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AN UNUSUAL AND FINELY CARVED FRENCH RENAISSANCE WOOD PANEL BRITTANY, 16TH/17TH CENTURY Lemon or another fruit wood, possibly a back 'splat' or part of a musical device, in low relief, 'Stations of the Cross', mounted on a wood block support splat 53cm long, 9cm wide Provenance: Ex Private London collection This would seem to be a depiction of the 'Arma Christi', or instruments of the Passion of Christ. This subject appears as from the late 15th Century in Christian iconography (going back to a legend about a vision of Pope Gregory) and the subject was heavily promoted in Catholic devotion of 'indulgence prayers' in the following decades. The Reformation opposed to many devotional practices, including these indulgence prayers - and one can only assume that this carved wooden 'splat' was part of a larger liturgic instrument (such as a crucifix, or a relic holder of some kind to be used in processions), probably destroyed in one of the many Church raids of the 16th Century
The 1914-15 Star awarded to Private J. Tinkler, 15th Battalion, Durham Light Infantry, who was killed in action on the first day of the Battle of the Somme, 1 July 1916 1914-15 Star (22472 Pte. J. Tinkler. Durh: L.I.) nearly very fine £140-£180 --- John Tinkler was born at Trimdon Grange, County Durham, and attested for the Durham Light Infantry. He served with the 15th Battalion during the Great War on the Western Front from 11 September 1915, and was killed in action on the first day of the Battle of the Somme, 1 July 1916, on which date the Battalion was involved in the attacks on Crucifix Trench and Shelter Wood on the Fricourt-Contalmaison Road, during which the Battalion suffered 388 casualties. He has no known grave and is commemorated on the Thiepval Memorial, France.
AN EDWARDIAN MAHOGANY BIJOUTERIE TABLEof shaped rectangular outline, the glazed lifting top enclosing fabric lined interior, on slender cabriole legs with low undertier, 77cm high x 62cm wide x 43cm deep and containing mixed decorative contents including mother of pearl crucifix and four carved cowrie shells
An oval amethyst and split seed pearl brooch, mounted in yellow metal, not stamped, together with a 9ct gold garnet and cultured pearl ring, a yellow metal crucifix pendant, stamped '9ct', total weight approx 16.5g, together with an enamelled mourning brooch, a white metal dagger brooch, a gilt brooch and a simulated pearl necklace
A large collection of jewellery, costume jewellery and watches, to include; a 9ct gold crucifix on chain, St Christopher pendants, enamelled brooch, Isle of man pendant, bangles, Tigers eye heart pendant, an amber bee pendant, a jet ribbon necklace, a Smiths pendant watch, wristwatches, a silver fob watch, plated pocket watch, silver fob pendant, a collection of loose gemstones etc (a lot)
A small group of jewellery, comprising: a 9ct gold curb link chain with swivel clasp, stamped 9c, length 37.5cm; a gold crucifix pendant, length 5.5cm; a step cut sapphire and carré cut diamond bar brooch; and an 18ct gold T bar fitting with retractable pocket watch key, French assay mark (4)
A group of costume jewellery, including rock crystal 'pool of light' double locket pendant 20mm in diameter, a blue enamel floral necklace with concealed clasp measuring 35cm long, a carved red coral devil face measuring 15mmx12mm and two micro mosaic crucifix pendants one with four outer quatrefoil micro mosaics measuring 55mmx47mm in gilt metal. Condition Report: Gross silver weight 20.7 gramsa few chips to enamel on necklace one micro mosaic cross is missing a few pieces
The two ends of the cross are in the shape of a ruyi. The front is inlaid with carved mother-of-pearl, depicting fruit vines, lotus, flowers and leaves. The sides and back are plain. Catalogue notes:Macau became a major training and departure point for Catholic missionaries to different countries in Asia, and crosses such as this example would have served in the teaching of the Bible.The cross crucifix most probably came from Macao. After the arrival of the Portuguese in the sixteenth century, Macau became a diocese of the Catholic Church. The Diocese of Macau was given a wide jurisdiction over various ecclesiastical territories in the Far East, such as China, Japan, Vietnam, and Malaysia.A related, Chinese, mother-of-pearl inlaid crucifix dating to the 17th-18th century was sold at Christie's Auction "European Courts Encounter Japan" on May 11, 2015, lot 14. A similar cross is published in the Sotheby's catalogue: "Fine Chinese Decorative Works of Art, April 18 and 19 1989, New York, lot 465A.螺钿嵌木使徒十字架,中国,19世纪末/20世纪初
A BOX OF ROYAL COMMEMORATIVE AND MISCELLANEOUS ITEMS to include a boxed set of six silver plated Silver Jubilee teaspoons with ornamental tips, a quantity of miniature teacups and saucers with Royal designs, a white Belleek milk jug and sugar bowl, two vintage home design magazines, two royal magazines, two Prinknash bud vases, a framed wooden crucifix mounted on red velvet, etc (1 box) (s.d)
Three-leaf folding in a silver case, made in the form of a temple. Road Church from Ivan Vasilyevich Zakharov, owner of a workshop of silver and gold products in Moscow, 1856-1896. Composed of icons of the Archangels Michael and Gabriel painted on wood, framing the Old Testament trinity, placed in a silver travel case on a suspension. In closed and open form they represent, respectively, the interior and exterior of a single-domed temple with three zakomars. In the folded position, the doors form a church portal on twisted columns with a fancy ancient Russian arch, and inside it there is a heavy door under a bolt. On each of the silver fragments there are hallmarks of I.V. Zakharov’s workshop - I.Z in words in a rectangular shield. Stamps 84 sterling silver. On the back of the fold, where the Golgotha and the crucifix are engraved, there are Moscow hallmarks of 84 sterling silver, unknown assayer A.M. for 1862 and the manufacturers hallmark I.Z. The silver chain ring is also branded with the master’s personal stamp and 84 hallmark silver. Height: 14.5 cm. Open length: 16 cm, closed - 8.1 cm. Total folding weight: 318 g. Width: 8.1cm, Height: 14.5cm, Depth: 3cm, Weight: 0.318kg, Condition: Good, with traces of use, Material: Silver 84, ID: ID-ANTQ-8435
Group of jewellery to include a Victorian carved shell cameo stick pin (unmarked) together with a pair of garnet cluster earrings (Austrian hallmarks to posts), pair of gold drop earrings set with white stones (backs marked 375), a silver and 9ct eternity ring, gold plated crucifix, and a pair of yellow metal italian horn drop earrings (unmarked).
