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Polish curry comb, marked FI inside a circle. The steel shows significant corrosion, and the leather strap is likely a later addition.Overall condition as shown in the pictures.Dimensions: 9.5 cm x 12.5 cm.

Polish wz.28/35 helmet for sanitary units. Commonly referred to as the "wz.28" helmet, this version features a short neck guard without the comb. It has a rolled edge, and the interior is a later version.Overall condition as shown in the pictures.

A Mid XIX Century Swiss Rosewood Cased Musical Box, with inlaid and painted decoration, playing twelve airs, pinned brass cylinder (30cm long) with steel comb and striking on six bells, the lid with printed and handwritten tune sheets, inscribed 'Lith Picard-Lion Genéve Depose', with key, 66 x 30.5 x 38cm.Several alrge and deep scratches to top and border, scratches to front and wear to panel, wear to feet, tune card badly foxed, wear to rim inside, does play when wound - no guarntee given, steel comb rusty.

A wooden boxed presentation hallmarked silver hand mirror, handbrush and comb.

Silver backed four piece dressing set, Birmingham 1962 & 1963, W I Broadway & Co, in the Victorian style comprising hand mirror, two brushes and a comb, each with embossed decoration of birds, green man masks, foliate scrolls and empty cartouche, mirror measures 24cm high

A group of various mixed collectables comprising a small three piece bachelor's silver plated tea set, height of teapot 15cm, with wicker handle, an oak cased metronome by Paquet, a naked lady brass bottle opener, various mixed, mostly UK, coinage including some silver examples, and a cased silver plated brush and comb set (7).

A Victorian hallmarked silver backed dressing table brush and comb set, hallmarks rubbed, in presentation box.Condition Report: The hallmarks are rubbed, the brush is filled, the comb is missing the comb part.

An early 19th century Windsor comb back elbow chair with pierced splat and crinoline stretcher in ash and elm

An assortment of silver based jewellery to include a Tiffany & Co. moustache comb, 45mm, pendants, pendant chains, bangles, bracelets, rings, etc, all hallmarked/stamped 925. Total weight 225g

ARR Ray Finch (1914-2012) Winchcombe Pottery a stoneware jug of baluster ribbed form in khaki and brown glaze with central comb decoration, impressed mark, 30cm highTim Morris fundraising saleIn good condition - no damage, repair or restoration.

A fully hallmarked sterling silver cased comb together with a King George IV half crown silver brooch

A twin comb 15 1/2” polyphon disc music box, deluxe model on matching disc storage base. Excellent playing order with 12 good playable discs

A George VI four piece silver dressing table set - maker TP, London 1944, engine turned, comprising a hand mirror, clothes and hair brushes and a comb; together with a small child's George V silver-backed hairbrush, Birmingham 1926. (5)

Hermann Thorens Sainte-Croix, Switzerland - 20th century Swiss musical box in a polished mahogany case with shield inlay to the lid, inner glazed viewing lid with a 52 tooth steel comb and brass cylinder playing four Austrian/German tunes, with original tune sheet, enclosed spring barrel with Geneva stopwork, stop and start button to the front. Wound from beneath.Dimensions: Height: 8cm  Length/Width: 16cm  Depth/Diameter: 10cm

Swiss - 19th century musical box with three bells and butterfly's in sight, in a mahogany and ebonised box with contrasting decorative inlay to the lid and raised on pad feet, steel comb with 42 teeth playing 8 airs, crank wound going barrel with Geneva stopwork and tune indicator, stop/start and change/repeat functions, with a glazed viewing lid and original tune sheet.Dimensions: Height: 22cm  Length/Width: 46cm  Depth/Diameter: 26cmCondition Report:Mainspring winds but movement not running.

A Scottish Clan brooch for the Glass family, cast mermaid with a comb and brush, with motto 'Luctor, non mergor', by Medlock & Craik of Inverness, Edinburgh 1947, 35 x 30mm, 7.8gm.Arthur Medlock established a shop in 1876 in Inverness. In 1913, Medlock decided to pass on his business to James Craik. Under Craik's leadership, the business was rebranded as Medlock & Craik.The company specialised in Clan brooches and the Medlock & Craik - Edinburgh - INVSS hallmark, in various forms, was active from circa 1920-1959.

