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Lot 35

§ Charles Vyse (1882-1971), The Falconer, a white glazed earthenware model of a youth on horseback and falcon on his shoulder, mounted to ebonised plinth base, incised signature and 1927 date to rear34.5 x 23 x 12cm exclusive of baseNot removed from plinth. In seemingly good condition, noting some all over fine crazing, heavier in places. No apparent damages or repairs, examined under UV light. Would benefit from a good clean. The spot on the rider's knee cleans off.

Lot 36

§ Charles Vyse (1882-1971), Leap Frog, a polychrome glazed earthenware Chelsea pottery figure group, modelled as a young boy leapfrogging over a Satyr, mounted to ebonised plinth base19cm high exclusive of baseA small number of minor chips and losses to hair of top figure, satyr's tail and base. Not removed from base and thus not examined from the underside.

Lot 34

§ Charles Vyse (1882-1971), The Daffodil Seller, 1924, a polychrome glazed earthenware Chelsea figure, the female figure modelled standing and holding a bunch of yellow daffodils, a basket of yellow and whites beside her along with some tulips, raised on integral plinth base, painted marks to underside25cm highA number of small chips and losses to flower heads in both the bouquet in her hand and the bunches in the basket. A hairline crack running approximately 2cm through the undersid eof the base, up the plinth edge and in to the back of the basket (not visible in basket). Some all over fine crazing.

Lot 33

§ Charles Vyse (1882-1971), Seated Cat, 1932, the stoneware model with figured tenmoku and iron oxide glaze, painted marks to underside21cm highSmall chips to tips of both ears and a hairline firing crack to base (approx 1.5cm)

Lot 600

An early 20th century art pottery figure, in the Charles Vyse/Chelsea pottery manner. Modelled as a young girl astride a giant tortoise, height 10cm, together with a pottery baby in a crib, one rocker inscribed Howard, length 11cm (2).Girl and tortoise figure with small fritting and chip to base, the infant in a cradle with chips and glue repairs to extremities, images of affected areas online.

Lot 435

Charles Vyse pottery figure, 'Market Day Boulougne- Vegetables" incised C.Vyse Chelsea to the side, height 9ins

