Lederknöpfen, 1 aufgelegtes und mit Gurten befestigtes, röhrenförmiges Kissen, H: 40 cm + Kissen, L: 200 cm, B: 98 cm. Normale Alters- und Gebrauchsspuren wie vereinzelt min. Kratzer/Berieb/Verfärbung.
Toshiyuki, Kitageb. 1942 in Osaka, Japan, Tagesbett/Daybed "Beo", Entwurf: 1992, Ausführung: Anfang 21. Jh., Interprofil/IP Design, Bielefeld, Polsterliege mit Kunststoffrollen, silbergraues Aluminiumgestell mit schwarzer Metallmontur, das Kopfteil über Hebelzugmechanismus im Anstellwinkel verstellbar, schwarz-beige-gestreifter Polsterbezug, LxB: 200/70 cm, H: 36 cm + anwinkelbares Kopfteil. Gebrauchter Zustand.
Sàpek, BorekPrag 1949 - 2016 ebenda, tschechischer Architekt, Möbeldesigner und Glaskünstler, Dreisitzer-Sofa Modell "Prosim Spi", E: 1987 für Driade, Italien, Couch mit vier Beinen, die auswärts geschwungenen Seitenteile mit schwarzem Lederbezug, die Rückenlehne und Sitzfläche aus Kirschholz mit Polsterung in hellblauem Stoffbezug, die Sitzfläche lässt sich um ca. 15 cm zur Nutzung als Daybed nach vorn ausziehen, dazu lose aufliegend 5 lederbezogene Kissen, HxBxT: 90/250/82 cm.
A 'BARCELONA' DAYBED Designed by Mies Van Der Rohe, padded black leather, chrome legs and natural coloured wooden base, with bolster cushion 195 x 98 x 40cm Condition: Condition Report There is oxidisation to the steel base, minor discolouration to the leather, also some creasing, the leather supports show minor cracking, and chips to the corner of the frame. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A VICTORIAN MAHOGANY FRAMED DAYBED OR CHAISE LONGUE LATE 19TH CENTURY 77cm high, 160cm wide, 65cm deep Provenance: Gatewick, Steyning, West Sussex Condition Report: Upholstery distressed and requiring re-covering before use in a domestic setting - damage to the end section, some marks and stainingFrame appears solid and stable overall, the upholstery is probably later applied, Dreweatts cannot guarantee the originality or condition of the frame hidden beneath upholstery, part of the frame is visible to the underside of the 'head' end. This conceals a ratchet action to adjust the headrest into positions - this is stiff and does not operate cleanly on the pull fabric mechanism, it can be manually adjusted from the reveal beneathOverall frame appears solid and stable, all four brown porcelain castors are present Legs with marks, knocks, scratches, abrasions consistent with age and use, some chips and losses Please see additional images for visual reference to condition Condition Report Disclaimer
A VICTORIAN MAHOGANY FRAMED BUTTONED AND UPHOLSTERED DAYBED OR CHAISE LONGUE CIRCA 1870 On turned supports 79cm high, 176cm long, 65cm deep Condition Report: Overall will require full reupholstery before use in a domestic setting, rips and tears to the upholstery on the off-side (not photographed for the catalogue) - please see additional images for details, the white wadding material is visible. also marks, stains, signs of age and useThe frame appears solid and stable, the 'head' end not notably loose or wobbly to the bench, legs also solid and stable, some marks and knocks, one castor is black and the remainder are white porcelain, the black example presumed to be a replacement. Please see additional images for visual reference to condition Condition Report Disclaimer
RHODA GARRETT (1841-1882) AND AGNES GARRETT (1845-1935) RARE AESTHETIC MOVEMENT CHAISE LONGUE, CIRCA 1875 mahogany with upholstery and loose squab cushion 57.5cm wide, 94cm high, 130cm long Literature: The Furniture History Society: British and Irish Furniture Makers Online (bifmo.furniturehistorysociety.org)Note: Rhoda and Agnes Garrett were trailblazers in British interior design, becoming the first women to establish their own firm, R. & A. Garrett House Decorators, in 1874. Originally working as a governess and housekeeper, they began their careers with apprenticeships under Jean McKean Brydon in the London office of Cottier & Co. After completing their three-year training, they embarked on a tour of English country houses, which informed their design aesthetic, giving them the confidence to start their own business in London.The Garretts’ firm offered interior design services and created furniture, wallpapers, and textiles. Their designs reflected principles of the Arts & Crafts Movement, emphasizing the use of authentic materials and craftsmanship. Their 1876 book Suggestions for House Decoration in Painting, Woodwork, and Furniture was aimed at middle-class households, promoting the idea that "every material has in itself a beauty," encouraging natural aesthetics rather than imitation.Their most notable clients included James and Margaret