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Anne WALLACE (Newlyn School Of Art) Untitled (Abstract Landscape) Oil on paper, signed to verso, 26 x 33 cm, framed 43 x 53cm

A brass lamp base, another in the form of a column, a set of six wine glasses, a cut glass bowl and assorted glassware, a Chinese blue and white vase, with four character mark to base, converted to a lamp, 30 cm high, a Chinese embroidered panel, decorated a scene from the Hundred Boys, 56 x 62 cm (qty)Blue and white vase - old repair and a large loss

A Victorian carved oak octagonal library table, on a carved column support to a shaped base, 140 cm diameterIn need of restoration

A painted triple overmantel mirror, with Corinthian column supports, 116 x 180 cm

A contemporary Doric column plinth / jardiniere stand, painted white, 97cm high

Ca. AD 200 - 300. A gold ring with a shallow D-section round hoop with enlarged column-capital shaped shoulders. The round bezel secures a carnelian intaglio depicting a standing Artemis holding a bow and arrows in her right hand. Size: D:19.15mm / US: 9 1/4 / UK: S; Weight: 12.91g Provenance: Private UK collection; previously acquired on the Swiss art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 350 - 300 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, and the meander pattern along the bottom of the body. Side A is decorated with a standing naked Nike resting on top of a column with ionic capital, with outstretched wings, embellished with pearls and holding a large mirror in her right hand. In front of her, a seated noblewoman wearing a long chiton, holding in her left a large case. Side B is decorated with two standing men around a column-shaped altar decorated on the top. They each wear a long cloak and a diadem. The handles are surrounded by a large palmette motif. Size: 325mm x 310mm; Weight: 2.49kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Late Dynastic Period, Ca. 664 - 332 BC.A group of ten faience fragments, part of a large faience inlay which may have been placed upon a tomb wall or wooden furniture, possibly depicting a lotus column or something similar.Size: 350mm x 200mm; Weight: 2.4kgProvenance: Prince collection, 1990s-2014, acquired from Galerie Uraeus, Alkis. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300. A fragment of a blue glass cage cup with moulded decoration and incredible iridescence. It most likely depicts a ceiling and a column with arches. Glass vases of this kind were the ultimate expression of Roman glass art and were highly prized products created for the social elite. For similar see: The Metropolitan Museum of Art, Accession Number: 26.60.95. Size: 65mm x 40mm; Weight: 20g Provenance: Prince collection, 1990s-2014; Ex. J. Barak, July, 2009. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Graeco-Roman, Ca. 31 BC - 395 AD. A faience votive model or incense burner in the form of a column with a central piercing hole. For similar see: Indiana University Art Museum, Accession Number: 92.483; Petrie Museum Accession Numbers: UC35357, UC35358, UC35359, and UC35360. Size: 40mm x 40mm; Weight: 65g Provenance: Prince collection, 1990s-2014, acquired from Arteas Ltd, Laura Bosc de Ganay.

12th Century CE - 13th Century CE. A superb cast bronze Khorasan oil lamp with large pedestal and stand. The lamp with octagonal pedestal base, broad bowl with finger holds at sides, bird final lid, loop handle with zoomorphic final as thumb rest. Incised decorative designs throughout. Composed of four removable pieces: base, column or stem, tray and lamp.

.A group of four, including two bone kohl bottles. One is stained red with incised decoration showing columns or niches on the lower part of each of its four sides, with columns of small circles and dots standing on four feet, with bands engraved around the circular upper part. The second is stained in green, a rectangular column standing on a base with four feet, decorated with dots and circles. Such-shaped kohl bottles have been found from both the Sassanian period and the early Islamic period. A similar example in the Louvre Museum in Paris was excavated in Susa, Western Iran, from the Sassanian level. Also included are two grey steatite (soap-rock) kohl bottles. One of half obelisk form standing on a four-footed base. The second of similar form, incised with five dots within circles below and one above on all four sides, standing on a shallow foot.Size: 100mm x 30mm (widest points); Weight: 175gProvenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950).

After Joseph Charles De Blezer, bronze figure modelled as a woman in neoclassical dress seated upon a column, H45cm

A Peter Heap, Wetwang 'Rabbit Man' Oak Wine Table, with octagonal top with leather inset and raised on square cut support and four feet, carved rabbit signature, 19cm high.watermarks to leather top with losses to edge, watermarks to feet. Feet do not fit flush to column.

A Pair of Art Deco Style Tables, with circular tops, on tapering column supports, 74cm high, 60cm wide.

