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Ronald Searle (1920-2011)The Fuhrer, a caricature sketch, signed, pen and ink, 8 x 23cm

Follower of Thomas Rowlandson (1756 - 1827)'If only you could see what Red Biddy's done for Me', caricature sketch, pen, ink and watercolour, 29 x 39cm (unframed)

Francis Grant (1803-1878)Caricature of a disgruntled old hag, signed with a monogram, pen and sepia ink with grey wash, 23 x 17.5cm Prov: With the Fry Gallery, ex coll. L G Duke

Rugby World Cups Package (20): 1987: S Wales Echo colourful complete sticker album of stars, sides and stats, plus Gren caricature of Wales squad mounted to card; several original team inserts for France v Zimbabwe; 1991: super colour team shot of Wales squad, mounted and annotated on red board; two copies each, all with tickets, for Scotland v England, semi, and v NZ, play-off; 1995: Wales official compact itinerary etc booklet; Wales v NZ and v Ireland, Scotland v Tonga and England v W Samoa; 1999: Samoa v Wales (and tkt) and Argentina; 2003: Italy v Wales; 2007: Wales v Japan (and tkt) and quarter-final, NZ v France. VG

* Armand (?) (19th century French School) Caricature portrait of Henri de Toulouse Lautrec wearing glasses and bowler hat charcoal with gouache and white on paper, signed and dated (18) '90 and inscribed Paris 19 x 12in. (48.5 x 30.5cm) Condition: Good

Searle at Seventy, 1990, a cast plated bronze medal by R. Searle, half-length figure of the artist, left arm raised, right hand preparing to deflect an arrow, rev. naked caricature of the artist with a snake coiled around his body, 70mm (Attwood 67). Extremely fine £60-£80 --- Edition of 80

English Political Caricature by M. Dorothy George 2 volumes, 'To 1792' and '1793-1832', along with 'Pen Drawing and Pen Draughtsmen' by Joseph Pennell, (3).

After George Cruikshank (1792-1878) Etching Two hand-coloured etched caricatures "The Blue Devils", published by G Humphrey, Jan. 10th 1823, framed and glazed, mount aperture 20cm x 24.5cm and "Inconveniences of a Crowded Drawing Room", published Aug. 1st by Thomas Mclean 1835, framed and glazed, image size 27.5cm x 40cm, together with a further 19th century caricature (3) Condition Report Browning to edges, some brown areas on prints, accretions behind glass. Blue devils has title cut out from bottom of print. Some fading/discolouration. General wear and tear.

Property of a Lady of Title: Hugh Dodd (Scottish, 1948-2014), “The Connoisseur”, caricature, watercolour and pencil, signed lower right, framed. 22.5cm by 15cm. Provenance: with The Scottish Gallery 1993 (gallery label verso). Note: this lot may be subject to ARR.

Jurisprudence & Caricature - Edmund Xavier Kapp (1890-1978), after, four prints, from the popular series Ten Great Lawyers, Sir Thomas Willes Chitty, Bart, The Right Hon. The Baron Hewant of Bury, Lord Chief Justice, The Right Hon. Viscount Cave, other untitled, published by The Law Journal 1925, the largest 31cm x 21.5cm overall (4)'Oh to be silent! Oh to be a painter! Oh (in short) to be Mr. Kapp' - Virginia Woolf

Caricature & Victorian Satire - a group of three children's posters, comprising 'Excuse me, pray, if I your appearance chaff [...]', 56.5cm x 22cm; two others, smaller, To a Pert Young Milliner, You Ugly Brute [...] (3)

Albums, Autographs & Photographs.  2 "Autographs" Albums containing many signed & other photographs (some signatures in facsimile) & individual autographs of actors of the 20th century. Photos. include Betty Davies, Paul Schofield, Margot Fonteyn, Michael Redgrave, Elizabeth Taylor, Edith Evans (signed typescript letter), Robert Morley, Joyce Grenfell, Richard Burton, Anna Neagle, Flora Robson, Ralph Richardson, Laurence Olivier, Vivien Leigh, Eric Portman, Joyce Grenfell (letter with humorus caricature), Peggy Ashcroft, Celia Johnson & Ann Todd.  Approx. 70 photographs, autographs & letters in all.

