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Ca. AD 193 - 211 . A Roman over the life-sized head of Septiumius Severus depicted facing forward with the thick curling hair falling in four pronounced curls over the brow, the characteristic long parted beard with drilling to the corkscrew locks, with a thick moustache, set on a strong, well-defined neck. He wears high-relief laurel crown adorned with the imperial eagle in the centre. For similar see: Torlonia collection, Cat. 19, p. 162. Size: 770mm x 340mm; Weight: Plus 25kg Provenance: Property of an Art Professional, acquired on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
A small collection of vintage and modern cocktail accessories and equipment - including a 1960s chrome and green Sparklets soda syphon; a Habitat Fiesta stainless steel ice crusher; two antique corkscrews; a polished steel corkscrew with brush and cutters by Timmins & Sons; a set of 12 Peruvian white metal cocktail sticks; 15 glass cocktail stirrers (2 sets); a cased Monogram Cutlery 1960s-70s cheese and wine set; etc.
Wreckage from Zeppelin L31 Three pieces of wreckage of the German Zeppelin L31, that was brought down over Potters Bar by Second Lieutenant W. J. Tempest, Royal Flying Corps, the first Canadian to shoot down a Zeppelin from the air, on 2 October 1916, comprising fragment of the airship’s outer duralumin lattice, and two pieces of the airship’s engine (?), with R.C.M.I. accession numbers in ink to first and second, all in relic condition (lot) £300-£500 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Zeppelin L31 was an R-Class Imperial German Navy super Zeppelin commanded by Heinrich Mathy. 198m in length with a crew of 19 and a maximum speed of 64mph, it took part in several raids over London during the Great War. It was shot down over Potter’s Bar by Second Lieutenant Wulstan J. Tempest, a Canadian serving with the Royal Flying Corps, shortly after midnight on 2 October 1916 with the loss of the entire crew. Tempest’s own report is a vivid account of how the L31 met her end: ‘There was a heavy ground fog on and it was bitterly cold, otherwise the night was beautiful and starlit at the altitude at which I was flying. I was gazing over towards the NE of London, where the fog was not quite so heavy, when I noticed all the searchlights in that quarter concentrated in an enormous pyramid. Following them up to the apex, I saw a small cigar-shaped object, which I at once recognised as a Zeppelin, about 15 miles away, and heading straight for London. Previous to this I had chased many imaginary Zepps only to find they were clouds on nearing them. At first I drew near to my objective very rapidly (as I was on one side of London and it was on the other and both heading for the centre of the town): all the time I was having an extremely unpleasant time, as to get to the Zepp I had to pass through a very inferno of bursting shells from the A.A. guns below. All at once, it appeared to me that the Zeppelin must have sighted me, for she dropped all her bombs in one volley, swung around, tilted up her nose and proceeded to race away northwards climbing rapidly as she went. At the time of dropping her bombs, I judged her to be at an altitude of about 11,500 feet. I made after her at all speed at about 15,000 feet altitude, gradually overhauling her. At this time the A.A. fire was intense, and I, being about five miles behind the Zeppelin, had an extremely uncomfortable time. At this point my mechanical pressure pump went wrong, and I had to use my hand-pump to keep up the pressure in my petrol tank. This exercise at so high an altitude was very exhausting, besides occupying an arm, this giving me one hand less to operate with when I commenced to fire. As I drew up with the Zeppelin, to my relief I found that I was free from A.A. fire, for the nearest shells were bursting quite three miles away. The Zeppelin was now nearly 15,000 feet high, and mounting rapidly, I therefore decided to dive at her, for though I held a slight advantage in speed, she was climbing like a rocket and leaving me standing. I accordingly gave a tremendous pump at my petrol tank, and dived straight at her, firing a burst straight into her as I came. I let her have another burst as I passed under her and then banking my machine over, sat under her tail, and flying along underneath her, pumped lead into her for all I was worth. I could see tracer bullets flying from her in all directions, but I was too close under her for her to concentrate on me. As I was firing, I noticed her begin to go red inside like an enormous Chinese lantern and then a flame shot out of the front part of her and I realised she was on fire. She then shot up about 200 feet, paused, and came roaring down straight on to me before I had time to get out of the way. I nose-dived for all I was worth, with the Zepp tearing after me, and expected every minute to be engulfed in the flames. I put my machine into a spin and just managed to corkscrew out of the way as she shot past me, roaring like a furnace. I righted my machine and watched her hit the ground with a shower of sparks. I then proceeded to fire off dozens of green Very's lights in the exuberance of my feelings. I glanced at my watch and saw it was about ten minutes past twelve. I then commenced to feel very sick and giddy and exhausted, and had considerable difficulty in finding my way to ground through the fog and landing, in doing which I crashed and cut my head on my machine-gun.’ For his gallantry that night Tempest, the first Canadian to shoot down a Zeppelin from the air, was awarded the D.S.O. ‘in recognition of conspicuous gallantry and devotion to duty in connection with the destruction of an Enemy Airship’ (London Gazette 13 October 1916). Subsequently awarded the Military Cross and advanced Major, he is commemorated in the names of two streets in Potters Bar, ‘Tempest Avenue’ and ‘Wulstan Park’, close to where the L31 crashed. Sold with copied research, including numerous photographic images of the wreckage, one of which is annotated: ‘Despite the presence of the military [standing guard], many souvenir hunters managed to sneak off with fragments of the wreckage.’
