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PAUL CEZANNE (FRENCH, 1839-1906) PORTRAIT DE PENTRE A. GUILLAUMIN AU PENDU, 1873 Etching 15cm x 10.5cm

A Portrait Miniature by Count Mario Grixoni exh 1914-1940, of a gentleman, seated half-length in a blue coat turned to the left, signed and dated 1906, oval white-coloured metal pendant frame, 10x8cm: Follower of Teniers- Tavern interior scene with figures; oil on vellum, tooled gilt metal mount and gesso outer, 7x9.5cm: A Portrait Miniature, British provincial school, of a lady half-length, said to be Anne Boleyn, rectangular white-coloured metal aperture and ebonised rectangular pendant frame, 7.7x5.4cm: Follower of Paul Cezanne 1839-1906- Mediterranean landscape; oil on board, in a swept composition frame, 8x9.5cm., (4)

Woolf (Virginia). Flush, A Biography, 1933; The Moment and Other Essays, 1947; A Writer's Diary, 1953, all 1st eds., pub. Hogarth, all orig. cloth in sl. rubbed and chipped d.j.s, 8vo, together with Fry (Roger), Cezanne, A Study of His Development, 1st ed., Hogarth, 1927, b&w plts., orig. pict. boards, some wear, 4to, plus nineteen others, Woolf, Hogarth etc. (23)

Suzanne Valadon 1865-1938 FLEURS signed and dated 1933 oil on canvas 54 by 40.5cm.; 21.25 by 16in. Painted in 1933. Painted towards the end of her tumultuous life Valadon's Fleurs is an powerful example of her bold and vivid style. The work exudes a raw energy perhaps resulting from the fact that she was unschooled. Self-taught the artist's style evolved as confident and colourful as shown in the assured application of paint in the present work. Her brushstrokes are deft and thick covering the entire canvas. The painting is bold and unapologetic typical of her floral still lives: ÔThere is nothing fragile about her compositions they are sometimes almost stifling in their density. The vases containing the flowers are solid even the petals are heavy and the stems grow thicker as the years go by' (Jeanine Warnod Suzanne Valadon Switzerland 1981 p. 74. Valadon imbues a traditionally sedate subject with a sense of drama. The vase fills most of the composition pushed forwards to confront the viewer and the table is tilted up to the picture plane in a style reminiscent of Cezanne. The strong shadows and heavy black outlines of the composition balance the vibrant colours of the floral arrangement painted with complimentary lush greens and rich corals pinks and reds. The vertical thrust of foliage is likewise balanced by the horizontal lines of the shutters behind. Provenance Galerie Paul Petrides Paris Literature Paul Petrides L'Îuvre complet de Suzanne Valadon Paris 1971 no. P449 illustrated

Miller, W. & Strange, E. H. A Centenary Bibliography of the Pickwick Papers, London 1936. Dust wrapper, 8vo plus Fry, Roger. Cezanne A Study of his Development, London 1927. Linen backed picture boards, illustrated, 4to plus others (18)

After Paul Cezanne- Seated figure; etching, 15x12cm: After Rembrandt van Rijn- Self-portrait, etching signed within the plate and dated 1639: European school 20th century- Portrait of a bearded man, dry point , etching, signed within the plate and dated 23:(3)

GARNETT (DAVID) BEANY-EYE, cloth, dustwrapper, 8vo, 1935; Sewell (Brocard) Footnote To The Nineties, cloth, dustwrapper, 8vo, 1968; Douglas (Lord Alfred) The Sonnets Of, cloth, original printed wraps, 12mo, n. d., Belloc (Hilaire) Selected Essays, cloth, dustwrapper, 8vo, 1955; Bell (Clive) Since Cezanne, cloth, dustwrapper, 8vo, 1929; Casson (Stanley) Progress And Catastrophe, cloth, dustwrapper, 8vo, 1937 (6).

Charles M. Jones 20th century Man with a Pipe after Paul Cezanne signed oil on board 35 x 30cm.; 13.75 x 11.75in.

Jacques Villon (1875-1963), after Paul Cezanne (1839-1906) "La Montagne Sainte-Victoire au Grand Pin"] Limited edition coloured lithographic print from an edition of 200 (79/200), bearing a later signature for Paul Cezanne and dated "1923", 57cm by 76cm (22 1/2in by 30in), unframed *Taken from an original painting, circa 1885-1887, this particular image clearly has the date 1923, however in 1924 a further lithographic image was published by the Chalcographie du Louvre and printed by Jacques Villon in an edition of two hundred. A further black and white image was also printed as a proof and also limited to an edition of 200. This was produced in order to verify that the tonality of the work would be vibrant and crisp before finally producing a colour image. This later coloured edition is often signed by Villon in pencil and can retail for $12,500. *Provenance. Ex. collection Orlando Greenwood (1892-1989), born in Nelson Lancashire, Orlando Greenwood became a full time painter, designer and draughtsman af er working in his uncle's cotton mill from the age of 13. He studied at Goldsmith's College School of Art and was in army service during WWI. The artist's house was bombed in WWII and he moved to the North of England settling in Ulpha, Cumbria in 1967 and gave up painting around this time. The present vendor was a neighbour and acquaintance of Orlando Greenwood.

