AN EDME SAMSON WHITE PORCELAIN MODEL OF AN ELEPHANT IN THE CHANTILLY STYLE, LATE 19TH CENTURY Modelled standing with trunk raised, wearing a saddle cloth decorated in the kakiemon manner, iron- red hunting horn mark to underside 32cm highProvenance: Japanese Works of Art sale, Christie's, March 1990, Lot 120(This lot is offered without reserve)Please note: the description of this lot has been updated to read 'LATE 19TH CENTURY' and not as previously catalogued. Condition Report: Trunk off, glued and with discoloured spray. See additional images available upon request.Condition Report Disclaimer
We found 324 price guide item(s) matching your search
There are 324 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
324 item(s)/page
A pair of gilt-brass mounted Continental porcelain Kakiemon bottle-flasks and covers, 19th century, pseudo red hunting horn marks for Chantilly, probably Samson, each painted with the ‘flying squirrel’ pattern, with a yellow squirrel eating berries above bound bullrush fences issuing meandering branches and flowers, on square plinth bases with canted corners and circular garlands, the covers with down-turned stiff leaves below the finials and attached with chains to the neck mount, 21cm high overall (2)Provenance: The George Farrow Collection.
TWO FRENCH WHITE-TIN GLAZED PORCELAIN SAUCE TUREENS AND COVERS CHANTILLY, MID 18TH CENTURY Each naturalistically modelled as a partridge with a chick-shaped cover finial 19cm wideProvenance: Property of a Lady of TitleCf. Genevieve le Duc, Porcelaine Tendre de Chantilly au 18iem siecle, page 294. Please note, these are two of the same model rather than a left and right facing pair. The online description has been revised and this differs from the printed catalogue. Condition Report: Both with chips and losses, both with glued finials. Please see additional images available upon request from the Dept.Condition Report Disclaimer
Villeroy & Boch porcelain blue and white Vieux Luxembourg pattern part dinner and breakfast service, decorated with blue Chantilly sprigs within a spirally-moulded border, comprising: a salad bowl, a water-jug, a coffee and teapot and covers, an oval serving dish, 10 soup-plates, 13 dinner-plates, 13 small-plates, eight cups and saucers, a sugar bowl and cover, a smaller cover, a slop-bowl, two milk-jugsCondition ReportGood condition overall. Small chip to foot of large jug, tiny chip to edge of one dinner plate, teapot with crack and staining. General wear and tear.
A Samson Chantilly-style snuff box or bonbonniere, late 19th century, modelled as a woman sitting on a chamberpot and lifting her skirt behind, and a Continental porcelain bonbonniere of a woman's head wearing a black eye mask, set with blue glass eyes, with gilt metal mounts, 7.8cm max. (2)
A PAIR OF EUROPEAN-ORMOLU-MOUNTED CANDLEHOLDERS WITH CHINESE PORCELAIN 'BOYS'The Chinese porcelain circa 1750Each with three seated boys with jovial expressions clad in a blue-glazed dudou holding lotus sprays and precious objects on ormolu mounts in the form of a tree supporting a Kakiemon-style drip pan and fluted candle holder of soft-paste French porcelain, most likely Chantilly. 