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A collection of Thomas Webb crystal glassware, including twelve Wellington white wine goblets, 13cm tall, ten larger wine goblets, 14.6cm tall, a salt and pepper set, a sugar dredger with silver plate top, along with a three unmarked textured shot glasses and a candlestick holder. All with original boxes.
A set of 19th century brass and iron leather hide scales; a Salter Pocket balance, to weigh 100LB; another, 25lb; a similar 20th century German pocket balance, 25lb; 19th century brass revolving meat jack and bracket; a cast iron candlestick, 42cm high; pewter mugs; ; set of 19th century brass and iron leather hide scales; a Salter Pocket balance, to weigh 100LB; another, 25lb; a similar 20th century German pocket balance, 25lb; 19th century brass revolving meat jack and bracket; a cast iron candlestick, 42cm high; pewter mugs; Francis Wheatley, after, Luigi Schiavonetti, by, a set of six, Criers of London, coloured prints, 25cm x 20cm; other engravings and prints
Ca. AD 200 - 400. A set of glass artefacts, including two bases of glass vessels, likely the bottoms of a bottle or jar, a small candlestick unguentarium with a long, slender neck and a body that flares towards the base, two annular bracelets or bangles - one black with white decoration and another translucent with a delicately twisted design, and a cobalt-blue piriform vessel. For similar bracelets, see: The Metropolitan Museum of Art, Accession Number: 74.51.344 and 74.51.349. Size: 13.8-45mm x 26-43mm; Weight: 84g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Ca. 9th - 10th century AD; Ca. 9th - 10th century AD; Ca. 12th - 13th century AD; Ca. 17th century AD; Ca. 17th - 18th century AD; Ca. 18th century AD. A large group of metalwork, including an Indian brass bottle with a screw top, two Fatimid bronze sprinkler bottles of footed globular form, the neck decorated with six knobs, one with an inner base missing, a Khorassan spouted jug with copper inlay, of bottle form, with a lamp-shaped spout with a lion-faced hinged lid, complete with its handle. The jug has incised decoration with two panels engraved with animals, two rounded with birds, and three panels of calligraphy, one inlaid with copper, with a bell or mihrab-shaped lozenge surrounded by a copper inlay. Also included are two bronze candlestick tops, two shallow bronze dishes, one of which is decorated with four panels of calligraphy, four silver-inlaid crescent moons, and a central arabesque knot with six floral panels on the rim. The outer edge is adorned with six panels of calligraphy and has an old collection label marked 'R.s 21'. The second dish is engraved with a central roundel showing a winged horse against floral arabesques, surrounded by four panels of calligraphy and four roundels, with the edge separated by six panels of calligraphy and six roundels, and the side with five panels of calligraphy and five roundels. A shallow bronze dish stands on three feet, with the upper rim decorated with nine circular stamps and traces of calligraphy, now illegible, and the outer rim decorated with six panels engraved with animals, some retaining traces of inlaid silver wire. Additionally, there is an Islamic brass bottle with oxidised silver inlay, decorated with horizontal bands and vertical stripes of inlaid floral decoration. A Seljuk brass dish of scalloped form, decorated with engraved Kufic inscriptions and arabesque panels around a central geometric knot with eight lobes, is also included. This type of scalloped dish is evidence of the origin of the shapes of later Chinese celadon ware. An Islamic brass stand of octagonal form stands on eight attached feet, decorated with repoussé ovals between the feet, four with calligraphy and four with floral and geometric decoration above. The size is 30 cm in width, including feet, by 6.5 cm in height, with a diameter of 16.5 cm. Finally, an early Islamic cup, made of brass with high copper content, is circular with a lead-shaped handle engraved with a bird, and the outer rim is engraved with a rope pattern, with the base curiously ‘scratched’ with a spiralling ‘movement’ of hatching. Size: 490-560mm x 375-450mm; Weight: 9.2kg Provenance: Previous property of an Islamic art professional, previously apart of the Henri René d’Allemagne Collection, 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950.) This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 1300 - 1500.A bronze candlestick with a traditional form, featuring a truncated conical base. The shoulder is designed with a depressed inner circle and a projecting rim, from which rises a short cylindrical neck at the centre. The solid, conical candle holder is decorated with an arabesque, while the neck is adorned with a vegetal motif over scrollwork. The concave area of the shoulder is decorated with a phytomorphic openwork frieze. For similar see: The Metropolitan Museum of Art, Accession Number 1980.114.Size: 260mm x 210mm; Weight: 1kgProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 12-13th century .A collection of four Islamic thimbles incised with a dotted design, two bronze candlestick necks, both of similar form, one with a band of calligraphy, each with key shaped fittings at the base. A small bronze oil lamp of globular form, with an open neck and three protruding pierced hanging loops. Engraved with incised bands of decoration, along with a bronze polygon set with a four sided large pyramid and eight smaller three sided pyramids, Interspersed with twelve knobs connecting double lines of dots, with two circular openings. This bronze decorative element may have been part of a window grille.Size: 30mm-120mm, 20mm-80mm; Weight; 890gProvenance: Previous property of an Islamic art professional.
