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Cecil ALDIN (ill): Cecil Aldin's Painting Books, No. 3: The Cat and Dog Book. Lawrence and Jellicoe, no date, c1920, with 10 pictures to colour, of which 6 are uncoloured, Tear to two pages, without loss; PLUS Two others, both With All Faults: No.2, The Farm-Yard; & American No. 2, The Poultry Book; Rough and Tumble. Frowde, H&S, no date (1913), with 24 colour plates. 4to. Pictorial covers; one plate with the facing page damaged (stuck together & separated); one page torn with loss (not affecting the text), a few crayon marks, including a couple of small ones to the margin of one plate; How to Draw Dogs. John Lane The Bodley Head, 1935, 1st. Edn. DW, with tears & missing part of the spine; VG; Jack and Jill. Henry Frowde, no date (1914). 1st. Edn. All 24 colour plates present. 4to. Pictorial boards, rubbed and spine torn & detached; Just Among Friends. Eyre And Spottiswoode, 1934, 1st. Edn. 4to. Covers rubbed, Good+; Berkshire Vale. Oxford, Blackwell, 1927, 1st. Edn. Folio. VG; Dogs of Character. Eyre & Spottiswoode, 1927, 1st. Edn. 4to. Very Good; Ratcatcher to Scarlet. Eyre and Spottiswoode, 1933, 3rd. Edn. 4to. Covers little rubbed; VG (10)

§ Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Studies for forms II, circa 1960sink, ball point pen and crayon25 x 17.5cmProvenance:Gifted by the artistSale; Sotheby's, Made in Britain, 28 September, 2016, lot 6

§ Shirley Teed (1933-2018) School girls on a Melbourne tram, Australiacharcoal42 x 33.5cm;together with a similar studycharcoal and black crayon41.5 x 38.5cm (2)The present sketches are preliminary workings for a now lost oil. Executed in Melbourne, Australia, the oil travelled back to the United Kingdom was Teed. However, as it failed to sell the work was painted over and the canvas recycled. These sketches are the only evidence of the lost work.

§ Sir Eduardo Paolozzi CBE (1924-2005) Studies for forms I, circa 1960spencil, crayon and coloured pencil25 x 17.5cmProvenance:Gifted by the artistSale; Sotheby's, Made in Britain, 28 September, 2016, lot 6

§ Robert Sargent Austin RA, PPRWS, PPRE (1895-1973) Sleeping Boydated 1931 (lower centre); studio stamp to the reversepen and ink with crayon17.5 x 31cmProvenance:With Chris Beetles Limited, London

Ken Howard - crayon A study of a female nude, signed with initials 16" x 11½"

Sir Cecil Beaton (1904-1980)A woman in Belle-Epoque dress, signed and inscribed 'After Helleu', watercolour over pen, ink and crayon, 56.5 x 44cm Prov: With Moore-Gwyn Fine Art Ltd, Grosvenor House Antiques Fair, June 2009

David Oxtoby (b. 1938)Dionne Warwick, signed and titled, crayon, 59 x 42cm; two further sketches of Elvis Presley by the same hand, entitled 'Mr Rock' and 'The King'; and one further charcoal sketch 'Dyke' (Dyke and the Blazers), all unframed (4)

THEOPHILE ALEXANDRE STEINLEN (FRENCH 1859-1923) TROIS FEMMES AVEC UN ENFANT Blue crayon Signed, dedicated and dated A MIss Bessie Dibblee souvenir de Paris Mai 1908 (lower left) 40.5 x 31cm (15¾ x 12 in.)Provenance: The Folio Society, London (stock no. D3130) Condition Report: Executed on cream wove paper, laid down to the backing board throughout. Some discoloration evident to the edges of the sheet where it has been mounted. A small nick to the paper surface at the lower right, approx. 1.5cm off the lower edge. Otherwise, in generally good condition. Framed under glass.Condition Report Disclaimer

PAUL CÉSAR HELLEU (FRENCH 1859-1927) PORTRAIT OF A LADY, SIDE PROFILE Crayon and wash Signed (lower right) 32.5 x 21cm (12¾ x 8¼ in.) Condition Report: Taped down along the upper edge. The sheet is discoloured throughout with staining along the left hand edge. There is vertical creasing to the sheet throughout. Condition Report Disclaimer