15cm (5 3/4in) high. (2).Footnotes:中國瓷器部分約1750 青花童子配歐洲製鎏金銅飾燭臺一對Provenance: Gerald Kerin Ltd., London, 14 June 1965 (invoice; the invoice dates the ormolu mounts as Louis XVI)John E. Bodie OBE (1930-2023), London, collection no.105來源:倫敦古董商Gerald Kerin Ltd.,1965年6月14日(據收據;收據標註鎏金銅飾為路易十六時期)大英帝國官佐勳章獲勳人John E. Bodie(1930-2023),倫敦,藏品編號105Compare with a pair of very similar seated boys in blue-glazed tunics, circa 1750, illustrated by D.Howard, The Choice of the Private Trader: The Private Market in Chinese Export Porcelain illustrated from the Hodroff Collection, London, 1994, p.254, no.301; and Colin Sheaf and Richard Kilburn, The Hatcher Porcelain Cargoes: The Complete Record, Oxford, 1988, pp.156-7, pl.207, illustrating a number of similar boys which have been salvaged from the Geldermalsen (1752).See a related ormolu-mounted Chinese biscuit figure of a boy, Kangxi, which was sold at Sotheby's London, 7 March 2007, lot 111For further information on this lot please visit Bonhams.com
Plat oval de Chantilly, circa 1760A Chantilly oval dish, circa 1760Decorated with a blue trellis ground embellished with gilt dots, reserved in the centre with an oval panel painted with a flower spray within a gilt foliate and floral border, and six quatrelobe panels around the rim painted with flower sprigs within gilt scrollwork borders, gilt dentil border to rim, 29.7cm across, horn mark and R in blue, incised B (gilt border to rim worn)Footnotes:An oval dish decorated with the same pattern in the British Museum, inv. 1994.4-6.1, is illustrated by Geneviève Le Duc, Porcelaine tendre de Chantilly (1996), p.239. A further example is in the Rijksmuseum, Amsterdam, inv. no. BK-1966-108. A plate of the same pattern is illustrated by Aileen Dawson, French Porcelain (1994), p.42, item 45, col. pl.5.For further information on this lot please visit Bonhams.com
A Swansea porcelain cabinet cup and stand, in Empire style painted with bands of flowers; an English porcelain garniture painted with fruit and a pair of Derby two-handled chocolate cups, covers and stands, decorated with chantilly sprigsHandle has been broken and restored, broken in three places. Star crack to side. Wear on gilding to the base of the cup. See further images for condition.
A small group of Derby porcelain, 18th-century and early 19th centurycomprising a dolphin butter or cream boat, painted in blue, 8.5cm high (restored); a pair of plates, painted with roses and sprigs, red batons mark, 24.5cm diameter; two saucer dishes, painted with Chantilly Sprigs, 19.5cm and 21.5cm diameter; two coffee cups, and a navette-shaped dish, decorated with flowers, ozier moulded border, 30.5cm wide and two Chantilly Sprigs teacups and five saucers; sold together with a Coalport teapot and cover (finial re-glued), New Hall coffee cup and a pink lustre teacup and saucer (19) (minor damages)
A pair of Chantilly French bisque porcelain figurines, musicians, the man with bagpipes, the lady with tambourine, dressed in 18th century costume, he is impressed "Chantilly" to the reverse of the base, 37cm high Condition: Him -chip off flowing corner of his coat, and a bit of restoration to tip of collar of his pink cape, possible restoration to mouthpiece of bagpipe. Her - stress crack in neck, restoration to little finger of left hand.
Group of late 18th and 19th century porcelain, including Chantilly Sprig pattern dish, D24cm, Dresden floral painted cake stand, H9cm, Berlin dish painted with peacocks within a yellow border, second quality pierced Meissen dish, Meissen cabinet cup and saucer, etcCondition Report:Light surface scratching to most surfaces, mainly noted to the Chantilly plate, consummate with age and use. No restoration noted.