A large quantity of assorted collector's items, including an early 20th century mechanical music box with painted top, playing 11.5" discs, case measures 21.5 x 15cm, a pair of Foster & Son boot trees, barley twist candlestick, silver plated candlestick, four Chinese rice bowls, six Chinese plastic teacups and saucers, with four plastic spoons, pot lid, Oxo tin containing buttons, two indentures, etc.
A collection of three Chinese blue and white candlesticks, c.1900, each with a circular drip tray surmounted by a tapering columnar neck and a smaller tray on top, painted with scrolling flowers, 14 and 30cm high (3)Condition ReportOne large candlestick with a small chip to rim, cracked in various locations, restored to neck. The small one chipped and cracked to drip tray, a small chip to base.
A stunning pair of Moorcroft candlesticks featuring the brand's signature design and vibrant glazes. Standing at 21 cm in height, these candlesticks showcase intricate floral patterns and rich colors, a testament to the renowned craftsmanship of Moorcroft pottery. The glaze exhibits some surface crazing, consistent with their age, adding to their vintage charm. The candlestick holders themselves are intact, with no chips or cracks. A collectible pair ideal for display or functional use, embodying timeless elegance and craftsmanship.
Selection of table lamps to include pair of Ralph Lauren Chinoiserie red and white floral rectangular bases and shades, glass mirrored pyramid style bases, pair of black column candlestick style bases, blue and white Chinese style base on wooden stand and two turned pine candle stick style bases etc
ART DECO CANDLESTICK | Central Europe (around 1930) | around 1930 | alpaca and wood | 30 x 6 x 17 cm (width x depth x height) | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
CANDLESTICK WITH PUTTI | Julius Dressler (Czech / Bohemian 1882 - 1945) | 1920-1930 | colored glazed ceramics. Putto in the style of Michael Powolne or Carl Klimt, Bodenbach area (Podmokly) | 30 cm | marked: on the underside with the printed mark JDB (Julius Dressler Bodenbach), stamped Czechoslovakia. | date of birth of the author: 1882 - 1945 | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
CANDLESTICK | Wilhelm Schiller & Sons, Bodenbach (Podmogly) (Czech / Bohemian first quarter of the 20th century) | first quarter of the 20th century | colored glazed majolica | 24 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
TWO-ARMED CANDLESTICK | Julius Dressler (Czech / Bohemian 1882 - 1945) | beginning of the 20th century | colored glazed pottery, model number 4418, Bodenbach area (Podmokly) | 34 cm | marked: drag brand Austria | date of birth of the author: 1882 - 1945 | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
CANDLESTICK | Royal Dux (Czech / Bohemian first quarter of the 20th century) | first quarter of the 20th century | colored glazed pottery, model number 1766 | 29 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
THREE-ARMED CANDLESTICKS | Tiffany & Co. (America / American) | heavily silver plated metal. Richly plastically decorated, composed of two pieces | 50 cm | marked: bottom tiffany & co makers silver soldered | Lot description | This rare pair of original silver-plated candlesticks from the renowned brand Tiffany & Co. is not only a symbol of luxury, but also a masterpiece of goldsmiths and silversmiths. Each candle holder is equipped with three arms, whose detailed reliefs reflect precise craftsmanship and sophistication. The candlestick stands are placed on lion paws, which give the candlesticks a royal and monumental look. This element not only increases their stability, but also adds to their majesty and elegance. The candlesticks bear distinct Tiffany & Co. marks., including a mark that confirms their authenticity. They are an ideal choice for collectors who appreciate both their historical value and richly decorated and timeless design. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
TWO-ARMED CANDLESTICK | Czechoslovakia (around 1925) | around 1925 | red glazed pottery, model number 11656. Probably made by Duchcov | 25 cm | marked: Czechoslovakia from below | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
