There are 7230 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Coalport porcelain dessert service 20th century, comprising twelve plates, 22.5cm diameter, a pair of square dishes, 22.8cm wide, and a pair of oval dishes, 27.2cm wide, each decorated with a floral spray enclosed with a green and gilt border, printed marks (16) Condition ReportWear, rubbing, scratches, and minor losses to the decoration throughout.
A GROUP OF THREE PORCELAIN CHOCOLATE CUPS, COVERS AND STANDSprobably Paris, early 19th century, including one decorated in the Imari palette, possibly Coalport, one with gilt portrait panels against a blue ground, and another with bands of blue and white highlighted in gilt, 11cm high overall
A small collection of mid-19th century Imari decorated English porcelain - including a Spode two handled baluster vase, pattern no. 1216, with beaded edges, red painted factory marks, 13.25cm high; a similar Spode trumpet vase, unmarked, 11.6cm high (hairline to interior); a covered campana styled urn form vase, probably Davenport, painted pattern no. 5909, 12.5cm high; a small Davenport basket, 7.3cm high; a miniature Derby, Stevenson & Hancock jug, red painted factory mark, 5.5cm high; a slender Derby, Stevenson & Hancock ewer, 13.3cm high (rim restored); a pair of Chamberlains Worcester plates, 20.25cm diameter; and a Coalport 'Money Tree' plate, 23.7cm diameter (star crack to base). (9)
A Tuscan China porcelain figure, Squires Daughter, she stands wearing a black dress and bonnet, holding a muff and basket, decorated in gilt with flowers and foliage, canted square base, 23cm high, painted marks 'Squires Daughter No 115 Potted by Plant', printed factory mark, c.1930; another, Paragon figure, Lady Isobel, 19cm high, printed marks; a Poole pottery model, of an owl, 17cm high; a Coalport Coalbrookdale two handled vase and cover, encrusted with summer flowers, 14cm high (4)
A Coalport and composite English porcelain white and gilt part tea and coffee-service, circa 1800, some with pattern no. 120, gilt with a band of ovolos and scattered sprigs, comprising: two oval teapots, covers and stands, two oval two-handled sugar-bowls and covers, a slop-bowl, a two-handled sugar-bowl and two covers, two milk-jugs, two plates, twenty-one cups in sizes, 14 saucers
Composite Coalport and English porcelain white and gilt spirally-moulded part tea and coffee-service, circa 1800, some marked with pattern no. 120, gilt with scattered sprigs within an ovolo border, comprising: an oval teapot, cover and stand, two sugar-bowls and three covers, a slop-bowl, a milk-jug, five teabowls, four coffee-cups, eight saucers, two oval stands. one armorial, a group of Derby dinner wares similar, five dinner-plates and two Chamberlain's Worcester armorial shaped oval dishes and a shell-shaped dish gilt with seaweed pattern
A COALPORT FELT SPAR PORCELAIN; A PART DESSERT SERVICE (11)1820'S Each piece painted with a central flower bouquet inside a gilt foliate border moulded with spaced fruiting vine, comprising; two shell-shaped dishes, 22cm wide, two lozenge-shaped dishes, 25cm wide and seven dessert plates, 21cm diameter, red printed Society of Arts markHaircrack to the rim of one lozenge dish, approx. 2cm lengthChip to the outside rim of one of the shell shaped dishes, approx. 2cm by 1.5cmCrack around the well of one plate, approx. 17cm lengthSome overall wear to the gilding and enamels
A ENGLISH PORCELAIN TWO-HANDLED VASEProbably Coalport or Chamberlain Worcester, early 19th century The slender ovoid body body painted on one side with a panel of a sportsman with his dog in a landscape, the reverse with hanging dead game, against a blue ground with gilt foliate scrolls, raised on a square marbled base, unmarked, 33.5cm highRestoration to one handle. Some wear to the gilding. Light surface scratch to one panel
A GROUP OF FOUR ROYAL WORCESTER AND ONE COALPORT PORCELAIN LADIES, comprising two Royal Worcester figurines, 'Grandmother's Dress' 3081 modelled by F.G Doughty, one wearing a green lustre dress, the other blue (blue dress figure Rd. No. 799938), 'Winter's Morn' from the Age of Romance collection (unnamed on the base/possibly second quality), and 'Belle of the Ball', together with a Coalport 'Lily' figurine of the year 1993 (5) (Condition Report: light wear to green lustre dress, no other obvious damage)
A Royal Copenhagen porcelain figure of a Gull, seated with nestled wings, mark to abse, together with a Copenhagen duo of Owls, a Lladro figure of a seated girl on the telephone, also with six limited edition Coalport porcelain Plates, each one decorated in winter scenes by varying artists, D cm, also with a quantity of glass Paperweights (a lot)
A Coalport Porcelain Double Scent Bottle and Stoppers, circa 1870, as two conjoined cylindrical bottles, painted with Indian motifs on a green ground highlighted in gilt, & and COALPORT marks in puce, 7.5cm highNo chips, cracks or repair. Minor flakes to the unglazed areas of the stoppers. Slight surface wear and crazed.
