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A large and impressive Continental walnut mirror, the cornice painted cherubs, carved foliate forms, highlighted in gilt, 237 x 95 cm

A Chinese hardwood cabinet, the top with stepped shelves, on a base with two cupboard doors, profusely carved with floral forms, 210 cm high x 100 cm wideThe top is slightly warped, and cornice does not correctly sit, the cornice is also split. some of the decorations on the shelves are loose. Variation of colourWe would recommend Martin Brothers for shippingFrom a deceased estate

Imposing carved and polychromed wooden cupboard. Viceregal work. Peru. 18th century.210 x 152 x 60 cm.Structurally, it has two front doors that close with a large original wrought iron bolt. It is topped with a cornice and supported by a long continuous base. The entire cabinet is completely carved with rich ornamentation of flat carving and moulding in square ribbed sections.The decoration on the doors is divided into three segments, the upper one shows the keys and the Mitre of St. Peter (elements that are repeated in the cornice), the central one shows two Eucharistic pelicans among branches and flowers, and the lower one is formed by a single large rose window, similar to a cathedral stained-glass window.The same decoration, somewhat smaller due to there being less space, can be found on the sides.An example comparable to this is the one in the Museo de Arte de Lima, and as María Campos Carlés points out in her book on Viceregal Peruvian furniture ‘Un legado que pervive en Hispanoamérica. El mobiliario del Virreinato del Perú de los siglos XVII y XVIII": it is ’a dazzling and majestic cabinet for civilian use. This piece was built in the last quarter of the 17th century by anonymous artisans from Cusco with Italian influence.Another example comparable to this cupboard is the one in the Vivian and Jaime Liébana collection in Lima, dating from the 18th century.Regarding the origin and style of this type of baroque furniture, we highly recommend reading chapter VI of the aforementioned book by Compos Carlés (Wooden, baroque style furniture with flat carving, bare, gilded and polychromed. Civil and religious, utilitarian and ornamental use. Lima, Cusco, Arequipa, Puno and Trujillo) in which it is explained how: ’the local craftsman extracted artistic patterns from books of engravings and drawings of European art. This valuable data allowed them to ornament a piece of furniture with Europeanising morphology while inserting juxtaposed autochthonous elements. The Spanish Baroque underwent changes in the Viceroyalty of Peru as a result of the added ornamental fantasy of a typically Andean identity, avid for creativity...The three-dimensional volumetry was achieved by means of bevelled roughing on hard and ductile woods...It is relevant that on some occasions the carved wood was totally or partially gilded with gold leaf, and patinas and polychromy were also used.210 x 152 x 60 cm.Structurally, it has two front doors that close with a large original wrought iron bolt. It is topped with a cornice and supported by a long continuous base. The entire cabinet is completely carved with rich ornamentation of flat carving and moulding in square ribbed sections.The decoration on the doors is divided into three segments, the upper one shows the keys and the Mitre of St. Peter (elements that are repeated in the cornice), the central one shows two Eucharistic pelicans among branches and flowers, and the lower one is formed by a single large rose window, similar to a cathedral stained-glass window.The same decoration, somewhat smaller due to there being less space, can be found on the sides.An example comparable to this is the one in the Museo de Arte de Lima, and as María Campos Carlés points out in her book on Viceregal Peruvian furniture ‘Un legado que pervive en Hispanoamérica. El mobiliario del Virreinato del Perú de los siglos XVII y XVIII": it is ’a dazzling and majestic cabinet for civilian use. This piece was built in the last quarter of the 17th century by anonymous artisans from Cusco with Italian influence.Another example comparable to this cupboard is the one in the Vivian and Jaime Liébana collection in Lima, dating from the 18th century.Regarding the origin and style of this type of baroque furniture, we highly recommend reading chapter VI of the aforementioned book by Compos Carlés (Wooden, baroque style furniture with flat carving, bare, gilded and polychromed. Civil and religious, utilitarian and ornamental use. Lima, Cusco, Arequipa, Puno and Trujillo) in which it is explained how: ’the local craftsman extracted artistic patterns from books of engravings and drawings of European art. This valuable data allowed them to ornament a piece of furniture with Europeanising morphology while inserting juxtaposed autochthonous elements. The Spanish Baroque underwent changes in the Viceroyalty of Peru as a result of the added ornamental fantasy of a typically Andean identity, avid for creativity...The three-dimensional volumetry was achieved by means of bevelled roughing on hard and ductile woods...It is relevant that on some occasions the carved wood was totally or partially gilded with gold leaf, and patinas and polychromy were also used.

