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A collection of jewels, comprising: a gold Virgo pendant on a gold snake chain, pendant length 4.0cm, chain length 44.5cm; a bicoloured gold and platinum chain necklace, stamped 18ct Plat; a cubic zirconia pendant necklace on a 9ct gold chain, British hallmarks; an amethyst and garnet pendant on a 9ct gold chain, British hallmarks; a double strand cultured pearl necklace, to a gold clasp, stamped 14K; a lady's stainless steel watch by Ebel, quartz movement, Ebel case and spare links; a lady's stainless steel watch by Seiko, quartz movement, Seiko case; a gold ring modelled as the titular ring from Lord of the Rings, size Q, stamped 18CT; a 9ct gold and green tourmaline ring, size S, British hallmarks; a ring set with a brilliant-cut diamond weighing approximately 0.35 carats, in a bicoloured mount, size P, stamped 18ct Plat; a square cluster ring of brilliant-cut and baguette diamonds in 18ct gold, size J1/2, British hallmarks; a gold ring of buckle design, size L; and a ring set with two cushion-shaped diamonds in 18ct gold, size K, British hallmarks, central stone deficient
An emerald, ruby, pearl and enamel plaque, late 19th/early 20th century, designed in the Renaissance Revival style, centring on a cluster of step-cut emeralds and cushion-shaped rubies, to an elongated plaque composed of abstract scroll work and foliate motifs applied with multicoloured enamel accented with pearls, mounted in silver gilt, length 9.6cm
A collection of 18 stick pins, early 20th century, comprising: a stick pin set with three cushion-shaped diamonds; one set with a ruby and seed pearls; one set with a star sapphire; one set with a pale blue chalcedony; one composed of the entwined intials SF in bicoloured gold, fitted case with tooled initials SF to exterior; one with a shell cameo of a Bacchante; one with pietra dura inlay depicting a forget-me-not; one with a lava cameo; one set with a tiger's eye cabochon; one set with bloodstone; one with a quartz cat's eye; one set with a faceted rock crystal and cabochon pale green stone, possibly beryl; one with a micromosaic panel depicting the Colosseum; one inlaid with jasper an hardstone depicting a crown over the letter X; one set with a cabochon sapphire; two set with lines of half pearls; and one with a glazed locket compartment within a quatrefoil border, variously mounted in gold and silver, some pins of base metal, four cases
Spink, a sapphire and diamond ring, of bombé design, centred with a cushion-shaped sapphire weighing 3.58cts, in a surround of single-cut diamonds to shoulders pavé-set with fancy yellow diamonds weighing approximately 2.50cts, mounted in 18ct gold, size N, London hallmarks for 1995, stamped Spink 3.58ct and J3785Accompanied by GCS report no. 5783-3875, dated 12th September 2023, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no evidence of heat treatment.
A gem-set dragonfly necklace, the body set with a circular-cut emerald above six cushion-shaped rubies, between wings decorated with rose-cut diamonds and eight circular-cut sapphires, the head with cabochon eyes, mounted in silver and gold, total approximate diamond weight 1.50cts, pendant width 7.8cm, chain length 40cm, stamped 750
A sapphire and diamond cluster ring, the cushion-shaped orange sapphire weighing approximately 12.50cts, claw-set within a diamond-set gallery and shoulders in platinum, size LA verbal report from GCS states that the orange sapphire is unheated; and a Carat Gem Lab report no. CGL31399, dated 9th April 2024, states that the orange sapphire is of Sri Lankan (Ceylon) origin, with no evidence of heat treatment.
A group of ruby and diamond jewels, comprising: a circular- and rose-cut diamond cluster pendant, length 2.5cm; a three-stone cushion-shaped diamond ring, each end set with a trio of smaller circular-cut diamonds, mounted in 18ct gold, size P, British hallmarks; a pair of ruby and diamond cluster stud earrings, 1.2cm each, post fittings; and a pair of diamond half-hoop earrings, length 1.4cm each, post fittings
A pair of aquamarine, emerald and diamond earrings, each of pendent design, composed of an oval emerald surmount suspending a cushion-shaped aquamarine in a geometric border, set with brilliant- and single-cut diamonds, mounted in silver, length 3.9cm each, post fittings, aquamarines totalling 18.46 carats
A rare paste and garnet 'Order of Christ' brooch, Portugal, 19th century, designed as a cross within a foliate border suspended from a ribbon bow, set with foiled calibré-cut garnets and cushion-shaped pastes, in closed-back silver settings, length 5.5cm, case stamped Franklin, 37 Duke Street, St James'sThe Order of Christ was a religious and military order founded in Portugal as a continuation of the Knights Templar, following their persecution and disbandment in the early 14th century. Secularised by Queen Maria I of Portugal in 1789, it was one of the three 'Ancient Military Orders' conferred upon prominent political, cultural and military figures by the Portuguese monarchs. With the fall of the Portuguese monarchy in 1910 it was discontinued, but was revived shortly afterwards in 1917 and still continues, presided over by the President of the Republic as its Grand Master. Cf.: Leonor d'Orey, Five Centuries of Jewellery, National Museum of Ancient Art, Lisbon, 1995, p.112 and Diana Scarisbrick, Brilliant Impressions: An Exhibition of Antique Paste and Other Jewellery, SJ Phillips, 2010, p.97-8, for similar examples of these distinctive jewels.
A garnet and enamel ring, late 19th century and later, designed in the Renaissance Revival style, collet-set with a cushion-shaped almandine garnet, within a square mount applied with black and white enamel in geometric patterns, to a band applied with bands of black enamel, mounted in gold, size K1/2, garnet possibly a later replacement
An Art Deco emerald and diamond bracelet, 1930s, set with a sequence of oval and cushion-shaped emeralds, the largest measuring approximately 10.0 x 7.3 x 2.2mm, to a bracelet composed of polished octagonal links set with single-cut diamonds, mounted in platinum, length 19cm, case stamped Hamilton & Co.
A diamond ring, late 18th/early 19th century, the front set with a line of cushion-shaped diamonds in closed back settings, spaced by pairs of smaller cushion-shaped diamonds, mounted in silver and gold, size M1/2Cf.: Diana Scarisbrick, Rings: Jewelry of Power, Love and Loyalty, London 2007, pg. 322 no.453, for a diamond ring of similar design
A seed pearl and sapphire necklace, India, late 19th/early 20th century, designed as a strand of seed pearls suspending a series of drilled cushion-shaped sapphire pendants, the central sapphire weighing 2.883 carats, length of necklace 35.5cmAccompanied by SSEF report no. 140089, dated 28th August 2024, and GCS report no. 5784-2739, dated 7th June 2024, stating that the sapphire weighing 2.883 carats is of Kashmir origin, with no evidence of heat treatment.
A pair of natural pearl and diamond earrings, late 19th century, each designed as a foliate cluster, set with a pearl measuring 8.5 x 8.2mm and 8.6 x 7.9mm respectively, within borders of cushion-shaped diamonds, mounted in silver, length 1.5cm, post fittingsA verbal report from GCS states that the pearls are natural, saltwater, one of them a half pearl
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79773 item(s)/page