A 19thC carved tortoiseshell mantilla comb, decorated with studs and a serpent; and a contemporary oval tortoiseshell pin tray, decorated with a white metal wreathed urn

A SOUTH GERMAN BURGONET, CIRCA 1580-90 ‡ with rounded one-piece skull rising gently to a high file-roped medial comb and projecting forward to a narrow acutely-pointed peak, fitted at its lower edge with a matching neck-guard of one lame, and at each side with a hinged cheek-piece flanged outwards at it lower edge to serve as a continuation of the neck-guard and pierced at its centre with five small auditory holes in dice-formation, the whole formed at its main edges with finely file-roped inward turns accompanied by recessed borders, and fitted throughout with brass-capped constructional rivets and lining-rivets of iron retaining beneath their heads in the case of those encircling the neck and the brow, large rosette washers of brass, the left of the nape fitted with a fretted brass plaque bearing simple punched ornament (the right cheek-piece associated but probably from the same arsenal, the hinge of the right broken and that of the left repaired); 23.0 cm ProvenanceMorton and Angela Stern, New York, sold in this room 4th December 2013, lot 180Robert Brooker Collection

A FINE AND IMPORTANT NORTH ITALIAN ENGRAVED THREE-QUARTER CUIRASSIER ARMOUR, CIRCA 1620-30, PROBABLY BRESCIAcomprising Zischagge with one-piece skull rising to a low comb of inverted V-section, fitted at its nape with a plume-holder and at its apex with a bulbous finial on a large quatrefoil washer, projecting forward at the brow to an obtusely-pointed peak with a rectangular staple above it carrying a nasal with elaborately shaped finial and secured by a thumb-screw, and fitted at its rear with a pronounced flared neck-guard of four lames, the lowest of pointed ogee profile (disarticulated at right end), and at each side with a two-piece pendant cheek-piece, fitted at its centre with a domed rivet enclosed by eight radiating rectangular slots within a frame of circular ventilation-holes and stepped at the front top to accommodate the peak; collar of a single plate front and rear, fastened at the right by a stud and key-hole slot; heavy breastplate formed in one piece with a low medial ridge, struck with the proof mark of a bullet at the right of the chest, fitted at each side with a stud to receive a shoulder-strap and a further stud at its centre, a pierced stud at each side to receive a swivel-hook from the back-plate, flanged outward at its base to receive a pair of tassets each of fifteen lames divisible at the eighth; poleyns of four lames the second in each case fitted with a large centrally-puckered wing; backplate matching the breastplate, struck with the proof mark of a bullet, fitted at each shoulder with a leather strap reinforced with four iron scales, at the base with a hook at each side to engage the breastplate, and at its base with a broad culet of seven lames; a pair of full arm-defences comprising a pair of symmetrical pauldrons each of seven lames overlapping outwards from the third, connected by a turner to a pair of vambraces each formed of a tubular upper and lower cannon linked by a couter of four lames with a centrally puckered oval wing at the front, and enclosed at the inside of the elbow by ten lames overlapping inwards from the sixth, the lower cannon fastened at the front by a sprung stud; a pair of gauntlets each with a flared cuff closed at the inside, articulated by a wrist-plate to three metacarpal plates, a shaped knuckle-plate, a hinged thumb-defence and finger-lames (with small restorations); the principle borders of the armour formed with plain inward-turned edges, those of the base of the cullet roped, the whole decorated throughout with engraved trophies-of-arms within elaborate strapwork frames filled with pointié foliage, the turners and gauntlets each with trophies incorporating cannon and artillery tools, a running border of flowers at the principle edges, the secondary borders with a frieze-work of blind arcading, the breastplate with a Patriarchal Cross in the centre at the neck; the inside of the skull and the backplate painted with a white inventory number ‘45’, in clean, stable condition throughout (the bottom edge of the left poleyn with light pitting and small chips, the decoration of the culet with areas of wear, minor disarticulations, expertly releathered, some buckles restored): on a wooden stand with leather boots ProvenancePerhaps one of the group of armours purchased by Lord Somers in 1853, stated (incorrectly) to be of Emperor Charles V’s bodyguard and preserved in Milan for many years.Charles Somers-Cocks, 3rd Earl Somers (1819-83), Eastnor Castle, thence by descent LiteratureLady Henry Somerset, Eastnor Castle, London 1889, p. 22: ‘A three-quarter suit of Plate Armour, engraved with trophies of arms and fleur-de-lys’. A helmet of very similar form, decorated in the same style, is preserved in the former collection of the Dukes of Este at Konopiště, Czech Republic (inv. no. I.c.D-114, and illustrated Šáda 1986, p. 37, no. 18.t.) The specific inclusion of cannon and artillery tools such as ladles and sponges on the turners and gauntlets may suggest that this was intended for a senior officer of artillery. The Patriarchal Cross, also called the Cross of Lorraine, is probably a reference to the venerated relic of the True Cross in the cathedral at Brescia that is housed within a cross of the same form. Two morions of circa 1570-80, decorated with a similar cross along with the rampant lion of Brescia and attributed to the that town’s guard are respectively preserved in the Metropolitan Museum of Art, New York (acc. no. 14.25.532) and the Museo Civico L. Marzoli, Brescia (inv. no. 330). See Rossi and Di Carpegna 1969, p. 55 cat. no. 120. Another armour of this type, formerly in the collection of Tosio Martinengo, and now in the Museo Civico L. Marzoli, Brescia, is illustrated Rossi, p. 77, cat. No B67. The armour in Brescia has a close helmet in place of Zischagge, a matching stud in the centre of the chest, divisible tassets, enclosed elbows, and similar decoration throughout including the rampant lion of Brescia on the breastplate. A cuirass decorated in a similar manner and attributed to the ownership of one of the Counts Martinengo, is preserved in the Armeria Reale, Turin. See Boccia and Coelho, p. 526, nos. 445, 446 and 448. A slightly later cuirass in the Victoria and Albert Museum (inv. no. 5778-1859), is decorated in a related manner, with the conjoined initials ‘AM’, and a Count’s coronet above a Patriarchal Cross and Orb in the centre. The initials are similar to those on the ricasso of a left-hand dagger attributed to Pietro Antonio Martinengo, Count of Brescia (recorded 1644-1671), now preserved in the Art Institute of Chicago (ref. no. 1982.2150).

