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A group of assorted silver items of various dates and maker's, including three trophy cups hallmarked for London and Birmingham 1927, 1933 and 1950, a Victorian trinket box hallmarked for 1894, a snuff box, a Elizabeth II bowl hallmarked for Sheffield 1964, an Elizabeth II letter opener hallmarked for Birmingham 1973, a George VI powder compact hallmarked for Birmingham 1943, two silver coin dishes, two George V cigarette cases hallmarked for Birmingham 1931 and 1932, a quaich hallmarked for London 1879, two Victorian vinaigrettes, a Victorian vesta case hallmarked for Birmingham 1898, a pill box and a pair of Edwardian salt and pepper sifters hallmarked for Birmingham. (19) Condition Report: 36.1 ozt / 1123 grams.
Ca. 2600 - 2200 BC. A pair of copper cups with conical body. The first cup on the left is decorated with protomes of birds of prey with spread wings that envelop the body. The cup on the right features bull protomes under the rim, alternating with rosettes. Both cups stand on high feet. Size: 70-90mm x 65-70mm; Weight: 430g Provenance: Prince collection, 1990s-2014, acquired in 2010 from a UK private collection formed 1970s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 100 - 200. A group of two rectangular-shaped plaques of sandwich glass decorated with red flowers with long petals. These flowers are depicted in a very naturalistic way, with a clear blue background. Sandwich glass was often used to create vessels such as cups, bowls, and bottles, as well as decorative objects like plates, plaques, and perfume bottles. For similar see: The British Museum Registration number 1863,0727.11. Size: 90-90mm x 72-75mm; Weight: 60g Provenance: Prince collection, 1990s-2014; acquired in 2007 from a UK private collection formed in the 1970s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
A German Early XX Century Porcelain Cabaret Set, the dark blue grounds decorated in panels with harbour and other scenes, all within gilt borders, comprising: shaped oval tray, coffee pot and cover, sucrier and cover, milk jug and two cups and saucers. (A/f)Teapot lid with chip to underside rim, light rub to gilt throughout, both lids with flowers with small chips, sucrier lid restored, milk jug with handle repaired, tray is restored throughout, also impressed 'Meissen', gilt rubbed, cup and saucer marked with a crowned D.
A Royal Albert Porcelain Tea and Coffee Service, decorated in the 'Colleen' pattern with floral sprigs, printed marks, comprising:- two vegetable tureens and covers, fifteen dinner plates, four serving/cake plates, five dessert plates, eighteen side plates (two sizes), gravy boat and stand, eleven bowls, two teapots and covers, coffee pot and cover, three milk jugs, three sugar bowls (one with cover), six mugs, friut bowl, eighteen cups (two sizes), eighteen saucers (two sizes), five two-handled cups and four saucers, five saucers with cup recesses. (113)
A Shelley Porcelain Afternoon Tea Service, in the Eve shape and decorated with orange and yellow flowers, printed marks, comprising: teapot and cover, two tea cups and saucers, a side plate, sugar bowl and milk jug. (9)teapot - black mark to inside, turquoise paint splash to inside of a cup
A Royal Crown Derby Porcelain 'Royal Antoinette' Pattern Part Coffee/Tea Service, comprising:- teapot and cover, coffee pot and cover, milk jug and sugar bowl, two side plates, nine saucers, six tea cups, one coffee can and saucer, various dates, printed marks. (25)Chip to base of a tea cup and saucer, surface wear to bases of all piecesTeapot and Jug 1st quality, coffee pot and sugar 2nd quality, cups mixture of 1st and second
WILLIE WOODBURN OF RANGERS AND SCOTLAND, SCOTTISH FOOTBALL LEAGUE GOLD MEDAL, 1946/47 vs. the Football League (of England), the obverse with central enamel lion rampant below a crown, inscribed SCOTTISH FOOTBALL LEAGUE INTERNATIONAL, the reverse inscribed S. V E. 1946-47 W. WOODBURN, in nine carat gold 4cm high Qty: 16.6g Note: 'William Alexander Woodburn (1919–2001) was a Scottish International footballer who represented Rangers at club level. He was the last footballer in Britain to receive a life ban from the game for indiscipline, although the ban was later rescinded and he has since been inducted into both the Scottish Football Hall of Fame and the Rangers Hall of Fame.'He was with the Govan side from 1937 until 1954. It was after World War II that he established himself in the Rangers side and won four Scottish league championships and four Scottish Cups with the club as a member of its strong defensive unit known as the 'Iron Curtain'. He appeared in the first Scottish League Cup Final in April 1947, when Rangers beat Aberdeen 4–0 and won it a second time two years later.