British school, late 20th century- 'Lady Diaz', mixed media on paper; indistinctly signed and inscribed, 69x45cm; together with a similar mixed media study by the same hand: together with two studies in oils on canvas in the manner of Picasso and Cezanne, (4)

Folio Society. Thirty two vols., c.1947 1992, including 'Cezanne by Himself', ed. Richard Kendall, 'Women in Love' by D.H. Lawrence, 'Journals of the Western Isles' by Johnson and Boswell, etc., all orig. dec. cloth gilt, most in slipcases, mostly 8vo, together with 'The Quarterly Magazine of the Folio Society', a partly broken run, January 1966 Spring 1993, contained in orig. Folio binders, 8vo (42)

Fry (Roger). Cezanne, A Study of His Development, 1st ed., Hogarth Press, 1927, b&w plts. at rear, orig. pict. boards with cloth spine, corners sl. bumped, 4to. Woolmer 120. This copy is a signed presentation copy inscribed by the author on front free endpaper: "To Miss P. Preece, a tribute to the promise of her work, Roger Fry, Nov. 1927". (1)

Box of Books: Cezanne, Churchill, Shakespeare, Wonderful World etc (Box)

Twenty-six Masterpieces of Art by A.G. Temple, published London, Blades East & Blades 1894, Three Scottish Colourists, by T J. Honeyman, published Thomas Nelson & Sons Ltd. 1950, inscribed by the author, Cezanne, by Roger Fry, published Hogarth Press, 1927 and John Lavery and his Works by Walter Shaw-Sparrow, published London, Kegan Paul, Trench Trubner & Co. Ltd

Manner of Cezanne - A wooded hillside with a cottage; pencil and watercolour, 33.4 x 22.5cm: together with a mixed folio of drawings and watercolours by different hands, 20th century school, (a lot), (unframed).

After Ken Lilly- Owl perched on a branch; colour reproduction print, signed in pencil and bears Fine Art Trade Guild blindstamp, 48x31.2cm: together with a reproduction print of a ship in harbour after John Hamilton, another after Cezanne, and a child's drawing, (4)

After Cezanne Mount St Victoire Oil on canvas 46cm x 62cm

FIELL (CHARLOTTE AND PETER). Charles Rennie Mackintosh (1868-1928), 1997 printed in English, German and French, illust.; Kendall (Richard). Cezanne by himself, Drawings, paintings, writings, London 1989 cloth with colour portrait to top cover (2)

After Cezanne - Oil on canvas laid on board - The Card Players, 19cm x 24cm

FRY, Roger, 'Vision and Design' Chatto & Windus, 1920. Tog.with 'Transformations Critical and Speculative Essays on Art' Chatto & Windus, 1926. b&w plts ( lacks plt. 8) Plus 'Cezanne A Study of his Development' by same, Hogarth Press, 1927, plus other art. 17

After Paul Cezanne (1839-1906) Harlequin oil on canvas 89 x 63cm

Cezanne (Paul, 1839-1906). Quinze Aquarelles reproduites en fac-similes, Avant-Propos de Maurice Serullaz, Paris, Daniel Jacomet, 1971, fifteen tipped-in col. facsimile plts., each with tissue-guard, together with a series of twelve plates illustrating the col. decomposition of the first plate, and four actual stencils, all loosely contained in orig. qtr. blue morocco drop-over book box, minor wear to extrems. and small stain to extreme upper outer corner, some browning to title verso and facing leaf, large folio (1)

Gauguin (Paul). Cahier pour Aline Fac-Simile Integral du Manuscrit Original ..., Paris, 1963, introductory volume of text and separate facsimile notebook, both orig. printed wrappers, contained in orig. chemise and slipcase, 8vo, limited ed. 412/500, together with Sutherland (Graham), Facsimile Sketchbook, n.d., c. 1970s, colour-printed facsimile leaves throughout, printed by Jacomet, orig. cloth backed facsimile boards, 8vo, plus Cezanne (Paul), Les Baigneuses, huit aquarelles rebroduites en fac-simile, Texte de Jean Cassou, Paris, 1947, eight col. facsimile plts. printed by Daniel Jacomet, plus preliminary text, loosely contained in orig. wrappers and protective boards, some spotting to wrappers and backing card to illusts., slim folio, and one other related (on Fra Angelico), folio (4)

Aragon (Louis) Henri Matisse - a Novel, 2 vols in slip case, Collins 1972, Venturi (Lionello) Cezanne, MacMillan 1978, slip case, and 16 other vols on art.

George R Kennerley (b.1908) after Cezanne 'Woodland . landscape', oil on canvas, 56cm x 69cm

-. Gris (Juan) Berggruen, 1977; Cezanne (Paul) Musee Granet, Aix-en-Provence, 1953, 770 x 525mm. and 660 x 485mm., in good condition, printed by Mourlot, 1953-1977; and another, Van Gogh (3).

---. Howitt (William) The Northern Heights of London, contemporary half calf, 1869 ~ Fry (Roger) Cezanne, second edition, original cloth-backed pictorial boards, Hogarth Press, 1932 ~ Hind (C.Lewis) Turner's Golden Visions, 1925 ~ Litchfield (Frederick) Pottery and Porcelain, fourth edition, 1925 ~ Rodier (Paul) The Romance of French Weaving, new edition, New York, 1936, plates and illustrations, all but the first two original cloth or boards, the last with dust-jacket, all rubbed; and 24 others, art, travel & topography, 4to & 8vo (29).

Holland (Vyvyan) Hand Coloured Fashion Plates 1770 to 1899, FIRST EDITION, coloured plates, illustrations, inscription on front endpaper, original cloth, dust-jacket, rubbed, chipped at extremities, 1955 ~ Cezanne (Paul) The Late Works, 1977 ~ Tomassoni (Italo) Mondrian, 1970 ~ Waddington (C.H.) Behind Appearance, coloured plates tipped-in, pencil marginal notations, Edinburgh, 1969, plates, illustrations, original cloth, dust-jackets, rubbed, tanned; and a quantity of others, Art Reference, v.s. (qty).

'VINCENT by Himself' ed. Bruce BERNARD London 1985. in D/W Tog. with 'CEZANNE by Himself' ed. Richard Kendall, London 1988 plus other large format art books and a number of Skira series art books. (c 22)