Lot 1088

[WATERLOO BATTLE OF]: [HALKETT HUGH]: (1783-1863) British General who served in the Napoleonic Wars and fought at the Battle of Waterloo, commanding four battalions of Hanoverian militia. Halkett is remembered for having captured General Cambronne at Waterloo. An excellent, lengthy A.L.S., J Halkett, by Colonel James Halkett, son of Hugh Halkett, twenty-eight pages (comprising seven bifolia), 8vo, Farrance´s Hotel, near Eaton Square (London), 29th October 1862, to William Maynard Gomm (´My dear Sir William´). James Halkett states that his father is no longer able to read or write and that he is therefore replying on his behalf ´as I got him to tell me the story of his life the winter I spent in Hanover, & I then wrote down what he told me & can therefore repeat the story you ask about almost word for word as he gave it to me´, continuing to provide Gomm with ´a short sketch of my father´s proceedings & share in the glorious 18th June´ (the Battle of Waterloo), writing, in part, ´His brigade, composed of Hanoverian Landwehr, all untried troops, but partly officered & non-commissioned officered by the old King´s German Legion, formed part of General Clinton´s Division. After marching all night the bivouacked on the field of Waterloo. The Division.....was soon brought into the alignment with its right resting on Hougoumont. Whilst effecting this change the French cavalry attacked my father´s Brigade but they drew off on his forming en masse. At the time his first horse was killed, having both his hind legs shot away, the ball afterwards mowing down 8 men. His A.D.C. immediately dismounted & was shifting my father´s saddle on his horse when a shell fell near, wounded the man holding the horse & the horse scampered away. Colonel Dickson.....then caught a splendid English horse with new equipment & brought it to my father. At between 3 & 4 o/c in the afternoon General Clinton sent for my father & gave him the Duke´s orders to take whatever troops he liked & defend the garden & enclosures of Hougoumont......He immediately ordered the Salzgitter Battalion to attack the French who were in the wood, the Battalion did so, behaved very well, drove them out, & at the same time the skirmishers of the Brigade, who were excellent marksmen, formed together &.......drove back, with much spirit, the French skirmishers from the different enclosures, & my father then reported the place as secured. When, after 6 o´clock, the Duke gave orders for a general move in advance, my father placed himself at the head of the Osnabruck Battalion........He sent his Brigade Major to bring up the Battalion.....but the order was never received for Capt. Saffe was killed whilst carrying the order......Soon after the advance he fell in with old Garde Imperiale &......after driving them back he discovered the enemy´s artillery coming up out of a hollow way on his left, he ordered the skirmishers, supported by a company, to attack them.......About this time General Chasse (who afterwards defended Antwerp) galloped up to the front to see how matters were going on, & was full of admiration at the conduct of the troops.......Shortly after this an officer of the Duke´s staff galloped up & called out: "well done, Colonel Halkett, by God this is splendid". After a short pause he again advanced & under the heavy fire of the enemy´s artillery which had driven up on the left of the Imperial Guard, he attacked & took the guns.......Whilst following the French guards he saw their General, accompanied by two officers, come to the front to try & bring them to a stand. My father immediately threw forward his skirmishers & dashing full gallop at the General threatened to cut him down. He surrendered & declared himself to be General Cambronne......On leading his prisoner back, his horse, already wounded, received another shot & fell. With much difficulty he succeeded in getting him on his legs again when he discovered General Cambronne running back to the French Guards, he followed & caught him again, & seizing him by the aiguilette brought him back a prisoner & gave him over to a Sergeant......with orders to conduit him to the Duke of Wellington......Shortly after he had taken General Cambronne his horse was again hit & had his fore legs shot off.......He was soon remounted on a French Artillery horse which his men caught, but shortly after this third horse was shot under him. His men then shot a Frenchman who was mounted on a fine English, grey, Hussar horse, & brought him to my father who got a wet seat in the sheep´s skin which was satturated (sic) with the poor Frenchman´s blood.......After the French Guard had gone back, an officer belonging to them & who had been taken Prisoner, informed my father that Napoleon was amongst a large group of French officers & some French Cavalry who were hovering about his Brigade. He advanced his sharpshooters & these throwing some shot amongst them made them retire a short distance......My father then advanced on to the high road to Genappe & there fell in with the advanced Corps of the Prussians & shook hands with General Muffling. Not seeing any red coats near him, he halted & remained for the night in some straggling houses.....When returning next morning to re-join his Division he passed the guns which had been thrown into confusion.........With regard to Cambronne´s "mot sublime" the only one my father heard was the one giving my father to understand that he surrendered, & it was pronounced in very good French! If anything ever was said about the Guard dieing etc., it certainly was at a later hour when Cambronne was safely lodged in our lines. My father was thrown together with the Comte d´Artois in Heligoland & when in Paris went to call on him. The future Charles X....did not think his countrymen fought well at Waterloo´. Halkett concludes his letter by writing of more social matters, but also makes a reference to the 50th Anniversary of the Battle of Venta del Pozo which had been fought on 23rd October 1812 during the Peninsular War. A letter of wonderful content for its account of General Halkett´s involvement in the Battle of Waterloo, and not least in connection with the often disputed circumstances of the surrender of Cambronne to the British. Together with a slim oblong 12mo envelope wrapper annotated to the front panel in the hand of one of William Maynard Gomm´s relatives, ´Grass taken from the field of Waterloo, when I went over it with Uncle Gomm, Aunt Har[riet] & Miss Howard Vyse, July 23rd 1868´. With three small black seals to the verso, two of which remain intact. The contents of the envelope have not been examined, although dried grass can be seen through an opening at one end where the third seal is broken. Also including two other miscellaneous manuscript documents, one being a Report upon the proposed Sale of Land by Sir William Gomm to the Parish of Rotherhithe (1850) and the other an extracted copy of the last Will and Testament of Major General William Henry Cornwall (1799-1855) of Cadogan Place, Chelsea. Some light age wear and minor creasing, and Halkett´s letter with small spindle holes to the upper left corner of each page. G to generally VG, 4OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE FULL DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED. PLEASE CONTACT IAA EUROPE FOR FURTHER DETAILS.   

Lot 134

Painted figure of a young man with a bouquet of flowers, and a young woman holding a child and cloth pegs. 1926 Charles Vyse marked. Issued: c. 1926Dimensions: 8.25"L x 4.75"W x 10.25"HManufacturer: Charles VyseCountry of Origin: EnglandCondition: Age related wear.