A NORTH GERMAN BURGONET, CIRCA 1560, PERHAPS BRUNSWICK ‡ with rounded one-piece skull rising to a tall, boldly-roped medial comb (internally patched at its apex), its base enclosed to either side by two raised ribs, the lower of which descends to a central cusp, and projecting forward to a narrow acutely-pointed peak, flanged outwards to an acutely-pointed neck-guard at the nape, fitted at each side with a hinged cheek-piece flanged outwards at it lower edge to serve as a continuation of the neck-guard and pierced at its centre with eight auditory holes around a central stellate hole and radiating incised lines, the whole formed at its main edges with boldly-roped inward turns accompanied by recessed borders within raised ribs enclosed by incised lines, and fitted throughout with brass-capped rivets with rosette washers, 25.4 cm high ProvenanceRobert Brooker Collection

A FINE AND WELL MATCHED COMPOSITE NORTH ITALIAN THREE-QUARTER ARMOUR WITH ETCHED DECORATION, CIRCA 1590comprising close helmet with rounded one-piece skull rising to a high roped medial comb (pierced at its apex for attachment of a plume, and showing a small patched repair) pierced with nine holes in rosette-formation at each side at the base, fitted at its nape with plume-holder, visor, upper bevor and lower bevor attached to it by common fluted pivots, the visor sloping forward to a centrally-divided vision-slit (lacking lifting-peg), the prow-shaped upper bevor pierced at its right with nine ventilation-holes and secured to the lower bevor at the same side by a pierced stud and swivel-hook (the latter replaced), and three gorget-plates front and rear (the lowest front lame cracked through and repaired); collar formed of a single deep plate front and rear, each struck with a small octopus-like mark and secured at the right by a stud and key-hole slot (small chips on the left); breastplate formed of a main plate of deep 'peascod' fashion, embossed with a pair of adorsed volutes beneath the neck-opening, fitted at its arm-openings with originally movable gussets, pierced with two holes at its right for a lance-rest, and flanged outwards at its lower edge to receive a fauld of one lame, fitted at each side with three straps supporting a pendent tasset of six lames (the fifth at the left with a small chip); one-piece backplate formed at its lower edge with a short biliobate flange, fitted at either side of the neck with a buckle (replaced) for a shoulder strap and at its waist with a belt (replaced); two pauldrons of asymmetrical design (not a pair), each embossed front and rear with a volute and formed of seven and eight lames respectively; vambraces of fully articulated tubular design, each fitted at its upper end with a turner of two lames, and at its elbow with a winged bracelet couter of three lames; two gauntlets (not a pair) each formed of a flared and pointed tubular cuff closed at the inside of the wrist by an overlapped join, four and five metacarpal-plates respectively, a knuckle-plate, the left decorated with a roped transverse rib, (thumb-and finger-scales missing); upper leg-defences each formed of a cuisse with a short gutter-shaped main plate fitted at its lower edge with a poleyn of four lames of which the second is formed at its outside with a large medially-puckered oval side-wing; the main edges of the armour formed with file-roped inward turns and recessed borders accompanied by narrow bands of cabling, and its surfaces decorated with etched designs including classical portrait rondels on the volutes of the breastplate, backplate and pauldrons, the latter each accompanied by a large cartouche front and back enclosing scenes from the Labours of Hercules, bands and borders of ornament consisting of trophies of arms within ropework borders all on a blackened and stippled ground and enclosed between narrower bands of guilloche, a number of secondary borders with slender frames of beadwork, and the principle elements painted with the early inventory number ‘29’ (small areas of pitting, the cuisses attached by rivets to the tassets, releathered) Stand not included ProvenanceOne of the group of armours purchased by Lord Somers in 1853, stated (incorrectly) to be of Emperor Charles V’s bodyguard and preserved in Milan for many years.Charles Somers Somers-Cocks, 3rd Earl Somers (1819-83), Eastnor Castle, thence by descent LiteratureLady Henry Somerset, Eastnor Castle, London 1889, p. 21: ‘On stands round the Hall are ranged thirty-three three-quarter suits of plate armour, each consisting of helmet, back and breast plates, lobster cuisses and knee-pieces, pauldrons, arm-pieces and gauntlets. This was the armour of the body-guard of the Emperor Charles V, and was preserved in Milan for many years, where it was purchased by Lord Somers in the year 1853.’ This armour would have been intended for use without greaves. The decoration is very well matched throughout, perhaps assembled from two, or a small number of armours from a series. A further pair of cuisses from this series are preserved in the Wallace Collection (inv. no. A293 & A294).

