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A Chinese reverse glass painting, late Qing dynasty, of a lady wearing a white-coloured silk robe decorated with sprigs of flowers, reading a book by a desk with pomegranates,49 x 34cm, framed清晚期 镜面仕女图画Condition ReportDid not examine outside of the frame. Frame with chips and splits, tired. Restored in various locations.
A Chinese reverse glass painting, Republic period (1912-1949), of a lady wearing a white robe decorated with endless knots, with a feather fan in her hands,50 x 35cm, framedCondition ReportFrame with chips and losses. Did not examine outside of the frame. Handle missing. Possibly repaired with over paint.
A Chinese reverse glass painting, late Qing dynasty, of a lady wearing a blue-coloured silk robe decorated with endless knots, with her left hand resting on a qin,49.5 x 34.5cm, framed清晚期 镜面仕女图画Condition ReportDid not examine outside of the frame. Some paint losses in various locations.Restoration in various locations.
Type: Chinese Famille Verte Fish Bowl or Jardiniere Dimensions: 20 cm height, 26 cm diameter at the top Design Details: This piece is richly decorated with intricate hand-painted patterns in the Famille Verte style, featuring a phoenix in flight surrounded by lush florals and foliage. The colorful palette includes greens, pinks, yellows, and blues, characteristic of the Famille Verte tradition, which emphasizes detailed enamel painting over a white porcelain base. Symbolism: The phoenix is a symbol of grace, virtue, and renewal in Chinese culture, while the floral motifs add to the sense of prosperity and beauty. Style: Famille Verte porcelain originated during the Qing Dynasty, particularly under the Kangxi reign (1661–1722). The style is recognizable for its green-dominant color palette and detailed narrative or naturalistic imagery. This piece is likely a 20th-century interpretation of this iconic design. Markings: The underside bears red Chinese character markings, possibly indicative of a 20th-century workshop or reproduction inspired by earlier Qing-era designs. This elegant fish bowl or jardiniere, with its vivid colors and cultural symbolism, is ideal for collectors of Oriental porcelain or as a decorative statement piece in both modern and traditional interiors.
THREE 20TH CENTURY FRAMED CHINESE SILK PAINTINGS. The first depicting a figure in a boat on a lake in mountainous landscape, one with a peony and butterfly and another with red flowers and a butterfly, each signed with black character and with red seal mark, the first 30.5cm x 19cm, the floral paintings approx. 18cm x 21cm (3) Overall in good decorative order, some minor creasing to the silk, which is pale brown in tone, very minor discolouration to landscape painting and minor wear overall.
QIAN HUI'AN (1833-1911), QING DYNASTY. Chinese watercolour painting on silk depicting a lady in a winter moonlit garden scene with a willow tree in front of a bamboo framed fence. Signed with inscription to top left. Framed and glazed mounted in silk border. Artwork 43cm x 31.5cm. Total frame size 59.5cm x 47.5cmProvenance: From a private local Bath collection Artwork in good overall condition with no major signs of damage. Exterior paper backing to frame torn.
A CHINESE POTTERY FIGURE OF A HORSE AND AN ARCHER HAN DYNASTY With report on thermoluminescence analysis 29cm high TOGETHER WITH three pottery models of horses heads, 13.5cm high and smaller, all with some later painting (4) Condition Report: Please note the below condition report is the only one available. Marks, knocks, scratches, abrasions commensurate with age and use. Distressed surface appearance. The horse with repairs notably to the legs.The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly.Condition Report Disclaimer
ART REFERENCE. – J. HACKIN and Osvald SIREN and Langdon WARNER and Paul PELLIOT. Studies in Chinese Art and Some Indian Influences. London: The India Society, 1938. 8vo (281 x 216mm.) Photographic illustrations. (Marginal spotting.) Original cloth-backed boards, dust-jacket (small tears, finger-marked). – And a further five volumes published by The India Society (including St. Kramrisch’s ‘A Survey of Painting in the Deccan’, 1937, 8vo, and Ram Chandra Kak’s ‘Ancient Monuments of Kashmir’, 1933, 8vo, and J.V.S. Wilkinson’s ‘The Shah-Namah of Firdausi’, 1931, 8vo) (6).
Chinese watercolour painting, of a finch perched on a blossoming branch with peonies and other wild flowers, in a 19thC French rosewood frame, 32cm x 25cm, frame size 42cm x 35cm. Condition - Generally good condition with some minor wear to the watercolour (no staining) and a age related wear to the frame.
Antique Tibetan thangka wall scroll. Hand painted deity figures and gardens on cotton. Borders are brocade with a dragon panel possibly Chinese. Loose weave hessian backing.Additional photographs have been taken.There is some surface damage to the painting. Thee are some patchwork to the borders and backing fabric.
A Qing dynasty Chinese painting on rice paper of a procession featuring a dignitary being carried in a sedan chair followed by figures carrying Chinese lanterns, 19cm x 31cm, (similar example at the Royal Place Madrid), housed in Chinese ornately carved and pierced contemporary frame, 59cm x 70cmCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. All payments MUST be electronic
CHEN FANGZHI (CHINESE, 1946-2006) - 'OCEAN SCENE' Oil on canvas laid on board, signed and dated '1999' lower left 68 x 52cm Condition: Condition Report There is a spot of painting which has flaked away at the lower right hand side. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LARGE CHINESE ANCESTOR PAINTING ON SILK 19th century., an aristocratic lady seated wearing a crown and red robe with crane rank badge, an elaborate rug, and beside her a female attendant and a table with precious objects 153 x 97cm Condition: Condition Report Signs of wear commensurate with age, the painting and frame both exhibit minor fading and colour losses as well as minor mould spotting. Refer to additional images This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A Chinese porcelain ginger jar with lid, ovoid shaped with picturesque painting figural scenes on white cartouche panels to front and back on a coral ground with fine line gilt decoration, 32cm, circa 1920. Condition Report: small areas of worn paint to lid and some areas of scratching, hairline crack to side of body and few areas of pitting to base.