Two Chinese Porcelain Tea Bowls and Five Saucers, with two Chinese Provincial Porcelain Bowls and A Saucer Dish, A Meissen Teabowl, A Coalport Coffee Can, Tea Bowl and Saucer, Two English Cups, A Tea Bowl and Two Saucers, A Japanese Saucer, A Persian Faience Plate, Two Royal Worcester Figures, A Royal Doulton Figure, A George V Silver Small Dish, Birmingham 1920, and An Edwardian Silver-Mounted Cut Glass Dressing Table Jar
Ceramic Feeding Vessels and Spitoons, including: an English, c. 1810-1825, Coalport ‘rococo revival’ pap boat/jug, on green ground, decorated with painted encrusted foliage and gilt C-scrolls, with leaf-shaped base and cover decorated with gilt C-scrolls and raised floral finial, blue script mark ‘CD’ to underside – 10cm. high (spout slight damage); an English, 19th Century, half-covered feeding cup, earthenware, of typical form, transfer-printed in blue floral decoration – 12cm. diameter (bowl), 7cm high; and a mid-19th Century, covered medicine spoon, porcelain, transfer-printed in blue, blue script mark ‘I’ and ‘8’ to underside – 8cm. long, 3cm. high; and two English, c. 1835, John Meir & Son spittoons, earthenware, transfer-printed in blue, depicting Kilchurn Castle Loch Awe (“Northern Scene” series), one without spout and loose funnel cover, the other with funnel cover fixed and with spout – the first, 11cm. diameter/high, the second 10.2cm. diameter, 10cm. high Note: The Coalport vessel was previously bought at Sotheby’s on 15th December, 1999 (Lot 1695). The medicine spoon was previously bought at BBR Auctions on 9th April, 2000 (Lot 93).The spitoon with loose cover was previously bought at BBR Auctions on 9th April, 2000 (Lot 304).
A pair of Coalport porcelain vases, circa 1860, painted with oval panels of musical instruments and flowers by William Cook, reserved against a bright blue ground, of twin-handled form raised on a square pedestal foot, unmarked 28cm high (2)Condition:Both lids are glued or attached to the vases. One finial has been broken and re-glued. One foot has been re-attached.
A John Rose Coalport 'Animal Service' dessert ice pail or fruit cooler, circa 1800-1805, dark blue ground with simple gilt, painted with a circular panel of a Striped Hyena, opposed by a further roundel of a gentleman watering his horse before a large country estate, likely taken from one of the smaller engravings interspersed throughout the pages, of Bewick's Quadrupeds, complete with original liner and a cover further painted with game birds in flight and winged insects, unmarked and untitled, 26cm high See Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick. See footnote for further details. Footnote:The animal painting, from which this service takes its title, is inspired by Thomas Bewick's A History of Quadrupeds, published in 1800. The Bewick Society states that the extent of the original service is unknown, but it likely would have comprised a centre dish, a selection of side dishes, tureens, plates and perhaps a pair of ice pails. (1) The scope of potential inspiration was enormous, with over 200 different woodcut engravings. The most extensive known offering of pieces reached the market in 1970, including a 'Polar Bear' centre dish and 'Hartebeest' lozenge dish, all of which was secured for the nation with the V&A Purchase Grant Fund and are now on display at the Shrewsbury Museum and Art Gallery. Further plates have cropped up sporadically throughout the years.The principal decorator is not definitively known, although they were almost certainly from London and working