PAUL NASH (BRITISH 1889-1946) STUDY IN PALE TONES: THE POND AT OXENBRIDGE, IDEN IN RYE, SUSSEX Pencil, watercolour and coloured crayon Signed and dated 1921 (lower right); further signed, titled and dated 1921 (verso) 59 x 40cm (23 x 15½ in.)Provenance: Mrs Paul Nash, Oxford The Leicester Galleries, London Private Collection, Geoffrey Jellicoe (acquired at the 1952 exhibition) Sale, Christie's, London, 4 June 1999, lot 2 Sale, John Nicholson Auctioneers, Haslemere, 11 October 2014, lot 401 Private Collection, Hampshire (acquired frome the above sale)Exhibited: London, New English Art Club, January 1923, no.181 London, The Leicester Galleries, New Year Exhibition, January 1952, no.25Literature: Andrew Causey, Paul Nash, Oxford, 1980, no. 373 The present work is one of the earliest depictions of Oxenbridge farmhouse in the village of Iden in East Sussex. Paul and his wife Margaret moved to nearby Dymchurch in 1921, the same year as this drawing. Nash's mental health was severely impacted by his wartime experience and this was a period characterised by inner turmoil and subsequent recuperation. Study in Pale Tones, the Pond at Oxenbridge is a break from the desolation of Nash's wartime works and a move towards the romantic depictions of the English landscape that characterised his work between in the decade that followed. Oxenbridge Farm in Iden was owned by close friends of the Nashes, Bertram and Kitty Buchanan. Bertram had also served as a war artist and they were frequent visitors to the farm which became a recurrent subject of many of Nash's 1920s works , including Fig. 1, Oxenbridge Pond, 1927-28 (Birmingham City Museums & Art Gallery). From Dymchurch, the Nashes moved to Oxenbridge Cottage in 1925, staying there until they left for Rye in 1930.    Condition Report: Please contact the department on pictures@dreweatts.com for the treatment report. Condition Report Disclaimer

λ &nbspJOHN PIPER (BRITISH 1903-1992) THORNTON ABBEY GATEWAY (GATEHOUSE) Watercolour, ink, pencil, oil and coloured crayon Signed, titled Thornhill Priory [sic] and dated 17 VII 83 (lower left) 37 x 56cm (14½ x 22 in.)The lithograph depicting Thornton Abbey was published in 1987. Condition Report: The sheet is stacked down with tape at the far left and right upper corners. The reverse of the sheet is inscribed C/9 85/9 (later inscription). There are four additional pieces of tape stuck on the reverse of the sheet to all four corners. There is some slight undulation to the sheet, some areas of cracking and loss to the oil pigments but otherwise, the work appears to be in good original condition. Condition Report Disclaimer

PAUL SIGNAC (FRENCH 1863-1935) LE MONT-BLANC VU DE SALLANCHES Watercolour and black crayon Signed (lower left) and dated 1919 (lower right) 29 x 41cm (11¼ x 16 in.)Provenance: From a Private CollectionThe authenticity of this work has been confirmed by Marina Ferretti. Condition Report: Very slight undulation to the sheet. Light discolouration throughout the sky most notable to the upper right corner at the mounting edge. Otherwise work appears to be in original condition. Condition Report Disclaimer

λ&nbspCECIL BEATON (BRITISH 1904-1980) 'ASCOT COSTUMES' VIII Ink, crayon and watercolour with swatches of material (upper right) Signed twice and inscribed (to lower edge) 45 x 31cm (17½ x 12 in.)Provenance: The Redfern Gallery, London, no. 94 Private Collection, C.B. Shackleton Esq (acquired from the above 8 December 1964) Guy Reed, Copgrove Hall Guy Reed Will Trust Condition Report: Unexamined out of glazed frame. Discolouration to the sheet throughout. Would benefit from remounting. Thunderbugs scattered across the sheet trapped under the glass. Some light handling creases. 4 pinholes to the lower left corner with a small associated crease. Two further pin holes to the lower right corner. Condition Report Disclaimer

λ&nbspBRUCE MCLEAN (BRITISH B. 1944) STUDY FOR SOLDAT Gouache, watercolour and black crayon Signed and dated 85 (lower right); further inscribed with notes (across the sheet) 56.5 x 75.5cm (22 x 29½ in.)The present work illustrates costume studies for the ballet Soldat by Ashley Page for Ballet Rambert in 1989.