Lot 135

Highly detailed glaze earthenware figure modeled as a young boy and mother at the fair. This piece is also known as Jacky and Mother. C. Vyse Chelsea impressed to lower right side of base. Issued: 1933Dimensions: 5.25"L x 3.75"W x 10"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.

Lot 132

Glaze finish earthenware allegorical group modeled as a dark-haired elfin boy, leaping over the shoulders of a crouching satyr holding a lamb. Piece attached to a wooden base. Hand painted Charles Vyse Chelsea marked to the side. Issued: 1927Dimensions: 8"L x 5.25"W x 13.5"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear. As is. Figure loose on base. Minor chipped flowers.

Lot 136

Modelled as a lady selling ribbons in the street. Attached to a wooden base. Artist: Charles VyseIssued: 1925Dimensions: 11.5" HCountry of Origin: EnglandCondition: Age related wear.

Lot 133

Rare glaze finish earthenware figure modeled as a flower girl seated, wearing a plaid shawl selling colorful flowers. C. Vyse Chelsea impressed to right side of base. Issued: 1928Dimensions: 5.5"L x 3.75"W x 8.5"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandProvenance: Collection of Edward Flower Condition: Age related wear.

Lot 141

Several Letters written by a Noble Lord to a young man at the University. 1732. Disbound, 32pp. Bound with A letter concerning the Art, or Science of Design written from Italy. On the occasion of the Judgment of Hercules. Undated [but early 18th], pagination; 395-410. With A Sermon preached before the Incorporated Society for the Propagation of the Gospel in Foreign Parts; at their Anniversary Meeting in the Parish Church of St Mary-Le-bow Friday 1791. London. S Brooke. Marbled paper wraps. Small 4to, 70pp. With one other, The Tutors Guide, being a complete system of Arithmetic. Charles Vyse. 1799. London S Hamilton.,modern Buckram, occasional woodcuts to text. Some page repairs., [3]

Lot 12

Staffordshire earthenware figure, S K Cope, Burslem, in the style of Charles Vyse, modelled as a World's End street vendor, 26cm.Catalogue amendment: this figure is not restored - please see condition notes Condition report:The figure is not restored, it was just incredibly dirty. A gentle wash and there just appears to be some very minor chips to the rim of the hat, some of the brush heads in the figure's left arm, and some very shallow chips around the base line. The hands retain a bit of discolouration which isn't washing off as easily, and in the nooks and crannys there remains some surface dirt/ discolouration which may be ingrained. FIne crazing to the glaze throughout. The plinth is incised No. 1, S K Cope, dated 1928, and then there is the incised signature mark to the underside.

Lot 134

Charles Vyse (1882-1971) for Chelsea Pottery - The Piccadilly Rose Woman - An early 20th century 1922 hand painted fine bone china figurine of woman with flowers. Polychrome flowers, lady dressed in striped shirt with purple cloak. Stamped in blue to base. Stress firing crack to base, some damage to some flowers. Measures approx. 22cm x 20cm x 15cm.

Lot 505

Charles Vyse for Chelsea Pottery, Bacchus on a Goat, 1921, modelled as a Classical boy on a leaping mountain goat, encrusted with grapes, the base painted as a flower meadow, painted marks, 28.5cm high

Lot 463

Glazed finish modeled as a street vendor selling ribbons. Marked Charles Vyse Chelsea 1925 to bottom. Issued: 1925Dimensions: 5.25â€L x 4.25â€W x 11â€HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.

Lot 462

Earthenware figure modeled as an elderly lady wearing a lavender shawl with a green umbrella in her hand. Marked Charles Vyse Chelsea 1926 to bottom. Issued: 1924Dimensions: 5â€L x 3.5â€W x 9â€HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.

Lot 91

† CHARLES VYSE (1882-1971); a stoneware lotus bowl covered in grey glaze with pink blushes, incised signature, diameter 11cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 790

Charles Vyse Chelsea pottery figure the Daffodil Woman, dated 1923 on wooden base. Height 28cm including base.