In the manner of Ambrose Heal, an Arts & Crafts oak linen press the upper section with a pair of deeply panelled doors with elaborate stylized copper hinges, the base with two short over short over two long drawers and box plinth,125 cm wide x 51 cm deep x 206 cm highGood order generally.The left-hand door has a slight twist across it, this is held in check by the lock on the other door The interior has four trays one of which has a clumsy block repair that could be improved upon. The top edge doesn't show signs of a former cornice but could have had a boarded top as some signs of glue blocks remain.The drawers run but the top drawers will need their runners replaced soonThe bottom section has NO keys, the locks are marked HLL Patent The bottom long drawer has the right-hand swan neck is missing but the back plate remainsThe sides are front panels and drawer fronts are intact and without splits or cracks.

A mahogany secretaire bookcase, 19th century, with Arabic style glazing, enclosing two shelves, with a secretaire drawer, over three further drawers, 99.5cm wide 39cm deep196.5cm highCondition ReportUsed. With cracked glass, some knocks, cornice loose on the right.

A small George III oak dresser, 18th century, the moulded cornice above two plate shelves with shaped ends, the lower section with three short drawers over two panelled doors and a dummy central cupboard,145cm wide51cm deep192cm highCondition ReportShrinkage split evident to back boards.

A George III mahogany chest on chest, 18th century third quarter, the Greek key moulded cornice above a fluted frieze, the upper section with two short and three long drawers, the lower with three further long drawers, on bracket feet125cm wide60cm deep183cm highCondition ReportWith knocks and wear, some losses to the moulding. Drawers run smoothly. Please see additional images.

Early 20thc oak sectional stacking bookcase with astragal glazed doors (3 sections , base and cornice), 48"W x 48"H

Large pine Welsh kitchen dresser. Approx. 181cm width of cornice, 202cm high and 48cm deep

George III bow fronted mahogany chest, the moulded cornice above an inlaid frieze and an arrangement of drawers, the lower with three long graduating drawers, above a shaped skirt, raised on bracket feet [194x116x54cm]

Victorian mahogany double wardrobe, the molded cornice above two panel doors opening to shelved and rail interior raised on a plinth base

Victorian double mahogany wardrobe the moulded cornice above two panel doors opening to shelved and rail interior with lower shelf raised on bun feet.

Antique oak dresser, the moulded cornice above two glazed doors opening to shelved interior, the base with drop front and three graduating drawers raised on bracket feet [193x97x39cm]

Georgian chest on chest, the moulded cornice above two short drawers and three long graduating drawers, the lower with three further graduating box wood drawers with brass handles, raised on shaped bracket feet

A Victorian walnut wardrobe with hanging compartment enclosed by a central mirror panel door above two short and one long drawers surmounted by a moulded cornice, 86" high x 54" wide

A good quality oak farmhouse dresser with three drawers in the frieze and three central drawers flanked by cupboards enclosed by two panel doors, the upper portion with open plate rack surmounted by a moulded cornice on bracket feet 80" high x 63"wide

A late Victorian figured mahogany wardrobe with hanging compartment enclosed by two panelled doors above a single base drawer surmounted by a moulded cornice 76" high x 51" wide

A late Victorian/Edwardian mahogany triple wardrobe with shelves, drawers and hanging compartment enclosed by three panel doors surmounted by a moulded cornice

A Victorian mahogany bookcase with cupboard enclosed by two panelled doors, the upper portion with adjustable shelves enclosed by two arched glazed doors surmounted by a moulded cornice, 84" high x 52½" wide

A large 19th Century corner bookcase with shaped shelves enclosed by two astragal glazed doors above a cupboard enclosed by two panelled doors surmounted by a moulded cornice on bracket feet

A FRENCH YEW WOOD ARMOIRE 18th century, the moulded cornice over cupboard doors opening to an interior fitted with a drawer and shelf, a shaped apron beneath, on short cabriole legs, 218cm high x 152cm wide x 67cm deepProvenance: The Les Watts Collection.

