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French column clock made of polished black onyx with gilt bronze decoration under a glass dome, surmounted by two doves and a pendulum in the shape of a sun mask, marked Le Roy à Paris, Directoire circa 1795Franse kolompendule vervaardigd uit gepolijst zwart onyx met verguld bronzen decoratie onder glazen stolp, bekroond met twee duiven en slinger in de vorm van een zonmasker, gemerkt Le Roy à Paris, Directoire circa 1795H 62.5 cm

Alabaster column decorated with acanthus leavesAlbasten zuil versierd met acantbladerenH 109.5 cm

Green veined marble columnGroen geaderde marmeren zuilH 107 cm

Gilt bronze table mirror, frame with tight geometric border pattern and ionic column feet, with standVerguld bronzen tafelspiegel, kader met strak geometrisch randpatroon en ionische zuilpootjes, met standaard56 x 30.5 cm

A 1960s 'Supersuite' three piece birdseye maple bedroom suite, comprising a gentleman's wardrobe, the twin doors opening to a fitted interior, H177, W91, D52cm, a double 'Rota-Unit' wardrobe with rotating central column mirror, H190, W129, D52cm, and a mirror backed dressing table, having central column rotating three tier shelf 'Rota-Unit' W116, H146, D51cm. (3)

A cast composition stone garden figure of two lovers, raised on a square column base, 109cm tall.

A Victorian mahogany fold over tableCanted rectangular top, plain frieze and raised on plain column support, gadroon ring turned collars, slight concave square base, simple down swept short legs [74x91.5x45cm]

Hepplewhite style mahogany four poster bed The canopy with radiating cloth rouched detail, the whole with pelmet and side drapes, the mahogany supports of cluster column to leaf clasped baluster support to square section main legs, carved detail Frame Approx. H - 235cm, L - 200cm, W - 200cm.

Victorian pedestal games table The circular top with inlaid dambrod, wrythen tapering circular column, curved leaf clasped legs [ 71 x 57cm]

Pair of silver candlesticks, Corinthian column design, stepped square base. Henry Matthews Birmingham 1927

Three pairs of table candlesticksPair of coppered sticks, pierced square drip trays, plain columns and similar pierced basePair of tall sticks, bronzed drip trays, wrythen column, circular baseA pair of sticks, fluted candle holder, to a reeded stem with floral swags stepped square base

Ebonised stand The platform raised on a circular section column [104 x 25cm]

Pair of metal table candlesticks with scumbled wood finish, pricket sconce, the column as a group of metal spindles, stepped circular base. Also another pair of metal candlesticks

19th century side table, the oval top with pie crust edging raised on a column and a trio of out swept legs ending in hairy paw feet

Pair plated late 19th century paraffin lampsCrystal font raised on Corinthian column supports square base

Large gilt ball raised on small column stand

Regency mahogany side tableThe rounded rectangular crossbanded top above frieze drawer, curved support with leaf clasping onto a lotus clasped small pedestal column, small rectangular platform curved leaf clasped scroll legs, stylised paw feet [73.5 x 81.5 x 46.cm]