A rare and impressive Dutch cabinet on standIn walnut and oak, veneered with ebony and tortoiseshell, with inlays in partially engraved ivoryArchitectural design simulating the façade of a building, featuring five concealed drawers in the cornice and two doors with niches depicted in trompe l'oeil, and columns with gilt and relief bronze capitals and plinthsSides with raised rectangular panelsThe interior of the doors is decorated with tortoiseshell panels and mouldings forming raised panelsFitted with two doors simulating an architectural façade with two niches in trompe l'oeil, columns with gilt and relief bronze capitals and plinths, fifteen drawers (three concealed), and various secret compartmentsInterior of the doors, central compartment, and some concealed side compartments with mirrored panels and marquetry work in ebony, ivory, and tortoiseshell, depicting the floor, arches, and walls of a hall, with the central compartment featuring a balcony with a balustradeMultiple pigeonholes and concealed compartmentsThe stand has two concealed drawers and twelve column-shaped legs with gilt bronze mounts, ending in pear-shaped feetLegs joined by stretchersYellow metal handlesLock with seven boltsHolland, 17th century(restorations, defects, losses, and replacements)195x196,5x62 cm195x196,5x62 cmAccording to the owner, this piece was part of the collection of the Casa de Serralves in Porto. CITES CERTIFICATE: 24PTLX10775C 

Beautiful caryatid column figures featuring Kapyatie and Athena, related to Greek mythology, adorned in classical attire with intricate wrinkle carvings. Hand Made Fesotos and Alabaster stickers. Kapyatie: 2.5"L x 2.5"W x 10"H. Athena: 2"L x 1.75"W x 7.5"H. Dimensions: See DescriptionCondition: Age related wear.

TOM MERRIFIELD, BRONZE FIGURE, DRAGONFLY BALLET DANCER signed to base, number 37 / 150, on a fluted cylindrical column with flat circular base23cm high, 32cm high overallCondition overall if fair, it has been repaired / glued between the figure and the base, ok other than that, details shown in the additional images now available

EDWARDIAN MAHOGANY PARLOUR SUITE, comprising a two seat settee and a pair of armchairs, with moulded toprail over column supports, the settee with central pierced splat, with swept armrests, on cabriole forelegs, upholstered in patterned green fabricthe settee 125cm wideSettee 124cm wide.

BORDER FINE ARTS, THREE BIRD FIGURES, including a Macaw perched on a brass perch with wood column and circular base, along with two other birds figuresthe Macaw 51cm highQty: 3

VICTORIAN SILVER PLATED TABLE LAMP, with urn form sconce over a tapered faceted column support to shaped foot, cast with scrolls and foliage, on burr walnut base, with associated opaque glass shade, wired for electricity44cm highIn overall good condition. Surface scratches. Base with some flaking. Evidence of polishing. Some light brown marks to area of shade and two small white spots. Shade loose. Additional images now available a

Early 20th century bentwood hat and coat stand, the central column surmounted by a finial and fitted with eight scrolling coat hooks, above a lower ring with further scrolling hooks, on four bentwood supportsDimensions: Height: 201cm 

19th century pitch pine Davenport desk, sloping hinged top, fitted with four drawers, on turned column supports, turned compressed feet with castors Dimensions: Height: 83cm  Length/Width: 56cm  Depth/Diameter: 59cmCondition Report:The Davenport is locked and there is no key. One castor is off.

Victorian mahogany tea table, rectangular fold-over and swivel action top with rounded corners, ogee moulded frieze with applied bead, octagonal column mounted by cluster column uprights, on step moulded octagonal foot with applied beading, splayed and scrolled feet with recessed castors Dimensions: Height: 76cm  Length/Width: 90cm  Depth/Diameter: 43cm

Late 19th century variegated marble torchère or plant stand, square moulded top on column, stepped square base, cast metal upper collar with egg and dart moulding, the lower collar cast with foliate decoration Dimensions: Height: 107cm  Length/Width: 30cm  Depth/Diameter: 30cmCondition Report:Break to base. See images.

Georgian design mahogany tripod table, pie-crust moulded circular top, raised on turned and fluted column with twist baluster, on out-splayed ball and claw carved feet with acanthus carved kneesDimensions: Height: 72cm  Length/Width: 51cm 

Victorian mahogany tea table, rectangular top with rounded corners, folding and swivelling to reveal interior surface, supported on a faceted baluster-shaped column, raised on a circular platform base with carved acanthus details, ending in four lion paw feetDimensions: Height: 74cm  Length/Width: 91cm  Depth/Diameter: 46cm

A large carved mahogany mirror backed sideboard, one column loose, overall 238 x 186 x 65cm.

Pair of Victorian / Edward VII silver candlesticks, Sheffield 1901, Henry Hobson & Sons, of Corinthian column form on stepped square bases, weighted, 21cm high, gross weight 38.5oztCondition Report

COLONIAL CLOCK CO; a modern black painted wooden timepiece, width 31cm, height 19cm, a pair of brass table lamps, height to top of fitment 28.5cm, a further Corinthian column style brass table lamp, height to top of fitment 37cm, a further brass table lamp and a bulbous form brass table lamp, height to top of fitment 35cm, also two pairs of opera glasses including a mother of pearl example and a leather cased pair, also five wine glasses (13).

