Toilet boxWood covered with straw marquetry, depicting on the exterior a vase with flowers, medallions with trophies and floral motifs, other vegetal motifs, and geometric bordersInterior with several compartments and a mirror, decorated with the same type of marquetry, representing flowers, a trophy, and a cityscape with boatsFrance, 18th/19th century(minor losses and defects)12x33,5x24 cm
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***Caroline McNairn (1955-2010) - Mixed media - "Collage - Cityscape II", Contemporary Scottish Painting Gallery exhibition sticker to verso, 18.5ins x 20.5ins, in silvered frame and glazedThis work has not been inspected out of its frame. The upper edge and lower left corner are torn but this is possibly the original intention of the artist. There is a circa 1.25ins tear to the upper edge close to the upper right corner, otherwise the work appears to be in good condition with no obvious damage/loss/restoration. The card (?) on which this is mounted is discoloured and shows some light scattered foxing, particularly to the lower left corner.
NICK HOLDSWORTH (BRITISH CONTEMPORARY) 'LOVE LONDON', a pixelated cityscape with St Pauls Cathedral and double decker buses, signed bottom right, mixed media on paper laid on board, approximate size 109cm x 80cm, frame size 114cm cm x 86cm, Condition Report: bottom edge lifting from the board in places, bumps to the corners of the frame
Geoffrey Key (British 1941-) Northern cityscape Signed and dated '71, mixed media.27.5 x 33cm (framed 48 x 54cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. There are some small areas of surface mould across the upper half of the painting. The painting is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.
* FIONA C GRAHAM, RED TENEMENTS, GLASGOW acrylic on board, signed, titled versoframed and under glassimage size 34cm x 44cm, overall size 46cm x 47cm Artist's label versoLabel verso: The Fotheringham Gallery, Bridge of AllanNote: "Born in Glasgow in 1970, I started painting at an early age and after attending a night school course in life drawing at Glasgow School of Art went on to study History of Art at St Andrews University. After completing a business start up course in Glasgow I began painting professionally full time. Years of living in a vibrant city like Glasgow has had a huge influence on my work, very much a case of painting what I know and love. The people, the buildings and the inescapable weather are my inspiration and I'm always interested in the contrast between the grandeur and the grittiness within the city, the changing seasons and moods, the recognisable views versus the hidden gems, nooks and crannies, the lost past and the fast disappearing architecture. In an ever changing cityscape I can always find a new challenge to paint and try to look for beauty in the everyday, overlooked and ignored aspects of city life. In contrast to city subjects, family ties and happy childhood memories have given me a great affection for the East coast of Scotland and I enjoy trying to capture the unique light and sense of space of the coastline and again I'm drawn to buildings, people and their history and traditions.
Albert Alcalay, American 1917-2008 - Cityscape, 1953; pencil on paper, signed and dated lower right in ink 'Alcalay 53', 34.3 x 26.7 cm: together with 2 other works by the same artist, a hand-signed and dedicated poster for 'Albert Alcalay Recent Paintings Krasner Gallery, 1964' and an etching on paper, 'Self-Portrait', from an edition of 50 (3)
Antique original chromolithograph on paper published in 1904 by Taber Prang Co. that depicts a cityscape in late 19th century Holland. Signature in plate on lower right: illegible. On lower left: Copyright by Taber Prang Art Co. 1904. Written on verso: L'Etang de Ville-d'Avray. Corot. Sticker: Frame Shop New London Conn. Housed in a gilt covered wooden frame. Artwork dimensions: 21"L x 13.50"H. Frame size: 24.50"L x 16.50"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: 1904Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
BLADE RUNNER (1982) - Production-Made Medium-Scale Hades Refinery Etched Brass Sheet - A medium-scale Hades refinery etched brass sheet from the production of Ridley Scott's Blade Runner. Model miniatures etched into brass were used to depict the hellish Los Angeles of 2019, including the flaming refineries that dotted its cityscape in the so-called "Hades landscape" sequence.Created by the EEG model shop for the production but ultimately unfinished, this brass sheet features five medium-scale rows of brutalist design etchings in the shapes of towers, tanks, and buildings. The brass is hole-punched in two places and exhibits dents from use and handling. Dimensions: 24" x 12.25" (61 cm x 31.25 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Friday, August 16th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Saturday, August 17th or Sunday, August 18th.
