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Novo-Hispanic school. Mexico. Late 17th century. Nicolás De Correa (1660-1720)‘Adoration of the Ecce Homo, Man of Sorrows, Lord of the Green Reed, Holy Christ of Humility and Patience, or Most Holy Christ of the Cold Stone’. Oil on canvas.118 x 188 cm. A perfect scene enclosed in a painting of large dimensions, which looks like the passage of a suffering and serene Christ in Easter week in any corner of Spanish geography. The large scene, framed in period gilded cane, is completely filled by the central, mystical figure. Seated and serene, resigned and with all the acceptance of the divine will on his face, bearing our sins, he is silent and mute in the face of the executioners who mock, spit on him and insult him, as the Gospels narrate. Seated on a pilaster, or ‘cold stone’, as the text of John 3. 16 reads on its front:‘In hoc apparuit charitas Dei in nobis, qvoniam filivm svvm vnigenitvm misit Devs in mvndvm. Vt vivamvs per tvm.’(For this is why the Love of God appeared in us, because God sent His only begotten Son into the world, so that we might live through Him.)Above Christ, two angels, flying and weeping, carry a wide, almost mournful phylactery, like a banner, with some verses from the Song of Songs 3, 11: ‘EGREDIMINI ET VIDETE FILIAE SION REGEN SALOMONEM/ IN DUADEMATE...., [QUI CORONAVIT ILLUM MATER SUA].... (Go forth, ye daughters of Zion, and behold King Solomon with the crown [with which his mother].... and so ends the verse, though he is not.... [his mother] crowned him on his wedding day, on the day of his heart's joy).The procession is opened by two angels, standing like ceremonial candle holders to the right and left of the central cross, which is Christ himself. One carries the cross which he will be nailed to and die on; the other, the pillar of his scourging and sufferings, with the cock that crowed at Peter's betrayal.On the right and left, all around the crowd that fills the back, are the angels of the Passion, sacredly carrying symbols and instruments of the Lord's Passion, ‘a great cloud of spectators surrounds us’ (Heb 12:1-4; Ps 21; Mk 14).  In the box, on the left, are Mary Magdalene, Mary his mother, and his mother's sister, Mary of Clopas, the mother of James and Joseph; all with the beloved disciple John.  On the right is Mark the Evangelist with the lion, whose gospel described this scene so heartbreakingly, amidst an audience of praying and worshipping saints.  A picture for meditation and contemplation, ‘eyes fixed on Him who endured pain and the cross, who tasted death on behalf of all, tested by what He suffered, and who, suffering, learned obedience’. All perfectly described by the evangelist present in the picture.For all of us who approach this scene, it is a great spectacle in which we take part ‘as if we were present’. As the psalm says, ‘all who seek you, O Lord, and behold you, all who behold you, who behold in us also that wondrous spectacle of your own salvation’.Sadly, on the back of the canvas there is an illegible text, due to the use of bad ink, or the use of very watery watercolours, which the humidity and the passage of time have gradually erased.

A Regency-style painted satinwood open-arm carver chair with split cane panel back and seat, early 20th century supported by splay legs, together with a matching three-tier cake stand (AF)The chair; 55 cm wide x 61 cm deep x 90 cm overall height, 43 cm height to seat,

Jurassic Park (1993) replica prop cane – based on the design used by Richard Attenborough as John Hammond for the Universal film production, features a mosquito encased in a faux amber resin knob, and carved to resemble rigid dinosaur bone, L 83.5cm, laid on a wooden display with removable wire fastening and plaque beneath reads "Jurassic Park 1994 Making Video History", 95 x 9cm overall Provenance:The vendor worked as a receptionist for 15 years with Cinema International Corporation (CIC) film distribution company (started by Paramount Pictures and Universal Pictures in the early 1970s) and purchased this replica cane from a Paramount Studios Props Auction in 1994.

Six vintage silk parasols, including a black silk parasol with gilt-metal mounted malacca cane handle, a brown silk celluloid handled example, an example in cream silk with glass and gilt-metal top and others (6)

A group of glass paperweights, comprising three Perthshire examples, to include an inkwell, a bouquet paperweight and a cased and cut paperweight, a John Deacons paperweight, with a single flower on a swirled ground, a Lundberg Studios paperweight decorated with daffodils, a facet cut garland paperweight, possibly by Ysart, a snake paperweight, possibly by Ysart, a French sulfide paperweight, and a St Louis paperweight, set with George Washington on horseback, complete with signature cane, largest 14.7cm high (9)Provenance: The property of the late Baron John Mauger Langin Condition ReportNibbles to the bottom edge of the inkwell stopper peg.