*SIMON T. TRINDER (b. 1958) 'Crisp Packet!!!' a caricature of television presenter Chris Packham, signed lower right, ink and watercolour, 35cm x 27.5cm

Three illustrated scrap albums. 'A Day in Wicken Fen, by Ignotus, August 1881' manuscript 8vo textbook with 3 watercolour local landscape views, 3 botanical studies and another of two butterflies; another circa 1830 with verses in ink manuscript and watercolour maritime illustrations, also flowers and figures, one poem entitled 'The Swallow written in May 1793 on a swallow entering the Wardroom of his Majesty's Ship Vengeance...'; the third album with three 1870s caricature-decorated 1d red stamp covers, and a few sketches and drawings (3)

KAY (John) A Series of Original Portraits and Caricature Etchings, 2 vols., Edinburgh: Hugh Paton, Carver and Gilder 1837-38, 4to, numerous clean etched plates, in detached half calf boards

Johannes Blaeu Comitatus Northantonensis, hand coloured engraved map of Northamptonshire, French text verso, 43 x 51cm;'A View from St John's College Cambridge', Dighton caricature of James Wood, 1809, hand coloured etching, 35 x 22.5cm (2)

Garnier Liqueurs vintage scotch whisky, Dry Gin and Vodka each 45.4cl 37.4%, the caricature bottles of a Scotsman playing bagpipes, a clogged Dutchman and a Cossack playing a balalaika by KLEM of Italy. All bottles with paper seals intact. (3)

A set of three limited edition Lord of the Rings caricature prints, from original prints by Chris Margett.Signed and numbered by artist: 244/1000COA to verso(unauthenticated by Keys Auctioneers)

* Puerto Rican playing cards. Political cards 'Barajas Alacran', Taller Alacran in San Juan: Antonio Martorell, circa 1965, the complete deck of 52 (plus 2 jokers) playing cards, printed in red and blue, with indices, suit signs represent Puerto Rican political groups: coconut palm with falling fruit (blue), white 5-pointed star on red, hand holding staff & blue flag with white cross, silhouette of a head wearing a peasant's hat (red), double-ended courts and single-headed aces representing party leaders and other political characters, with various objects incorporated into the designs, ace of coconut palms has Made in U.S.A., jokers depicts a full-length caricature of Lyndon Johnson, then president of the United States, generally toned, few faint corner creases, rounded corners, versos blue with white design including the suit signs and two scorpions incorporating the words Barajas alacran, each card 89 x 63 mm, with original wrapper (some losses), stating Printed in Puerto Rico and the maker's details, 20 cards and the wrapper corner mounted onto a display board (59 x 42 cm), encapsulated in clear plastic (not examined out of display board), the remainder in a plastic bagQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.Orzack & Orzack: Political Playing-Cards: American Examples, in The Playing-Card, vol. XI, no. 2, Nov 1982, pp. 33-49.These extremely rare cards were designed and issued by Antonio Martorell and published by his studio and community art centre Taller Alacran. According to Dudley Ollis' note, Ollis was told by Louis Orzack that he (Orzack) had met Antonio Martorell and been presented with a pack of these cards. However shortly afterwards the police in Puerto Rico seized and destroyed all stocks of the cards. Orzack believed that the only packs still in existence were his own and a pack saved by the artist, which is now displayed in the Puerto Rico Museo de Arte de Ponce. Therefore this apparently escaped example, found by Dudley Ollis at a London antiques fair, would seem to be one of only three examples that have survived.The cards support the movement for independence from the United States. The Spanish word alacran means scorpion, and refers to the United States and its hold over the island. The four suits represent: coconut palms with fruit = New Progressive Party, hand with flag = Independentista movement, white star on red = Communist Party, profile head = Popular Democratic Party. This profile head is believed to be that of Governor Muñoz-Marin.