Attributed to Vicente Escobar (Havana, Cuba, 1762–1834)Portrait of the Military Officer José Pascual de Zayas y Chacón76 x 54 cmThe frame of the painting is typical of those commonly used in 19th-century Cuba.Our painting is comparable to two works, the first is a portrait of the same José Pascual de Zayas that is in the Museum of Fine Arts of Cuba painted by Vicente López and the second is a portrait of the Spanish sailor Juan José Ruiz de Apocada y Elizados painted by Vicente Escobar to whom we logically attribute our painting.In both paintings, the portrayed is in the same scenography: he is located next to a column and next to a pedestal on which rests a marble bust, the same as in our work.This portrait presents José Pascual de Zayas y Chacón adorned with numerous medals awarded by King Ferdinand VII for his participation in various battles during the Peninsular War. He is portrayed holding a command baton, symbolizing his military authority.The medals have been identified in rows, from left to right:Row 1:Cross of the Royal and Military Order of San Hermenegildo, established by Ferdinand VII in 1814 at the end of the Peninsular War.Cross of Distinction of the North, Royal Order of March 23, 1809.Cross of Distinction for the First, Second, and Third Armies, Royal Circular of March 31, 1815.Cross of Distinction of the First Army, Circular of January 26, 1817 (Campaigns of 1813 and 1814).Row 2:Cross of Distinction for the Battle of Talavera, Royal Order of December 8, 1810.Cross of Distinction to the Army of Extremadura (Alburquerque), Circular of June 5, 1815.Possibly the Cross of Distinction of the First Army for the 1811 campaign.Row 3:Plaque of the Royal and Military Order of San Hermenegildo, established by Ferdinand VII in 1814.On his left sleeve, he wears the Shield of Distinction for Medellín, Royal Decree of April 1, 1809.Vicente Escobar was a prominent Cuban painter, born in 1762 into a family of officers of the Pardos y Morenos Regiment. Though registered as black at birth, he took advantage of  the "Real Cédula de Gracias al Sacar" a Royal Decree of Graces that allowed certain privileges to those who paid for it, and reportedly died as a legally recognized white man. A self-taught artist, his early inspiration came from devotional images inherited from his maternal great-grandmother.In the 1780s, Escobar traveled to Spain, and in 1784 he studied at the Royal Academy of Fine Arts of San Fernando in Madrid, where he was a pupil of Mariano Salvador Maella and became acquainted with the works of Goya. In 1827, he was appointed Pintor de Cámara (Court Painter) by Ferdinand VII. At the peak of his success, Escobar died during a cholera epidemic.José Pascual de Zayas y Chacón was born in Havana on June 5, 1772. He pursued a military career in Spain, stemming from his noble lineage and influential connections with the O’Reilly family. He joined the army at fifteen and was named sub-lieutenant. During the War of the Pyrenees (War of the Convention), he distinguished himself and was briefly taken prisoner, and later freed in 1794. In 1800, he took part in the defense of Ferrol against the British. For his role in the Battle of Brione in 1801, he was promoted to Captain of Grenadiers. In 1807, he served as lieutenant to O’Reilly in Etruria. Though he did not partake in the Denmark campaign due to bureaucratic delays, he was in Spain when the Peninsular War broke out. He died in Chiclana on October 27, 1827, while awaiting a ship to return to the Americas.Bibliography:https://historia-hispanica.rah.es/biografias/45774-jose-pascual-de-zayas-chacon 

George III mahogany tripod table, circular tilt-top on turned pedestal, part fluted column cabriole legs with an acanthus carved kneeDimensions: Height: 71cm  Depth/Diameter: 80cm

Early 19th century Sheraton style mahogany and rosewood pedestal breakfast table, the rectangular top with rounded corners and crossbanded edge, raised on a turned column support with reeded detail, terminating in four splayed legs with brass caps and castorsDimensions: Height: 74cm  Length/Width: 149cm  Depth/Diameter: 110cm

19th-century carved mahogany torchere with dish turned top, barley twist column with acanthus and vine carved floral decoration, mounted on a plinth base Dimensions: Height: 110cm  Length/Width: 28cm 

A Victorian mahogany occasional table, the segmented top on an octagonal column support, 60 cm diameter, and two 19th century dressing mirrors (3)

Pair of Wedgwood Corinthian Column candlesticks, with printed marks to base, H27cm (2)

A pair of silver Corinthian column candlesticks, Sheffield 1898, 15.5 cm highLoaded

Attributed to Gino Vistosi (Italian, 1925-1980), a Murano glass chandelier, c.1970, with seventeen orange and opal glass disc shades, around a central chromed column, 31cm diameter29cm highCondition ReportWear and losses to the chrome plating of the column. Holds 15 shades, 2 are spare. One shade with a chip to the drilled section, likely from manufacture.

Possibly Italian, an adjustable three-light floor lamp, 20th century, brass, with black-enamelled shades, base and central column, 133cm wide 123cm deep 118cm high Condition ReportWith marks and dents to the polished gold tone part of the shades commensurate with use. The mount has come loose from one of the shades. With small marks and scratches throughout commensurate with use. Please see additional images. There is  PAT test - Passed

A brass table lamp, early 20th century, the moulded glass shade supported by a winged creature above a reeded column,66cm highCondition ReportNibbles to the flutes of the shades. One leaf bent to the top of the lamp. General knocks, scuffs and wear commensurate with age.PAT test - Passed

A pair of brass five-light candelabra, 19th century, each with an urn form column,50.5cm high (2)Condition ReportOne column. General wear, knocks and rubbing.