Lot 112

Young glossy figural in bed clothes. Royal Doulton backstamp. Artist: Charles VyseIssued: 1944 - 1997Dimensions: 2"L x 2"W x 5.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 1546

[WATERLOO BATTLE OF]: [HALKETT HUGH]: (1783-1863) British General who served in the Napoleonic Wars and fought at the Battle of Waterloo, commanding four battalions of Hanoverian militia. Halkett is remembered for having captured General Cambronne at Waterloo. An excellent, lengthy A.L.S., J Halkett, by Colonel James Halkett, son of Hugh Halkett, twenty-eight pages (comprising seven bifolia), 8vo, Farrance´s Hotel, near Eaton Square (London), 29th October 1862, to William Maynard Gomm (´My dear Sir William´). James Halkett states that his father is no longer able to read or write and that he is therefore replying on his behalf ´as I got him to tell me the story of his life the winter I spent in Hanover, & I then wrote down what he told me & can therefore repeat the story you ask about almost word for word as he gave it to me´, continuing to provide Gomm with ´a short sketch of my father´s proceedings & share in the glorious 18th June´ (the Battle of Waterloo), writing, in part, ´His brigade, composed of Hanoverian Landwehr, all untried troops, but partly officered & non-commissioned officered by the old King´s German Legion, formed part of General Clinton´s Division. After marching all night the bivouacked on the field of Waterloo. The Division.....was soon brought into the alignment with its right resting on Hougoumont. Whilst effecting this change the French cavalry attacked my father´s Brigade but they drew off on his forming en masse. At the time his first horse was killed, having both his hind legs shot away, the ball afterwards mowing down 8 men. His A.D.C. immediately dismounted & was shifting my father´s saddle on his horse when a shell fell near, wounded the man holding the horse & the horse scampered away. Colonel Dickson.....then caught a splendid English horse with new equipment & brought it to my father. At between 3 & 4 o/c in the afternoon General Clinton sent for my father & gave him the Duke´s orders to take whatever troops he liked & defend the garden & enclosures of Hougoumont......He immediately ordered the Salzgitter Battalion to attack the French who were in the wood, the Battalion did so, behaved very well, drove them out, & at the same time the skirmishers of the Brigade, who were excellent marksmen, formed together &.......drove back, with much spirit, the French skirmishers from the different enclosures, & my father then reported the place as secured. When, after 6 o´clock, the Duke gave orders for a general move in advance, my father placed himself at the head of the Osnabruck Battalion........He sent his Brigade Major to bring up the Battalion.....but the order was never received for Capt. Saffe was killed whilst carrying the order......Soon after the advance he fell in with old Garde Imperiale &......after driving them back he discovered the enemy´s artillery coming up out of a hollow way on his left, he ordered the skirmishers, supported by a company, to attack them.......About this time General Chasse (who afterwards defended Antwerp) galloped up to the front to see how matters were going on, & was full of admiration at the conduct of the troops.......Shortly after this an officer of the Duke´s staff galloped up & called out: "well done, Colonel Halkett, by God this is splendid". After a short pause he again advanced & under the heavy fire of the enemy´s artillery which had driven up on the left of the Imperial Guard, he attacked & took the guns.......Whilst following the French guards he saw their General, accompanied by two officers, come to the front to try & bring them to a stand. My father immediately threw forward his skirmishers & dashing full gallop at the General threatened to cut him down. He surrendered & declared himself to be General Cambronne......On leading his prisoner back, his horse, already wounded, received another shot & fell. With much difficulty he succeeded in getting him on his legs again when he discovered General Cambronne running back to the French Guards, he followed & caught him again, & seizing him by the aiguilette brought him back a prisoner & gave him over to a Sergeant......with orders to conduit him to the Duke of Wellington......Shortly after he had taken General Cambronne his horse was again hit & had his fore legs shot off.......He was soon remounted on a French Artillery horse which his men caught, but shortly after this third horse was shot under him. His men then shot a Frenchman who was mounted on a fine English, grey, Hussar horse, & brought him to my father who got a wet seat in the sheep´s skin which was satturated (sic) with the poor Frenchman´s blood.......After the French Guard had gone back, an officer belonging to them & who had been taken Prisoner, informed my father that Napoleon was amongst a large group of French officers & some French Cavalry who were hovering about his Brigade. He advanced his sharpshooters & these throwing some shot amongst them made them retire a short distance......My father then advanced on to the high road to Genappe & there fell in with the advanced Corps of the Prussians & shook hands with General Muffling. Not seeing any red coats near him, he halted & remained for the night in some straggling houses.....When returning next morning to re-join his Division he passed the guns which had been thrown into confusion......The Brigade when marching to Nivelle that morning was met by Lord Hill who highly complimented my father on its behaviour & marched at its head......When my father mentioned the gallant behaviour of the Brigade to Sir Henry Clinton, the General asked why this had not been mentioned the night before in order that he might have reported it to the Duke.....With regard to Cambronne´s "mot sublime" the only one my father heard was the one giving my father to understand that he surrendered, & it was pronounced in very good French! If anything ever was said about the Guard dieing etc., it certainly was at a later hour when Cambronne was safely lodged in our lines. My father was thrown together with the Comte d´Artois in Heligoland & when in Paris went to call on him. The future Charles X....did not think his countrymen fought well at Waterloo´. Halkett concludes his letter by writing of more social matters, but also makes a reference to the 50th Anniversary of the Battle of Venta del Pozo which had been fought on 23rd October 1812 during the Peninsular War. A letter of wonderful content for its account of General Halkett´s involvement in the Battle of Waterloo, and not least in connection with the often disputed circumstances of the surrender of Cambronne to the British. Together with a slim oblong 12mo envelope wrapper annotated to the front panel in the hand of one of William Maynard Gomm´s relatives, ´Grass taken from the field of Waterloo, when I went over it with Uncle Gomm, Aunt Har[riet] & Miss Howard Vyse, July 23rd 1868´. With three small black seals to the verso, two of which remain intact. The contents of the envelope have not been examined, although dried grass can be seen through an opening at one end where the third seal is broken. Also including two other miscellaneous manuscript documents, one being a Report upon the proposed Sale of Land by Sir William Gomm to the Parish of Rotherhithe (1850). G to generally VG, 4OWING TO LIMITATIONS IMPOSED BY THE SALEROOM, THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT DE DISPLAYED. PLEASE REFER TO IAA EUROPE DIRECTLY FOR FURTHER INFORMATION.  