Beale, for whom they designed pieces for their home at 32 Holland Park. These pieces, including the daybed of the same design as the current lot, were later moved to the Beales' country house Standen, which remains a National Trust property (see NT 1214057). The Garretts also worked on the homes of notable family members, including Elizabeth Garrett Anderson and Millicent Garrett Fawcett, pioneers in medicine and suffrage, respectively.The sisters were committed to advancing women's rights, particularly through their involvement in the Women’s Suffrage Movement. Agnes served as the joint honorary secretary of the Central Committee of the National Society for Women’s Suffrage in 1872, actively advocating for women’s right to vote. Rhoda was also a powerful public speaker, delivering speeches at meetings and rallies. In one of her speeches in 1876, she emphasised the role of women in improving household art, arguing that through their contributions to home design, women could positively impact society. Their activism extended beyond suffrage; Agnes trained female apprentices in her design firm, providing women with professional opportunities in a field that had traditionally excluded them. Through their work and activism, the Garrett cousins played a pivotal role in promoting both gender equality and women's rights in the professional and domestic spheres.After Rhoda’s death in 1882, Agnes continued the firm, managing a skilled team of workers and training apprentices, including women, which was uncommon at the time. She exhibited her designs at major events like the Arts and Crafts Exhibition Society in 1888, further cementing the Garretts’ influence.Their contribution to furniture design is regarded as significant due to its focus on craftsmanship and accessibility for the middle class, and their pioneering role as women in business and design. Through their work and activism, they left an enduring legacy in both the design world and the women's rights movement.
"Svane"-Daybed, Entwurf Haldor Vik & Ingmar Relling für Ekornes, Norwegen, 1960er Teak, auf 4 Spitzbeinen, flache Zarge mit scharnierter, gepolsterter Sitz/Liegefläche, niedrige Rückenlehne mit 3 aufgelegten Polstern, unter der Sitzfläche 1 Staufach, grüner Wollstoffbezug, ungemarkt, ca. 75x190x75cm, Alters- u. Gebrauchsspuren, Bezug partiell fleckig
Lucian Ercolani for Ercol - Model 355 Studio Couch - a retro 1970s blonde beech and elm three seat sofa settee / daybed. The sofa having spindle and hooped armrests and wide panel back with large foam and upholstered cushion all raised on short tapering legs. Measures approx. 76cm x 204cm x 76cm.
A TAN LEATHER DAYBED, the shaped frame with a removable headrest, approximate length 164cm x width 71cm x height 94cm (condition report: sun bleached and original colour can be seen under headrest, marks made visible due to colour change, no visible rips or tears, general signs of wear and usage)
Rare original vintage set of 5 World War Two propaganda postcards printed on one sheet of paper featuring caricatures by the British cartoon artist KEM Kimon Evan Marengo (1904-1988), produced for the Ministry of Information with quotes in Persian, and illustrations, (1) Strongly he secured his two hands so that his fetters could not be broken even by a fierce elephant - adapted from the Shahnameh / Book of Kings by the renowned Persian poet and author Ferdowsi (Abul-Qasem Ferdowsi Tusi; 940-019/1025CE). Great design depicting Hitler as the mythical figure Zahhak with the faces of Mussolini and Tojo as the evil king's snakes growing out of his shoulders, being led on a horse with his arms tied behind his back, the horse's tail dragging a guard with a swastika armband in the foreground and depictions of Churchill smoking a cigar on a horse with a Union Jack flag, Stalin smoking a pipe and Roosevelt holding a sword on a horse with the American flag walking in front of two men standing by the hills and trees in the background. (2) He cried and raised his hand My sharah I am Kava for justice There must be an end to aggression - adapted from the Shahnameh / Book of Kings by the renowned Persian poet and author Ferdowsi (Abul-Qasem Ferdowsi Tusi; 940-019/1025CE). Great design depicting Hitler on a throne as the mythical figure Zahhak with the faces of Mussolini and Tojo as the evil king's snakes growing out of his shoulders, guarded by people wearing swastika armbands and holding guns with a monkey character with devil horns and tail holding a bloodied sword by his horse hoof feet. (3) Thus he saw that from the palace of the Emperor three warriors suddenly came forward - adapted from the Shahnameh / Book of