We found 1670 price guide item(s) matching your search
There are 1670 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1670 item(s)/page
A CHINESE EXPORT SILVER TANKARD BY LEECHING marked to the base, the tapered cylindrical body with a vacant cartouche against an ornately decorated ground depicting a cityscape with court officials and soldiers, with a shaped dragon form handle and a dragon finial cover, 15.5cm high overallProvenance: The collection of Elisabeth Severance Prentiss (1865-1944) and thence by descent.
BEN MAILE (1922-1017) A SUNSET CITYSCAPE, a Cathedral at the top of a hill overlooks a variety of other buildings, signed bottom left, oil on board, approximate size 120cm x 59cm, Condition Report: the paintings is in good condition, the original frame has some losses (artist resale rights apply)
Set of 2 vintage reproduction of antique motorcycle advertising posters. 1. BSA Motor Bicycles from 1916 - Artwork by Alfred John Nunney (1897 -1966) features a man and lady studying a map while leaning on a green B.S.A Motorcycle. Founded in 1861 the Birmingham Small Arms Company Limited (BSA) started manufacturing bicycles in the 1880s; the company sold their BSA Cycles business to Raleigh in 1957. Good condition, creasing, tears, pinholes, staining. Country of issue: Italy , designer: Alfred John Nunney , size (cm): 70x50, year of printing: 1980s; 2. 1910 advertising poster for Triumph Motors - Coventry - Design features a man riding a motorcycle with a lady in the attached sidecar alongside other motorcyclists and a peaceful cityscape in the background. Triumph Engineering Co Ltd was a British motorcycle company originally based in Coventry. Good condition, creasing, tears, pinholes, minor staining. Country of issue: Italy , designer: Unknown, size (cm): 70x50, year of printing: 1980s.
Malcolm Haynie Myers (American, 1917-2002). Acrylic on paper painting depicting an abstracted cityscape. The houses portrayed in vibrant colors with angular lines. Signed and dated 1955 along the lower left.Sight; height: 17 in x width: 22 in. Framed; height: 29 in x width: 32 in x depth: 1 3/4 in.Condition: The colors are bold and bright and the surface appears stable. There are no visible tears, losses, or restorations when viewed under a UV light. There is a slight undulation to the sheet. There are a few minute dark accretions throughout, possibly original to the artistic process. Framed under glass; light wear to the frame. Not inspected out of frame.
Outstanding original gouache on paper by Ukrainian Social Realist and Cityscape painter Yuriy Khymych whose artworks are held in the most discerning international museums and private collections. Khymych depicts a subject that he painted throughout his career: St Sophia Cathedral of Kiev. The vibrantly bold colors and glorious swirling brushstrokes are reminiscent of Fauvism and Post-Impressionism's use of non-local colors. Signature and date in ink on lower right side: Hymych (in Ukrainian) 1986. Housed in a white mat. Artwork dimensions: 33.25"L x 23.50"H. Frame dimensions: 39.50"L x 31.50"H x "W. Artwork can be unframed and rolled for shipment. Artist: Yuriy Ivanovych Khymych (Ukrainian, 1928-2003)Issued: 1986Dimensions: See DescriptionCountry of Origin: UkraineCondition: Age related wear. Some areas of paint loss on upper right side.
NICOLA TASSIE (BRITISH 1960-) WEB, 2015 each impressed artist's seal, 26 pieces, Limoges porcelain with black iron oxide the tallest 21.5cm high (8 ½in high) Wills Lane Gallery, St. Ives, Collect 2015;Property of a Private Aficionado. Web is a collection of twenty-six vessels precisely arranged on a table top, with taller jugs and jars occupying the centre and smaller mugs and bowls placed round the edges, the whole group resembling a cityscape. Black inlaid lines cut across the whole block, gradually intensifying in darkness towards the upper edge of the group to create a horizontal black strip that stretches across the pots, obliterating edges, rims, handles, styles, and looking like a band of cloud or rain hanging over a built environment. The vision of the group changes and mutates as it is viewed from different sides and angles. Individually the lines on the pots can simply be seen as decoration, with each pot having a functional value, but if used as an individual vessel, its removal would destroy the effect of the whole group or ceramic ‘landscape’. As such it can be seen as a meditation on the relation between function and form.