Timo Sarpaneva (Finnish 1926-2006) for Iittala Five "Arkipelago" Candlestick Holders Textured clear glass with internal bubbles, three of shaped square outline, one triangular and one oval, the latter with partial light blue colouring, all bearing Iittala labels. The tallest 22.3cm high The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society Very light generalised wear but all good without damage or other issues to note.
Timo Sarpaneva (Finnish 1926-2006) for Iittala Group of Four "Festivo" Candlestick Holders Comprising a circa 1970s pair of 'eights', single 'six' and 'two', semi-opaque textured glass, the pair and 'six' all with TS monogram, the 'two' bearing Iittala label. The pair 32cm high The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society One 'eight' with single chip to fourth 'knop', the other with chip also to fourth 'knop' and foot; the others free from damage, light generalised wear, no other issues to note.
A small collection of silver, comprising; a set of six silver coffee spoons, Birmingham 1943, a pair of George III silver tablespoons, Samuel Godbehere & Edward Wigan, London 1795, a silver napkin ring, a pair of silver wishbone sugar tongs, three further pairs of sugar tongs, a white metal mesh purse stamped 'Sterling', a small silver trophy cup, two broken silver salt spoons and a plated candlestick, total weighable silver approx 10.2oz (a lot)
A small group of 18th century English porcelain, comprising Worcester: 'Tea Party' sucrier and cover, 12cm high, reeded tea bowl with blue underglaze cell diaper border, W mark, 7.2cm diameter; 'Hollow Rock' fluted saucer, W mark, 13.2cm diameter; a Chelsea Red Anchor florally decorated saucer, 12.5cm diameter; a scarce Chaffers Liverpool 'Two-storey shelter' saucer, circa 1758-63, unmarked, 12cm diameter; a Worcester sparrow beak milk jug, painted with flowers, unmarked, 8.5cm high; a Derby fluted ogee coffee cup, painted with flowers, with gilt dentil rim, 6.2cm high; a Derby seated bocage putto, 18cm high; sold together a Derby porcelain taperstick, moulded with leaves, 9.5cm high; and a small group of blue and white pearlware, comprising a 'Long Bridge' coffee cup, a 'Violin' tea bowl and coffee cup and a 'Curling Palm' sucrier and cover, 9cm high (group) (faults and restorations) Condition:Pearlware coffee cups 1 - chipped and cracked, another with foot rim chipTea party sucrier - cover chipped, reglued break to rim and associated hairlineWorcester fluted tea bowl - nibbles to rimDerby coffee cup - hairline to rimPearlware sucrier - repaired chips to cover, nibble to finial, restored rim chip to base and hairline crackChaffers tea bowl with crude repaired rim chipChelsea saucer cracked Candlestick with chip to mouthDerby candlestick with various breakages
A Roman green glass Ungentarium of the candlestick style with a long neck (15mm) and bulbous base (47mm wide). Total height is 131mm. The glass has a lovely patina and has a stunning silvery green iridescence colour. It was excavated in the Phoenician/Sprian area and dates from around the 1st Century AD
Säulenuhr.: 3-teilige Säulen-Kaminuhr mit Beistellern, 2. Hälfte 19.Jh., geprägtes Messing vergoldet in Form eines Tempels, kannelierte Säulen und gedrücktes Zifferblatt mit schwarzen arab. Ziffern, geschwärzte Zeiger, im Zentrum angedeutetet Rosette, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, dazu korrespondierend 2 Leuchter für je 5 Kerzen, Höhe 40 cm, Durchmesser 22 cm, Leuchter Höhe 37 cm. - Schlüssel fehlt. 3-piece columned mantel clock with side plates, 2nd half of 19th century, embossed brass gilded in the shape of a temple, fluted columns and pressed dial with black arab. numerals, blackened hands, in the center indicated rosette, french. Round movement with 1/2 hour disc chime on bell, corresponding 2 candlesticks for 5 candles each, height 40 cm, diameter 22 cm, candlestick height 37 cm. - Key missing. D
A pair of 19th century believed French gothic style brass pierced night lights / candlestick chambersticks. Each night light with finger ring featuring fleur de lis decoration, the candlestick holder raised on stepped square plinth over tapering squared base with scrolled perforated design.Measuring approx. 12cm tall, base 11cm x 11cm.