WILLIE WOODBURN OF RANGERS F.C., SCOTTISH CUP GOLD MEDAL, 1947/48 the obverse inscribed Scottish Football Association in blue enamelled lettering around a pierced oval depicting a lion rampant, beneath a thistle motif, the reverse inscribed SCOTTISH CUP 1947-48 Won by W.A. WOODBURN Rangers F.C., in nine carat gold 5cm high including suspension Qty: 12.8g Note: 'William Alexander Woodburn (1919–2001) was a Scottish International footballer who represented Rangers at club level. He was the last footballer in Britain to receive a life ban from the game for indiscipline, although the ban was later rescinded and he has since been inducted into both the Scottish Football Hall of Fame and the Rangers Hall of Fame.'He was with the Govan side from 1937 until 1954. It was after World War II that he established himself in the Rangers side and won four Scottish league championships and four Scottish Cups with the club as a member of its strong defensive unit known as the 'Iron Curtain'. He appeared in the first Scottish League Cup Final in April 1947, when Rangers beat Aberdeen 4–0 and won it a second time two years later.This medal comes from the 1948 victory over Morton.
* BENNO SCHOTZ RSA (ESTONIAN 1891 - 1984), THE PRINCE OF GOALKEEPERS (JOHN THOMSON OF CELTIC F.C.),, CIRCA 1968 bronzed resinA bronze of this sculpture is in the collection of Celtic F.C.Note on both Schotz and Thomson:Benno Schotz was born to Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch, in Arensburg, Russia (now Kuressaare, Estonia) in 1891. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College and from 1914–23 worked in the drawing office of John Brown and Company, Clydebank shipbuilders while attending evening classes in sculpture at the Glasgow School of Art. Schotz became a full-time sculptor in 1923 and subsequently a member of the Royal Scottish Academy, Head of Sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and later, in 1963, Her Majesty's Sculptor in Ordinary for Scotland. His pupils included Hannah Frank, Paul Zunterstein and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. His first solo Glasgow exhibition was at Reid's Gallery in 1926 and his first in London at Alex Reid and Lefevre Ltd (Lefevre Gallery) in 1930. He was also a member of Glasgow Art Club, alongside recently arrived refugee artists Jankel Adler and Josef Herman, for whom he organised local Jewish community support. In 1942 he organised the important 'Jewish Art Exhibition' at the Glasgow Institute as an act of Jewish cultural identity during the Second World War. In 1981 Schotz was made a Freeman of the City of Glasgow and in the same year, Gordon Wright published his autobiography, Bronze in My Blood. During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits, the majority located in Glasgow and the surrounding area. A major retrospective exhibition of his works was held at the Royal Scottish Academy, Edinburgh in 1971. He was Life-President of the Royal Glasgow Institute of the Fine Arts as well as Honorary Member of both the Royal British Society of Sculptors and the Royal Institute of Architects in Scotland. His last sculpture was executed less than six weeks before his death, aged 93. He was a committed Zionist and was buried in Jerusalem. His work is represented in numerous UK collections including The National Galleries of Scotland, Edinburgh City Art Centre, The Kelvingrove Art Gallery, Aberdeen Galleries, The Scottish National Portrait Gallery, BBC Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Peoples Palace (Glasgow), The Scottish Jewish Archives Centre, Ben Uri Gallery & Museum (London) and the House of Commons (London). His work is also held in various public collections in Israel. Christie's held a major Studio Sale of Benno Schotz's work in Glasgow in 1997.John Thomson, The Prince of Goalkeepers, is one of the most important figures in the history of Celtic Football Club.Having signed for the team in 1926 at the age of 17, his natural athleticism and brave spirit ensured he would become a mainstay between the sticks. He helped the team to two Scottish Cups and three Glasgow Cups. He would also represent the national side and national select XI four times apiece.Thomson's name will forever be associated with the tragedy that befell him during an Old Firm clash on the 5th September 1931. The match was played at Ibrox in front of 80,000 fans. Early in the 2nd half, Thomson collided with Rangers player Sam English, whilst both going for the ball. Most people assumed the goalkeeper badly injured as he was stretchered off, Chic Geatons taking his place in goal.Upon being transported to the Victoria Infirmary, Thomson would soon be pronounced dead. The death of a young goalkeeper in his prime shocked the footballing world. Beyond that, the tragic loss of a young man's life, only 22 years of age and recently engaged, still stands as amongst the most profound moments in sporting history.40,000 people attended the funeral in his home town of Cardenden, including thousands who travelled from Glasgow, many walking the 55 miles to the Fife village. 101cm wide