λ&nbspPHYLLIS BRAY (BRITISH 1911-1991) REMEMBRANCE Watercolour, gouache and crayon 14 x 11cm (5½ x 4¼ in.)Provenance: A gift from the artist to Walter Steggles (1908-1997)

λ ELWIN HAWTHORNE (BRITISH 1905-1954) CHESTER PLACE Crayon and pencil Titled (lower centre); further inscribed with working notes 20.5 x 28cm (8 x 11 in.) Unframed

λ&nbspDAVID HOCKNEY (BRITISH B. 1937) COLOURED CURTAIN STUDY Pencil and coloured crayon Signed with initials, titled and dated 63 (lower right) 43 x 31.1cm (16¾ x 12 in.)Provenance: Paul Kasmin, London Ronald B. Alley, London Private Collection Sale, Christie's, London, 20th Century British Art, 9 June 2006, lot 18 Jack Kirkland, London Acquired from the above by the present owner in 2013 Exhibited: London, The Whitechapel Art Gallery, & travelling, David Hockney: Paintings, Prints & Drawings 1960-1970, 1970, no. D9Literature: David Hockney, David Hockney, London, 1976, p.80, illus. Condition Report: Examined out of glazed frame. Light discolouration to the sheet, most notable at the upper edge and lower left corner. The sheet is stuck down at two points along the upper edge, far right and left with mounting tape. Some mounting tape also stuck to the underside of the lower edge at two points, far right and left. Very light handling creases and undulation scattered throughout the sheet. There is a horizontal crease approx. 4cm up from the lower edge running across the sheet. There is a very small vertical tear approx. 0.5cm to the right side of the lower edge. There is an indistinct inscription verso but does not appear to be in the artist's hand. The lower edge is not cut straight, consistent with the original condition. Condition Report Disclaimer

λ&nbspGRAHAM SUTHERLAND (BRITISH 1903-1980) DEVASTATION - EAST END - BURNT-OUT PAPER ROLLS & FALLEN LIFT-SHAFT Watercolour, coloured crayon, ink and chalk Inscribed Mound of paper rolls in burnt warehouse (to centre of the sheet); further inscribed Lift-shaft fallen over rubble (lower left); titled (verso) 21.2 x 16.3cm (8¼ x 6¼ in.)Painted in 1941. Provenance: Private Collection, Herbert Spencer (a gift from the artist) Thence by descent Literature:D. Cooper, The Work of Graham Sutherland, London, 1961, no.40b (illustrated as Burnt-out Paper Rolls) Herbert Spencer (1924-2002) was one of the most influential British graphic designers of the 20th Century. In 1949 he founded, wrote and designed the ground-breaking journal Typographica. It focused on typographical design and its applications in the real world. It was the first journal to really explore how typography can contribute to and even shape popular culture as opposed to merely its practical applications and it introduced a new generation of printers and designers to the history of modernist design in Europe. As a designer one of his first clients was the Institute of Contemporary Arts where he met Eric Gregory, the Chairman of Lund Humphries. They would subsequently go on to publish Typographica and Douglas Cooper's The Work of Graham Sutherland in 1961 which Spencer designed. It was during this project that he met and became friends with Graham Sutherland.     Condition Report: The sheet is stuck down with glue at the two lower corners. Old glue residue visible to the upper two corners where the sheet was once stuck down. The illustration of paper rolls in the upper section of the sheet has been executed on a separate sheet and stuck down. A small nick to the lower left edge. Condition Report Disclaimer

J.M, conte crayon, abstract composition, ‘The Pound After Devaluation’, initialled and dated ‘66, 17 x 24cm. Condition - fair to good

John Bulloch Souter (Scottish, 1890-1972) A Sketch Book, containing approximately twenty-two comic or satirical cartoon sketches, probably c. 1930, crayon, each titled, on paper in a cloth-bound volume. Sketches each 25cm by 18.75cm 

Philip Meeson (1932-2002)Country laneLabelled verso, watercolour and black crayon, 45cm by 54cm; together with two further watercolour farm scenes by Ernest Midwood (20th Century) and two other items (5)

C*E*(20th century)"Braes" Full CryInitialled, titled and dated '63, crayon and white chalk on grey paper, 22cm by 36cm

Damien Hirst (b. 1965-), Ho, Ho, Ho!, for the Momart Christmas gift series 1997, perspex, internally signed with crayon, 8cm x 7cm overall, boxed with original certificate

de Linda (Lucas) Orbis lumen et atlantis iuga tecta retecta: Das ist newe außführliche Entdeck und Beschreibung der gantzen Welt, first German edition, engraved frontispiece, slightly trimmed, a few pencil or crayon marks to preliminaries, light damp-staining, contemporary blind-stamped vellum, title in manuscript on spine, lightly marked and rubbed, 8vo, Frankfurt, Serlin & Fickwirth, 1656.

BURNEY (W), A NEW UNIVERSAL DICTIONARY OF THE MARINE, 2 vols in one, with 35 engraved plates, some folding, rebacked tan calf, London, Vadell and Davies, 1815 (1).Condition Report: Binding rubbed and worn throughout with chips and scratches etc. Foxing and age toning to pages throughout. Ink, pen and colour crayon notes / names to front blank.