Europe. Robida (Albert), Nouvelle Carte D'Europe, published in La Caricature Magazine, 1882, colour printed satirical and pictorial map of Europe, folded and bound into a single issue of "La Caricature" (01/07/1882), map measures 525 x 720 mm, together with a companion satirical Map of France, with four colour printed magazine covers from "La Caricature" of Europe (x2), France and Africa, plus Harvey (William Henry 'Aleph'). Fifteen caricatures originally published in Geographical Fun: France (2), Spain & Portugal (2), Russia (2), Denmark (4), Prussia (2), Germany (1) and Holland & Belgium (2) circa 1868, 15 allegorical colour lithographic maps, several duplicates, slight spotting and dust soiling, each approximately 275 x 230 mmQTY: (21)

Grogg caricature rugby figure by John Hughes, 'Wales No.3', with signature to base, height 20cm

Grogg caricature rugby trio by John Hughes 'The Welsh Front Row' comprising players Graham Price, Bobby Windsor and Charlie Faulkner 'The Pontypool Front Row', signed and dated 1986 to base, height 17cm

A quantity of various crockery, to include Toby Jug caricature pitchers, plates, Chinese reproduction, a Wedgwood blue clock, and a wooden toucan figurine.

Caricature. Matthias Darly (publisher; c. 1720-1780) - The Three Graces of Cox-Heath, [London, 1779], etching, with contemporaneous hand-colouring, 23 x 30.5cm A rare print satirising the Georgiana Cavendish, Duchess of Devonshire (1757-1806), Elizabeth FitzRoy, Duchess of Grafton (1745-1822), and Jane Gordon, Duchess of Gordon (1748-1812), all of whom followed their ducal husbands and their respective militias - in the Devonshires' case Derbyshire - to Coxheath, near Maidstone, Kent, then the British Army's camp training raw troops into soldiers, to fight alongside the British Army, during the American Revolutionary War. The aristocratic ladies even had their dressmakers tailor fashionable 'military uniforms' for themselves. A rare satirical print. Unexamined out of frame, but apparently trimmed with loss of lettering. The sheet somewhat browned, yet displaying well.

Three Vanity Fair caricature prints and a reprint of W. G. Grace, 32.5 x 19.5cm and smaller (4) Loss of veneer to frames excepting W. G. Grace print, some fading to W. G. Grace print

A Martin Brothers Stoneware Aquatic Beaker, decorated with grotesque caricature fish, crabs and octopus, on a pale blue ground, the base incised 4-1902 Martin Bros London & Southall,12.5cm high (hairline)Ex-lot 22 Burstow & Hewett, 09/12/2020.Hairline crack from the rim down approx. 9.5cm long see extra images on-line. No shipping on this lot.

After James Gillray, A coloured Caricature The Reconciliation., The Prince Regent and George III, originally published 1804, 25X36cm

A pair of French cold painted spelter street musicians caricature candlesticks, both signed Francois George