A pair of Meissen style porcelain figural comports, late 19th century, each modelled with a figural column below a floral encrusted basket, underglaze marks,29.5cm high (2)Condition ReportChips, losses, loose elements and rubbing throughout. Restored.

A Victorian brass oil lamp with fluted column with cranberry glass reservoir and etched clear glass shade,51cm high to fitting (excluding shade)Condition Reporthighly polished and ready to be placed

A Victorian carved sandstone font in the Gothic taste, dated 1840, of octagonal form with relief-carved detail, inscribed 'given by Henry Torre Rector 1840', raised on a square plinth, adapted as a water feature,60cm wide 60cm deep 107cm highCondition ReportGeneral knocks, chips, scratches, and wear consistent with age and use. Some weathering pattern and lichen covering. Top, column and base are separate sections. Generally all sound and solid.

A Louis XVI-style carved giltwood and gesso overmantel mirror, late 19th century, with acanthus-carved ornament and a foliate crest, above a pair of fluted column pilasters surrounding a rectangular mercury glass plate, bearing stencilled inscription to back 'C. Nosotti 397-398 Oxford Street London',150cm wide 210cm highCondition ReportDirt, dust, knocks, splits, and losses to frame which are not particularly significant. The right-hand return of corner is loose and unstable. Generally, joints are solid with light wear and some moulding/degradation to plate. Overall appears in fair order,

A pair of gilt gesso pricket sticks, late 18th to early 19th century, of tapering form with a fluted column decorated with swags,56cm high (2)Condition ReportSplits, knocks, losses, and wear to the gilding.

A pair of gilt metal candelabra late 19th century, the urn form column fitted central sconce encompassed by four fuller sconces on rams head decorated bases,40cm highCondition ReportHighly polished and very clean

A 19th Century mahogany pedestal occasional table having circular top, turned column and triple legs, diameter approx. 50cm

A 19th Century oak pedestal occasional table having circular top with turned column and triple splay legs, diameter approx. 46cm, height 66cm

An early to mid 20th Century mahogany standard lamp on fluted column and triple splay carved legs

An early 20th Century oak standard lamp having twist column

A traditional mahogany standard lamp having fluted column

1578 BIBLE [English] Illustrated with Maps & woodcuts: The Old and New Testaments. London, Christopher Barker, 1578, (Lacks general Title page, New Testament Title page present). PP (Leaves): 2 (dedication pages) + 2-376 (end of the Old Testament). Condition: [missing: most of P202& all of 255, part of: 256+265+272+275+292+329], a few other pages With tears, but no loss]; Bound With: The New Testament, Christopher Barker, 1578, with engraved title page. PP: Title page, (ii) names & a map of the Holy land + 1-113 Leaves+ 15pp. Condition [Loss to bottom corner of: P7+62+79+84+86+89; & loss and professional repair to the last 7 leaves. There are numerous illustrations, including a full page one and on page 65 a Map of the countries mentioned in the Acts of the Apostles, from Italy and down. Double-column black letter text. Folio (36 x 25 cm), Near cont. full calf and later spine. SOLD WITH ALL FAULTS.From the library collection of Mulberry House, a former rectory of High Ongar church.

Wycliffe's New Testament: Manuscript & tipped-in cutting: WICLIF: The New Testament, 1380. A 'Labour of Love' made-up volume, beautifully bound in full leather with gilt lettering to spine, gilt inner dentelles, silk endpapers & all edges gilt. Over 600 pages, with manuscript heading in black and red to each book of the New Testament, Chapter heading to each page in red, with one column to a page, tipped into a red ruled boarder, all on special paper. The front blank endpaper inscribed: 'C. Josephine Smith, From W? Barclay. Sep. 6. 94. Is. LVIII. II'; Plus: Wycliffe New Testament In English: Kingprint International, for International Bible Publications, Portland, Oregon, 1986, 1st. Edn. Thus. Sexcentenary Edition, Limited edn. #421 of 999 copies, signed by D L Brake (Wrote the Intro). Original cloth and matching slipcase. VG (2)From the library collection of Mulberry House, a former rectory of High Ongar church.