E H Cave - reclining nude, crayon and charcoal drawing, signed lower right corner 52.5 x 74cm, mounted in glazed frame, along with a similar study of a reclining nude on a bed, coloured chalks, signed indistinctly lower right, 52 x 71.5cm, mounted in a glazed frameLocation:If there is no condition report shown, please request

Karel Appel (1921-2006)(*) (attributed to) Signed at the bottom right Appel'69. Wasco (wax crayon) on paper. | 50 x 65 cm. | Condition: Provenance: Belgian private collection. Kortrijk region.Traces of moisture present on the paper.Small tear in the paper. 1 cm. (lower left)Not framed.

Karel Appel (1921-2006)(*) (attributed to) Signed lower right Appel 69. Wasco (wax crayon) on paper. | 48 x 63 cm. | Condition: Provenance: Belgian private collection. Kortrijk region.In good condition.

Karel Appel (1921-2006)(*) (attributed to) Signed at the bottom right Appel'70. Wasco (wax crayon) on paper. | 52.5 x 84 cm. | Condition: Provenance: Belgian private collection. Kortrijk region.In good condition.Not framed.

A crayon and pastel study of a horse in landscape; a watercolour of a jungle scene, signed Lawson, and a modern watercolour of a coastal scene indistinctly signed

Geoffrey Arthur Tibble (British, 1909-1952), conté crayon on paper, 'Crayon Drawing, 1945', signed in pencil, 24.5 x 16cm. Condition - fair to good

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Composition [Flash]". Medium: Crayon & pencil drawing on paper. Date: Composed 1984. Dimensions: Overall size: 8 7/16 x 5 1/16 in. (214 x 129 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $20,000/30,000Lot Note(s): Hand-signed, dated, annotated 'N.Y' and with Basquiat's 'crown' logo in pencil, verso. Drawn on pale cream wove paper, removed from a book. Good to very good condition; discoloration of the paper, primarily in the upper and lower right hand side areas of the sheet, not affecting the image. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Jean-Michel Basquiat during a meeting of the two in 1984 at Basquiat’s studio at 57 Great Jones Street, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto met Basquiat in the early 1980s in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30622-2-1000-NR]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Untitled [Urba-No]". Medium: Crayon & pencil drawing on paper. Date: Composed 1984. Dimensions: Overall size: 9 x 6 3/16 in. (229 x 157 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $10,000/12,000Lot Note(s): Hand-signed lower center, dedicated and dated. Drawn on pale cream wove paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Jean-Michel Basquiat during a meeting of the two in 1984 at Basquiat’s studio at 57 Great Jones Street, New York City. Basquiat’s hand-printed text is a dedication to Quinto. The noted Italian author, art dealer, and art collector Urbano Quinto met Basquiat in the early 1980s in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30393-2-1000-NR]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Universal". Medium: Crayon & pencil drawing on paper. Date: Composed 1984. Dimensions: Overall size: 8 3/ 8 x 5 3/ 8 in. (213 x 137 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $25,000/30,000Lot Note(s): Hand-signed, dated, annotated 'N.Y' and with Basquiat's 'crown' logo in pencil, verso. Drawn on pale cream wove paper, removed from a book. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Jean-Michel Basquiat during a meeting of the two in 1984 at Basquiat’s studio at 57 Great Jones Street, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto met Basquiat in the early 1980s in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30621-2-1000-NR]