BLADE RUNNER (1982) - Douglas Trumbull Collection: Model Miniature Pyramid Brass Etching Sheets with Photos - Model miniature pyramid brass etching sheets with photos from Ridley Scott's Blade Runner. Model miniatures were created to depict the futuristic cityscape of 2019 Los Angeles, including the outerwall of the Tyrell Corporation pyramid. This lot comes from the collection of special photographic effects artist Douglas Trumbull. This lot consists of one brass sheet with panels that creates the appearance of windows, shafts, and support beams for the elevators; one Blade Runner booklet by Scott Bukatman; a 122-page Blade Runner 2 script dated 1996; three color photographs; one black-and-white photo with a photo negative; six strips of photo negatives; hand-written inscriptions to Douglas Trumbull ; and one paper folder hand-marked "Blade Runner 2." This lot exhibits creasing, fold lines, and discoloration. Dimensions: (largest) 17.25" x 4" x 2.5" (44 cm x 10.25 cm x 6.5 cm)Visual effects pioneer Douglas Trumbull was born in Los Angeles in 1942. After abandoning architecture for technical drawing and cartooning, his talent for photorealism soon earned him work at Graphic Films, an esteemed Hollywood studio for which he designed groundbreaking cosmic effects for the 1964 New York World's Fair. After seeing Trumbull's work, director Stanley Kubrick hired him to create animations and VFX shots - including the iconic Star Gate sequence - for what would become his seminal masterpiece 2001: A Space Odyssey. From that film's success, Trumbull became one of the industry's most trusted photographic effects experts, designing and producing legendary screen moments in such sci-fi landmarks as Close Encounters of the Third Kind, Star Trek: The Motion Picture, and Blade Runner, all three of which earned him Academy Award® nominations. In addition to directing the cult classics Silent Running and Brainstorm, Trumbull later received a Scientific and Engineering Award for his high-speed photography process Showscan in 1993, one of two specialty awards given to him by the Academy of Motion Picture Arts and Sciences before his death in 2022. 60 years since he first made his mark on global cinema, Propstore today celebrates Douglas Trumbull by presenting a selection of rare memorabilia from his personal collection to the public.Estimate: $1,000 - 2,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.
WAJIH NAHLÉ (1932-2017) Fishing boats at anchor, with a cityscape beyond signed lower right, oil on canvas, 85cm x 55cmProvenance: Purchased from the artist's exhibition in Dubai in the 1990s.Note: Wajih Nahlé was a Lebanese post-war and contemporary master painter, calligrapher and sculptor, who was considered a pioneer in his generation.
Reed Kay (American, b. 1925). Oil on canvas painting titled "Gloucester Waterfront, Late Afternoon" depicting a cityscape with the sunset sky warming the scene, 2002. Signed along the lower left. With a label from Alpha Gallery along the verso.Provenance: Alpha Gallery, Boston, Massachusetts; Private Minnesota Collection.Unframed; height: 20 in x width: 24 in. Framed; height: 21 1/2 in x width: 25 1/4 in x depth: 1 1/2 in.Condition: The painting is in good condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the upper center, there is a minute brown accretion. Along the extreme edges, there are paint losses, possibly against the old frame. No visible sign of restoration when inspected under UV light. Very light wear to the frame.
Trevor Grimshaw (British 1947-2001) Cityscape with skyscraper Signed and numbered 23/550 in pencil in the margin, limited edition print.25.5 x 18cm (framed 37.5 x 29.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Trevor Haddrell (British b. 1945) Jacob's Wells Rd / Corn Street Bristol Two linocuts / wood engraving 61cm x 30cm Born in South Yorkshire, Trevor Haddrell trained at Bath Academy of Art. As a Head of Art teacher he taught many aspects of the subject and found a passion for relief painting, from 2000 becoming a professional artist. He was Artist in Residence at the Records Office in Bristol in 2005 and has produced well over 100 different views of Bristol. These are two examples of cityscape wood engravings depicting panoramic Bristol scenes. Both framed and glazed.
TWO LATE 19TH CENTURY DRAWINGS AFTER LANDSEER, the first 'Shoeing the Bay Mare' has an indistinct signature and date 1888, approximate size 35cm x 46cm, the second depicts two dogs resting and is unsigned or dated, both black chalk on paper, together with an unsigned watercolour depicting a lorry stuck in snow circa 1950s, an indistinctly signed London cityscape executed in pastels, prints of dogs etc
This large original oil on canvas is made in an Impressionist style by artist Collins who has used dabs of pure color that flicker on the Corner Flower Shop and throughout the brightly lit evening New York cityscape. Signature on lower left: Collins. Housed in a massive porous stone colored wooden frame. Artwork dimensions: 23"L x 35"H. Frame size: 35.50"L x 37.50"H x 3.50"W. Issued: c. 2000Country of Origin: United StatesCondition: Age related wear.
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1646 item(s)/page