A FINE 40 BORE SARDINIAN MIQUELET GUN, LATE 17TH CENTURY ‡ with very long tapering slender barrel formed in two stages, the forward portion polygonal and the breech section octagonal, inlaid in engraved silver with scrolling foliage, a sun-in-splendour and a further mask over the breech and inscribed 'MFST' and 'MSC ' ahead, engraved tang, flat lock signed 'MMS' and finely chiselled with foliage and masks on the bridles, fitted with chiselled cock decorated with a mask on the top-jaw and steel en suite, trigger chiselled as a serpent, full stock encased in finely pierced and chiselled steel over the fore-end decorated with elaborate designs of foliage inhabited by naïve figures, rampant lions, serpents, further beasts and masks, the middle-section of wood carved with a matching design of foliage, slender flaring butt with a cylindrical comb all decorated en suite with the fore-end, long trigger-guard decorated with foliage and masks and open at the front, with no provision for a ramrod, and with large circular inventory tag 'C. P. Bedford 1366', 135.7 cm barrel ProvenanceE. A. Oxley, London, 1936Clay P. Bedford, Arizona, (inv. no. 1366)Stephen V. Grancsay LiteratureArms and Armor, A Loan Exhibition from the Collection of Stephen V. Grancsay, with important contributions by the Metropolitan Museum of Art, New York, and the John Woodman Higgins Armory, Worcester, Massachusetts, Allentown, Pennsylvania, 15th March - 14th June 1964, p. 80 ExhibitedAllentown, 1964 (see above) The initials probably those of Matteo II Franzini, recorded in Sarezzo and Gardone Val Trompia circa 1650-97. This gun is a notably fine example of this distinctive group, a comparable example, signed 'M.F.S.' on the barrel, is preserved in the Armeria Reale, Turin. See Bertolotto et al 1982, p. 389, cat. no. 305.

A SOUTH GERMAN BURGONET, NUREMBURG, EARLY 17TH CENTURY with rounded skull joined along the crest of a tall medial comb, fitted at the brow with a separate obtusely-pointed peak (its tip bent upwards), at its flanged lower edge with a neck-guard of one lame, and at each side with a hinged cheek-piece pierced at its centre with five small auditory holes in dice-formation and flanged outwards at its lower edge to continue the line of the neck-guard, the right cheek-piece stamped '188', the main edges of the helmet formed with file-roped inward turns, and retaining an early padded lining, 28.0 cm

A 19th Century male Pedlar doll, with black painted hair, painted eyes and lips, rosy cheeks, jointed body. Dressed in check trousers, red waistcoat, dark blue jacket, black hat, brown bag to back, black painted shoes, holding a circular tray of accoutrements including miniature jointed wooden doll, various books, fan, long pipe gloves, drum, comb and set on a circular wooden base, 10" (25.5cm) high, together with a 19th Century Pedlar doll with black painted hair with curls onto the face, painted eyes and lips, jointed wooden body with black painted shoes, with green skirt, red cape and black hat, cream apron, holding a circular tray of accoutrements including 2 miniature jointed wooden dolls, needles, drum, cutlery, mirror, books and set on circular wooden base, 10" (25.5cm) high in rectangular box