A silver water pot by Walker and Hall, Sheffield 1921, with a cane wrapped handle, 22cm high17.32oztCondition ReportTarnishing but no apparent dents.

A group of eight Whitefriars glass paperweights, mid-20th century, comprising a pair of Queen Elizabeth II commemorative examples, with crowns to a blue ground, a pair of printie cut paperweights, each centered with a bell cane, a similar concentric millefiori cane, a tall millefiori paperweight, and a near pair of facet cut concentric millefiori paperweights, largest 8.8cm diameter (8)Provenance: The property of the late Baron John Mauger Langin Condition ReportVery minor wear and the odd frit to the cutting which appears to be more manufacturing related. Overall, good order.

A set of six beech and cane chairs, 19th century, with a highly polished finish,45cm wide39cm deep85cm highCondition ReportUsed, with wear.

PETER HVIDT & ORLA MØLGAARD-NIELSEN FOR FRANCE & DAVERKOSEN: A TEAK 'FD147' MODEL EASY ARMCHAIR, with a woven rattan cane back, curved armrests and swollen supports, with button label, 66.5cm wide x 67cm deep x 87cm high, seat 38.5cm highProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Designed in 1956, this was the most successful and elegant of all the Hvidt & Mølgaard designs, as witnessed by its appearance in the first James Bond film, ‘Dr. NO’, and in the American television period drama, ‘Mad Men’ (set in a 1960s New York advertising agency), where the chair was featured in lead character Don Draper’s office.

A rare pair of Dryad cane corner laundry baskets, each with hinged cover, Dryad labels to underside, one with Maple & Co. retailers label also63 x 38 x 38cm

Arne Hovmand Olsen (1919-1989), a model 300 lounge chair, circa 1955, stained teak with woven cane seat and back78 x 70 x 82cmProvenance: Collection of the late Samuel Alper, OBE (1924-2002)A crudely glued repair (with small chipped section missing) and a spliced repair to one arm, a few minor losses and damages to seat and back, the cane faded.  Scuffs and wear generally commensurate with age and use.

A small beechwood country style occasional chair with spindle and splat back and cane work seat on turned legs

After Paul D’Aire (fl.1890-1910), a bronze and ivory figure in the form of an elderly woman leaning on a cane, inscribed with signature and bearing foundry mark for Etling, Paris, overall height 15.5cmIvory registration reference: TFKUF7RN

Set of four William IV dining chairsMahoganyEach with curved toprails and a carved central splat depicting a floral motif, cane seats, and turned and fluted front legsEngland, 19th century(signs of wear)

Carolean design walnut and oak wingback open armchair, the high wingback upholstered in light blue herringbone fabric, acanthus leaf carved arms with scrolled terminals and on scrolled supports, cane work seat with squab cushion and scatter cushion, the lower rail carved and pierced with putti holding crown surrounded by curled acanthus leaves, leaf carved S-scroll supports united by Scrolled X-framed stretchers Dimensions: Height: 142cm  Length/Width: 82cm  Depth/Diameter: 85cm

Edwardian Adam Revival green-painted and parcel gilt kidney-shaped dressing table, raised triple mirror back with shaped cresting, leather inset top within a trailing floral painted band and foliate carved edge, fitted with five drawers decorated with urn and floral bouquets, on turned supports painted with acanthus leaves and draped festoons; together with matching stool with cane seat Dimensions: Height: 152cm  Length/Width: 113cm  Depth/Diameter: 53cmCondition Report:Stool - W53cm.

Pair of Edwardian Hepplewhite Revival green-painted open armchairs, cane work shield back with central oval panel panted with putto set upon rocky landscape with water and trees, shaped and rolled arms enclosing cane work seat, on turned front supports decorated with acanthus leaves and draped festoons Dimensions: Height: 97cm  Length/Width: 65cm  Depth/Diameter: 52cm

Late 19th century giltwood and gesso bergère bedroom chair, curved back with ribbon twist upper rail and scrolled acanthus leaf pediment, cane seat, back and sides, upholstered squab cushion in blue striped fabric, ribbon twist frieze rail over turned and stop-fluted supports Dimensions: Height: 80cm  Length/Width: 91cm  Depth/Diameter: 66cm

James Shoolbred & Co. (London: 1814-1934) - late 19th century French design giltwood framed two-seat bergère settee, moulded frame with trailing twist ribbon and scrolled acanthus leaf pediment, reverse bow-fronted cane seat and cane sides, squab cushion upholstered in blue striped fabric, on turned and fluted supports Dimensions: Height: 96cm  Length/Width: 105cm  Depth/Diameter: 72cm

Horn Handled Walking Cane, with yellow metal ferrule stamped GP.