A very rare Crépy-en-Valois tobacco jar and cover in the form of a wild boar, circa 1762-70Of cylindrical form with the fur, dorsal line, legs and tail, as well as a leady branch on the underside moulded in relief, the head also naturalistically modelled to form the cover, 22.3cm high, incised 'DCO' (small restored chips to rim of cover and small repair to cover flange) (2)Footnotes:Provenance:Mr. and Mrs. William Brown Meloney, New York;With The Antique Porcelain Company, New York;Acquired from the above in 1981Literature:The Connoisseur, Vol. CXLIII, no. 577, April 1959, p. 140, no. 12;D. Gage/M. Marsh, Tobacco Containers & Accessories (1988), no. 13Exhibited:Zurich, Credit Suisse, Meisterwerke des Europäischen Porzellans 1710-1820, 17 September 1985-17 January 1986, cat. no. 188;London, The International Ceramics Fair and Seminar, The Dorchester Hotel, Special Loan Exhibition, The British-American Tobacco Company Collection of Tobacco Containers & Accessories, 10-13 June 1988The only other recorded examples of this form are the two in a fitted leather case in the British Museum, Sir A.W. Franks Collection (inv. Franks 359); published by A. Dawson, French Porcelain A Catalogue of the British Museum (1994), no. 201 (where other examples of Crépy-en-Valois porcelain are recorded), and by G. Le Duc, Porcelaine tendre de Chantilly (1996), p. 326.The short-lived porcelain factory in Crépy-en-Valois was apparently founded in October 1762 by Louis-François Gaignepain - a former worker at the Mennecy factory - together with a Paris marchand-mercier, Pierre Bourgeois. The new factory experienced financial difficulties in 1767 and is thought to have closed after the death of Gaignepain in 1770. The attribution of these wild boar jars and covers to Crépy is based on the Livres Journal de Vente pur la manufacture de Crépy, in which sales of 'pot a tabac blanc En hure de Sanglier et de Chien are recorded on three occasions in 1765 and 1766 (quoted by A. Dawson, op. cit., p.253 (no corresponding jars in the forms of a dog are recorded).For further information on this lot please visit Bonhams.com
Two Paris porcelain teapots and covers, circa 1810, one painted in Brussels with two racehorses and jockeys in sepia monochrome, 15cm high; the other of La Courtille manufacture and painted with a band of red poppies above scattered Chantilly sprigs, the cover with chain support, crossed swords mark in blue, 15cm high (4)Old wired repair to one handle (shown in pictures), star crack to base on same, gilding worn on handle. Other teapot with horses in grisaille has restoration to the top 3cms/1" of the spout, and handle shows signs of possible repair.
Maxwell & Williams Cashmere bone china Enchante pattern part dinner service, designed by Claire Chilcott, an Art Deco orange ground Tams Ware part coffee service, comprising six demi-tasse and saucers, an English porcelain teapot with replacement Chinese cover, circa 1765 (riveted and repaired), a Chinese porcelain oval two-handled vase and cover moulded with dragons and birds, reserved on turquoise and green grounds, and a French porcelain Chantilly style salt shaker and cover
A group of four 19th century continental porcelain boxes Comprising a Chantilly box modelled as a couple in bed, the lid decorated in Kakiemon style, 9cm wide, an oval box decorated all-over with flowerheads, insects and fruit, the interior similarly decorated, 8cm wide, and two small dome top boxes decorated with sprays and garlands, 5cm diam, all with gilt metal rims. (4)
A CHANTILLY PORCELAIN CIDER JUG of classical Norman haystack barrel form, painted with floral sprays, with five horizontal moulded ribs decorated as wooden bands, deep red hunting horn mark to the base, c.1750-55, 15cm high (reglued in two halves near the base)Provenance: Purchased from Lawrence's 13th March 1997, Lot 527.The collection of the late Anthony du Boulay FSA (1929- 2022).
A collection of King Street Derby porcelain, predominantly Stevenson and Hancock/William Laget, including a nicely decorated cream jug and sugar bowl, painted with flowers and butterflies, S&H WL mark, a Chantilly Sprigs coffee can and saucer, a richly decorated pair of of coffee cans and saucers with matching plate, decorated with a combination of trailing Chantilly Sprigs and roses interlinked with gilt foliage, a green banded floral trio, small quantity of other Derby floral decorated wares, and a landscape plate together with a 20th century Royal Crown Derby cup and saucer (24)Provenance: Roy G. Hughes, former curator of Derby Museum. Some pieces with historic museum loan reference numbers.
