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18th century | height: 14 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello comes from Liguria, Italy and dates back to the 18th century. Made of earthenware, it was used to store pharmaceutical mixtures. The inscription on the front "Pil: de Feru" indicates that the jar contained iron-based pills, which were used at the time to treat anemia and other health problems associated with iron deficiency. The jar is decorated with blue geometric patterns, which are emphasized at both ends by arch motifs, typical of ceramics of this period. Gothic calligraphy completes the decoration, with the dark lettering contrasting with the soft white background and blue decorative elements. This albarello not only fulfilled its function in pharmacies, but also provides insight into artistic traditions and pharmaceutical practices in northern Italy during the 18th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

18th century | height: 18 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello comes from Liguria, Italy and dates back to the 18th century. It is a traditional pharmacy jar used to store herbs, ointments or dry medicines. Made of earthenware, this artifact is characterized by its white background with blue floral decorations, typical of northern Italian ceramics of this period. The jar is marked "Absinth" in black, indicating that it was used to store wormwood (Artemisia absinthium), an herb known for its medicinal properties and use in medicine and herbal medicine. This species of albarella was commonly used in pharmacies to store dried herbs. Elegant calligraphy together with a decorative blue motif on a white background reflect the aesthetic demands of a time when even utilitarian objects had an artistic dimension. This artefact is not only evidence of pharmaceutical practice, but also a representative of Baroque ceramics from Liguria. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

A BOLD GOLDEN OTTOMAN THULUTH CALLIGRAPHIC PANEL Ottoman Turkey, dated 1318 AH (1900 - 1901 AD)Arabic printed calligraphy, ink, and gold on black-dyed card, the horizontal-format composition presenting a single straight line of bold gold-printed thuluth script reading 'My Success is due to God', with full diacritics and markers, encased in a rectangular cartouche embellished with clusters of Westernised acanthus leaf triumphs on the outer edges, dated 1318 AH, set against a solid black ground, mounted, glazed and framed, 48.5cm x 76cm including the frame. 48.5cm x 76cm including the frame Qty: 1

λ AN HISPANO-MORESQUE ALMORAVID-STYLE BONE AND IVORY-INLAID HARDWOOD LIDDED BOX Southern Spain, ca. 1920 - 1940Of rectangular shape, resting on four compressed rounded feet, the full exterior and interior of the lid decorated with typical Hispano-Moresque taracea (micro-mosaic marquetry) designs inlaid in bone, ivory and stained wood tesserae, the decoration consisting of traditional Andalusian art motifs like octagonal roundels in-filled with eight-pointed stars (khatim sulayman), strapwork, cusped cartouches with arabesque scrolls and Arabic calligraphy reading the Nasrid motto La Ghaliba Illa Allah, and geometric fretwork bands, the interior lined in later-added green velvet.11.5cm x 27.5cm x 19.5cm This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. 11.5cm x 27.5cm x 19.5cm Qty: 1

AN ISLAMIC-STYLE POLYCHROME-PAINTED FRENCH FAIENCE POTTERY BOWL J. Vieillard & Cie, Bordeaux, France, second half 19th centuryOf compressed globular shape, resting on a flat and unglazed circular base, rising to wide sloping shoulders and a short everted neck with reinforced rim, the body exterior and the neck interior painted in bright over-glaze polychrome enamels including cobalt blue, turquoise, red, yellow, green and white, outlined in black similarly to Islamic cuerda seca pottery creations, the overall design and decorative patterns of the bowl an ode to the 19th-century Islamic art revival in Europe, featuring on the shoulders thuluth Arabic calligraphy, cusped arabesque cartouches, rosette sprays, stylised lotus meanders with saz leaves, and rosette blossoms, cusped arches and geometric strapwork on the base, the interior splashed in cobalt blue against white, the base stamped with the maker's mark J. Vieillard & Cie from Bordeaux, in use from 1845 until 1895, and inventory and serial production numbers, D.65, 323, and 47.14cm diam. and 8cm high 14cm diam. and 8cm high Qty: 1