⊕Edmond Xavier Kapp (lots 83-94) Oh to be silent! Oh to be a painter! Oh (in short) to be Mr. Kapp (Virginia Woolf) Introduction Widely remembered for his portraiture, in particular his distinctive form of character types (he did not like his work to be describe as caricature), Kapp was a highly versatile artist with an enquiring mind and a love of music. Appreciated in his lifetime also for his poetry and his evolving interest in abstraction, he aspired to write, mixed with the leading artists of the day and attracted the attention of critics and the cognoscenti. The following eight lots from his estate capture the singularity of his artistic vision and his constant thirst for innovation. Born in Islington, London, the son of Jewish-German parents, Kapp studied in Berlin, Paris and Cambridge, where he had his first exhibition, wrote for Granta and the Cambridge Magazine and attracted the attention of Max Beerbohm. While a 2nd Lieutenant with the Royal Sussex Regiment in the First World War, he sketched portraits of his fellow soldiers to amuse them in the trenches, including the young poet Edmund Blunden, and crossed paths with William Rothenstein at Amiens, a meeting Rothenstein recalls in his autobiography Men and Memories. After the Armistice Kapp held his first one man exhibition at the Little Art Rooms, Adelphi, London, the catalogue introduction written by Beerbohm. Commissions followed, together with the publication of his first book: Personalities published in 1919 and reviewed by Virgina Woolf in her essay Pictures and Portraits. Prominent figures who featured in his early work included Edwin Elgar, Percy Wyndham Lewis and Richard Strauss. Later, after the War, subjects ranged from Albert Einstein (1923) to the Duke of Windsor, the future King Edward VIII (1932); of leading personalities in the arts he captured the characters of Aldous Huxley and Noël Coward. Kapp typically rejected supplying caricatures to newspapers, preferring to choose his own subjects. But he did take on commissions, such as his series Ten Great Lawyers published in 1924 in the Law Society Journal. And his work appeared in a wide variety of periodicals, most notably Time and Tide, output that resulted in the publication of further volumes of his collected portraits, and an exhibition of his work at The Leicester Galleries, the leading contemporary gallery in London of the day. In 1922 Kapp married Yvonne Meyer, journalist, photographer, translator and writer, now best known for her biography of Eleanor Marx. On their honeymoon the young couple visited Beerbohm in Rapallo and settled the following year in Rome where Kapp studied at Sigmund Lipinsky’s art school and under Antonio Sciortino at the British Academy. There too he met the American painter Maurice Sterne who encouraged him to paint in oil. Kapp also developed his interest in lithography as a means to sell limited editions of his more well-known sitters. It led in 1935 to a commission for portraits of twenty-five delegates to the League of Nations in Geneva. Publication of the series brought him to the attention of Pablo Picasso, and the beginning of a close friendship between the two artists. Kapp captured Picasso’s profile in a sketch of him in his studio at 23 Rue La Boetie, Paris in 1938, purportedly the only likeness for which Picasso agreed to sit (collection of the Victoria & Albert Museum). And there are relaxed and informal photos of Picasso in bathing trunks snapped by Kapp in 1948 outside the restaurant Chez Nounou and the Hotel de la Mer in Golfe Juan when holidaying with Picasso in the South of France. During the Second World War Kapp was an Official War Artist; after the War he worked as an Official Artist to UNESCO. He kept a studio at 2 Steeles Studios, Haverstock Hill in Hampstead, North London and in Beausoleil, near Monaco in the Alpes Maritimes, and explored abstraction (lots 91-94). STILL-LIFE OF FLOWERS IN A BLUE AND WHITE JUGoil on canvas59.5 x 49.5cm; 23 1/2 x 19.5in67 x 57cm; 26 1/2 x 22 1/2in (framed)

A BOOKLET TITLED A TOUCHSTONE FOR THE WATERING PLACES OR CHARACTERS SCRUTINIZED REPRESENTED IN EIGHT METAMORPHIC SKETCHES BY G.M. WOODWARDeight caricatures, each signed and inscribed pen and ink and watercolourten pages including the front cover and title pagetogether with eight further humorous caricatures by the same hand each signed and variously inscribed with titles including:An Unwelcome Visitor, Fashionable Furbeloes, A Sudden Emotion, Convocation Day (or a Nest of Parsons), Fashionable Amusements for Young Ladies, The Throne of Avarice (or The shrine of the Muse), A Favourite Cat Choking with a Fishbone and A Caricature of a Bas Relief each signed and inscribedvarious sizes, all unframed(8 individual sheets and a booklet containing 8 caricatures plus front cover and title page)LiteratureIolo Williams, Early English Watercolours and Some Cognate Drawings by Artists Born Not Later Than 1785, 1952, Plate CXIII, Fig. 232, George Moutard Woodward, A Favourite Cat choaked with a Fish Bone, 1790George 'Moutard' Woodward was a caricaturist and humorist in the manner of H. Bunbury. Born in Derbyshire in 1760, he came to London in around 1791 to 1792 where he achieved popularity with his social satires. He was also known as ‘Mustard George’ and 'George Murgatroyd Woodward'. From around 1794 to 1807 Woodward designed numerous caricatures which were engraved by such artists as Isaac Cruikshank (William Cruikshank's father), Charles Williams, Piercy Roberts, Richard Cooper, and other satirical artists of the period. Many of his designs were also etched by his close friend and constant drinking companion, Thomas Rowlandson. He lived a dissolute life and died in poverty in a public house in 1809. George Moutard Woodward is often credited with the invention of the modern form of comic strip.