outside the factory. Roger Edmundson, however, has proposed Charles Muss (1779-1824) as at least one of the painters of this service, of which the pieces sometimes vary in style and are perhaps by more than one hand. The reasoning for this attribution includes known pieces of this service illustrated in Messenger's Coalport book and displayed at the Shrewsbury Museum and Art Gallery to exhibit aspects of Muss's technical work. For example, the 'Tigers' stripes are carefully drawn, predominantly with two fine lines and shading alongside visible outlines to some of the legs. For this, Edmundson suggests, 'Muss probably decorated some or all of the animals'. (2) Charles Muss' father was the son of an Italian artist, Beneficio, who came to London in or around 1778. Beneficio set up as a drawing master in Newcastle-upon-Tyne when Charles was eleven years old; therefore, it is likely that Charles worked under his father's instruction. Charles exhibited several works after moving to London, including Dunkeld Castle at the Royal Academy in 1800. He later produced an enamelled plaque with a named and dated view of the Coalport China Works in 1804. After several years' break, during which time his daughter was born, he again exhibited seven further works at the Royal Academy between 1817 and 1823. He produced enamels on glass and copper, including portraits and works after old master subjects. His work extended to stained glass works, with known examples of these being Eaton Hall in Cheshire and St. Bride's Church in London, among others. References: (1) Edmundson, Roger, Charles Muss, his Painting of the Coalport Works and Decoration on Porcelain (Northern Ceramic Society, Journal 33, Volume 17) (2) Newland, Barry, The Coalport Animal Service (Cherryburn Times - Journal of the Bewick Society, Volume 6, Number 9, 2016) (3) Messenger, Michael, 1995, Coalport 1795-1926 (Antique Collectors Club, Suffolk, 1995) Condition:Main body of pail - Good condition with no damages or repairs. Rings well when tapped. Some minor wear to the gilding on the handles and around the rim.Pail liner - Good condition with no damages or repairs. Heavier wear to the gilt. Some scratches to the interior of the bowl. Rings well when tapped. Cover - Good condition with no damages or repairs. Some glaze crazing visible to the top and underside.
An unusual English porcelain honeypot and cover, circa 1820, possibly Worcester, of engine-turned form, painted with small red sprigs alternating with concentric gilt bands, unmarked, 13cm diameter overall, 10cm highSeveral English porcelain manufactories created honey pots in the form of beehives during this period, preceded by earlier creamware examples by Wedgwood, circa 1770-75. Barr, Flight, Barr, Chamberlain's Worcester and Coalport recorded shapes seemingly do not match this example's shape. A matching shape was sold as part of a group lot at Peter Wilson's auctions, lot 805, 8th July 2008, with some other items, but, frustratingly, it did not reference if there was a factory mark or include an attribution. This item features a label attributed to Coalport on the base.Condition:Finial possibly re-attached, with gilt wear to knop. There is a chip to the underside interior of the cover and a couple of further small nibbles. Some glaze imperfections to the interior of the pot and further minor gilt wear to the inner rim of the pot. Some very good restoration to a presumed chip to a section of the fixed stand, with an area of retouching covering two gilt leaves and a stem of three red buds.