A POLYCHROME-PAINTED POTTERY VASE WITH THULUTH CALLIGRAPHY Possibly Palestine or Syria, late 19th - early 20th centuryOf ovoid shape with a tapering base and wide, rounded shoulders, resting on a short circular foot and rising to a tall cylindrical neck, the red earthenware body covered in white slip and underglaze-painted in cobalt and light blue, red, and green with black outlines, the central band in the middle of the body featuring a continuous thuluth inscription bearing honorific titles, reminiscent of Mamluk wares and metal artworks.28cm high 28cm high Qty: 1

AN ENGRAVED BRASS DIVINATION BOWL WITH ZODIAC SIGNS Safavid Iran, 17th centuryOf typical shallow rounded shape, resting on a short straight foot and rising to a narrow, everted rim, the centre marked with a dome-shaped boss pierced in the middle, possibly once encrusted, the interior engraved with auspicious and talismanic inscriptions invoking the Prophet Muhammad, Ali and other Shi'a Imams, prayers and wishes, arranged in a spiralling pattern on the boss, cusped cartouches around the base of the boss, interlocking roundels to the cavetto, and further cartouches and free-flowing calligraphy around the rim, the exterior heavily engraved as well with further inscriptions, including the bismillah next to the foot, the central band with octagonal star-like cartouches in-filled with the twelve Zodiac signs, the Leo surmounted by the royal symbol of the Shir o Khorshid (Lion and Sun), the foot with a later-added ownerhsip inscription Saheb-e Shaham Aqa Beyt Ali Beig.18.7cm diam. and 5.7cm high 18.7cm diam. and 5.7cm high Qty: 1

Two Persian Iznik blue and white calligraphy arched top tiles, 28cm x 21cm, together with shards of a similar tile

*JESSIE BAYES (1890-1970): AN ARTS AND CRAFTS ILLUMINATED TRIPTYCH, the central panel showing St Francis with animals, the left wing entitled `Sister Moon`, the right wing entitled `Brother Wind`, with prayers written in illuminated calligraphy, signed to the central panel lower right, housed in the original carved oak frame with gilded decoration and gilt metal furniture, 46cm high x 30cm wide (44cm wide opened), Literature: 'Jessie Bayes Painter and Craftswoman', The Studio 1914, shows a comparable triptych of gilded mahogany painted in tempera by Jessie Bayes, illustrated page 265.

The Vellinger Medal, 1994, a cast bronze medal by T. Phillips for BAMS, calligraphy, rev. gleaming discs revealing their contents, 97mm (Attwood 106). Extremely fine £60-£80 --- Edition of 61

Japanese coloured woodblock depicting a kneeling warrior with food, calligraphy to top left corner, 18cm x 18cm unframed

Islamic Mumlok revival cast brass shield having inlaid silver and Arabic calligraphy decoration, diameter 58cm

Collection of pens including Parker, Windsor & Newton Newton calligraphy set etc, mostly new in packaging

Large and heavy Chinese carved glass vase, possibly Peking, decorated with a bird perched amongst branches, and calligraphy, 56cm highA couple of very small rim chips. Otherwise in good condition. It will hold water.

Group of art material including paint sets, brushes, sketch books, calligraphy etc

AN INDIAN STEEL SIKH DAGGERProbably 19th century, The hilt decorated with inlaid gilt Sikh calligraphy, 39cm longProbably 19th century.Part of a private collector's consignment

Ca. AD 1000 - 1200.A mortar cast from bronze featuring intricate vegetal paterns and incised arabesques framed by foliate lines and inscribed with Kufic calligraphy. The circular-based mortar has tall sides and sits on a flared rim surrounding a deep basin. Size: 100-230mm x 45mm; Weight: 5kgProvenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

A Chinese calligraphy set: a bronze pot and two owls. The former 20.5 cm wide.