A 19th Century Grodnerthal doll, painted wood with black painted hair with curls on the face, held by a yellow comb, finely painted features, jointed body with red painted shoes, 5½" (13.5cm) high

An interesting group of pin cushion and bottle stop half dolls comprising two bisque pin cushion dolls with blue painted eyes, red painted closed mouths, auburn mohair wigs fixed to pin cushion base and holding a fan, 4½" (11cm) high, one pin cushion doll in pink top and brown feather to bonnet on bottle stop base, 3" (7.5cm) high, one bisque jointed half doll with blue painted eyes, red painted open mouth and blonde wig, impressed 3123, 4½" (11.5cm) high and one moulded pin cushion doll with pink blouse, pink and yellow comb and arms outstretched, 5½" (14cm) high (5)

A bisque reclining bathing beauty, with turned head to the right, with blue painted eyes, green comb in hair, with legs outstretched and black moulded high heel shoes, 3½" (9cm) high (4A)

A 19th Century wooden doll with painted black hair, painted eyes and lips, rosy cheeks, comb missing from hair, jointed body, dressed in cream net dress and painted red shoes, 4½" (11.5cm) high and an unusual Papier Mache head doll with inset glass eyes, painted rosy cheeks, with wooden arms and legs, with painted red boots on cloth body, dressed in faded blue and cream silk dress, cracking to Papier Mache, 9" (23cm) high

A 19th Century Grodnerthal Pedlar doll, painted wood with black painted hair with curls on the face, held by a yellow comb, finely painted features, jointed body with red painted shoes, green cotton and silk dress, 9" (23cm) high, in decorative rectangular box, depicting a mother and two children in a garden setting with a peacock, top cracked, ink written message to inside lid Terregles House February 27 1860, Presented by Matilda Carter, To Elizabeth Fall, who is requested every time she opens this box lid to say a little prayer, for the diner, box size 11" (28cm)L, 6" (15cm)W, 2" (5cm)D

Hallmarked silver hand mirror, two brushes, comb, four Art Deco pickle forks and a Victory Series Arts & Crafts Tudric pewter style photograph frame, vesta and money clip

Walker & Hall hallmarked silver five piece cruet set with blue glass liners, together with a hallmarked silver dressing table set comprising hand mirror, two brushes and a comb, 109g weighable silver

Mappin and Webb cased hallmarked silver dressing table set with engine turned decoration, comprising hand mirror, four brushes and comb, Birmingham 1962, width of case 38cm

Elizabeth II hallmarked silver and floral guilloché enamel dressing table set comprising hand mirror, two brushes and comb, Birmingham 1961, maker Henry Clifford Davis, length of hand mirror 27cm

Hallmarked silver and faux tortoiseshell dressing table set comprising hand mirror and two brushes together with two further hallmarked silver hand mirrors and a hallmarked silver mounted comb

Cased modern hallmarked silver dressing table set comprising hand mirror, two brushes and comb, all with engine turned decoration, Birmingham, various dates, maker Charles S Green & Co Ltd, length of case 34cm

Geo.V silver dressing table vanity set, consisting of tray, soap dish, rectangular pin dish, four brushes, comb and hand mirror, each engraved with H monogram, the large tray hallmarked Jay Richard Attenborough Co. Chester 1915, the other items for Synyer and Beddoes Birmingham 1915, all within fitted case.

Geo.V silver dressing table set, of four brushes, hand mirror and comb, all with lined engine turned decoration, Williams Ltd. Birmingham 1912, fitted within mahogany and boxwood inlaid case.

A collection of mixed silverwares, comprising a small quantity of silver teaspoons, silver and cut glass shaker, silver handled Kings pattern bread four, three silver backed brushes and a matching comb, 3.3 troy oz

A 19thC tortoiseshell casket, 8cm wide, tortoiseshell bound needle case, faux tortoiseshell comb and shoe horn, and a 19thC horn snuff box with silver banner reserve. (5)

Gorgeous clear crystal cockerel figure from the Peaceful Countryside theme group, with a red comb and green eyes. Swarovski swan mark. This item includes an original box: 3.25"W x 2.5"H. 247759. Artist: Michael StameyIssued: 2000-2009Dimensions: 1.75"L x 1"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Silver part dressing table set including round mirror, comb, and brush plus additional oval mirror (3 x Birmingham 1978 1x Birmingham 1905)

A small elm and oak comb-back Windsor armchair, late 19th/early 20th century and later, 55.5cm wide39cm deep87cm highCondition ReportKnocks and wear, top rail loose. seat 37.5cm high

A 19th century walnut musical box inlaid with mother of pearl. Cylinder type mechanics, comb fully intact and in working order.11cm x 16cm x 10cm approx.