An English porcelain tray, possibly Coalport, circa 1830-35, decorated in the manner of Steele with a central still life of fruit including peaches, strawberries and a pear, scrolled rim picked out in gilt and pale green and encrusted with flowers in the Coalbrookdale style, unmarked, unsigned, 31cm wideCondition:Some restoration to applied flowers
A Coalport 'Animal Service' coffee can and saucer, circa 1800-1805, painted with a 'Squirrel' (red)' to the coffee can and 'The Phalanger' (Cuscuses) to the saucer, titled in red to the bases, coffee cup 6.5cm diameter and 6cm high, saucer 14cm Note: This offers an interesting addition to what was historically known as a dessert service until the publication of Roger Edmundson and Kate Cadman's article on Charles Muss, Part 2 (Northern Ceramic Society), which includes several coffee cans and saucers held in private collection. It must also be noted that some other pieces do exist using the same source inspiration but with entirely different borders and overall grounds, including a 'Hyena' campagna vase with stylised purple scrolling and puce ground in Shrewsbury Museum and Art Gallery (SHYMS: C/2565). For further information, see the footnote section. See also Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick. Provenance:Private collection, purchased in London. Footnote:The animal painting, from which this service takes its title, is inspired by Thomas Bewick's A History of Quadrupeds, published in 1800. The Bewick Society states that the extent of the original service is unknown, but it likely would have comprised a centre dish, a selection of side dishes, tureens, plates and perhaps a pair of ice pails. (1) The scope of potential inspiration was enormous, with over 200 different woodcut engravings. The most extensive known offering of pieces reached the market in 1970, including a 'Polar Bear' centre dish and 'Hartebeest' lozenge dish, all of which was secured for the nation with the V&A Purchase Grant Fund and are now on display at the Shrewsbury Museum and Art Gallery. Further plates have cropped up sporadically throughout the years.The principal decorator is not definitively known, although they were almost certainly from London and working outside the factory. Roger Edmundson, however, has proposed Charles Muss (1779-1824) as at least one of the painters of this service, of which the pieces sometimes vary in style and are perhaps by more than one hand. The reasoning for this attribution includes known pieces of this service illustrated in Messenger's Coalport book and displayed at the Shrewsbury Museum and Art Gallery to exhibit aspects of Muss's technical work. For example, the 'Tigers' stripes are carefully drawn, predominantly with two fine lines and shading alongside visible outlines to some of the legs. For this, Edmundson suggests, 'Muss probably decorated some or all of the animals'. (2) Charles Muss' father was the son of an Italian artist, Beneficio, who came to London in or around 1778. Beneficio set up as a drawing master in Newcastle-upon-Tyne when Charles was eleven years old; therefore, it is likely that Charles worked under his father's instruction. Charles exhibited several works after moving to London, including Dunkeld Castle at the Royal Academy in 1800. He later produced an enamelled plaque with a named and dated view of the Coalport China Works in 1804. After several years' break, during which time his daughter was born, he again exhibited seven further works at the Royal Academy between 1817 and 1823. He produced enamels on glass and copper, including portraits and works after old master subjects. His work extended to stained glass works, with known examples of these being Eaton Hall in Cheshire and St. Bride's Church in London, among others. References: (1) Edmundson, Roger, Charles Muss, his Painting of the Coalport Works and Decoration on Porcelain (Northern Ceramic Society, Journal 33, Volume 17) (2) Newland, Barry, The Coalport Animal Service (Cherryburn Times - Journal of the Bewick Society, Volume 6, Number 9, 2016) (3) Messenger, Michael, 1995, Coalport 1795-1926 (Antique Collectors Club, Suffulk, 1995) Condition:5mm long hairline to rim of saucer. The Phalanger has a scratch through one foot and a small portion of the green landscape and belly. This piece also has some slight wear to the internal gilt ring. The coffee can is good condition with no damages or repairs. There is some expected handling wear to the gilding on the handle and the upper rim.
Coalport porcelain cabinet plate, painted with fruit against a mossy bank, signed F H Chivers, royal blue and tooled gilt border, circa.1910, diameter 27cm; and a pair of Copeland china cabinet plates, painted with marine scenes, by E R A Michelson, 1906 and 1908, tooled gilt outlines, with marine motifs, diameter 23cm.Qty: 3
Coalport porcelain ewer, circa.1910, royal blue and cream ground, painted oval reserves of Lakeland scenes, within cartouches, 26cm; and a Coalport royal blue ground three-handled goblet, reserve painted with a vignette of Loch Awe, signed P Simpson, 23cm.Qty: 2Condition report:Ewer - fine surface scratches to the bodyGoblet - minor crazing in various areasPlease see additional uploaded images.
Coalport porcelain royal blue ground, urn-shape vase, painted reserves of Italian lake scenes, twin handles, restored, 24cm; a Royal Crown Derby three-handled pedestal vase, painted floral reserves, restored and damaged; and a small Royal Doulton blue ground ewer.Qty: 3Condition report:Pedestal vase - signed C Gresley, repairs to one handle, bowl and top of stem. Urn-shaped vase - loss of gilding and two hairline cracks to lid, loss of gilding to rim and base, scratches to body, discolouration to neck suggestion possible area of restoration.Ewer - very good condition.Please see additional uploaded images.