Collection of calligraphy and other writing equipment, including a large collection of boxed and loose nibs, boxed Faber Castell leaf holders and leads, etc

A Chinese porcelain vase, late Qing Dynasty the white ground finely painted in iron red with a sage, the reverse with calligraphy in black to reverse, four character in blue to the base, 28cm high

Chinese Porcelain Kettle and cover with metal handle, 19th century of hexagonal form, finely decorated with alternating panels of calligraphy and chinese "Wu Shuang Pu" figures.good condition

A late Meiji period Japanese lacquer rectangular calligraphy brush box, the hinged domed cover decorated with a central image of houses by a lake before a mountainous background, surrounded by a grasshopper, ladybird, and other insects in a gilt border, enclosing a dual compartment inner, 7.5cm x 30.5cm x 12.5cm, c. 1910

A LARGE GROUP OF ISLAMIC TILES 18TH AND 20TH CENTURIES Comprising: two Damascus Tiles, one with calligraphy, a Tunisian tile, a Panel of Tunisian tiles and the remainder Persian, European and Turkish, mostly 20th century 34cm x 23.5cm and smaller (18)  Condition Report: some damages throughoutsee additional images for visual reference to condition and sold subject to non return Condition Report Disclaimer

A Chinese blue and white calligraphy dish, possibly ko-sometsuke for the Japanese market, Transitional period or laterDia.: 14,5 cm

This exquisite 19th-century Persian ring features a vibrant emerald, intricately inscribed with calligraphy, set within a handcrafted silver band. The octagonal emerald set in a silver band with subtle detailing, complementing the emerald's vivid green hue. Weight: 17g Diameter: 2.5cm   

Rounded, with a wide, bulbous body and a slightly flared rim, The basin is adorned with elegant Arabic calligraphy and intricate geometric patterns.  21cm Diam.

This rare and exquisite Arabic handwritten Christian manuscript, authored by Amba Paules, offers a profound glimpse into the ancient wisdom and spiritual teachings of early Christian scholars. The book is meticulously scribed in beautiful Arabic calligraphy, featuring intricate details and vibrant colored headings that highlight its exceptional craftsmanship. H: 27.5cm, W: 20cm

AN ABBASID PLATE WITH CALLIGRAPHY, 11TH CENTURY  27.5cm Diameters 

The jar is adorned with intricate enameled decorations, featuring vibrant blue and gold hues that form elegant arabesque patterns and calligraphic inscriptions.  The jar is paired with a matching under plate, both of which are carefully enameled to create a harmonious set. The jar's lid fits snugly, and both pieces are highlighted with delicate gilded accents that enhance the overall aesthetic. The calligraphy is executed with precision of conveying a blessing.  Jar: H: 12cm, Diameter: 14cm Plate: H: 19.5cm 

A 19th-century Persian bazu-band features three sections, each adorned with finely inscribed carnelian agate. The central oval-shaped piece and the two accompanying heart-shaped sections are meticulously carved with intricate Quranic/Prayers calligraphy. The silver backing is beautifully decorated with floral motifs and delicate patterns, adding a further layer of elegance to this piece. The vibrant red and green gemstone accents on each section enhance the overall aesthetic, making this bazu-band not only a protective armlet but also a stunning example of historical Persian jewellery.  L: 15cm Weight: 25g 

A late 19th/early 20th century Chinese calligraphy on paper for the Islamic market, depicting a teapot, a vase containing flowers and various character markings, 162 x 42cm.