Selection of items.  To include a Set of Tiffany & Co Sterling Silver Globe Cufflinks, a pair of 9ct Gold Mother of Pearl and Seed Pearl Button Studs, a Vintage Christian Dior Paris Gold Plate and Navy Blue Lacquer Lighter and a three-piece Sterling Silver Dressing Table Vanity Set.  The Sterling Silver Dressing Table Set includes two Engraved Brushes and a Simulated Tortoiseshell Comb.  They are engraved with the hallmarks "B&CO" for W I Broadway & Co, the Anchor assay mark for Birmingham, the Lion Passant for Sterling Silver and the date letter "K" for 1959.  The Tiffany & Co Sterling Silver Globe Cufflinks are hallmarked "TIFFANY & CO 925" and also have a set of hallmarks "T&Co" for Tiffany & Co, "925" for Sterling Silver, the Leopard assay mark for London and the date letter "a" for 1956.  Total Gross Weight of the 9ct Gold Mother of Pearl and Seed Pearl Button Studs is approx. 2.4 grams.  Condition: One of the Sterling Silver Brushes is dented.  The lighter isn't working. 

Nazi M34 pattern Fire Police helmet with original aluminium comb, black painted finish with two decals (de-nazified), leather liner and chinstrap.

J. RIGBY & CO. A .270 WINCHESTER BOLT-MAGAZINE SPORTING RIFLE, serial no. 6403, for 1981, 23 3/4in. unsighted nitro barrel engraved 'J. RIGBY & CO. 5. KING STREET. LONDON. W.C.2.', the receiver (with thumb cutout) mounted with a Zeiss Diatal-ZA 4x32 T* telescopic sight, serial no. 1697672, the receiver ring engraved 'CALIBRE .270 WINCHESTER' to the left and 'MADE IN ENGLAND' to the right, the side wall engraved 'DEUTSCHE WAFFEN-UND MUNITIONSFABRIKEN BERLIN.', tang safety, bolt with chequered knob (stiff to operate), recoil blocks, hinged floorplate with push button release and engraved with the calibre designation, figured pistolgrip stock with cheekpiece, monte carlo comb, pistolgrip-cap, sling eyes, 14in. pull including skeletal steel buttplate, weight 8lb. 11oz., with a universal case. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

AN ANTIQUE ENGLISH STONE BOW WITH THUMB TRIGGER, circa 1840, iron prod with moulded tips, iron reinforced walnut stock chequered at the wrist, cocking lever flush-fitting into and along the stock comb, folding front and rear-sights and firing mechanism with thumb-operated trigger.

P. BERETTA A 12-BORE 'SILVER PIGEON 687 III SPORTING LIMITED 093 of 500' SINGLE-TRIGGER OVER AND UNDER EJECTOR, serial no. R27244S, dated 2008, 30in. nitro barrels with 9mm ventilated matt top-rib, 3in. chambers, multichokes (with spares), hold-open toplever, manual safety with integral barrel selector switch, adjustable single trigger, floral and acanthus scroll engraving with scenes of mallard taking flight on the left, the right with a brace of partridge in flight, the underside with a vignette of a solitary partridge in flight and engraved with the model designation and '093/500', silver finish, 14 1/4in. pistolgrip stock with adjustable comb, including 3/8in. rubber recoil pad weight 7lb. 13oz., in its makers universal case. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

SAUER A .300 WIN. MAG. 'SAUER 202' BOLT-MAGAZINE SPORTING RIFLE, serial no. N50505, dated 2007, 26in. nitro barrel with rear open sights and ramp-mounted fore-sight base (sight removed), receiver fitted with a Swarovski 'Z6i' 2,5-15x56 P telescopic sight, no. R790652972 (untested), manual push-button safety, detachable box magazine, set trigger, nickel finish receiver with acanthus scrollwork, well-figured pistolgrip stock with cheekpiece, monte-carlo comb, leather sling with quickly-detachable sling swivel bases, 14in. pull including 5/8in. rubber recoil pad, weight 10lb. 10oz., together with a Deerhunter padded slip. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