Vincenzo Chilone (Venise 1768-1840)Palazzo dei Dogi pris depuis San Giorgio, Venise signé 'chilone f' (sur la gondole, en bas à gauche)huile sur toile d'originesigned 'chilone f' (on the gondola, lower left)oil on canvas, unlined40.4 x 59cm (15 7/8 x 23 1/4in).Footnotes:ProvenancePrivate Collection, SwitzerlandThe present composition draws the viewer's eye across the serene canal, where the interplay of light and shade on the water creates a captivating effect. Chilone's confident use of perspective adds depth to the scene, inviting the observer to immerse themselves in the Venetian cityscape. The buildings, with ornate facades and arched windows, reveal the grandeur of Venetian architecture, and the inclusion of gondolas and figures illustrates the city's lively character.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Toilet boxWood covered with straw marquetry, depicting on the exterior a vase with flowers, medallions with trophies and floral motifs, other vegetal motifs, and geometric bordersInterior with several compartments and a mirror, decorated with the same type of marquetry, representing flowers, a trophy, and a cityscape with boatsFrance, 18th/19th century(minor losses and defects)12x33,5x24 cm
A lovely oil on canvas painting capturing the cityscape of Lviv, Ukraine. Artist signature and date on lower right side. Artist signature, date, and inscription in graphite on verso. Housed in a wooden frame, with a beige fabric mat with a gilded and wooden border. Artwork dimensions: 11.75"L x 15.5"H. Frame dimensions: 16.5"L x 1.25"W x 20.5"H. Artist: Sergei Dvurechnsky (Ukranian, 20th century)Issued: 2004Dimensions: See DescriptionCondition: Age related wear.
***Caroline McNairn (1955-2010) - Mixed media - "Collage - Cityscape II", Contemporary Scottish Painting Gallery exhibition sticker to verso, 18.5ins x 20.5ins, in silvered frame and glazedThis work has not been inspected out of its frame. The upper edge and lower left corner are torn but this is possibly the original intention of the artist. There is a circa 1.25ins tear to the upper edge close to the upper right corner, otherwise the work appears to be in good condition with no obvious damage/loss/restoration. The card (?) on which this is mounted is discoloured and shows some light scattered foxing, particularly to the lower left corner.
NICK HOLDSWORTH (BRITISH CONTEMPORARY) 'LOVE LONDON', a pixelated cityscape with St Pauls Cathedral and double decker buses, signed bottom right, mixed media on paper laid on board, approximate size 109cm x 80cm, frame size 114cm cm x 86cm, Condition Report: bottom edge lifting from the board in places, bumps to the corners of the frame
Zeinab Abd El Hamid (Égypte, 1919-2002)Cityscape signé 'Zenab Abd El Hamid' et daté '1998' en bas à droitetechnique mixte sur papier45.5 x 54cm (17 15/16 x 21 1/4in).exécuté en 1998Cette oeuvre est encadrée.signed 'Zenab Abd El Hamid' and dated '1998' lower rightmixed media on paperFootnotes:ProvenanceLa collection distinguée d'un érudit et auteur égyptienPuis par descendance au propriétaire actuel.Zeinab Abdel Hamid utilise des couleurs vives et des traits dynamiques qui apportent mouvement et rythme à sa peinture, guidant le regard à travers des scènes animées. Les détails de l'architecture et du paysage urbain ajoutent de la profondeur et de la texture à l'œuvre, tandis que l'absence de formes solides ou d'ombres lui donne un aspect léger et graphique.Zeinab Abdel Hamid's use of vibrant colours and dynamic strokes creates a sense of movement and rhythm throughout her painting, drawing the viewer's eye through the busy scenes. The intricate detailing of the architecture and urban scenery adds a sense of depth and texture to the composition, while the absence of solid forms or shadows gives the painting an ethereal, graphic like quality.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU.TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Geoffrey Key (British 1941-) Northern cityscape Signed and dated '71, mixed media.27.5 x 33cm (framed 48 x 54cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. There are some small areas of surface mould across the upper half of the painting. The painting is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.
* FIONA C GRAHAM, RED TENEMENTS, GLASGOW acrylic on board, signed, titled versoframed and under glassimage size 34cm x 44cm, overall size 46cm x 47cm Artist's label versoLabel verso: The Fotheringham Gallery, Bridge of AllanNote: "Born in Glasgow in 1970, I started painting at an early age and after attending a night school course in life drawing at Glasgow School of Art went on to study History of Art at St Andrews University. After completing a business start up course in Glasgow I began painting professionally full time. Years of living in a vibrant city like Glasgow has had a huge influence on my work, very much a case of painting what I know and love. The people, the buildings and the inescapable weather are my inspiration and I'm always interested in the contrast between the grandeur and the grittiness within the city, the changing seasons and moods, the recognisable views versus the hidden gems, nooks and crannies, the lost past and the fast disappearing architecture. In an ever changing cityscape I can always find a new challenge to paint and try to look for beauty in the everyday, overlooked and ignored aspects of city life. In contrast to city subjects, family ties and happy childhood memories have given me a great affection for the East coast of Scotland and I enjoy trying to capture the unique light and sense of space of the coastline and again I'm drawn to buildings, people and their history and traditions.
Albert Alcalay, American 1917-2008 - Cityscape, 1953; pencil on paper, signed and dated lower right in ink 'Alcalay 53', 34.3 x 26.7 cm: together with 2 other works by the same artist, a hand-signed and dedicated poster for 'Albert Alcalay Recent Paintings Krasner Gallery, 1964' and an etching on paper, 'Self-Portrait', from an edition of 50 (3)
-
1670 item(s)/page