Lot 1489

A Charles Vyse glazed model the balloon lady, dated 1921, 22cm high (a.f.) Some re-painting to two of the balloons she holds; very small chip to the index finger of her right hand; chip to the bottom edge of the footrim; two firther shallow chips to the underside of footrim; acceptable crazing to her apron.

Lot 375

Charles Vyse for Royal Doulton, 'Darling', figure HN1, circa 1913-28, hand painted marks, approx 19.5cm high.

Lot 268

Stunning glazed earthenware figure modeled as a man in highly detailed exotic attire, standing with a suitcase. This piece is also known as The Pedestrian Bazaar.C. Vyse impressed to back of base. Issued: 1938Dimensions: 4.25"L x 3.5"W x 11.75"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandAge related wear.

Lot 269

Painted figure of a young man with a bouquet of flowers, and a young woman holding a child and cloth pegs. Charles Vyse marked. Issued: c. 1924Dimensions: 8"L x 5"W x 10.5"HManufacturer: Charles VyseCountry of Origin: EnglandAs found. Cracks on the base.

Lot 21

A CHARLES VYSE STONEWARE VASE DATED 1928 The slightly ribbed tapering ovoid body with mushroom glaze pooling to black and copper at the rim, the foot unglazed and with incised mark '19CV28' 12.5cm high TOGETHER WITH ANOTHER ART POTTERY STONEWARE VASE, WITH COPPER-RED GLAZE unmarked , 15cm high (2)Provenance: By descent to the present owner Collection of Lieutenant Colonel Kenneth Dingwall DSO (1869-1946) Condition Report: the Charles Vyse with an attractive glaze and in good conditionthe other vase with good lacquer repair to foot rim approximately 3.5cm long x 1cm high and some pitting and crazing to glaze Condition Report Disclaimer

Lot 16

Rare highly detailed earthenware figure modeled as a circus performer seated upon her dappled grey horse and a colorfully costumed clown standing beside them on a canted rectangular base.Mounted on a wooden base. C. Vyse Chelsea impressed to right side of base. Condition: Issued: 1933Dimensions: 9.5"L x 5"W x 11.5"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.