A small group of Derby porcelain, 18th-century and early 19th centurycomprising a dolphin butter or cream boat, painted in blue, 8.5cm high (restored); a pair of plates, painted with roses and sprigs, red batons mark, 24.5cm diameter; two saucer dishes, painted with Chantilly Sprigs, 19.5cm and 21.5cm diameter; two coffee cups, and a navette-shaped dish, decorated with flowers, ozier moulded border, 30.5cm wide and a Chantilly Sprigs teacup and saucer (10) (minor damages)
Three French porcelain sugar ladles or caster spoons, mid 18th century, one Chantilly and pierced with a central starburst design, another Mennecy and painted with small insects, the terminal with flowers, the last left in the white, and two Meissen salt spoons painted in blue with straw flowers, 21.2cm max. (5)
Vollständige Sammlung der Meissener Affenkapelle 22-tlg.; Auf reliefiertem Rocaillesockel einundzwanzig stehende bzw. sitzende Figuren eines Kapellmeisters mit Pult, Geigers, Baßgeigers, Klarinettisten, einer Harfenistin, eines Paukenschlägers und -trägers, Trompeters, Waldhornbläsers, Triangelschlägers, Dudelsackpfeifers, Fagottspielers, Flötisten, Gitarristen, Trommlers, einer Drehleierspielerin, eines Klavierspielers und 4 Sängerinnen. Polychrome Malerei mit Goldstaffage. Entw. Johann Joachim Kaendler und Peter Reinicke. Pult nach 2000. Teilw. rest.; Schwertermarke. Meissen. 2. Hälfte 19. Jh.; H. 9 cm - 17 cm.Die unterschiedlichen Affen der Kapelle werden in den Arbeitsberichten Johann Joachim Kaendlers in der Zeit von 1749 und 1766 erwähnt. Bereits 1753 gestaltete Kaendler ein Ensemble musizierender Affenfiguren in farbenfroher Kleidung mit affektiert wirkendem Ausdruck, die er in Zusammenarbeit mit Peter Reinicke um 1765/1766 nochmals überarbeitete. Bereits in der großen Tierplastik eines Affen mit Dose von 1732 gibt der Modellmeister auf komisch-satirische Weise einen Tabak schnupfenden Affen wider. Darstellungen von Tieren mit menschlichen Eigenschaften und Verhaltensweisen erfreuten sich nicht zuletzt wegen des großen Interesses an Fabeldichtungen im 18. Jh. höchster Beliebtheit, vor allem in den sog. "Singerien" französischer Künstler, die kuriose, szenische Darstellungen von menschlich agierenden Affen in verschiedenen Situationen zeigten. Aufgenommen wurde das Thema unter anderem in satirischen Malereien von Christophe Huets, wie in "Grande Singerie" und "Petite Singerie" im Schloss Chantilly, aber auch in einem Kupferstich Jean-Jacques Filiparts (1719 - 1782).Vgl. Rückert, Kat. Bayer. Nationalmuseum, S. 192, Sonntag, Affenkapelle aus Meissener Porzellan, S. 29ff.; Pietsch, Meißner Porzellanplastik, Nr. 213. A complete 22-piece collection of porcelain figures from the "monkey orchestra" modelled by J. J. Kaendler and P. Reinicke. Desk dated after 2000. Partly minor chipped/restored. Crossed swords mark.Meissen. 2. Hälfte 19. Jh.
A collection of Spode porcelain tea wares,early 19th century, to include a coffee can, teacup and saucer, pattern 1653, a coffee can, teacup and saucer, each with a key Greek border, another similar set decorated with roses, a teacup and saucer relief moulded with anthemion and painted with floral sprays, and a teacup and saucer, decorated in the Chantilly style (qty.)Condition ReportWear and rubbing to gilding and decoration. No large chips or cracks evident.