A carved alabaster two sectional part column/tazza with acanthus detail, 34 cm high

A reclaimed architectural painted pine doric column capital together with one other, (incomplete) 28 cm high x 56 cm x 17 cm (af)

A white marble and grey flecked pedestal with rectangular top, column and platform base, 67 cm high x 29 cm x 23 cm

A substantial Regency overmantle mirror of rectangular form with split reeded column surround and applied foliate detail (overpainted), 107 cm x 130 cm

A large 19th century walnut framed mirror with bevelled edge plate, with column supports and further detail, 196cm high x 123cm wide

A Regency mahogany extending dining table raised on a turned column and tricorn base, the top 130cm diameter when closed, 190cm in length with additional leaf

An art deco period centre and dining table, the top with segmented veneers, raised on a fluted column and moulded base, 107cm diameter

An late Georgian period mahogany chest of three long, two medium, and three small shallow drawers, set within column supports on swept feet, 115cm high x 127cm x 55cm

A Georgian mahogany snap top table, the large single piece top 83cm diameter, raised on a birdcage, vase-shaped column and tripod base

A miniature chest of four drawers with burr walnut veneers, a gilt framed mirror, further inlaid mahogany toilet mirror and a 19th century occasional table on turned column

A collection of approximately sixty Safety Matches match boxes mostly made in Sweden, a brass column oil lam, a china bowl, cast metal figures, etc

A pair of Chinese reticulated lamps, a pair of green column lamps and an octagonal marbled finished lamp (5)

A pair of Neoclassical style glass Corinthian column table lamps with gold metal scrolled caps on gold bases with swept supports, both with shades, 55cm excluding shades

A pair of brass effect Corinthian column table lamps with marble plinths raised on pad feet, 39cm excluding the shades

A pair of decorative wooden painted table lamps in a red and gold finish and a wooden gold and blue twisted column table lamp. (3)

A pair of blue painted table lamps, 20th Century, of column form with pleated cream shades 77cm high (2)Condition Reportminor surface scratches and blemishes

A set of four table lamps, 20th century, the black and gold conical shades with dragon motifs, on a slender turned column and circular base 62cm high (4)

A walnut tripod table, 20th century, the circular top inlaid with alternating swirls of burr walnut and satinwood segments raised on turned column with pineapple knop and scrolling tripod base 91.5cm diameter 74.5cm highCondition ReportRepairs to bases

Taxidermy: Golden Eagle aquila chrysaetos, late 19th to early 20th century, modelled with its wings spread, raised on a brass canister and cut glass drops above a fluted column standard lamp,eagle 166cm wide, 44cm hightotal 173cm highCondition ReportWear and general degradation to the eagle commensurate with age. Knocks, wear, and additions to the lamp.

A painted bookcase c.1900, French, having a neo-classical pediment and column sides, with wired panel door90cm wide46cm deep200cm highCondition ReportWear to paint on edges

A 48cm high striking bracket clock with classical column design

A Worcester Ceramic Jardiniere Visible mark "c" on base- could be the Worcester crescent mark Ceramic Jardiniere, relief bunches of grapes and vine leaves on the column and bowl. Very pretty.

ARR John Maltby (1936-2020) a figural sculpture on integral base, stamped maker's mark, 15cm x 10cmTraces of glue to where hair strands are attached to column but could be original. No chips or repairs to the ceramic.

Selection of table lamps to include pair of Ralph Lauren Chinoiserie red and white floral rectangular bases and shades, glass mirrored pyramid style bases, pair of black column candlestick style bases, blue and white Chinese style base on wooden stand and two turned pine candle stick style bases etc

Pair of empire style column lamp shade bases in stone effect finish, H 47cm together with two late 20th century art deco style mirrored glass lamp bases, H 53cm

Late 19th century/ early 20th century Ansonia, New York, oak cased mantel clock with carved column details to sides and a brass bezel surrounding enamel dial, H 36.5cm, W 35cm, D 15.5cm

Victorian opaline white glass column lamp shade base with brass base surround and top decoration and cut glass droplets, H 64 to top of light fitting

A mahogany torchère - early 20th century, the dished circular top on a tapered spiral reeded and foliate carved column, to a tripod base, 103 cm high.

A George III mahogany tilt-top tripod table - the circular top on a turned column to three swept supports with pointed pad feet, 65.5 cm diameter, 72 cm high.

Two adjustable desk lamps - one painted in eggshell off-white with a faux-wood grain column, 40.5cm high to top of column; the other in aluminium with stepped circular shade and base and flexible snake-column, approx. 32cm high.