Lot 260

Named by Queen Mary herself during her visit to the Royal Doulton factory, this glazed, hand-painted figurine portrays a young boy in a white gown, elegantly presented on a black square base. Royal Doulton backstamp. Artist: Charles VyseIssued: 1944-1997Dimensions: 2.25"L x 2"W x 5.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 445

Artist: Charles VyseIssued: 1944 - 1997Dimensions: 5.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 260

White coloration. Royal Doulton backstamp. Artist: Charles VyseIssued: 1944 - 1997Dimensions: 5.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 161

Charles Vyse (1882 - 1971) - a Chelsea pottery stoneware circular bowl, of Sung inspiration, decorated in tones of brown with a butterfly and a bird on a blossoming prunus branch, 15cm diam, incised mark

Lot 49

Charles Vyse (1882-1971): "The Cinneraria Boy" A Chelsea Pottery Figure, introduced in 1923, modelled as a boy wearing herringbone trousers and check jacket and holding a wrapped bunch of cineraria, raised on a plinth, incised C.VYSE CHELSEA,29.5cm high on an ebonised baseCrazed. Damage to the flowers. See extra images.

Lot 50

Charles Vyse (1882-1971): "Market-day Boulogne - Vegetables" A Chelsea Pottery Figure, introduced in 1930, modelled as a seated female, wearing an orange and white headscarf, pattern dress and white apron, holding a cauliflower, with two baskets of vegetables, raised on a plinth, incised C.VYSE CHELSEA, labelled F.A.S (Fine Art Society) Boulogne Market, Vegetables C.Vyse 8, 24cm high on an ebonised baseCrazed. Tiny nicks to the vegetables. Dirty and dusty.

Lot 51

Charles Vyse (1882-1971): "Chrysanthemums" A Chelsea Pottery Figure, introduced in 1926, modelled as a standing female, holding a bunch of chrysanthemums in her right hand and a basket on her left arm, wearing a purple coat and white apron, raised on a plinth, incised C.VYSE CHELSEA,29cm high on an ebonised baseDamage to right hand glued. Crazed. Re-painted white apron. Tiny nicks to the flowers. See extra images.

Lot 46

Automobile related books, comprising Rasmussen (Henry) Aston Martin The Post War Road Cars, Lagonda Gold Portfolio 1919-1964, Monk (Richard) The MG Collection, Davy (Arnold) Lagonda Two Three and Three and a Half Litre in Detail, Osprey MG by Macombe, Thorely (Nigel) Original Jaguar Mark 1/Mark 2, Thorley (Nigel) Jaguar Mark 1 and 2 The Complete Companion, Vyse (Charles) Derby Bentley, Conway (HG) Bugatti Le Pur-Sang des Automobiles, Fourth Edition Haynes Manual, Styles (David) Alfa Romeo The Legend Arrived, Barker (JRW) ERA A Concise History, Rolls Royce, and others. (1 box)

Lot 408

Hand decorated modeled as a flower selling woman wearing a tan print shawl, holding a box of violets and yellow flowers. Hand painted Charles Vyse Chelsea marked to underside. Artist: Charles VyseIssued: 1925Dimensions: 5.5"L x 4.5"W x 10.5"HManufacturer: Charles VyseCountry of Origin: EnglandCondition: Age related wear. Restored.

Lot 406

Glazed earthenware figure modeled as a woman wearing a floral decorated dress and green coat, carry a child.Hand painted Charles Vyse Chelsea mark to underside. Issued: 1921Dimensions: 3.5"L x 3.25"W x 9.5"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.

Lot 404

Light ash glaze finish earthenware modeled as a nude child riding a toad that is resting atop of a cluster of large mushrooms. Incised Vyse Chelsea. Issued: 1936Dimensions: 4.5"L x 6.5"W x 11"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.

Lot 407

Modeled as a street vender selling balloons, wearing a multicolored strip dress with blue shawl. Marked Charles Vyse Chelsea 1920 to bottom. Issued: 1921Dimensions: 5.25"L x 3.25"W x 8.75"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear. Minor hairline crack on purple balloon.

Lot 405

Modeled as a standing clown with orange spiked hair holding a balloon. Attached to a black wooden base. Incised C. Vyse Chelsea to side. Issued: 1931Dimensions: 5.5"L x 5"W x 12.5"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear.