A Chantilly blue and white dish, late 18th c, painted with the Sprig pattern, 29.5cm diam, painted horn and D and miscellaneous ceramics to include four Minton bone china dishes and pin trays and a ring stand, early 20th c, painted J E Dean, all signed or signed with initials, with a dog, 14cm diam, an English porcelain dessert plate, mid 19th c, unusually painted en grisaille with figures in the roman Forum, in pierced gilt border, 23.5cm diam, a pair of Staffordshire bone china vases, c1820, painted with two panels of flowers reserved on a cobalt and gilt ground, 22cm h, pattern No 511, a Chinese famille rose export porcelain bowl, Chinese Imari plate, two saucers and a Batavian ware tea bowl, late 18th c, plate 22.5cm diam, a Staffordshire pearlware cream jug, c1790, enamelled with a stylised floral Cottage pattern, puce diaper inner border, 87mmh, a Prattware military review jug, c1790-1800, 13.5cm h, a Leeds Revivalist engine turned creamware and reticulated bowl and cover, impressed LEEDS POTTERY and a Northern European pewter mounted faience jug, 19th c or later Chantilley dish - Restored. Sheep - several small chips and slight wear. Cradle - cracked and small surface graze
Chantilly porcelain tea caddy, circa 1740 - 1760, decorated in the Kakiemon palette with panels of birds, flowers and butterflies in colours, red painted mark to the base, height 10cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
A group of eight porcelain tea bowls, c.1810-15, each with round funnel bowls and feet, decorated in the style of Paris porcelain with Chantilly sprigs and gilded rims, each tea bowl 8.4cm diameter, together with a similarly decorated helmet-shaped milk jug, 15cm high (9)Condition Report: Each in good overall condition with good decoration, no signs of damage.
Late 18th century English Pearlware teapot and cover, of cylindrical form, painted in cobalt with the Pagoda and Fence pattern, H17cm, together with a late 18th century French Chantilly porcelain plate, painted in blue with a carnation, insects and scattered sprigs within a osier moulded border, D24.5cm (2)
A group of English porcelain, to include a Chamberlain's Worcester slop bowl painted with a view of Leith, a Derby tea cup and saucer painted with views in Naples, a Spode slop bowl, a pair of Derby shell shaped dishes with chantilly sprigs, a Worcester Flight Barr & Barr tureen stand, a Derby two-handled pedestal cup, a Davenport muffin dish and cover, an English porcelain teapot and cover etc.; a Staffordshire model of a sheep and another of a spaniel with a kittenProvenance:Collection of Barry Lock (1934 - 2021) Morpeth Mansions, Westminster, SW1The muffins dish and saucer - has minor rubbing to gilding. Some minor chipping to the lid base - see images. Some collection of dirt with markings. Some crazing to the glaze on the saucer. A hairline fracture that has been discoloured to base of the saucer.
A mixed lot of 18th/early 19th century Continental porcelain including a Sevres coffee can, saucer and similar bowl painted with floral sprays between blue line borders, interlaced LL and painters' marks; a Hague teabowl; a spiral fluted teabowl and saucer; two Meissen shaped oval dishes; a Meissen saucer; a Chantilly-style plate etc [damages].
A group of 18th century Continental porcelain tea and coffee wares including a Naples saucer painted with a woman holding a staff, incised crowned N mark; two Meissen saucers and a puce monochrome chocolate cup; a Chantilly cup painted in Kakiemon style; and a Vienna cup [damages] 6. END OF COLLECTION
A Meissen coffee can decorated with ivy, a Meissen marcolini period coffee can, an 18th century French porcelain coffee can decorated with chantilly sprigs, a coffee can and stand decorated with pink rosesFading to gilt and decoration throughout. The pink saucer with scratches and marks to the surface. The teacup with a geometric handle has chip to the side of the handle. Loss of one hadnle to one teacup - see images. Roughness to bases and some rims.
A pair of French porcelain bottle vases of square section, with Chantilly mark, possibly Sampson, each 8.8cm wide x 24cm high (2)Minor marks to the surface of the porcelain due to handling including very minor wear to the gilt areas. Marked beneath but drilled for the addition of the ormolu mounts. The mounts somewhat oxidized as expected over time.In generally good condition overall considering age and use.
-
324 item(s)/page