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An oak coffee table, 76 cm diameter, a pine stool, two magazine racks, an accordion, two armchairs, a bamboo stand, a standard lamp, a card table, and an oak side table (qty) Please note collection is from TA9 4LJ only on 22nd, 23rd, 24th & 25th October. Payment to be made beforehand as there is no facility to pay on site
George III mahogany table, fixed square top with moulded edge, fitted with single cock-beaded drawer, pierced corner brackets, on square tapering supports with spade feet Dimensions: Height: 71cm Length/Width: 81cm Depth/Diameter: 81cmCondition Report:Fold-over card table which has been fixed. The hinged mechanism is not present.
An early 19th century style demi-lune parquetry and mahogany card table - second half 20th century, the mahogany cross banded fold-over top opening on a pull-out centre back leg, over a mahogany cross banded frieze and boxwood strung square tapered legs with brass sabots. (LWH 98 x 48.75 x 77.5cm)
A George III mahogany card table – late 18th century, the foldover top with eared corners, swivelling and opening on a gateleg, lined with green baize and with counter-wells, over a single frieze drawer with original brass swing handle, raised on cabriole legs with pad feet. (LWH 83.5 x 42 x 71 cm)
A George II mahogany games or card table - circa 1750, the eared top opening in a concertina mechanism, with four dished candle-holders and four counter-holders (the baize a/f), over a shallow frieze drawer, raised on cabriole legs with lappet carved knees and pad feet. (LWH 85.5 x 85 x 71cm)
A CARVED GILTWOOD CONSOLE TABLE 18TH CENTURY AND LATER, IN THE MANNER OF WILLIAM KENT The rectangular Portor marble top above an acanthus-carved frieze on paired massive eagle supports with spread wings and rocky plinth bases, regilt 95cm high, 184cm wide, 74cm deep Provenance: The Hon. Claude J. Yorke, and thence by descent Illustrated: The Connoisseur, May 1965, p.3 This console table relates to a giltwood table with a rectangular black marble top inlaid with pietre dure created by William Kent (1685-1748) for the 'Lords Dressing Room and Closet' (now the Blue Velvet Room) at Chiswick House, London, in c. 1727-32, for Richard Boyle, 3rd Earl of Burlington; it is now at Chatsworth House, Derbyshire (illustrated ed. S. Soros, William Kent: Designing Georgian Britain, New Haven and London, 2014, p. 495, fig. 18.37). Another pair of similar tables with eagle supports, attributed to Kent, is in the collection of the National Trust at Hatchlands Park, Surrey (NT 1166453.1-2). The eagle supports derive from antiquity, from Ovid's Metamorphoses when the shepherd Ganymede was borne aloft by an eagle to serve as Jupiter's attendant at the banquet of the gods. The design may have been invented by Kent, who depicted a pair of warring eagles atop a low table for Alexander Pope's rendition of the Odyssey (1725-26), and again for the tailpiece at the end of the list of plates in vol. 2 of his Designs of Inigo Jones (1727) (Soros, p. 422, fig. 16.12; p. 423). The Edinburgh cabinet-maker, Francis Brodie, included an eagle table on his trade card, published in 1739 (F. Bamford, Dictionary of Edinburgh Furniture-Makers, Leeds, 1983, pl. 24a). Eagle consoles include a pair formerly at Glemham Hall, Suffolk, sold Christie's, New York, 13 April, 2016, lot 30 ($245,000 inc. premium) and a single eagle table sold by the late Sir John Gooch, 12th Bt., Benacre Hall, Suffolk, Sotheby's house sale, 9-11 May 2000, lot 163 (£10,800 inc. premium). Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. The marble top in good condition with some edge chips. The frame entirely re-gilt, the carcase timbers showing traces of a yellow wash and with old labels from Maples Depository. The wholesale redecoration of the table renders it difficult to determine with confidence the age are materials used but it appears the rectangular frame supporting the marble is 18th century, the applied leaf decoration may well be later. The eagles are probably also later, they don't seem to have the spirit of the 18th century and are very close mirror images suggesting they suggesting they were produced in a very considered way (untypical of the 18th century). That said the table is a handsome and imposing piece with great presence and in `showroom condition'. Condition Report Disclaimer
A DIRECTOIRE STYLE BRASS INLAID MAHOGANY CARD TABLE 20TH CENTURY Of demi-lune outline with a hinged, baize-lined top on tapering turned and fluted legs 75cm high, 100cm wide, 50cm deep Condition Report: Good, structurally secure with minor general wear and tear consistent with age and use in a domestic setting The baize to the inside balloons slightly when opened and closed Some dirt and discolouration to the gilt metal, one section to a leg is pulling away and will require a sympathetic re-attach Overall solid and stablePlease see additional images for visual reference to condition and appearance Condition Report Disclaimer
AFTER WILLIAM HOGARTH THE LADY'S LAST STAKE Oil on canvas 87.5 x 102.5cm (34¼ x 40¼ in.) In a Kentian frame The Lady's Last Stake was originally entitled Piquet: or Virtue in Danger and was one of Hogarth's last works. It depicts a domestic scene with a man and a woman who have been gambling on the card game piquet. The woman has lost her fortune to the army officer, and he offers to play one more game. If she wins, he will return her assets, including the money and jewels in his tricorne hat; but if she loses, she must accept him as her lover. She clasps the edge of a fire screen as she considers his offer and make a fateful decision: to be ruined financially, or morally.The details in the interior are rich in symbolism. These include a small dog, representing faithfulness, which is hiding under the table. There is a painting of a Penitent Magdalene over the fireplace. The mantelpiece bears a clock with the usual figure of Father Time replaced by Cupid , but still carrying a scythe. The cards are being burned in the fire.The painting is a copy of after the original in the Albright-Knox Art Gallery, Buffalo, New York.Provenance: The Hon. Claude J. Yorke, and thence by descent Literature: The Connoisseur, May 1965, p.6Illustrated: The Connoisseur, May 1965, p.6 Condition Report: Condition report available upon requestCondition Report Disclaimer
A 19th Century rosewood and floral marquetry half round card table, bordered with boxwood lines, the quarter veneered and baize lined hinged top with trailing floral stems within tulipwood crossbanded surround, having a trailing floral foliate frieze, on square tapered legs, 80cm width, 76cm height, 40cm depth.
A MID-18TH CENTURY MAHOGANY SERPENTINE FOLDOVER CARD TABLEWith interlaced pierced Gothic arched frieze, 75cm wide; 43cm deep, 74cm highCondition Report: Top with very minor warp. Minor veneer cracks to inside. Would benefit from a light repolish. One r4eplacement bit of molding to front - see photos.
Property of a Lady of Title: a Dutch walnut and marquetry inlaid foldover card table, with concertina action, the shaped, lobed top centred by an inlaid flower-filled urn amidst foliage and butterflies, the baize-lined interior with candle stands to the angles, each inlaid with a playing card of a different suit, the shaped frieze with single drawer above an apron, on shell-carved cabriole legs terminating in unusual pad feet carved as buckled shoes. 73cm by 70cm by 35cm. UK Ivory Act 2018 Exemption Submission Reference -Y8T6Z67A
GEORGE IV ROSEWOOD CARD TABLE, rectangular foldover swivel top, green baize inset, reel moulding to frieze, turned and carved pillar on concave platform, gadrooned feet part-concealing brass castors, 74 (h) x 92 (w) x 46cms (d)Provenance: private collection CardiffComments: minor scratches and indents, immaculate baize
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