A Hardy's 'Gold Medal' trout rod - 9' Palakona cane, two-section with two tops (wet and dry), faded green Hardy's canvas sleeve with zipper

A 9ct gold mounted walking cane by Brigg of London - the gold collar hallmarked London 1965, engraved with initials 'A.G.N', polish to cane heavily worn. 

Two 19th century cane ware pie dishes - one by Copeland late-Spode, printed factory mark, oval with relief moulded game bird and hunting trophy decoration, with grouse finial (chip to beak), 21.9cm long; the other probably by Wedgwood, rounded rectangular basket-weave form with matching stand, the cover relief moulded with game and a rabbit finial, impressed '38' (no other marks), chip to rim of lid, 21.75cm long; together with a salt glazed stoneware pint tankard, 13.2cm high; a pewter W. R. Loftus wine funnel; a creamware coffee pot, cracks; and a small stoneware harvest jug, rim chips. (6) 

A Hardy 'The Palakona' cane trout rod - 8' 6" (260 cm), two-section, #6 line rating, with two tops (4' 3" and 3' 9"), Hardy's navy-blue sleeve in need of stitching

An Irish blackthorn cane with silver collar - by Henry Johnstone of Dublin, 1914, with rootwood knop handle and iron ferrule, 90cm long.

Eleven vintage walking canes and parasols - including a carved horn crook-top cane with Scottish thistle motif, 104.2 cm long; a stag antler and bamboo cane; an Edwardian cane with chased silver mounts (the silver collar a/f); a 1920s-30s parasol with novelty celluloid faux-horn and ivorine parrot handle, etc.

Y&nbspA VICTORIAN BLACK LACQUERED PAPIER-MACHE OCCASIONAL TABLE MID 19TH CENTURY The tip inlaid with mother-of-pearl and applied with parcel gilt decoration 73cm high, 97cm wide, 51cm deep Together with a Victorian inlaid black laquered papier mache occasional chair, in the manner of Jennens & Bettridge, circa 1840, with cane seat, on cabriole legs, 89cm high Condition Report: Various old repairs, including to where one leg of the chaor meets the rails, and where two legs of the table meet the upright.Various chips and losses to the top rail of the chair, see imagesLosses to painted surfaces, marks scratches and abrasions consistent with age and useCondition Report Disclaimer

A modern Indian hardwood slatted yoke back chair with cane seat, a low string seat chair and a stained beech framed Lloyd Loom style elbow chair

A collection of various objets de vertus including a late 19th / early 20th Century carved water deer tusk decorated with dog's head, formerly as a cane handle, 9.8 cm long, together with a plated mug "HRH Prince Charles - Lady Diana Spencer 1981", a 19th Century mother of pearl cased yellow metal mounted magnifying glass / loupe, an early 20th Century ebony paperknife, a black lacquered and chinoiserie decorated rectangular box, a cased set of Elizabeth II Waddington's playing cards, a leather covered prayer book (incomplete) and a "Les Miserables" souvenir brochure published by Dewynter's Ltd circa 1986, together with "Les Miserables" poster and a "Her Majesty's Theatre" programme for "The Phantom of the Opera" circa 1988

A set of four mahogany bar back dining chairs, two shield back dining chairs and a eight mahogany framed cane back dining chairs with upholstered seats

A 19th Century mahogany and inlaid corner washstand, two Provincial Chippendale style dining chairs, a Victorian caned commode armchair, ebonised and mother-of-pearl inlaid balloon back cane seated bedroom chair, a pair of rush seated bedroom chairs, string seat ladder back chair, pedestal wine table, mahogany occasional table, modern serpentine fronted bedside chest of two drawers in the French taste, a small mahogany occasional table, china octagonal table lamp and hexagonal chrome framed glazed ceiling light

A silver mounted walking stick, the pommel engraved with initials and acanthus, malacca cane, 92.5cm long, London 1920; two others, silver plated; three 19th century oriental cotton and paper parasols; silver plated bottle stoppers, corks mounted with horse's head, Cupid, a folly, etc

An early 20th century novelty walking stick, the pommel carved as the head of a dog wearing a jockey's cap, ebonised thornwood cane, 82cm long

A Morgan (UK sports car) cane picnic hamper with fabric liner; a Morgan dashboard frame; Morgan brochures.