A GEORGE III MAHOGANY CHEST ON CHEST the upper section with a moulded cornice over three short and three long graduated drawers, the bottom section with three long graduated drawers on shaped bracket feet with later castors, 194cm high x 120cm wide x 60cm deepProvenance: Property formerly in the collection at West Hall, Long Burton.

AN ENGLISH OAK 'BACON' SETTLE 18th century, the moulded cornice over a panelled square back fitted with two doors to the reverse, the rectangular seat with shaped arms and two short drawers beneath, on sledge feet, 175cm high x 110cm wide x 64cm deepProvenance: The Les Watts Collection.

A FRENCH EMPIRE FIGURED MAHOGANY ARMOIREearly 19th century, with well cast gilt bronze mounts, the stepped cornice with applied swags to frieze, enclosed by arched mirrored door, single deep drawer under, with turned columns to sides, 210cm high x 108cm wide x 53cm deep

A VICTORIAN WALNUT DAVENPORT the upper section with a moulded cornice over glazed cupboards opening to a shelved interior, the base with a single drawer opening to a gilt tooled leather writing surface and small recesses for ink and pens, panelled cupboards to each side, on turned bun feet inset with castors, 143cm high x 67cm wide x 61cm deepProvenance: The Les Watts Collection.

A GEORGE II WALNUT BOWFRONT HANGING CORNER CUPBOARD circa 1750, with a moulded cornice and base, the quarter veneered doors inlaid with herringbone banding opening to a shelved interior, 98cm high x 73cm wide x 49cm deepProvenance: The Grey-Egerton Family, formerly of Oulton Hall.

A GEORGE II OAK CHEST ON STAND mid 18th century, the upper section with a dentil moulded cornice over five short and three long graduated drawers, the base with four short drawers over a shaped and pierced apron, on stop fluted cabriole front legs with pad feet and block rear legs, 152cm high x 108cm wide x 55cm deepProvenance: The Les Watts Collection.

AN ENGLISH OAK DRESSER late 18th/early 19th century, the upper section with a moulded cornice and shaped frieze over two shelves with short drawers beneath, the base with three frieze drawers over panelled cupboards and further drawers, on bracket feet, 212.5cm high x 199cm wide x 48cm deepProvenance: The Les Watts Collection.

A LATE VICTORIAN SATINWOOD, PARCEL GILT AND POLYCHROME PAINTED CABINET the upper section with a moulded cornice over astragal glazed cupboard doors opening to shelves, a dancer painted to the central panel, beneath tambour slides opening to reveal short drawers and pigeon holes, the base with a single frieze drawer decorated with floral swags, on fluted and tapered legs terminating on turned feet, 184cm high x 102cm wide x 49cm deepProvenance: The Countess of Buckinghamshire, Camperdown House, Dundee, and thence by descent.The Les Watts Collection.

A QUEEN ANNE WALNUT SECRETAIRE CHEST ON CHEST early 18th century and later, the upper section with a moulded cornice over three short and three long graduated drawers inlaid with herringbone banding, the lower section with a narrow drawer opening to a gilt tooled leather writing slope and further short drawers and pigeon holes, three long drawers beneath, on shaped bracket feet, 172cm high x 103cm wide x 56cm deepProvenance: The Grey-Egerton Family, formerly of Oulton Hall.