A 9ct Gold Crucifix Pendant, suspended on a 9ct gold flat link chain (clasp unmarked), together with assorted modern jewellery, including amber coloured pendant of Celtic style, heart-shaped locket pendant, dress ring, all stamped "925" etc, rolled gold bangle, contemporary style clip on earrings, hardstone beaded bracelet, etc.
Two silver gilt necklaces together with a silver necklace, a silver gilt crucifix, silver paste set earrings and necklace etc, approximately 78 grams and a costume jewellery teddy bear and pointed pendant on chains, assorted silver gilt necklaces and pendants together with earrings, Indonesian silver jewellery, assorted costume jewellery including earrings, faux pearls, wristwatches, pendants, rings etc
Squat form silver plated Christopher Dresser jug, with crucifix etched design. Height 22 cm. NOTE: This item has been assigned an ivory exemption certificate number H684QJTS. CONDITION REPORT: Other than being very dirty the jug appears to be in generally very good order. There do not appear to be any significant dents or scratches to the main body of the piece. There is a scratch through the plating on the handle and rubbing to the plating also on the handle. The main body of the piece is so dirty that is difficult to say whether there is any rubbing here. A minor criticism is that the lid does not sit quite flush at the very front. There is a very small gap at the end of the sparrow beak. There is a suggestion that the piece may have been dropped as there is ever so slight buckling of the top of the lid beneath the finial. This is a minor criticism.
A 14ct gold crucifix pendant on chain by Louis Osman, 1977, the oval pendant slightly concave and depicting a stylised Corpus Christi, with 14 further raised dots around the outside, seven to each side, the reverse applied with wirework initials‘CJ’, suspended from a square section fetter and belcher-link chain, hallmarked London 1977, with maker’s mark ‘LO’, pendant dimensions 22 x 17.5mm, necklace length 52cm. £1,200-£1,500 Please note ARR will apply to this lot (Artist’s Resale Rights). --- Given by Mr and Mrs Jenkins to their younger daughter Claire on the occasion of her confirmation; personalised with her initials ‘CJ’ to the reverse. The seven dots to either side of the pendant represent the seven deadly sins (pride, greed, wrath, envy, lust, gluttony and sloth) to be avoided and the counterbalancing seven heavenly virtues (chastity, temperance, charity, diligence, patience, kindness, and humility) to be attained/demonstrated. The correspondence between Louis and Dorothy Jenkins that accompanies this piece gives an amusing illustration that Louis’ talents lay most decidedly in the creative sphere and not in book keeping or administration. He enquires: “Did I ask you the usual 50% on Claire’s little cross […]: I can’t remember & didn’t keep a note –– but I’ve had ideas & this is under way : so if I didn’t I’d be glad of it : but if I did and you have already paid me say ‘How tiresome he is’, and throw this away“ (21 January 1977). Exhibited: In Celebration of Gold and Silver: An exhibition of exquisite jewellery and magnificent silver made during the reign of Queen Elizabeth II, a Goldsmiths’ Company exhibition at Goldsmiths’ Hall, May - July 2002, exhibition catalogue no. 98. A copy of this exhibition catalogue accompanies this lot together with further related correspondence. Condition Report Gross weight 27.2gm. This lot is accompanied by a hand written letter from Louis Osman to Mrs Jenkins requesting part payment, a copy of a hand written valuation dated 26 April 1978, and copies of paperwork relating to the exhibition: Celebration - In gold and silver, held at Goldsmiths’ Hall, 2002.
Vintage white metal jewellery, a Jorgen Jensen signed pewter Chariot brooch, numbered 163; signed Jean Paul Gaultier elasticated bi-colour corset brooch, 45mm wide; W.B's Patt. App. For tennis racket brooch; 80mm crucifix; modernist link necklace; 40cm overlapping arrow head shaped link necklace. Qty: 6
POSTCARDS - SWITZERLAND & OTHER Thirty-six cards, including real photographic views of Paradiso Hotel Victoria, Lugano; Locarno, mercato [market]; Lugano, Portici di Via Pessina (two different); Lugano, Mercato (two different); Brunnen, Kapelle; Le Palace, Villars; Stockalper Schloss, Brig; Place du Molard, Geneve; and Le Crucifix, Gruyeres; with printed views of Hotel 'Bear' Grindelwald; four artist-drawn A. & C. Black 'Italian Lakes' Series No.26; and others, (loose).
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12852 item(s)/page