Set of six dining chairs in the Louis XVI manner, with limed frames, the oval backs with cane panels, the stuffover seats with cream patterned upholstery and raised on turned reeded tapering legs (includes two carvers), carvers, 59cm wide x 60cm deep x 97cm high  Property of Dunkirk Manor, Theescombe, Stroud

Dated Baccarat spaced millefiori scrambled paperweight, with cane dated 1848 below B, centred by a butterfly cane and flanked by two rows of canes including a stag, horse, elephant, a goat and others on a latticinio ground, approx. 7.5cm diam. Condition ReportSurface scratches and two small bruises on one side. General wear and tear.

Pair of 19th century black lacquered bedroom chairs with mother-of-pearl inlay and cane seats, 38cm wide x 82cm high and a black lacquered and gilt decorated mother-of-pearl inlaid chair stool (3) 

A Contemporary beech frame Bergere armchair, in the Regency taste, the curved cane panel back with fluted and reeded top rail, centred by a circular paterae in beaded surround, the arm supports with rams head terminals, the cane panel seat on square tapered legs with guilloche and pendant husk ornament.

Set of six oak dining chairs with barley twist supports, cane backs and drop-in seats, together with a pair of similar armchairs with splat backs

Silver tea strainer and stand, small silver tankard, silver cane knop, silver mounted wooden box, Eastern white metal pot and cover, set of four good quality plated serving spoons and other plated ware

Old stool with cane seat on square taper legs and castors

German porcelain spirally fluted cane handle, circa 1900, decorated with floral sprays

A VICTORIAN OVAL BOG-OAK MOURNING LOCKET,with carved lyre and floral swag appliqué, with engraved dove motif to interior and containing a lock of blonde hair and a photograph of a young Victorian gentleman; together with a profusely carved brooch encompassing the heraldic emblems of Shamrock, Rose and Thistle; together with a throat ornament mount featuring the same carved emblems with recumbent Irish wolfhound to centre; together with two carved Latin crucifix pendants (one damaged); together with 57 spherical beads ; and with a Victorian photograph of the owner Mrs Giffney wearing the items above.Presented with typed correspondence on the subject dating to 1951 from Mr Anthony T. Lucas (1911-1986), former President of The Royal Irish Society of Antiquaries and Director of the National Museum of Ireland.Since Classical Antiquity, humans have endeavoured to impress the inevitability of death and therefore the importance of living. The Latin trope ‘Memento Mori’ (Remember That You Must Die) is expressed through the world’s art, funerary architecture, and jewellery. Motifs such as the skull, the skeleton, the rat, the coffin and the earthworm have been employed throughout Classical history and later to impart a universal understanding of the term. Mourning Jewellery deviates from the former in that it commemorates the death of a specific person, usually by marking their death dates or even utilising their hair, skin or teeth in the fabrication of the piece. The execution of King Charles I in 1649 was arguably the first example of popular ‘Mourning Jewellery.’ Despite the grievances aired during his reign, culminating in the Second English Civil War and the dissolution of the Monarchy, Charles I had many sympathisers to the Royalist cause. After his execution, many of his supporters commissioned jewellery bearing his image and dates secretly engraved on the inside of the ring band or behind a concealed locket. This implied that these nobles had remained faithful to the Royals even during the period of the Commonwealth (1649-1653) and later the Protectorate (1653-1659) up until the Monarchy’s restoration in 1660, whereupon the wearer would hope to be rewarded for their loyalty to the Crown. Later in the 19th century, the untimely death of Prince Albert (1819–1861) provoked the reigning monarch, Queen Victoria into a lifelong state of mourning. The remaining forty years of her reign saw the macabre motifs associated with mourning jewellery evolve into decidedly more romantic imagery of roses, doves, angels, willows and urns. Typically, the piece was set with enamels and other complementary precious stones and ornamentation such as pearls, to symbolise tears, and jet for grief. The blackened wood of the bog oak became an excellent Irish alternative to the more widely recognised Jet used in Victorian jewellery. As a result, the bog oak ornaments, became the ideal transfer for the nationalistic motifs of a country on the precipice of independence. Imagery was favoured which further promoted the national identity of Ireland as an established state with its own identifiable customs and symbols. The most common motifs include round towers, shamrocks, abbeys, Irish wolfhounds and harps, all which serve to perpetuate a national identity for Ireland’s fledgling tourist industry. The use of Bog Oak for decorative purposes was not a novel concept as it had been chosen as the primary material for the Downhill Harp, crafted by Cormac O’Kelly in 1702. However, Mr Patrick McGuirk is generally credited with escalating the demand from what had previously been considered a cottage industry craft. Supposedly, in 1821 McGuirk presented King George IV and The Duchess of Richmond with a carved cane on their visit to Dublin. The Duchess commented that it would be preferable to carve in the native wood of the country. Taking this to heart, McGuirk attempted to carve on bog oak he acquired and finding it quite suitable, he commenced what would become a robust trade nationwide for the next 100 years or so. Joseph Johnson of 22. Suffolk Street, Dublin is credited with patenting a high-pressure moulding mechanism for high relief detail using heat and steel dies. This enabled the production of ornaments to increase, and it became a highly profitable business on a larger industrial scale. Other important names in the trade include John Neate (1796-1838) of Kerry, Cornelius McGoggin (fl.1850-1914) of Kerry and Dublin and William Gibson of Belfast and many more otherwise.Stephanie Brennan August 2024