The Decorative Arts - British, American & Canadian Koldeweij, Eloy The English Candlestick. 500 Years in the Development of Base-Metal Candlesticks 1425-1925, 2001 Wills, Geoffrey Candlesticks, 1974 Pinto, Edward & Eva Tunbridge and Scottish Souvenir Woodware, with Chapters on Bois Durci and Pyrography, 1970 Reade, Brian Regency Antiques, 1953 Fry Roger, Manson J B, et al Georgian Art 1760-1820, 1929 Pinto, Edward H Treen and Other Wooden Bygones, 1968 Field, June Collecting Georgian And Victorian Crafts, 1973 Irwin, David English Neoclassical Art: Studies in Inspiration and Taste, 1966 Gloag, John Early English Decorative Detail, 1966 Fowler, John & Cornforth, John English Decoration in the 18th Century, 1986 Priestley, J. B. The Prince of Pleasure and his Regency 1811-1820, 1970 Snodin, Michael & Styles, John Design and The Decorative Arts - Britain 1500-1900, 2001 Cornforth, John The Search for a Style: Country Life and Architecture, 1897-1935 (signed by the author), 1988 Gloag, John Victorian Comfort: A social history of design from 1830-1900, 1961 Larwood, Jacob & Hotten, John Camden ENGLISH INN SIGNS - Being a Revised and Modernized Version of History of Signboards - With a Chapter on the Modern Inn Sign, 1951 Watkin, David Thomas Hope, REGENCY Furniture & Interior Decoration, 1971 Guild, Robin The Victorian House Book, 1991 Hornung, Clarence P Treasury of American Design, in Two Volumes, 1950 Exhibition Catalogue 19th-Century America Furniture and Other Decorative Arts; an Exhibition in Celebration of the Hundredth Anniversary of The Metropolitan Museum of Art, 1970 Webster, Donald Blake The Book of Canadian Antiques, 1974 Constable, W G Art Collecting in the United States of America, An Outline of a History (Quarter leather bound), 1964 Trevor-Venis, Peter The Eighteenth Century English Dining Room, The Israel Museum, Jerusalem Gere, Charlotte & Whiteway, Michael Nineteenth-Century Design: From Pugin to Mackintosh, 1993 Saumarez-Smith, Charles Eighteenth Century Decoration: Design and Domestic Interior in England, 1993 Hughes, Therle and Bernard English Painted Enamels, 1951 Watney, Bernard M & Babbidge, Homer D Corkscrews for Collectors (revised edition), 1993 Gloag, John Georgian Grace A Social History of Design from 1660 to 1830, 1956 Beard, Geoffrey Craftsmen and Interior Decoration in England 1660-1820, 1981 Darlington, Ida & Howgego, James Printed Maps of London, c.1553 to 1850, 1964 (30)
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37672 item(s)/page