A French porcelain plate, the redecoration attributed to the London studio of Robins & Randall, c1840, with rose Pompadour border, 23cm diam, spurious painted Sevres mark and two Coalport plates, c1850, one painted by William Cook, with three reserves of fruit and birds, the other by John Randall, with birds in gilt border (3) Good condition
A Coalport shaped square dessert dish, c1820, painted with colourful flowers in a vivid palette, 22 x 22cm, another with red and gilt paterae border and two English porcelain dessert plates, one decorated in raised gilt and platinum with prunus and birds (4) Coalport dish - chip on rimDavenport plate - stacking wear
A Coalport saucer, teacup and teacup and saucer, c1820-50, painted probably by John Randall with birds, or gilt with seaweed, saucers 14 and 15cm diam, saucer impressed 2 and painted in red enamel Sparks Worcester Coalport Porcelain, or printed Society of Arts mark, pattern 859, or unmarked Sparks saucer in good condition, cup also good, gilt cup and saucer with localised wear and slight crazing
Royal Doulton / Coalport - A collection of five 20th Century porcelain china lady figurines by Royal Doulton and Coalport. Coalport ladies comprising of: Debutantes Beth, Debutante of the year 1997 Poppy Ball, Valentine Debutante Forever Yours, and Kimberley. Together with Royal Doulton Wendy HN2109.Largest 13cm tall approx.
A collection of English and export porcelain late 18th to early 19th century, comprising a Newhall jug, marked N168, 12cm high, Chinese export pocket watch stand, 21cm high, a Spode transferware basket and dish, 23cm wide, a George III pottery jug, with relief painted decoration, 20cm high, and a pair of Coalport vases, with pained landscapes, 12cm high (7)Condition ReportNewhall jug) No apparent chips or losses.Watch stand) Losses to the encrusted flowers. Spode) No losses or chips.Coalport vases) Rubbing to the gilt and painted decoration. George III jug) Cracks to the base.
A GROUP OF FIFTEEN PIECES OF NAMED PORCELAIN GIFTWARE AND FIGURINES, comprising two Coalport 'Rose Garden' pattern ginger jars, a rectangular trinket dish and small tray, a pair of Aynsley 'Rose Garden' pattern vases, height 18cm, a Royal Doulton 'Diana' HN2468 figurine, 'Adele' HN2480 figurine (marked as second quality) and 'Marilyn' HN3002, two Aynsley 'Little Sweetheart' pattern bud vases, a pair of table candle holders and two baskets of porcelain flowers (15) (Condition Report: one candle holder has a broken leaf, both have small cracks to the interior base)
A Coalport Porcelain Two-Handled Vase and Cover, Circa 1900-1920, painted by Edward Oakes Ball, with a view of Kilchurn Castle, signed E O Ball, printed green factory mark, pattern V5146/E, and shape 161, 14ins high, and another painted by Percy Simpson with a ruined building overlooking a loch, signed F Simpson, green factory mark, pattern V7648/A, shape 186, 14.5ins highhttps://www.dropbox.com/scl/fo/a85lw5dwu7oxyo4o1ih2y/h?rlkey=8a5rl1gtnu5tbfsljw63zm5id&dl=0
A Coalport Porcelain Three-Handled Pot Pourri and Pierced Cover, Circa 1900-1920, of squat bulbous outline, painted in colours with three landscapes within gilt bordered oval cartouche, on a Royal blue ground, printed mark, and registration number 482703, 6.5ins high https://www.dropbox.com/scl/fo/a85lw5dwu7oxyo4o1ih2y/h?rlkey=8a5rl1gtnu5tbfsljw63zm5id&dl=0Cover - this appears to be in good condition with no obvious damage/loss/restoration. The gilding remains intact.Body - this again appears to be in good condition with no obvious damage/loss/restoration. The gilt detail and enamels appear to be undamaged, and there is no obvious scratching to the three miniature paintings.
Early 20th century Royal Crown Derby porcelain twin handled vase, circa 1926, the central cartouche with a landscape, H16cm, Coalport cabinet plate centrally painted with a Red Grouse in a Highland landscape, within a green and gilt raised border, D22cm, together with a Coalport dish, hand painted with fruit against a pink and gilt ground (3)
A set of six porcelain coffee cups and saucers, each painted with sprigs of flowers and with cobalt blue and gilded decoration. In a fitted case, and with printed marks, 'Coalport, England, AD1750', Y266S on the cups. Case 34cms by 29cms. *CR One saucer quite crazed, otherwise the cups and saucers seem fine. Case is quite worn in places with some surface loss.
Loading...