A GEORGE III MAHOGANY AND CROSSBANDED BUREAU BOOKCASE BY W. WILLIAMSON & SONS OF GUILDFORDthe upper section with moulded cornice over astragal glazed doors opening to shelves, the top drawer of the base with a fall front opening to a fitted interior and baize lined writing surface, three long graduated drawers beneath, on shaped bracket feet, 212cm high x 103cm wide x 54cm deep

A George IV oak standing corner cupboard, the moulded cornice and dentil frieze above two shaped panelled doors, within reeded canted corners above a two panelled door, on bracket feet, 90cm wide, 47cm deep, 192.5cm highThe W J Fieldhouse Collection, Austy Manor, Wootton Wawen and thence by descent to vendor

A James I oak food hutch, with moulded cornice and a hinged door with turned grilled top and linen fold panel base, flanked by similar panels, 68.5cm wide, 22cm deep, 70cm highThe W J Fieldhouse Collection, Austy Manor, Wootton Wawen and thence by descent to vendorWe believe that while the piece itself is James I, the panels may be slightly earlier and the hutch built around them.

A James I oak livery cupboard, Gloucestershire, with dentil moulded cornice and leaf carved friezes and uprights, enclosed by a pair of doors with twin rosette panels flanking a central similar panel, standing on large bulbous elm legs joined by an undertier, 130cm wide, 45cm deep, 111cm highOld handwritten label to reverse, barely legible, perhaps 'Willoughby.....Malton, Yorkshire...'Overall appearance good. The usual knocks, shrinkage splits and wear commensurate with age. Elm bulbs have typical old signs of worm. Elm board (base of cupboard) also has old worm sign and pitting.

An Irish pine dresser the wavy cornice above three shelves, the base fitted two drawers above cupboards, 147cm wide, 46cm deep, 188cm highAppears to be previously inset as part of a fitted dresser, signs of old painting later stripped. top left of cornice with small loss. All over wear, scuffs and scratches commensurate with age and use. Darkened nail holes. later cabinet handles. No visible woodworm

A Regency mahogany secretaire bookcase, the pierced fretwork swan neck crest above a gothic arch decorated moulded cornice, the centre section with two glazed panel doors with arched astragals, above a long fitted secretaire drawer with leather inset writing surface, and two further graduated long drawers with turned ebonised handles, flanked by two tall astragal glazed cabinets enclosing shelves, on bracket feet, 245cm wide, 53cm deep, 252cm high (in six sections)All over scuffs, scratches and wear commensurate with age and use, two carved pendants missing to cornice, a few shallow gouges to sides, one key present for glazed doors, drawer key not present, wear to base and base cut down, cut off base elements present

A Queen Anne narrow oak tridarn, Welsh, the upper section with slatted sides and moulded cornice, the middle section enclosed by a door and with drop finials, the lower section with a drawer inlaid with ebonised stringing above a further cupboard door, stamped with initials RI to top and middle sections, 80cm wide, 52cm deep, 191cm highHubbard Antiques, Leominster, July 1990Top section removable. Good overall condition, usual knocks and scrapes commensurate with age. Repair to front right upright mitigating a split. Small loss to one rear upright. Several small patches inserted into surfaces. Several holes in roof boards. Metal plate to back covering small hole. Bottom cupboard door hinges loose. Brass handles on drawer not original. Feet worn and nibbled. Rear feet spliced

A Victorian mahogany breakfront bookcase, the moulded cornice above a glazed upper section, the arched doors with a ripple moulded surrounds and with cupboard doors below all fitted with adjustable shelves, 293cm wide, 44cm deep, 250.5 high

18th century and later oak dresser, raised plate rack with moulded dentil cornice over three tiers, decorated with applied carved roundels, the base with breakfront top over seven drawers each with mahogany banding, enclosed by two panelled cupboards, on stile supports Dimensions: Height: 222cm  Length/Width: 184cm  Depth/Diameter: 50cmCondition Report: Total height with rack - 222cm.Rack: W189cm, H140cm, D15cm.Dresser base: W184cm, H84cm, D50cm.