ROLAND DAVIES (1904-1993), "Speed"depicting two military officers hitching a lift, worded in pencil "I trust that you are not making it too obvious Mr Carstairs", ink and pencil caricature, 36 x 47cm, later ebonised frame

SHEFFIELD UNITED, AUTOGRAPHED 1950's caricature cards. 8 cards

Bert Trautmann an autographed black and white photograph of a diving Trautmann, another, in common mount, framed and glazed, 23 x 18in. overall and another caricature of Bert Trautmann, framed and glazed, 20 x 16.5in., (2).

DE SAEGHER RODOLPHE (1871 - 1941)early 20th Cent. pastel with a caricature of a German soldier during WWl - with the monogram of Rodolphe De SaegherDE SAEGHER RODOLPHE (1871 - 1941) pastel met een karikaturaal thema : "Duitse soldaat tijdens WO1" - 34 x 24 gemonogrammeerd

ARMEN ELOYAN (ARMENIAN B. 1966) UNTITLED (87) Oil on canvas Signed and dated 2006 (verso) 60 x 50cm (23½ x 19½ in.) Unframed Provenance: Galerie Bob van Orsouw, Zurich Acquired from the above in 2007The Armenian artist Armen Eloyan is known for his brooding, cartoonish canvases. Eloyan's work can be found in the Deutsche Bank Collection and the Olbricht Collection; he has held solo exhibitions at Timothy Taylor, Patrick Painter, and the Centre d'art Neuchâtel. The street art produced by Eloyan while studying at the Rijksakademie in Amsterdam informs his lively, evocative brushwork. His often menacing figures are tempered by a strain of humour, caricature, and tongue-in-cheek allusions to pop culture. Eloyan has not had an easy life - he undertook national service in Siberia for the Armenian SSR - but he invests his work with a refreshing flippancy. Bursting forth from the canvas, the batlike creature of Untitled (87) resembles the adversaries of a computer game or comic strip. Eloyan's impasto and nocturnal palette enhance the dungeonlike atmosphere, as the chain above points to sinister designs. It is a testament to the power of his practice that Eloyan's decidedly inhuman figures call forth such relatable emotions.

"To Hold as 'Twere" by Mrs Joseph Plunkett. Dundalgan Press. 1920. 17 being caricature plates plus vignettes. Grace Gifford, an artist and caricaturist married Joseph Plunkett hours before his execution in 1916. caricatures of the Irish rebels and other notables, including de Valera, Countess Markievicz Lady Gregory, John MacCormick, etc. ‘ Plunkett was a rarity as a woman in the field of caricature at the time’

Anti-Irish racist Cartoons: Curtis, L.P. Apes and Angels. The Irishman in Victorian Caricature. 1971. quarto, fine in fine dust jacket. Interesting study of anti-Irish racism.

A group of pictures, comprising after Rex N Preston, study of sheep beside cottages before mountains, signed limited edition print number 29/375, 27cm x 59cm, caricature prints titled The Cricket Office, each print 15cm x 8.5cm, after Roy Kirton, Newton by the Sea, Northumberland, signed print, 25cm x 39cm, and after Alan Fernley, Trent Bridge Cricket Ground, signed limited edition print number 71/500, 18cm x 25cm. (4)

Daumier, Honoré: (1808-1879). Cortège du commandant Général du Apothicaires... Bl. 299,300 aus La Caricature Nr. 143. Dplblgr. kolor. Lithogr. 1833. 29,5 x 50,5, Blgr. 37 x 55 cm. Mit dem (etw. verblassten) Namenszug im Stein. DR 65. Sur blanc, mit dem Text u. Adresse. - Vertikaler Mittelfalz, oben u. unten verso unterlegt. Einige ger. Randeinr. u. unt. linkes Eck mit Fehlst. im Rand. Am Falz tls. etw. berieben, tls. ger. fleckig u. unterer Rand rechts u. links mit Feuchtigkeitsrand, Montierreste verso. Kl. Stempel am Rand unten li. - Selten.