CHIC GEATONS OF CELTIC F.C., GLASGOW CHARITY CUP WINNERS GOLD MEDAL, 1937 the obverse with enamel crest bordered by inscription GLASGOW CHARITY CUP, the reverse inscribed WON BY CELTIC F.C. 1937 CHARLES GEATONS, in nine carat goldNote: One-club man, Charles 'Chic' Geatons, was a tough tackling stalwart of the Celtic defence. Between 1927 and 1941, this rock solid defender tallied 345 appearances, picking up two league championship titles and three Scottish Cups (1931, 1933, 1937) plus the all-important Empire Exhibition Trophy. Alongside this haul, this legend will also be remembered for his love of Celtic F.C.The 1936/37 final of the Charity Cup was won by Celtic's 4 goals to Queen's Park's 3. 3.7cm high including suspension Qty: 13g
* BENNO SCHOTZ RSA (ESTONIAN 1891 - 1984), THE PRINCE OF GOALKEEPERS (JOHN THOMSON OF CELTIC F.C.),, CIRCA 1968 bronzed plasterA bronze of this sculpture is in the collection of Celtic F.C.Note on both Schotz and Thomson:Benno Schotz was born to Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch, in Arensburg, Russia (now Kuressaare, Estonia) in 1891. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College and from 1914–23 worked in the drawing office of John Brown and Company, Clydebank shipbuilders while attending evening classes in sculpture at the Glasgow School of Art. Schotz became a full-time sculptor in 1923 and subsequently a member of the Royal Scottish Academy, Head of Sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and later, in 1963, Her Majesty's Sculptor in Ordinary for Scotland. His pupils included Hannah Frank, Paul Zunterstein and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. His first solo Glasgow exhibition was at Reid's Gallery in 1926 and his first in London at Alex Reid and Lefevre Ltd (Lefevre Gallery) in 1930. He was also a member of Glasgow Art Club, alongside recently arrived refugee artists Jankel Adler and Josef Herman, for whom he organised local Jewish community support. In 1942 he organised the important 'Jewish Art Exhibition' at the Glasgow Institute as an act of Jewish cultural identity during the Second World War. In 1981 Schotz was made a Freeman of the City of Glasgow and in the same year, Gordon Wright published his autobiography, Bronze in My Blood. During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits, the majority located in Glasgow and the surrounding area. A major retrospective exhibition of his works was held at the Royal Scottish Academy, Edinburgh in 1971. He was Life-President of the Royal Glasgow Institute of the Fine Arts as well as Honorary Member of both the Royal British Society of Sculptors and the Royal Institute of Architects in Scotland. His last sculpture was executed less than six weeks before his death, aged 93. He was a committed Zionist and was buried in Jerusalem. His work is represented in numerous UK collections including The National Galleries of Scotland, Edinburgh City Art Centre, The Kelvingrove Art Gallery, Aberdeen Galleries, The Scottish National Portrait Gallery, BBC Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Peoples Palace (Glasgow), The Scottish Jewish Archives Centre, Ben Uri Gallery & Museum (London) and the House of Commons (London). His work is also held in various public collections in Israel. Christie's held a major Studio Sale of Benno Schotz's work in Glasgow in 1997.John Thomson, The Prince of Goalkeepers, is one of the most important figures in the history of Celtic Football Club.Having signed for the team in 1926 at the age of 17, his natural athleticism and brave spirit ensured he would become a mainstay between the sticks. He helped the team to two Scottish Cups and three Glasgow Cups. He would also represent the national side and national select XI four times apiece.Thomson's name will forever be associated with the tragedy that befell him during an Old Firm clash on the 5th September 1931. The match was played at Ibrox in front of 80,000 fans. Early in the 2nd half, Thomson collided with Rangers player Sam English, whilst both going for the ball. Most people assumed the goalkeeper badly injured as he was stretchered off, Chic Geatons taking his place in goal.Upon being transported to the Victoria Infirmary, Thomson would soon be pronounced dead. The death of a young goalkeeper in his prime shocked the footballing world. Beyond that, the tragic loss of a young man's life, only 22 years of age and recently engaged, still stands as amongst the most profound moments in sporting history.40,000 people attended the funeral in his home town of Cardenden, including thousands who travelled from Glasgow, many walking the 55 miles to the Fife village. 51cm wide
KARLSBAD PORCELAIN, PART COFFEE SERVICE, including six cups and saucers (three on bracket feet, three on domed foot), covered sugar bowl and cream jug and further, each transfer printed with figural scenes of young lovers, with gilt highlightsthe coffee pot 29cm highCondition generally good. No damages.
VICTORIAN RIDGWAY TEA SERVICE, MID 19TH CENTURY in the Argyle shape, pattern likely 2/3426, comprising tea pot, lidded sugar bowl, cream jug and slop bowl, eleven cups, twelve saucers and a pair of biscuit plates, painted with floral designs in green with yellow and pink on a white groundCondition good to fair. Hairline to teapot, cover, one sandwich plate, sugar bowl, three cups. Crazing and some staining. Additional images now available.