ORIGINAL SAUER & SOHN A .375 H&H 'SAUER 202' BOLT-MAGAZINE SPORTING RIFLE, serial no. N04284, for 1995, 23 3/4in. nitro barrel with open sights and ramp-mounted blade fore-sight, the receiver mounted with a Schmidt & Bender 1.25-4x20 telescopic sight, serial no. 261203, in quickly-detachable mounts, detachable box magazine, figured pistolgrip stock with palm swell, cheekpiece, monte carlo comb, quickly-detachable sling swivels and a sling eye, 14in. pull including 3/4in. recoil pad, weight 9lb. 1oz. (unscoped) and 10lb. 8oz. (with scope), with a faux buffalo hide slip with embossed leather buffalo portrait. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

KRIEGHOFF A 12-BORE 'MODEL 32' SINGLE-TRIGGER OVER AND UNDER EJECTOR, serial no. 657, with extra 30in. barrels numbered 0449, for 1959, 27 3/4in. nitro reproved Bohler Laufstahl trap barrels (reproved in 2024), with 8mm raised ventilated matt top-rib, no mid-rib, 2 3/4in. chambers, bored approx. 1/4 and 1/2 choke; extra 30in. nitro barrels (proofed for 2002), with 10mm raised ventilated matt top-rib, 3in. chambers, multichokes (with spares), hold-open toplever, automatic safety with engraved 'S' detail, single-trigger with barrel selector switch, partial scroll engraving, blacked finish, 15in. figured pistolgrip stock with ambidextrous palm swell, monte-carlo comb, rubber recoil pad, weight 8lb. 6oz. (27 3/4in.) & 8lb. 12oz. (30in.), together with a slip for the extra barrels and a spare stock and fore-end. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

MEDWELL & PERRETT A LEFT-HANDED 6.5X55mm BOLT-MAGAZINE STUTZEN SPORTING RIFLE, serial no. M0319P, for 1999, 20 3/4in. nitro barrel with ramp-mounted open sights with folding leaf sight, ramp-mounted bead fore-sight, the receiver mounted with a Swarovski 6x42 Habicht telescopic sight, serial no. P650414397, left hand bolt with gold 'SAFE' and arrow detail, recoil blocks, the right side gold-inlaid with the M&P monogram, hinged floorplate with push-button release, 13 7/8in. pistolgrip full length stock with left handed cheekpiece, monte carlo comb, pistolgrip-cap, sling eyes and recoil pad, weight 8lb. 15oz.. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

A SCARCE .22 BSA PILED ARMS CENTENARY LIMITED EDITION '1 OF 1000' AIRSPORTER UNDER-LEVER AIR RIFLE, serial no. C0650, made to celebrate the 100th anniversary of BSA in 1982, with blued 19 1/2in. barrel, ramp fore-sight retaining tunnel protector, micro-adjustable rear-sight, tap-action loading, the air-chamber marked 'BSA PILED ARMS CENTENARY ONE OF ONE THOUSAND', special edition chequered walnut three-quarter stock with raised comb and cheek-piece, pistol-grip capped with special 'BSA piled arms' cover, ventilated rubber recoil pad, rosewood schnabel fore-end tip, the whole appearing to have seen little use (some very light marks to wood) and fitted with its original issue 'BSA' 4x40 telescopic sight, issued arrestor-block and with its original limited edition leather sling, paperwork, certificate, badge and vinyl gunbag (missing carry handles).

BROWNING S.A A 9.3X74R 'MODEL CCS 525' SINGLE-TRIGGER OVER AND UNDER EJECTOR DOUBLE RIFLE, serial no. 51537MV, for 2005, 28in. nitro barrels, sight rib with open sights and mounted with 30mm rings in quickly-detachable mounts, ramp-mounted high visibility fore-sight, hold-open toplever, manual safety, gold-washed trigger, bold acanthus scroll engraving surrounding game scenes of wild boar and deer, brushed silver finish, 14 1/2in. pistolgrip stock with hogsback comb, sculpted cheekpiece, sling swivels and Browning buttplate, light damage at toe, weight 7lb. 6oz.. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

A SCARCE .22 BSA PILED ARMS CENTENARY LIMITED EDITION '1 OF 1000' AIRSPORTER UNDER-LEVER AIR RIFLE, serial no. C0038, made to celebrate the 100th anniversary of BSA in 1982, with blued 19 1/2in. barrel, ramp fore-sight, micro-adjustable rear-sight, tap-action loading, the air-chamber marked 'BSA PILED ARMS CENTENARY ONE OF ONE THOUSAND', special edition chequered walnut three-quarter stock with raised comb and cheek-piece, pistol-grip capped with special 'BSA piled arms' cover, ventilated rubber recoil pad, rosewood schnabel fore-end tip, the whole appearing to have seen little use (some minor marks to wood) and fitted with its original issue 'BSA' 4x40 telescopic sight, replacement dedicated 'Sportsmatch' mount and its original limited edition leather sling and vinyl gunbag.