'Henry VIII' The design presents a playful caricature of Henry V111 who famously left his legacy across the region. The artist has cleverly transformed the elephant sculpture into a portrait of the King and depicts him dressed in all his finary. Elaborately embellished in rich reds and gold, this regal design is larger than life, Artist Donna Newman, Eden Designs Murals, sponsor Richard Winterton Auctioneers (FOR DIMENSIONS AND WEIGHT - PLEASE SEE LAST IMAGE)

LEAR EDWARD: (1812-1888) English artist, illustrator, author and poet, remembered for his literary nonsense and limericks. A fine, wonderful illustrated A.L.S., Edward Lear, three pages, 8vo, n.p., 31st July 1877, to Lady Waldegrave. Lear writes a warm letter to his friend, incorporating amusing nonsense spellings and a delightful self-caricature, shortly before departing for his beloved Italy, in full, ´I shall trouble you with this gnoat because the chances are that I shall not see you again before I go out of England, - if, (as I hope you may,) you will make a northerly tour to Whitby, Filey, Bridlington, & Scarborough. And for myself, I have to remain with my nose at the grindstone to finish one of the two large Northbrook pictures, so as to take it down to Stratten with as little delay as possible. After witch, & another visit to my sister, I shall go south, like the swollers [at this point in the letter Lear has penned a self-caricature as a swallow gliding in the wind, his familiar spectacles dislodged from his head] So I wish you goodbye, with many good wishes for a pleasant Autumn, & many thanks for much kindness. Both you & Chichester have always been very kind to me. But, unless you both come to Italy, I fear it will be a long time before I see you again, if at all´. A rare example of a letter by Lear demonstrating his clever word play and enhanced by an original drawing. VGFrances Waldegrave (1821-1879) Countess Waldegrave. English society heiress, the daughter of opera singer John Braham.

20th Century, An Egyptian style painting on papyrus, displayed within a gilt wood frame, measuring 28cm x 38cm, & 35cm x 43cm overall, together with a 'Keep Calm And Sleep' print, and a print of a caricature sketch (3)

Vintage reproduction of the Soviet propaganda poster Wrangel is still alive - finish him off without mercy. The poster features a caricature image of Wrangel being finished off by Red Army soldier's sword. The poster was created in July 1920 - a difficult period for the Soviet Republic: the army of Wrangel - commanding general of the anti-Bolshevik White Army in Southern Russia, approached the Donbass, planning a campaign to Moscow after its capture. Pyotr Nikolayevich Wrangel was a Russian officer of Baltic German origin in the Imperial Russian Army. During the later stages of the Russian Civil War, he was commanding general of the anti-Bolshevik White Army in Southern Russia. After his side lost the civil war in 1920, he left Russia. He was known as one of the most prominent exiled White emigres and military dictator of the South Russia (as commander in chief). Good condition, tears, minor stain on top left margin. Country of issue: Russia, designer: Dmitry Moor (D.S. Orlov), size (cm): 69x49, year of printing: 1970s

Original vintage Soviet propaganda poster titled: The stranglers of freedom and democracy. Featuring a caricature of a man with a rifle in one hand, and a baton with a pirate skull and bones flag reading 'order' democracy' chained to it in the other hand, a knife in his teeth, and a missile over his shoulder stepping onto ground from the barrels of a United States navy war ship with missiles and radar under USA flag with a dollar sign instead of stars, captioned 'modern sea pirates'. Text in Russian describes NATO country troops being used to oppress democratic powers that protest against worsening living conditions, rise in cost, and strengthening of the militaristic policies, mentioning US entering the conflicts in Central and South American countries, wars in Korea, Vietnam, Libya, Grenada; and British armed conflicts in Northern Ireland and Falkland Islands, with photographs of US army soldiers in Grenada and British soldiers ashore in the Falkland islands. Horizontal. Very good condition, creasing on edges. Country of issue: Russia, designer: Unknown, size (cm): 34x45, year of printing: 1980s

Bronze plaque presented by Stad gent to Mr René De Groote, a caricature drawing, 2 silver-plated buckets and 2 black-and-white photographsBronzen plaquette aangeboden door Stad gent aan Dhr René De Groote, een karikatuurtekening, 2 verzilverde emmertjes en 2 zwart-wit foto'sH 39 - 20.5 cm

Japan & Wales. A lady's friendship album, dated 1915, 20ff illustrated in either watercolour, pen-and ink, &/or pencil, of which 5 are the signed works of Japanese visitors, presumably officials, accompanying the 1915 Japanese Exhibition in Cardiff, along with 6ff inscribed and signed by them in their native calligraphic script and English, some dedicated to Miss Joyce Howell, the album's original owner, the remaining illustrations unassociated to Anglo-Japanese relations, but include a World War One related caricature, inscribed Pte. M. Eastick/ No. 4329/ 1./5. Norfolks, original roan over boards, worn, perished spine, some movement, oblong 4to

A collection of assorted pictures and prints to include oil on boards, caricature etc.