Papworth, Cambridge, England leather cased champagne picnic set, the case opening to reveal two 75cl bottles of Paul Deltours Cart Blanche Champagne, 12% vol, four glasses and a corkscrew in leather pouch PLEASE NOTE ALL ALCOHOL & TOBACCO ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY
A collection of novelty corkscrews. To include -A late 19th century German Cylinder capsule corkscrew - multi tool with corkscrew, tap, bore and tweezers. The capsule screwing together to form the handle. 8cm. A small cylinder capsule corkscrew -6cm An Antler handle corkscrew - 9cm A Boar tusk handle corkscrew - 14cm A brass Anchor bottle opener with concealed corkscrew. - 11cm
A 19th century Henshall type direct pull corkscrew. A wooden handle with small hanging loop and intact dusting brush. Brass shank and with a Henshall button.The Henshall button was the invention of the Rev Samuel Henshall of Oxford, 1795 - the idea was that once the worm is fully in to the cork, with one final turn , the cork is compressed and turned breaking the bond between bottle and cork, making it easier to extract the cork. 14.5cm A 1888 James Heeley and Son A1 Patent double lever corkscrew. A Crown Corker - bottle opener, wire stripper, fruit jar opener, multi tool. Made in England. Parent 13765.
A Victorian multi-tool pocket knife, brass linings, mother of pearl scales, two blades, corkscrew, button hook and spike, HG Long & Co, Sheffield; another brass linings, mother of pearl scales, name plate engraved L.Fox, two blades and scissors, John Wragg & Sons, Sheffield, mounted and framed
Two similar large late 19th/early 20th century combination multi-tool hunting/shooting knives, each with nickel plated body and an arrangement of tools, including blades, corkscrew and awl, one with hook shaped boot or hoof cleaner, main blade length 8cm, the other with engraved measurement scale to body and 12-bore cartridge extractor, main blade length 7.7cm (lacking tip), both with suspension rings. Provenance: the property of a Hampshire private collector.
ASSORTED VICTORIAN SILVER & EPNS FIDDLE PATTERN FLATWARE, patent desk calendar, knife sheath, button hook, including brush thimble, the flatware by James Dixon/Walker & Hall, and incl. set of 6 dessert spoons, 6 dessert forks, and 5 table forks (all monogrammed), together with set 2 tablespoons, 4 dessert spoons, and 6 teaspoons, together with egg cup, cut glass scent bottle with silver collar, William Hutton toast rack, and an antique corkscrew (lacks ratchet) (qty)Provenance: private collection Vale of Glamorgan
The Vulcan No. 66 - a boxed limited edition copper precision corkscrew. The corkscrew produced by John A. Barrett of Westol Wine Consultants Ltd. after the double action design corkscrew patented by Birmingham maker Edward Thomason in 1802. Boxed and with original information booklet, purchasable from John Harvey & Sons Bristol, Averys of Bristol & others. Appears unused in textured acrylic case and cardboard box.