An exquisite Lladro Tahitiana (model number 01012032) limited edition porcelain sculpture, beautifully crafted with a striking blend of matte and glazed finishes. This impressive piece depicts a Tahitian woman balancing a water vessel on her head, adorned in a flowing floral-patterned dress, standing next to a textured column of tropical foliage. The sculpture is marked Lladro, with the artist's signature Fulgencio and numbered 159, signifying its exclusive limited production. This is a masterful example of Lladro's artistry, known for its elegant and highly detailed sculptural works. This item has a base included.Artist: Fulgencio GarciaIssued: 1971 - 1974Dimensions: 47.25"HCountry of Origin: SpainCondition: Age related wear.

Pair of Royal Worcester fine bone china figurines from the Nelson Collection titled Trafalgar Lions. These figures are inspired by the Landseer Lions located at the base of Nelson's Column in Trafalgar Square, London. Each lion is decorated in an Imari-style pattern featuring underglaze cobalt blue, iron red, green, and gilt accents. The figures are crafted in fine detail to reflect the original sculptures' form while incorporating decorative porcelain surface techniques. Both pieces are marked with the Royal Worcester backstamp and are housed in the original fitted presentation box.Issued: 2003Dimensions: 6"L x 3.25"W x 4.25"HCountry of Origin: EnglandCondition: Age related wear.

Late Period, 26th Dynasty, Ca. 550 BC. A blue glazed faience ushabti with arms crossed over the chest, holding a pick and hoe. The figure wears a tripartite wig with a false beard, and the facial features are modelled in low relief. A column of faint hieroglyphs is incised on the front of the mummiform body, and a dorsal pillar runs down the back.For similar see: MET Museum Object Number: 58.4.2; British Museum, Museum number EA64347Size: 135mm x 35mm; Weight: 80gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. AD 1 - 200.A carnelian intaglio engraved with a mythological scene, showing a central draped figure holding a palm branch, flanked by a column and a tree, while two Erotes gesture towards one another. The stone is set in a possibly later broad silver ring with an oval bezel.For similar see: D. Del Bufalo (a curator di), Catalogo illustrato della glittica nella collezione Santarelli, 2009, Cat. 47/23g; British Museum, Museum number1856,0425.10Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 13.24gProvenance: Private UK collection; formerly in a 1980s-1990s London collection.

Ca. 330 BC.A large red-figure chalice krater is characterised by its wide, flaring rim, high pedestal foot, and robust profile, adorned with opposing horizontal handles. The side "A" features a finely detailed funerary scene: a central bearded male figure, possibly representing the deceased or an idealised version of him, is seated atop a richly decorated Ionic column capital. He holds a scepter and is flanked by two standing female attendants one offering a tray of food, and the other holding a phiale and possibly a tambourine, which suggests chthonic rituals.The side "B"showcases a typical naiskos-style composition, where two elaborately robed female figures approach a central naiskos shrine. Each figure carries garlands and votive offerings, including a pyxis and sprigs of foliage. Above them, hanging drapery and clusters of dotted rosettes symbolize a sacred or commemorative context. The decorative scheme features a laurel band beneath the rim, an ovolo at the edge of the rim, and a frieze of meander and saltire squares at the base of the scene.For similar see: Trendall, Red Figured vases of Apulian, Volume II, 1982, Plate 10, n. 1 and 2.Size: 230mm x 190mm; Weight: 1.2kgProvenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 350 BC.A large red-figure chalice krater features a wide, flaring rim, a high pedestal foot, and a robust profile with opposing horizontal handles. The "A" side is beautifully painted with a funerary scene: a central bearded male figure, possibly representing the deceased or a heroic version of him, sits upon an intricately detailed Ionic column capital. He holds a scepter and is flanked by two standing female attendants—one offering a tray of food and the other holding a phiale and possibly a tambourine, suggesting rituals associated with the chthonic realm.On the "B" side, there is a typical naiskos-style composition. Two elaborately robed female figures approach a central naiskos shrine, each holding garlands and votive offerings, including a pyxis and sprigs of foliage. Above them, hanging drapery and clusters of dotted rosettes symbolize a sacred or commemorative context. The decorative scheme includes a laurel band under the rim, an ovolo along the rim edge, and a frieze of meander and saltire squares at the base of the scene.Size: 530mm x 490mm; Weight: 9kgProvenance: Private UK collection, acquired on the Spanish art market; Ex. Galerie Saint Honore, 1997, France. Accompanied by a Spanish export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.The piece is accompanied by a TL report from QED, a laboratory based in France. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. AD 1 - 300. An oval green jasper intaglio engraved with a standing figure of Mars, shown nude and facing left, leaning against a column. A crested helmet rests on the ground beside him, with a horizontal line marking the baseline. The intaglio is set in a possibly later gold ring with a broad, rounded hoop that thickens at the shoulders and curves inward along the inner surface. Two small gold spheres are affixed to the inner back of the hoop.Size: D:15.29mm / US: 4 1/4 / UK: I; Weight: 21.26gProvenance: Private London collection; previously Mintici collection, Belgium 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Reviewed by Sami Fortune, an ancient jewellery specialist.