19th century gilt metal mounted amboyna and rosewood collector's cabinet on stand, the cabinet with projecting ebonised cornice with metal band over parquetry band, enclosed by two door with figured panels, shaped and pierced metal escutcheon plate and strap hinges with floral chased decoration, the interior fitted with a combination of small drawers, the rosewood stand fitted with single frieze drawer, on bulbous turned supports united by heavily turned stretchers, the stand bearing a marker's label inscribed 'Marsh, Jones, Cribb & Co. Dimensions: Height: 169cm  Length/Width: 102cm  Depth/Diameter: 57cm

19th century oak wall hanging delft rack, projecting moulded cornice over shaped frieze, fitted with three shelves Dimensions: Height: 107cm  Length/Width: 135cm 

Elizabethan design oak 5' Kingsize four-poster bed, the canopy with projecting moulded and gadrooned cornice over applied strapwork frieze, Ionic capital over tapering fluted posts with cup and cover balusters carved with gadroons and acanthus leaves, terminating to square supports with applied strapwork and split turnings, the panelled headboard carved with a coat of arms and inscribed 'WJR' dated '1857', possibly for the Rawson Family who rebuilt Nidd Hall in 1825, with motto 'Reddens Laudes Domino', decorated with arcades and further applied strapwork, with floral and urn pattern chintz curtains and matching bedspread Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968Dimensions: Height: 232cm  Length/Width: 183cm  Depth/Diameter: 223cmCondition Report: The head and posts are connected by VONO bars, later side and end rails. The side rails do not close up completely and may need attention. Mattress is not included.

George II figured walnut escritoire, projecting moulded cornice over cavetto frieze with drawer, figured fall front revealing pigeonholes, a combination of drawers, central double cupboard and hidden drawers, fitted with two short and two long drawers, cast gilt metal escutcheons and drop handles, on turned feet Dimensions: Height: 169cm  Length/Width: 131cm  Depth/Diameter: 52cmCondition Report:Later feet.

Edwardian Adam Revival break-bowfront quadruple green-painted and parcel gilt wardrobe, the projecting acanthus leaf moulded cornice surmounted by urn with trailing flower heads, two central panelled doors enclosing linen slides, decorated with oval painted panels depicting maidens with flowers and scrolled acanthus leaves with floral festoons, two short and two long drawers below, flanked by full-height panelled doors enclosing hanging rails and hooks, foliate moulded plinth baseDimensions: Height: 245cm  Length/Width: 245cm  Depth/Diameter: 76cm

A George III mahogany cupboard bookcase, probably Irish - the bold swan-neck cornice with carved floral rondels, centred by a foliate bird's head cresting, above a deep plain frieze and a pair of two-panel glazed doors enclosing three adjustable shelves and two drawers beneath, the base with a pair of figured mahogany panelled doors enclosing a single adjustable shelf, on ogee bracket feet. (LWH 122 x 59 x 254.75 cm)

An Edwardian inlaid mahogany wardrobe - dentil inlaid cornice, central door with oval bevelled mirror flanked by panelled sides, deep single drawer with integral platform base. (LWH 126 x 48 x 197 cm)

An early 19th century Egyptian Revival giltwood and composition pier mirror – the foliate decorated cornice with outset angles raised on reeded and crossed ribbon caryatid pilasters with Egyptian masks and feet, flanking a rectangular plate, 100.5 cm wide, 111.5 cm high.

A fine quality Edwardian inlaid fiddle-back mahogany, satinwood and marquetry serpentine display cabinet by Edwards & Roberts - maker's stamp to edge of top drawer, the swan neck and Greek key carved cornice over a satinwood banded frieze inlaid with marquetry floral swags, over a serpentine glazed door and sides enclosing two removable satinwood edge-banded shelves, the base with two drawers with conforming swagged marquetry and original gilt brasses flanked by marquetry urn panels, raised on four square tapered legs with spade feet united by a serpentine undertier, in very good condition. (LWH 117.25 x 40.5 x 207.5 cm)

An early 18th century oak hanging plate rack – of small proportions, the flared, moulded cornice over a shaped fretwork frieze and a full width upper shelf beneath, the lower section with two shorter shelves flanked by two deep shelves with shaped friezes to each side (LWH 11.5 x 20 x 109cm), one side of cornice missing.