ROYAL WORCESTER PART MINIATURE COFFEE SERVICE, ALONG WITH A ROYAL WORCESTER PIN DISH each hand painted with fruit, comprising a coffee pot, two saucers and two plates, with a further Royal Worcester pin dishthe coffee pot 12cm highQty: 6Condition generally good. No chips or cracks. No noticeable crazing. Some scratches to dished section of one saucer. Manufacturing flaws to interior of cups, more noticeable to one - frit present.
Dame Lucie Rie DBE (Austrian/British, 1902-1995) A stoneware coffee service for four, circa 1955, impressed LR seal marks, glazed to the exterior in manganese and incised with fine sgraffito bands, comprising: four tapering conical cups, four saucers, a baluster coffee pot and cover with knop finial 19cm high, a baluster milk jug 12cm high and a sugar-bowl, the interiors and undersides of each piece glazed in white (coffee pot with hairline crack, the hairline crack is approx 3cm long, small chip to edge of one saucer) (11) Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring with Sadlers Wells Theatre Ballet, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and winning a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Condition Report Coffee pot with hairline crack (the hairline crack is approx 3cm long), small chip to edge of one saucer.
Meissen (outside decorated) green mosaic pattern part coffee-service, circa 1880, and a pair of Capodimonte-style quatrefoil sugar-bowls and one cover, the service with cancelled blue crossed swords marks, various pressnummer, painted with vignettes of gallants and companions after Watteau in landscape, within green mosaic pattern gilt scroll borders with bouquets of flowers, comprising: a baluster coffee-pot and cover, a hot-milk jug and cover, two cups, covers and stands and the pair of sugar-bowls moulded in the Capodimonte style with mythological figures in landscape, the cover with gilt berry finial, spurious blue crossed swords and star marks (damages and repairs)Condition ReportCoffee-pot and cover - cover cracked, restored, restuck and with large losses. Chipped to spout and chip to rim of coffee pot. Hot milk jug and cover - cover extensively cracked and restuck, with loss to rim. One cover to one cup with two small rim chips. The other cover with minor short hairline crack to rim. One cup cracked through and restuck, with associated chipping chipping to handle which has also been restuck. Both saucers cracked and restuck, one with chip to rim and the other with slight footrim chipping. Capodimonte style sugar-bowls and one cover - one cracked and restored, lacking cover and the other with rim chip and with associated hairline crack. Very minor wear overall.
MINTON; a part tea and dinner service decorated in the 'Haddon Hall' pattern, including ten teacups, eight soup cups, eight saucers, nine larger saucers, dinner plates and a Paragon gilt decorated part tea and dinner service including saucers, dinner plates, sandwich plates, twin handled soup cups and teacups.
ROYAL ALBERT; a large quantity of tea and dinnerware decorated in the 'Old Country Roses' pattern, including two teapots, two coffee pots, thirteen saucers, six dinner plates, six sandwich plates, eleven cake plates, coffee saucers, salt and pepper shakers, egg cups, fifteen soup bowls, eight smaller bowls, seven teacups, six coffee cups, two milk jugs, six loving cups, sauceboat, cake stand, etc.
WEDGWOOD; an extensive 'Of Etruria & Barlaston' tea and dinner service including three tureens (one lacking lid), teapot, coffee pot, six loving cups, five coffee cups, lidded twin handled sugar bowl, six teacups, six saucers, dinner plates, milk jug, sauceboat, oval platter, square dish, etc.
ROSENTHAL; a German part tea service, decorated in the 'Mossrose' pattern including seven coffee cups, six teacups, milk jug, two twin handled sugar bowls, two candle holders, ashtray, small circular dish, four egg cups, seven coffee saucers, six tea saucers, six cake plates, six sandwich plates, etc.
WEDGWOOD; a large twelve setting dinner service decorated in the 'Angela' pattern, including twelve salad plates, two milk jugs, three covered vegetable bowls, twelve tea plates, twelve saucers, twelve large bowls, twelve small bowls, twelve tea cups, sugar bowl, two serving platters, twelve further bowls, teapot, three salad bowls, coffee pot and twelve dinner plates, etc.
A collection of Aynsley tea wares with gilt and floral pattern comprising cake plate, five cups, saucers and side plates, milk jug and sugar bowl, together with a collection of Royal Worcester Contessa coffee cups and saucers for six and further Royal Grafton coffee cups, saucers and tea plates in black and gilt, red and gilt and blue and gilt (collection)
A collection of Poole pottery 'Vineyard' pattern dinner wares plus additional associated kitchenalia in the same pattern comprising oval serving dishes, dinner and side plates, soup and breakfast bowls, coffee mugs, graduated milk jugs, tea cups and saucers, storage jars and place mats, etc (approx 80 pieces)
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