CARROLL, Lewis. The Hunting of the Snark, FIRST ed., original buff cloth with pictorial design in black, superb illustrations by Henry Holiday, spotting/toning in places, ffep loose, cloth missing at spine, splitting at front hinge, some bumping/marking to edges, London: Macmillan, 1876._ The Book of Wonderful Characters, humorous stories of eccentric persons with accompanying stipple engraving in caricature style, contemp. half-calf with gilt lettering, 58 of 61 engravings only, occasional spotting/toning internally, some bumping and wear to extremities, London: John Camden Hotten, 1869._ LANG, Andrew. The Red Book of Heroes, 1909, and 9 other Lang titles, largely illustrated by H. J. Ford with pictorial covers in gilt, all with general wear, owner inscriptions, bumping/rubbing at extremities and toning at spines, w/a/f/, (12)   

A set of four Lorna Bailey Beatles caricature teapots of John, Paul, George and Ringo, each signed to the base, tallest 16cm high

Politics - Government and the Economy - a large political cartoon caricature, Collins's Music Hall, watercolour, 66cm x 99cm

Militaria, a collection of items belonging to Major E. W. Denny, 13th Hussars, comprising Busby by Jones, Chalk & Dawson, and plume in tin case; a pen lithograph listing the campaigns and members of 13th Hussars, dated 1899; a caricature of a Guardsman in First World War uniform, tropical use pith helmet, and leather and embroidered dispatch pouchplease see image of inside of hat

A collection of ceramics a Russian figure Doulton caricature jugs tea pots and other ornaments.

A Victorian Porcelain large size storage jar and cover, highttwo Caricature jugs and a large Portmeirion storage jar and cover. (4)

Six Royal Doulton caricature jugs and figures.NO RESERVE

Caricatures to include: Grego (Joseph) Rowlandson the Caricaturist, London: Chatto & Windus, 1880, 4to, two volumes, gilt stamped leather spines and cloth boards, inscribed by the author to Lord Sandys; The Looking Glass or Caricature Annual, Volumes 2 and 4, 1831 and 1833, London: Thomas McLean, large foli, numerous colour plates, green calf and cloth boards with 'Omberlsey Court Library' label to front boards; and three other volumes (7)Ombersley Court, Worcestershire

Football Gianluca Vialli unsigned 16x12 inch mini poster caricature by the artist Mickey Finn. Good condition Est.

Caricature study of two monkeys in military attire, oil, 23.5 x 18.5cm

An awesome piece of Mexican cinema history featuring the film Ni Sangre Ni Area (Neither Blood, nor Sand). This film launched Mexican actor, comedian, and bullfighter Cantinflas (Mario Moreno) into international stardom. Bright orange and yellow newsprint paper print with a caricature of a bullfighter. Distributed by Columbia Pictures printed to lower left quadrant. Manufacturer: Columbia PicturesCondition: Age related wear.

* Vanity Fair. Mr William Gillette (Sherlock Holmes), 1907, colour photolithographic caricature after 'Spy', 350 x 210 mm, mounted, framed and glazedQTY: (1)

Vanity Fair. The Vanity Fair Album: A Show of Sovereigns, Statesmen, Judges, and Men of the Day, volumes 1875 & 1876, 102 chromolithographic plates, the 1876 Album has the descriptive text excised from the albums and pasted onto contemporary paper, lacking one caricature (Sir James Paget 12/02/1876), some light spotting, bookplate of Albert Brassey, contemporary green gilt cloth, folio, the album for 1875 contains the original text for each weeks issue as well as the caricature, bound in green half-calf gilt, both rubbed and bumped, folioQTY: (2)