A collection of gentleman's silver and silver plate collectables, housed in a Screwpull cigar humidorto include a silver cigarette case by S. J. Rose & Son, London, 1972, inscribed with initials 'CJB'; two silver ashtrays, Robert Pringle & Sons, Birmingham, 1990; Carrs silver wine coaster; Mappin & Webb silver match book holder; together with silver plate golf ball corkscrew, Jonnie Walker spirit flask, leather clad flask, wine bottle stoppers. (quantity)
A mixed lot, comprising a silver handled bone brush, 17cms, a silver filigree dish, 10.2cms, small cut glass scent with metal screw cover, 4cms, agate bead necklace, white metal watch chain, gilt and enamel buckle, 7cms, miniature rosewood whist marker, 5.6cms, carved wooden shoe, folding corkscrew in case stamped 'Stacy', 8cms, a wax seal in turned wooden box with printed internal lid label 'G. Brett Gem and Seal Engraver, Market Place, Manchester …..', 5.5cms dia., and a set of seven oval reverse glass decorated portrait and figural glass plaques, 1.5cms. (17) From the collection of the late Jackie Cole
A late 18th Century green shagreen travelling etui, of oval section and tapering form, the hinged cover with serpentine top. The interior with nesting silver twin implement handles, the smaller containing a steel corkscrew, a pair of steel scissors with hinged silver handles, an ivory swivel notelet, two variant steel knife blades, steel bodkin to fit implement handle, steel tweezer / file, small silver spoon, pair of silver mounted steel dividers and a hinged six inch silver rule, two apertures vacant, the tools present seemingly original, 5.2 x 2 x 9cms max. Ivory exemption licence: NPND65XA. From the collection of the late Jennifer Bundock
A silver and green shagreen travelling etui, of tapering oval section, hinged lid, the interior seemingly complete and original with a pair of graduated silver implement handles, the smaller also containing a corkscrew and a rasp, a pair of steel bladed scissors with hinged silver handles, a twin prong steel fork and two variant knife blades, a silver spoon, a steel spike with slot, a steel tweezer / file, an ivory notelet / tweezer, a silver sleeved pencil, and a silver bodkin / ear spoon, 9.2cms high. Ivory exemption licence: SNS399AP
A late 18th Century silver and leather travelling etui, unmarked, of oval section and tapering form, the body with engraved silver panels, the hinged top with an oval raised panel of flowers. The interior with two graduated silver handles, the smaller containing a cylinder grater and steel corkscrew, a steel tweezer / earspoon, a pair of steel scissors with hinged silver arms, a twin prong steel fork, an ivory swivel notelet, a silver 6ins. folding rule, a pencil with silver collar, a pair of steel dividers with silver hinge and arms, two variant steel blades, two apertures vacant, the tools present seemingly original, 5 x 2 x 9.2cms max. Ivory exemption licence: 83FCBNNJ From the collection of the late Jennifer Bundock
A fine fitted coromandel wood paint and print decorated Tunbridge ware sewing box, of sarcophagol form raised on brass paw feet and with gilt brass lion mask ring carrying handles, the front with box wood oval pointed escutcheon. The canted lid with box wood lines and twin black painted arched leaf borders enclosing a cut corner rectangular print titled internally 'Saturn'. The interior in original red paper with a white wood tapering cut corner tray lined in original conforming paper, the fittings comprising five and one cotton balls, a pair of white wood painted cotton barrels, a similar tape measure (small repair to top and tape slightly reduced), two pairs of thread winders, two plain white wood bead pots, fixed painted multiple reel, removeable box pin cushion, netting cylinder with ratchet, nicely leaf engraved silver thimble, steel corkscrew and scissors, complete with key, 27 x 20.5 x 15cms. From the Collection of Anne Wick
A silver chatelaine, the flower, shell and leaf cast hook mount Birmingham 1897 by Lawrence Emanuel, with four panel linked chains to a silver thimble bucket, and perfume corkscrew, a chain mail purse, a hinged silver needle book, and a pierced silver drum form tape measure, all but the purse marked for Lawrence Emanuel, 24cms max. From the collection of Sally French-Greenslade
A collection of eleven miniature glove button hooks and a corkscrew, seven with fixed hooks all with decorative handles including two with amethyst finials, a folding enamel example, another white metal, another in unmarked silver case with scissors / folding blade and button hook, a miniature bow form steel example, and a similar corkscrew, largest of the fixed versions, 7.2cms. (12) From the collection of Sally French-Greenslade
A set of seven silver mounted sewing and manicure tools in leather case, 1880, the black leather case with tooled decoration, the lid interior in pleated and corded red silk over a flush fitted velvet base, the tools comprising steel bladed scissors, crochet hook, button hook, stiletto, tweezers, file and corkscrew, the tools Birmingham 1880 by S. Blankensee and Son, scissor handles unmarked, case 17.7 x 16 x 3cms.
Victorian coromandel vanity box, by Lund, Fleet Street, London, having a fitted interior with four silver mounted bottles and a silver covered glass box, hallmarked London 1849, the interior with a pull out tray with manicure implements, miniature folding corkscrew (some items deficient), and with a secret drawer to the base (no key), 29cm x 21cm x 18cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
A rare English Narrow Rack type corkscrew, late 19th century, with rack and pinion two stage iron screw fitting, with and four pillar bottle holder, with side screw handle and fruitwood over handle, 28cm fully open, 17cm closed, apparently unsigned in working condition, however the corkscrew tip is missing The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso (Part One)
A selection of wine related items to include a barrel cased corkscrew with bone handle and various corkscrews, a Dewberry London St Smillion wall clock, collection of bottle stoppers, copper ale measure and wine framed and other itemsLocationIf there is no condition report shown, please request
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10957 item(s)/page