A Victorian cane sided cot

AN EARLY 20TH CENTURY ELM SEATED ARMCHAIR, with a central splat back, turned supports, scrolled armrests, turned legs and stretchers, along with two cane seated chairs (condition report: frames slightly rickety, marks, scuffs, other wear and usage) (3)

A QUANTITY OF VINTAGE UMBRELLAS AND WALKING STICKS, comprising a striped 'Lawtex' silk umbrella with carved antler handle, a frilled black 'Fulton' umbrella, two men's Paragon S. Fox & Co. Ltd black standard umbrellas (one damaged), a Victorian silver topped walking cane, a vintage St. Michael cream standard ladies' umbrella with can handle, a small 'Liberty' style printed linen wooden parasol, etc. (qty) (Condition Report: signs of wear and damage to some pieces)

LAURA ASHLEY, A PAIR OF PARTIALLY PAINTED PINE BEDSIDE CABINETS, with a single drawer, raised on turned legs, united by a cane undershelf, width 50cm x depth 38cm x height 62cm (condition report: general signs of wear and usage) (2)

West African Metal Reliquary Handle (5) total items including a handle having a garish face and a bronze alloy construction; together with a Tiwi Islands Aboriginal spear, a tribal snake motif cane, a bamboo staff and a Brazos walking stick Property from: an Estate, Chicago (Gold Coast), Illinois Height: 24 3/4 inches, Width: 11 inches Condition: light to moderate wear, tarnish, verdigris Category: Collectibles > Ethnographic Estimated Sale Time: 1:32 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

HABITAT FOLDING CHAIRS, a pair, mid 20th century beech together with an oval rattan framed glazed top table and a square two tier conservatory woven cane occasional table, table 80cm x 53cm D x 47cm H, extending table 54cm x 54cm x 62cm H. (4)

A silver napkin ring and a Chinese white metal cane handle. The later 10 cm long.

Two cane throne chairs. The largest 93 cm wide x 149 cm high.

A Perthshire glass millefiori Paperweight, date cane for 1985, together with a Strathearn glass millefiori Paperweight, two further millefiori Paperweights and a controlled bubble type Paperweight (5)

A 19th century folding butler's tray on stand, 81cm wide, together with an early 20th century bobbin turned corner chair, with a cane seat (2)Overall condition of tray is complete and usable, but quite marked with use/age. The top has some later screws to the underside to secure the gallery. The chair has a slight wobble and is generally worn and marked with age.

A 19th century carved walnut open armchair, of Carolean design, with a cane seat and back

A set of eight early 20th century high back dining chairs, of Carolean design, with cane backs and upholstered seats, to include a pair of carvers (8)

4 fly rods to include split cane together with 2 fly reels

Bamboo cane swordstick with carved wooden handle of a Yorkshire Terrier - Approx length 90cm

Cane Standard Carp Rod and another Cane Rod with sleeves

Cane 3 Drawer unit with gallery top

Hallmarked gold tipped walking cane, with monogram to top with tapering black lacquered cane, 90cm long and a collection of other sticks