Artist: Cy Twombly (American, 1928-2011). Title: "Untitled [1985 #2]". Medium: Crayon and stylus drawing on paper. Date: Composed 1985. Dimensions: Overall size: 5 1/4 x 7 1/2 in. (133 x 190 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $25,000/35,000Lot Note(s): Hand-signed in crayon, verso. Drawn on cream wove paper. Very good to fine condition; slight horizontal creasing upper margin; lower left corner crease; else fine. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Cy Twombly in 1985 at the Caffè Greco, via dei Condotti, 86, Rome, Italy. A noted Italian author, art dealer, and art collector, Quinto acquired over the years dozens of works on paper as gifts from artists he knew, including Matisse, Warhol, Twombly, Basquiat, and Haring. The original Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): Edwin Parker "Cy" Twombly, Jr. was an American painter, sculptor and photographer. Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Twombly image copyright © The Cy Twombly Foundation. [30602-2-1000-NR]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Silver Banana". Medium: Crayon drawing on paper. Date: Composed 1977. Dimensions: Overall size: 5 x 7 1/4 in. (127 x 184 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $6,000/8,000Lot Note(s): Signed and dated, lower center. Drawn on cream wove paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired directly from Andy Warhol in 1977 at the Studio 54 nightclub, 254 West 54th Street, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto (Rhodes, Greece, 1933 - Novara, Italy, 1997) met Warhol in April 1977 at the inauguration of Studio 54, New York City. Quinto acquired drawings from Jean-Michel Basquiat, Keith Haring, and Andy Warhol, as well as other notable artists, directly from them beginning in the 1950’s and continuing through the 1980’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Warhol image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [30546-2-1000-NR]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Graft". Medium: Crayon, marker, pen, and pencil drawing on paper. Date: Composed 1984. Dimensions: Overall size: 12 x 9 3/16 in. (305 x 233 mm).Pricing:   Starting Price: $5,000  Reserve Price: No reserve  Auction Sale Price Estimate: $30,000/40,000Lot Note(s): Signed and dated in black marker, lower right. Drawn on light cream wove paper. Very good condition; several very minor tears, one very slightly into the image, right edge; some very minor fading, upper edge; else fine, and presents very well. Provenance: The work comes from the collection of Urbano Quinto (Rhodes, Greece, 1933 – Novara, Italy, 1997) and was acquired directly from Jean-Michel Basquiat in 1984 during a meeting at Basquiat's studio located at 57 Great Jones Street, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto met Jean-Michel Basquiat in 1984 at the Andy Warhol ‘Factory’ at 33 Union Square West in New York City. Quinto acquired drawings from Pablo Picasso, Jean-Michel Basquiat, Keith Haring, and Andy Warhol, as well as other notable artists, directly from them beginning in the 1950's and continuing through the 1980's. A copy of the Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30268-2-5000-NR]

Artist: Cy Twombly (American, 1928-2011). Title: "Untitled [1985 #4]". Medium: Crayon and pencil drawing on paper. Date: Composed 1985. Dimensions: Overall size: 4 5/8 x 5 1/8 in. (117 x 130 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $10,000/15,000Lot Note(s): Hand-signed in pencil, verso. Drawn on smooth cream wove paper. Very good to fine condition; a few very minor soft handling areas in the paper, not visible recto. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Cy Twombly in 1985 at the Caffè Greco, via dei Condotti, 86, Rome, Italy. A noted Italian author, art dealer, and art collector, Quinto acquired over the years dozens of works on paper as gifts from artists he knew, including Matisse, Warhol, Twombly, Basquiat, and Haring. The original Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): Edwin Parker "Cy" Twombly, Jr. was an American painter, sculptor and photographer. Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Twombly image copyright © The Cy Twombly Foundation. [30601-2-1000-NR]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Composition [Jaws]". Medium: Crayon & pencil drawing on paper. Date: Composed 1984. Dimensions: Overall size: 8 3/ 8 x 5 1/2 in. (213 x 140 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $20,000/25,000Lot Note(s): Hand-signed, dated, annotated 'N.Y' and with Basquiat's 'crown' logo in pencil, verso. Drawn on pale cream wove paper, removed from a book. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Jean-Michel Basquiat during a meeting of the two in 1984 at Basquiat’s studio at 57 Great Jones Street, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto met Basquiat in the early 1980s in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30620-2-1000-NR]

Artist: Cy Twombly (American, 1928-2011). Title: "Composition [Cycles #2 - 1985]". Medium: Crayon drawing on paper. Date: Composed 1985. Dimensions: Overall size: 7 3/4 x 4 9/16 in. (197 x 116 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $20,000/25,000Lot Note(s): Hand-signed in crayon, verso. Drawn on cream wove paper. Based on the placement of the signature and the image in the Letter of Authenticity we believe that this is a vertical composition; the sheet has been trimmed at a vertical angle to the lower right; we believe the trimming was done deliberately and before the composition was rendered. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Cy Twombly in 1985 at the Caffè Greco, via dei Condotti, 86, Rome, Italy. A noted Italian author, art dealer, and art collector, Quinto acquired over the years dozens of works on paper as gifts from artists he knew, including Matisse, Warhol, Twombly, Basquiat, and Haring. The original Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): Edwin Parker "Cy" Twombly, Jr. was an American painter, sculptor and photographer. Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Twombly image copyright © The Cy Twombly Foundation. [30605-2-1000-NR]

Artist: Cy Twombly (American, 1928-2011). Title: "Composition [Cycles #1 - 1985]". Medium: Crayon drawing on paper. Date: Composed 1985. Dimensions: Overall size: 4 3/4 x 6 in. (121 x 152 mm).Pricing:   Starting Price: $1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $25,000/30,000Lot Note(s): Hand-signed in crayon, verso. Drawn on cream wove paper. Fine condition with no issues to report. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Cy Twombly in 1985 at the Caffè Greco, via dei Condotti, 86, Rome, Italy. A noted Italian author, art dealer, and art collector, Quinto acquired over the years dozens of works on paper as gifts from artists he knew, including Matisse, Warhol, Twombly, Basquiat, and Haring. The original Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): Edwin Parker "Cy" Twombly, Jr. was an American painter, sculptor and photographer. Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Twombly image copyright © The Cy Twombly Foundation. [30604-2-1000-NR]

JOHN RATTERBURY SKEAPING RA (1901-1980) 'Giraffes', pencil and crayon, 39cm x 54cm, framed.

Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Non-objective Composition #24". Medium: Pen and crayon drawing. Date: Composed 1949. Dimensions: Overall size: 13 11/16 x 9 3/4 in. (348 x 248 mm). Image size: 13 11/16 x 9 3/4 in. (348 x 248 mm).Pricing:   Starting Price: $400  Reserve Price: N.A.  Auction Sale Price Estimate: $600/800Lot Note(s): Signed and dated in crayon, lower center. Good condition. Comment(s): Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." Works by Muyaes, a noted Mexican painter and sculptor, rarely appear on the market. Born in Chile, he moved to Mexico City as a young man and became an integral part of the intellectual circle there (e.g., he was intimately acquainted with the great poet Pablo Neruda during Neruda's Mexico years). Image copyright © The Estate of Jaled Muyaes. [20218-0-400-NA]

Artist: Robert Motherwell (American, 1915 - 1991). Title: "Art 1981 Chicago". Medium: Original color lithograph . Date: Composed 1981. Dimensions: Overall size: 39 1/2 x 27 1/2 in. (1003 x 698 mm). Image size: 37 1/2 x 25 1/2 in. (952 x 648 mm).Pricing:   Starting Price: $100  Reserve Price: N.A.  Auction Sale Price Estimate: $150/200Lot Note(s): Signed with the initials and dated in crayon, lower left; signed with the initials and dated in the plate, upper right of the image. Cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: See B.249 and E. and B. 282. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): Please note that this is an original color lithograph poster, not an offset lithograph. Scarce/rare, especially with the signature. Poster printed by Tyler Graphics, Ltd., Mount Kisco, New York, with their imprint. Published by Lakeside Group for the 1981 Chicago International Art Exposition. Image copyright © Licensed by VAGA, New York, NY. [23681-6-100-NA]

Artist: David Hockney (British, b.1937). Title: "Table Flowable [David Hockney exhibition]". Medium: Color offset lithograph. Date: Composed 1991. Dimensions: Overall size: 28 1/2 x 20 1/4 in. (724 x 514 mm).Pricing:   Starting Price: $300  Reserve Price: N.A.  Auction Sale Price Estimate: $400/500Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Comment(s): A scarce/rare poster with the signature. Published by the Petit Musee, Japan. Features Hockney's print "Table Flowable," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23686-5-300-NA]

Artist: David Hockney (British, b.1937). Title: "Amaryllis in Vase [Japan exhibition]". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Overall size: 34 1/8 x 23 1/8 in. (867 x 587 mm). Image size: 27 x 19 in. (686 x 483 mm).Pricing:   Starting Price: $300  Reserve Price: N.A.  Auction Sale Price Estimate: $400/500Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Good condition. Literature/catalogue raisonne: This particular poster image/composition unknown to Baggot/Hockney Posters. For the same image in different exhibition posters, please see Baggot/Hockney Posters (1994) #s 165, 166, 173. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): A scarce/rare poster with the signature. Published by the Ito Gallery, Tokyo, for the exhibition opening July 27, 1985 (through August 11th). Features Hockney's print "Amaryllis in Vase," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23685-5-300-NA]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 16, 1964 #04 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 IV, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 11/16 in. (327 x 246 mm).Pricing:   Starting Price: $1,600  Reserve Price: N.A.  Auction Sale Price Estimate: $2,500/3,000Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, lower right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30021-2-1600-NA]

Artist: James Ensor. Title: "Têtes Grotesques". Medium: Watercolor, wax crayon, and pencil drawing on paper. Date: Composed 1923-1924. Dimensions: Overall size: 12 x 9 1/2 in. (305 x 241 mm). Image size: 8 1/2 x 6 1/2 in. (216 x 165 mm).Pricing:   Starting Price: $16,000  Reserve Price: N.A.  Auction Sale Price Estimate: $25,000/30,000Lot Note(s): Signed lower center. Painted on cream laid paper. Good condition; a small paper loss lower left and upper left corners; very minor edge tears left margin; the work is affixed to a gray-blue wove paper backing sheet which is in very good shape save some modest edge fading and minor creasing. Comment(s): Our example of the ‘Grotesque Heads’ is clearly in the tradition of Ensor’s “Self-Portrait with Masks” (1899) and “The Seven Deadly Sins,” the 1904 portfolio of etchings, among other works. Quite possibly a study for a later, more finished work. Ensor was a painter and printmaker who was an early and important influence on expressionism and surrealism. Image copyright © SABAM, Belgian Society of Authors, Composers and Publishers. [29892-2-16000-NA]