Lot 665

CHARLES VYSE (1882-1971), THREE SHALLOW BOWLS GLAZED IN THE HENAN TASTE, TWO WITH TREACLE LEAVES IN RESIST AGAINST A SOUFFLE GROUND, THE LARGEST. Dia. 16cms.

Lot 111

Child Study series, modeled as a young child in white pajamas. Royal Doulton backstamp. Artist: Charles VyseIssued: 1944-1997Dimensions: 2"L x 2"W x 5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 255

CHARLES VYSE (BRITISH, 1882-1971)Bowl, circa 1940Stoneware, blue and purple lustre 'Chun type' glaze, Chinese Junyao bubble form. 9.3 cm high, 17.5 cm diameterIncised C VYSE CHELSEA.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 254

CHARLES VYSE (BRITISH, 1882-1971)Bowl, circa 1940Stoneware, matt red-brown glaze with yellow-green hues, Chinese Junyao bubble form.10 cm high, 16 cm diameterIncised C VYSE CHELSEA.Footnotes:ProvenanceBonhams, 27 February 1989, lot 47This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 253

CHARLES VYSE (BRITISH, 1882-1971)Vase, 1931Stoneware, cream glaze with iron painted leaf motif.13.5 cm high, 14 cm diameter Incised CV and dated 1931.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 888

Charles Vyse (1882-1972)a stoneware footed vase, dated 1938, ovoid form, covered in a running Chun glaze,incised Vyse 193815.5cm. high

Lot 882

Charles Vyse (1882-1971)a stoneware bottle vase, dated 1935, shouldered form with tapering cylindrical neck,incised Vyse 193531.5cm. high

Lot 885

Charles Vyse (1882-1971)an early stoneware vase dated 1926, ovoid with collar rim, covered in a mottled blue, cream and sky blue glaze,incised CV 1926,

Lot 886

Charles Vyse (1882-1971)a stoneware vase dated 1939, shouldered form, painted with bands of flowers,incised Vyse 1939, 26.5cm. high

Lot 891

Charles Vyse (1882-1971)a stoneware Lotus bowl, dated 1935,covered in a tenmoku glaze,painted Vyse 1935 to base,25cm. wide, 13.5cmn. high ProvenancePrivate collection. LiteratureCharles Vyse, FAS/Richard Dennis, page 54 catalogue number 124 this Lotus bowl illustrated.Terence Cartlidge, Charles & Nell Vyse, Richard Dennis/Ed Pascoe, Page 55 this bowl illustrated.

Lot 883

Charles Vyse (1882-1971)a stoneware mug dated 1935, inscribed THE GOING'S GOOD in iron with blue chevronincised Vyse 193513.5cm. high

Lot 884

Charles Vyse (1882-1971)a small stoneware vase, dated 1934, swollen, fluted body covered in a tenmoku glazeincised Vyse 34 to base10cm. high

Lot 890

Charles Vyse (1882-1971)a stoneware vase, dated 1936, ovoid with inverted rim, painted with simple heart motif in iron on a tenmoku ground,incised Vyse 193618.5cm. high LiteratureCharles Vyse, FAS/Richard Dennis, page 46 catalogue number 84 for a comparable vase illustrated.

Lot 1204

Charles Vyse studio pottery vase, together with a Charles Vyse bowl and two other studio pottery bowl, all signed or monogrammed (4)All in good condition

Lot 39

Charles Vyse (1882 - 1971) - a Chelsea pottery stoneware circular bowl, modelled and glazed after Chinese Jun ware, 13.5cm diam, incised mark

Lot 38

Charles Vyse (1882 - 1971) - a Chelsea pottery stoneware circular bowl, incised with lotus and glazed after a Chinese celadon, 17.5cm diam, incised mark

Lot 29

Charles Vyse (1882-1971) a stoneware footed bowl, tenmoku glazed with wax resist butterfly decoration, incised signature and Chelsea to base, circa 1920s, diameter 14.5cmGood condition, no chips, cracks or restoration

Lot 256

Charles Vyse (1882-1971) - a Chelsea Pottery figure, 'The Lavender Girl', the hexagonal plinth underside inscribed with monograms CV, Chelsea and dated 1921, 22.5cm high

Lot 262

Charles Vyse (1882-1971) - a Chelsea Pottery group, 'The Madonna of World's End Passage', the underside inscribed with monograms CV, Chelsea and dated 1923, 25cm high

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