A good quality Regency inlaid mahogany corner cabinet and stand - with boldly carved urn and husk swag cresting, over an inlaid keywork and parquetry banded cornice, above a boxwood strung frieze and a pair of 13 pane astragal glazed doors enclosing a green painted three shelf interior, the bowfronted stand with four pigeonholes over a single drawer with lion mask ring handles, raised on paired square tapered legs with spade feet and pierced brackets, united by a concave undertier, 232cm high.

A 19th century Dutch-style walnut glazed hanging display cabinet – in the early 18th century style, the triple-domed, moulded cornice over a central six-pane astragal glazed door and conforming glazed canted sides, enclosing a single gilt-painted shaped shelf. (LWH 91 x 27.5 x 80 cm)

A 19th century inlaid mahogany eight-day longcase clock with moonphase by Edward Massey of Burslem - the floral painted Roman arched dial with subsidiary seconds dial at noon and arched date aperture at six, pierced brass hands, fronting a bell strike movement with four knopped pillars and anchor escapement, the case with swan neck cornice with brass rosette rondels and central ball finial, over fluted columns and an ogee moulded door, probable later alterations to case, the trunk with fluted quarter columns and a cross banded glazed door, on a cross banded plinth with fan spandrels, with ogee bracket feet, probable alterations to case. (LWH 60.5 x 28 x 246.5 cm)

A NORTH EUROPEAN MAHOGANY, STAINED FRUITWOOD AND GILT METAL-MOUNTED PIER MIRROR 19TH CENTURY With a moulded cornice above a lunette with a male figure in a horse-drawn chariot and stars to the corners of the mirror 187cm high, 72cm wide Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. Wear and tarnish to the mounts.Condition Report Disclaimer

A GEORGE III STYLE MAHOGANY CLOTHES PRESS PROBABLY 19TH CENTURY With a shallow dentil moulded cornice above a pair of cut-cornered panelled doors with applied roundels enclosing five mahogany-lined slides, above two short and two long graduated drawers and bracket feet 189cm high, 127cm wide, 53cm deep Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. Re-polished overall.Condition Report Disclaimer

A 19th Century Portuguese free standing cast iron combination safe by Lopes & Araujo, the painted wooden cornice bearing brass plaque "Lopes & Araujo Successor Francisco Carlos Lopes 71-rua da Assumpcao Lisboa" the door fitted with three 'lettered' combination dials and crowned lock plate flanked by a T bar handle opening to reveal a basic interior with three painted shelves and recess on a heavy painted wooden base with single lockable drawer on a plinth support, 60.5 cm wide x 50.5 cm deep x 130 cm high

A 19th Century giltwood and gesso framed pier glass, the moulded cornice with ball decoration over a Classical mask and foliate decorated frieze and bevel edged rectangular plate within a reeded ebonised slip flanked by ribbon tied and acanthus capped side columns, 57 cm wide x 86 cm

A modern painted pine dresser with canted cornice over two glazed doors enclosing a painted interior with four shelves on a base with two panelled doors enclosing a single shelf flanked by turned side columns on a plinth support, 118 cm wide x 41 cm deep x 213 cm high

A 19th Century giltwood and gesso framed pier glass, the moulded cornice over a acanthus capped column decorated frame enclosing a plain rectangular plate within a reeded ebonised slip, 40.5 cm wide x 50 cm high

18th century oak dresser, the upper section with moulded cornice and shaped frieze and sides, panel back and central cupboard surrounded by shelves, the lower section with thumb moulded edge to top, two cockbeaded drawers with brass swan neck handles and shaped backplates, shaped apron and raised on front cabriole legs and pad feet, 102cm wide x 46cm deep x 190cm high Condition ReportThe top does seperate form the base.

Late 19th/early 20th century French armoire later painted green, the moulded cornice with central carved foliage over a single glazed door opening to three adjustable shelves with drawer below, raised on short carved scrolling legs, 103cm long x 43cm deep x 238cm high  Property of Dunkirk Manor, Theescombe, Stroud