Artist: Henry Moore (English, 1898 - 1986). Title: "Reclining Figure". Medium: Watercolor, wax crayon, and pen and ink on paper. Date: Composed 1948. Dimensions: Overall size: 9 x 11 1/2 in. (229 x 292 mm).Pricing:   Starting Price: $4,000  Reserve Price: N.A.  Auction Sale Price Estimate: $5,000/6,000Lot Note(s): Signed and dated, lower right. Painted on wove paper. Fine condition. Comment(s): Our example is quite possibly a composite refinement of figures from Moore’s “Sleeping Positions” of 1941, currently in the collection of The Henry Moore Foundation. Moore was a sculptor who also excelled in two-dimensional art. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. Image copyright © The Henry Moore Foundation. [29891-2-4000-NA]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Taittinger Collection par Roy Lichtenstein". Medium: Color offset lithograph. Date: Composed c1990. Dimensions: Overall size: 69 5/16 x 46 1/2 in. (1761 x 1181 mm).Pricing:   Starting Price: $2,000  Reserve Price: N.A.  Auction Sale Price Estimate: $3,000/4,000Lot Note(s): Signed in red crayon, lower right. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Corlett III.48. Comment(s): A very large poster, almost six feet tall, apparently rare, perhaps never issued. No auction records in the past 25 years located. Unknown to Doering/Von der Osten. Image copyright © Estate of Roy Lichtenstein. [27029-8-2000-NA]

A well executed probably crayon picture of Horse overlooking a fence, signed I. Mufioz-Mayo 1979, 12" x 15".

Henry Moore OM, CH, RBA, RBS (1898-1986) “Head” (1957/58) Signed, black crayon, 39cm by 30cmProvenance: Given to Mervyn Levy by the artist following the publication of his book "Drawing and Sculpture" in 1970 according to inscription verso Clark Art, CheshireHenry Moore is perhaps the most celebrated sculptor of the 20th century, and his monumental semi-abstract sculptures had a profound effect on the course of British Art. Achieving global recognition in his lifetime, Moore’s distinctive brand of modernism caused a British sculptural Renaissance.Moore was born in Castleford, a small mining town in West Yorkshire, in 1898. After initially training as a teacher, he served in the Army during the First World War. However, after being injured he was awarded a rehabilitation grant that afforded him the opportunity to study at Leeds School of Art before going on to the Royal College of Art in London.Whilst studying in London Moore became absorbed with so called ‘Primitive Art’ in the British Museum. Shying away from the Classical ideal, which was all-pervasive in Western Art, he instead drew inspiration from the imagery of the ancient world, and from African and Oceanic cultures which idolised the female/maternal figure.Moore began sculpting simple, powerful forms redolent of ancient objects, with a distinct focus on female figures and family groups. Close study of the natural world led Moore to create his abstracted figures, at once both alien and familiar, using organic shapes taken from a line of hills, a massive rock formation, or a sea-smoothed pebble on a beach. The abstraction of organic forms developed in parallel in the work of Barbara Hepworth, whom Moore had known since their days at Leeds School of Art.Having come under the influence of Pablo Picasso and Georges Braque in the 1930s, his work had taken on a darker edge with a greater degree of abstraction and more distorted forms. This was exacerbated by the outbreak of the Second World War, during which Moore became an official war artist and moved away from his characteristic female and maternal images as his primary focus. Moore created a powerful series of drawings of huddled figures in underground shelters, before returning to his hometown of Castleford to visit the colliery in which his father had worked to depict miners toiling at the coal face. These works were filled with a pathos and pain, which he later expressed in austere pieces such as his Helmet series. After WWII, Moore became very focussed on Helmet Head and Heads. During the 1950's he explored many varations on this subject (see lot 573). Slight time staining to the paper, especially to the outer edges. Slight cockling to the paper and handling creases to the outer edges. Brown thumb mark left of bottom edge by design? Possible pen mark diagonal from the left edge down to the right to the left of the head approximately 5cm. Small brown marks under the signature and below centre of right edge. The odd very tiny sporadic foxing spot in evidence. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.