A CHINESE INSIDE PAINTED CRYSTAL SNUFF BOTTLE SIGNED BY WANG XISAN dated 1974, decorated with children playing in a snowy landscape, some throwing snowballs, others with a sled, 7cm high overallProvenance: Sotheby's, Important Chinese Snuff Bottles, 6th June 1988, Lot 326.The Dick Hardy Collection.Note: Born in 1938, Wang Xisan (Wang Ruicheng) was the star pupil of Ye Bengqi, the son of Ye Zhongsan, the artist who revitalized the Beijing school of painting in the late 1950s. For a discussion on the artist Wang Xisan see Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, the Mary and George Bloch Collection, Volume 6, Part 1, Hong Kong, 2008, pp. 273-275. The author's note, “As an artistic genius, Wang rapidly became one of the finest of all enamellers, both artistically and technically, that China has ever produced.” The artist paints glass snuff bottles and interior-painted snuff bottles, showing great artistry in both.
A CHINESE AGATE INSIDE PAINTED SNUFF BOTTLE SIGNED BY WANG XISAN dated 1978, the front decorated with a lion prowling beside a waterfall, the reverse a tiger in a mountainous landscape, 7cm high overallProvenance: Sotheby's, Fine Chinese Snuff Bottles, 23rd March 1988, Lot 207.Ex. Eric Young collection.The Dick Hardy Collection.Note: Born in 1938, Wang Xisan (Wang Ruicheng) was the star pupil of Ye Bengqi, the son of Ye Zhongsan, the artist who revitalized the Beijing school of painting in the late 1950s. For a discussion on the artist Wang Xisan see Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, the Mary and George Bloch Collection, Volume 6, Part 1, Hong Kong, 2008, pp. 273-275. The author's note, “As an artistic genius, Wang rapidly became one of the finest of all enamellers, both artistically and technically, that China has ever produced.” The artist paints glass snuff bottles and interior-painted snuff bottles, showing great artistry in both.
A 19th century boys own pull out 'Three-Fold Screen for Home Painting, (1891) of exotic birds together with Indian hand-painted fabric image of elephants a Chinese hand-painted picture of bird on branch together with three hand tinted prints of birds, together with a series of prints of dogs, cattle and horses. (Qty)
A Republic period Chinese ancestral painting on silk. The painting depicting a man dressed in Qing dynasty court robe and a hat with jewels on top, seated on a chair with a tiger's skin throw. Four panel screens decorated with vases and flowers in the background. The painting framed & glazed.Measures approx. 63cm x 99cm, 130cm x 85cm to include frame.
Seven 19th Century Chinese Gouache Paintings on Pith Paper, Framed, together with a Chinese Scroll Painting (8)In regards to the pictures: Dust and debris, foxing and discolouration, sporadic marks, cockling, creases and tears to paper (please see photos)Size for each picture including frame is 32.5cm by 24.5cm
A Chinese ebonized softwood framed four-fold screen, early 20th century, each inset with a watercolour painting on silk depicting boys at play, height 84.5cm, total length 147cm, together with a Chinese watercolour on silk depicting figures in landscape beneath three lines of black text and red seal, 101.5cm x 31cm, framed.
A Chinese watercolour on silk, early 20th century, painted with a sage and attendant upon a gnarled wood raft beneath branches and rock face, line of black text and two red seals to right margin, 87cm x 36.5cm, framed and glazed, together with a Chinese painting depicting Guanyin with attendants beneath three red seals, 93.5cm x 40cm, framed and glazed.
A Chinese watercolour painting on paper fan panel, early 20th century, painted with two figures in a boat beside pine tree and waterfall, lines of black text and five red seals to left corner, length 50cm, framed and glazed, together with a set of three other Chinese watercolours depicting insects, branches and rocks, 28cm x 22cm, framed and glazed.
FOUR CHINESE EXPORT PAINTINGS (5)19th century Watercolour and bodycolour on paper, including gathering mulberry leaves, pounding tea and two other figurative scenes, images 25cm by 34.5cm, mounted, framed and glazed. Inscription in black ink to the reverse of one painting, `Purchased 1984 from S.Marchant & Son; also a Chinese rice paper painting of fish, 17cm by 30cm, mounted framed and glazedThe painting with gathering of mulberry leaves has some wrinkles to the paper. Otherwise in overall good condition with very minor markings to the paper
A CHINESE HANGING SCROLL PAINTING (4)Ink and colour on paper Painted with an extensive mountainous landscape with bamboo, signed, 78cm by 36cm; also a scroll painting on cloth of a man on a boat in river landscape, 63cm by 22cm, and two Japanese woodblock prints after Utamaro and HokusaiHanging scroll painting on paper- some staining and markings to the paper.Scroll painting on cloth- some discolouration to the cloth. Torn through between top of painting and the border, so in two pieces.Japanese prints- both discoloured
A SET OF TWELVE CHINESE EROTIC SUBJECT PAINTINGS (13)19th century Ink and colour on paper, depicting amorous couples in interiors and gardens, images 19.6cm by 16.5cm, mounted, framed and glazed; and another Chinese erotic painting on silk depicting a couple in a bed, 22cm by 15.5cm, mounted, framed and glazedProvenanceChristie's London, 19 June 2003, lot 326Condition reportOverall in good condition with some minor markings and creases to the paper. Some losses to the red paint on the frames
Chinese School (late 19th/early 20th Century), Ornamental fishes, rice paper painting, within a simulated bamboo frame, 7cm x 30cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
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9377 item(s)/page