P. BERETTA A LITTLE-USED 12-BORE 'DT11 BLACK EDITION' SINGLE-TRIGGER DETACHABLE TRIGGERPLATE-ACTION OVER AND UNDER EJECTOR, serial no. DT16443W, dated 2019, 30in. high performance steel proof 'Steelium Pro' nitro barrels with partial mid-rib and 10mm ventilated carbon fibre top-rib, 2 3/4in. chambers, multichokes (with spares), hold-open toplever, manual safety with integral triggerplate release catch, carbon fibre triggerplate, adjustable single trigger, matt black finish, 14 1/2in. figured pistolgrip stock with adjustable comb, including 1/2in. Beretta 'Micro-core' recoil pad, weight 7lb. 14oz., in its makers universal case. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

BLASER A LEFT-HANDED 12-BORE 'F3 SUPERTRAP' SINGLE-TRIGGER OVER AND UNDER EJECTOR, serial no. FR011183, barrels numbered F/024375, dated 2014, 32in. high performance steel proof 'Triplex' nitro barrels with no mid-rib and raised 10mm ventilated adjustable top-rib, 3in. chambers, 'Blaser by Briley' protruding multichokes (with spares), Blaser 'EBS' ejection ball system, left-hand opening hold-open toplever, manual safety, single trigger with barrel selector toggle, matt black finish with yellow 'F3' lettering, 14 1/2in. figured pistolgrip stock with raised adjustable comb, left-hand palm-swell, including 3/4in. rubber recoil pad, in its makers universal case with some stock balancing weights and barrel balancer. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

HOLLAND & HOLLAND A 12-BORE 'ROYAL HAMMERLESS EJECTOR' HAND-DETACHABLE SIDELOCK EJECTOR, serial no. 27827, for 1914, 28in. nitro chopperlump barrels (likely shortened), the tubes engraved 'HOLLAND & HOLLAND. 98. NEW BOND STREET. LONDON.', 2 1/2in. chambers, bored approx. true cyl. and imp. cyl. choke, toplever engraved 'HOLLAND'S PATENT', automatic safety with gold-inlaid 'SAFE' detail, hand-detachable lockplates, gold-inlaid cocking-indicators, best bold Royal scroll engraving, the underside with 'ROYAL HAMMERLESS EJECTOR' in an elaborate cartouche, 14 1/2in. well-figured stock with slight sweep to comb and including 3/4in. recoil pad, weight 6lb. 6oz., in its leather case. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

ORIGINAL SAUER & SOHN A .243 WINCH. 'SAUER 202 AVANTGARDE GOLD' BOLT-MAGAZINE SPORTING RIFLE, serial no. N33641, for 2004, 24in. nitro barrel with open sights and ramp-mounted blade foresight, threaded at muzzle and with protector cap, the receiver mounted with a Swarovski PVI-2 3-12x50 telescopic sight, serial no. P764999066, in quickly-detachable mounts, detachable box magazine (with spare), set trigger, black finish with 'SAUER 202' and trademark in gold, highly-figured pistolgrip stock with palm swell, cheekpiece, monte carlo comb, quickly-detachable sling swivels, darkwood pistolgrip-cap and fore-end finial, 14in. pull including 1in. recoil pad, weight 8lb. (unscoped) and 9lb. 8oz. (with scope), with original paperwork, allen keys, sling and a padded rifle slip. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

W.W. GREENER A 12-BORE 'GRADE F.H.35' FACILE PRINCEPS EJECTOR, serial no. 69200, dated 1934, 27in. nitro barrels with narrow Churchill-type matt rib, tubes engraved with bands of scrollwork at the breech ends and 'W.W. GREENER. MAKER. 40 PALL MALL. LONDON. S.W. WORKS ST MARY'S SQUARE. BIRMINGHAM.', 2 1/2in. chambers, bored approx. 1/4 and full choke, treble-grip action with side bolsters, automatic tang safety with gold-inlaid 'SAFE' detail, partial acanthus scroll engraving, retaining much original colour-hardening and finish, rolled-edge triggerguard, 15in. figured 'rational' semi-pistolgrip stock with subtle monte carlo comb, weight 6lb. 10oz., in its makers green canvas and leather guncase. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act