Artist: Robert Delaunay (French, 1885 - 1941). Title: "Portrait of Madame Heim [study]". Medium: Crayon and colored pencil drawing. Date: Composed c1926. Dimensions: Overall size: 12 3/8 x 9 9/16 in. (314 x 243 mm).Pricing:   Starting Price: $1,600  Reserve Price: N.A.  Auction Sale Price Estimate: $2,000/2,500Lot Note(s): Signed lower right. Light cream wove paper. Very good condition; some edge toning. Comment(s): Delaunay painted a series of portraits of Madame Jacques Heim during the 1926-1927 period. Image copyright © The artist or assignee. [27404-2-1600-NA]

Artist: Theodor Seuss Geisel [Dr. Seuss] (American, 1904-1991). Title: "Fish on My Dish". Medium: Felt-tip pen and crayon on paper. Date: Composed c1982. Dimensions: Overall size: 5 1/4 x 7 3/16 in. (133 x 183 mm).Pricing:   Starting Price: $800  Reserve Price: N.A.  Auction Sale Price Estimate: $1,200/1,500Lot Note(s): Signed lower right; titled upper left. Drawn on light cream wove paper. Very good to fine condition. Comment(s): Geisel was an American children's author, political cartoonist, illustrator, poet, animator, screenwriter, and filmmaker. He is known for his work writing and illustrating more than 60 books under the pen name Doctor Seuss (abbreviated Dr. Seuss). His work includes many of the most popular children's books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death. Image copyright © Dr. Seuss Enterprises, L.P. [30664-1-800-NA]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: Pintura - Dibujo [Sala Gaspar]". Medium: Original color lithograph . Date: Composed 1971. Dimensions: Overall size: 39 1/2 x 20 3/8 in. (1003 x 518 mm). Image size: 38 x 18 1/2 in. (965 x 470 mm).Pricing:   Starting Price: $600  Reserve Price: N.A.  Auction Sale Price Estimate: $800/1,000Lot Note(s): Signed in purple crayon, lower right. Edition unknown, probably small. Light cream wove paper. The full sheet. Very fine impression. Very good condition; a few soft creases in the image (probably easily pressed out), else fine. Literature/catalogue raisonne: Czwiklitzer 422 (1981 ed.); Rodrigo 228. Comment(s): Apparently scarce. We could not find an example of this large poster at auction. Generally catalogued as an offset lithograph; our example appears to be a "stone" lithograph. Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Publicaciones Reunidas, Barcelona. Image copyright © Artists Rights Society (ARS), New York. [27396-6-600-NA]

Artist: Theodor Seuss Geisel [Dr. Seuss] (American, 1904-1991). Title: "The Grinch at Christmas". Medium: Felt-tip pen and crayon on paper. Date: Composed c1982. Dimensions: Overall size: 9 x 6 1/8 in. (229 x 156 mm).Pricing:   Starting Price: $1,600  Reserve Price: N.A.  Auction Sale Price Estimate: $2,000/2,500Lot Note(s): Signed lower left. Drawn on white wove paper. Very good to fine condition. Comment(s): Geisel was an American children's author, political cartoonist, illustrator, poet, animator, screenwriter, and filmmaker. He is known for his work writing and illustrating more than 60 books under the pen name Doctor Seuss (abbreviated Dr. Seuss). His work includes many of the most popular children's books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death. Image copyright © Dr. Seuss Enterprises, L.P. [30663-1-1600-NA]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 20, 1964 #05 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 V, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 11/16 in. (327 x 246 mm).Pricing:   Starting Price: $1,200  Reserve Price: N.A.  Auction Sale Price Estimate: $1,800/2,000Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30029-2-1200-NA]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 20, 1964 #09 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 IX, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Pricing:   Starting Price: $1,200  Reserve Price: N.A.  Auction Sale Price Estimate: $1,800/2,000Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): An unsigned impression of this print was offered at $1,395 by Pamono Inc., New York and Berlin, as of April 6, 2020. Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30032-2-1200-NA]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Collection S. Guggenheim New York ["Mandolin and Guitar"] [Musee des Arts Decoratifs]". Medium: Color lithograph. Date: Composed 1958. Dimensions: Overall size: 25 3/8 x 20 3/4 in. (645 x 527 mm).Pricing:   Starting Price: $1,600  Reserve Price: N.A.  Auction Sale Price Estimate: $2,200/2,500Lot Note(s): Signed in red crayon, lower right. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Czwiklitzer 126 (1970 ed.); Czwiklitzer 141 (1981 ed.); Rodrigo 75. Comment(s): According to 'Gordon's Art Reference' the auction record of a signed impression is a sale for DM15,525 ($7,046) at Ketterer Kunst, Munich - 12/02/2000 - lot #234. Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [26991-5-1600-NA]