Kings by the renowned Persian poet and author Ferdowsi (Abul-Qasem Ferdowsi Tusi; 940-019/1025CE). Great design depicting Hitler as the mythical figure Zahhak with the faces of Mussolini and Tojo as the evil king's snakes growing out of his shoulders, sleeping on a red daybed with his dream in a cloud above showing Churchill smoking a cigar on a horse with a Union Jack flag, Stalin smoking a pipe and Roosevelt on a horse with the American flag in front of a palace building, his guards wearing swastika armbands armed with guns and knives with a monkey character with devil horns and tail and horse hoof feet in foreground. (4) The cult of the sages was hidden and the madmen were scattered The evil hand of the court has been extended - adapted from the Shahnameh / Book of Kings by the renowned Persian poet and author Ferdowsi (Abul-Qasem Ferdowsi Tusi; 940-019/1025CE). Great design depicting Hitler on a throne as the mythical figure Zahhak with the faces of Mussolini and Tojo as the evil king's snakes growing out of his shoulders, holding a sword and a whip with prisoners tied on poles and kneeling on the ground, guards with swastika armbands saluting him and a monkey character with devil horns and tail holding a bloodied sword by his horse hoof feet. (5) On Zahhak's shoulders by magic two serpents grew and destruction came forth from that man - adapted from the Shahnameh / Book of Kings by the renowned Persian poet and author Ferdowsi (Abul-Qasem Ferdowsi Tusi; 940-019/1025CE). Great design depicting Hitler on a throne as the mythical figure Zahhak with the faces of Mussolini and Tojo as the evil king's snakes growing out of his shoulders, a man kneeling and bending down to him with a monkey character with devil horns and tail and horse hoof feet offering him a tray with hot tea on it, guards wearing swastika armbands and holding guns and knives on the sides. Good condition, staining, bumps on edges, each postcard is connected but has a perforated tear line for separating, one tear line has been partially torn. Country of issue: UK, designer: Kimon Evan Marengo, size (cm): 15.5x50.5 total or 15.5x10 per postcard, year of printing: 1940s.
A DAYBED IN THE STYLE OF CHRISTIAN LIAIGRE Rectangular black powder-coated metal frame with chocolate brown leather-wrapped backrest and armrests, seat and cushion upholstered in beige woven fabric 215 long x 150cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AN UPHOLSTERED DAYBED Red toweling fabric upholstery, foam mattress, supported by a steel frame with tubular steel legs 210cm L x 90cm W x 45cm H Condition: Condition Report The fabric exhibits wear and tear, with areas of fading, dirt marks, and discoloration. The steel frame and legs display surface imperfections, including scratches, scuffs, and oxidation This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A 'BARCELONA' DAYBED Designed by Mies Van Der Rohe, padded black leather, chrome legs and natural coloured wooden base, with bolster cushion 195 x 98 x 40cm Condition: Condition Report There is oxidisation to the steel base, minor discolouration to the leather, also some creasing, the leather supports show minor cracking, and chips to the corner of the frame. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A DRIADE TOKYO POP DAYBED Designed Tokujin Yoshioka, sculptural form in polyethylene, suitable for outdoors H x 78.5cm W x 74cm x D 157 cm Condition: Condition Report [INSERT TEXT] This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A 'BARCELONA' DAYBED BY ALIVAR Italy, designed by Mies Van Der Rohe, padded white leather, chrome legs and natural coloured wooden base, fabric to underside marked 'Alivar' 195 x 100 x 40cm Condition: Condition Report There is oxidisation to the steel base, minor discolouration to the leather, also some creasing, the leather supports show minor cracking. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
▲ Max Clendinning (1924-2020), a two-seater settee, c.1980, the powder-blue frame with cylindrical arms and backrest, the right armrest dropping to a daybed position, with loose seat and back cushions upholstered in ochre velvet, 149cm wide92cm deep72cm highProvenance: The Estate of Max Clendinning and Ralph Adron, made for the artists' home.
▲ Max Clendinning (1924-2020), a two-seater settee, c.1980, a powder-blue frame with cylindrical arms and backrest, the left armrest dropping to a daybed position, with loose seat and back cushions upholstered in ochre velvet, 149cm wide92cm deep72cm highProvenance: The Estate of Max Clendinning and Ralph Adron, made for the artists' home.
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1265 item(s)/page