Late Period, 26th Dynasty, Ca. 550 BC. A pale blue glazed faience ushabti with arms crossed over the chest, holding a pick and hoe. The figure wears a tripartite wig with a false beard, and the facial features are modelled in low relief. A column of faint hieroglyphs is incised on the front of the mummiform body, and a dorsal pillar runs down the back.For similar see: MET Museum Object Number: 58.4.2; British Museum, Museum number EA64348Size: 125mm x 35mm; Weight: 70gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

19th Dynasty, Ca. 1292 - 1189 BC.A faience ushabti with a mummiform body, crossed arms, and a column of hieroglyphic inscriptions running down the front. Dark pigment highlights facial features, the tripartite wig, and the details of the striated broad collar. The figure holds a pair of hoes against the chest. On the back, a rectangular basket with a grid pattern is painted below the wig.For similar see: Sotheby's, Ancient Sculpture and Works of Art, 7 July 2023, Lot 214.Size: 124mm x 38.2mm; Weight: 87.17gProvenance: Private London collection; previously French art market 1970s/1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by an authentication statement by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Third Intermadiate Period, Ca. 1069 - 664 BC.A blue-green glazed faience ushabti with arms crossed over the chest and wearing a black tripartite wig. The face features black-painted eyes, brows, and mouth. The chest is adorned with a broad collar. A vertical column of hieroglyphs runs down the front of the mummiform body. The reverse is plain.For similar see: Christies, Live Auction 14572, Storied Treasures: Antiquities from the Toledo Museum of Art, Lot. 21Size: 145mm x 50mm; Weight: 140gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by an authentication statement by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Late Period, Ca. 600 - 450 BC. A limestone figure of a male with a broad, angular torso and arms bent at the sides. The head is carved with large, almond-shaped eyes and a faint smile, framed by a striated tripartite wig. A stylised papyrus column is held upright against the right shoulder, its capital rendered in shallow relief.For similar see: Egyptian Sculpture of the Late Period, The Brooklyn Museum, 1960, f. 147, Plate 59.Size: 120mm x 100mm; Weight: 470gProvenance: Private UK collection; Ex. M. H. collection, Kensington, acquired on the UK art market in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

CORINTHIAN COLUMN TABLE LAMPS, A PAIR. glass and gilt metal, with shades, 90cm H approx. (2).

A CONTEMPORARY HAND CRAFTED CENTRE TABLE. in the manner of David Linley, with an octagonal top, parquetry veneered with sycamore, burr sycamore and rosewood, raised on an octagonal column, ebony splayed supports, standing on a square sectioned concave plinth base, 78cm high, 139cm diameter.

A Victorian oil lamp on pot base with brass column, ruby glass font and later shade. (converted to electric).

A Victorian brass Corinthian column oil lamp base, 24 cm tall, base 10.5cm x 10.5cm, undrilled.

A neat 19thc mahogany topped and boxwood strung giltwood carved bookcase, fitted three shelves, flanked by ball pattern column side supports, with swags to base, on bun feet (h.85cm x l.76cm x w.24cm)

A George III mahogany two tier dumb waiter with saucer tops on vase turned double column and tripod support (h.84cm x d.48cm (largest))

Mid 20th century Corinthian metal column lamp base, H 42cm

19th century Victorian mahogany lamp table having a round top on central turned column raised on tripod base with scrolled feet. Measures 68.5cm tall.