Collection of watches and pens in King Edward box includes Parker Calligraphy, Papermate, Limit of Switzerland 25 Jewels automatic watch & Flying Scotsman pocket watch 

Y Haku Maki (Japanese, 1924-2000)Hanto 58 - Heart SutraWood block printTitled, signed, A/P, limited edition no 211Framed and glazed Haku Maki 巻 白 (Japanese, 1924-2000) was born as Maejima Tadaaki in Ibaraki prefecture, Japan in 1924. He was a teacher until WWII and had no formal art education. After the war, he studied printmaking in Tokyo with artists of sōsaku hanga, especially Onchi Kôshirô. His early works were reflective of his mentors’ woodblock styles. In the early 1960s, Haku Maki began developing his signature subjects and techniques. He experimented with embossing, manipulating textures with concrete, and printing with oil-based pigments. Now, he is famed for the unique texture of his prints, primarily depicting Chinese calligraphy and ceramics. A master of modern Japanese abstract printmaking, Maki's work can be found in the collections of the Museum of Modern Art in New York, the Los Angeles County Museum of Art, the British Museum, and many others. Measures approx. 21cm x 18cm (8.5" x 7")

Artist: Mark Tobey (American, 1890 - 1976). Title: "Composition #5". Medium: Mixed Media on Paper. Date: Composed c1967. Dimensions: Overall size: 12 3/4 x 9 3/4 in. (324 x 248 mm).Pricing:   Starting Price: $3,000  Reserve Price: N.A.  Auction Sale Price Estimate: $5,000/6,000Lot Note(s): Signed lower right. Painted on medium weight cream wove paper. Fine condition; as painted. Comment(s): Tobey was a mystical Wisconsin-born artist whose works had a visual affinity with Abstract Expressionism but shared more in common with Asian art and calligraphy (he studied at a Zen monastery in Kyoto, Japan, in the 1930s). Image copyright © The Estate of Mark Tobey / Artists Rights Society (ARS), New York. [29861-2-3000-NA]

A Chinese calligraphy set.

A small early 19th century treen screw top circular box 2 1/2" tall, a similar satinwood circular box 3" diameter and a Chinese brush pot with carved calligraphy to lid, 6" tall.

Artist: Mark Tobey (American, 1890 - 1976). Title: "Composition #4". Medium: Original color pencil drawing on paper. Date: Composed 1971. Dimensions: Overall size: 8 1/2 x 13 3/8 in. (216 x 340 mm).Pricing:   Starting Price: $800  Reserve Price: N.A.  Auction Sale Price Estimate: $1,200/1,500Lot Note(s): Signed and dated, lower right. White wove paper. Very good to fine condition; lower edge unevenly trimmed, else fine. Comment(s): Tobey was a mystical Wisconsin-born artist whose works had a visual affinity with Abstract Expressionism but shared more in common with Asian art and calligraphy (he studied at a Zen monastery in Kyoto, Japan, in the 1930s). Image copyright © The Estate of Mark Tobey / Artists Rights Society (ARS), New York. [29805-2-800-NA]

A COLLECTION OF CHINESE AND JAPANESE STONEWARE AND PORCELAIN BOWLS IN SIZES. Including: a flared conical Ge-type crackle-glazed bowl, a Japanese raku flared footed teabowl, decorated in brown slip with animals and flowers, probably Edo period, a footed cup in raku glaze, decorated with black dots, signed to base, a ribbed footed celadon cup, two 19th century Chinese celadon cups and other items (8) Provenance: Property of a Sussex gentleman Condition: The Japanese raku glazed teabowl, possibly Edo, with some glaze chipping. The raku glazed footed cup with slight chipping to glaze at rim. Small brown glazed cup with blue calligraphy, with small chips to rim. Impressed mark to base. The crackle glazed bowl with some fine crazing to glaze issuing from the deeper crackle glaze. The ribbed footed sake cup with some stained crazing overall and some hairline cracks. One of the Chinese celadon cups with slight rim chipping.

A pair of Calligraphy Edition sunglasses 'Striped Brown' by Persol model P03166S, size 51-22-145, unused with case and box

A pair of 'Havana' Calligraphy Edition sunglasses by Persol model P03186S, size 51-21-145, unused with case and box

An Oriental calligraphy table screen, W 30cm, H 45cm

A large Chinese calligraphy coin dish, diameter 43cm

An early terracotta Stupa, decorated with panels of calligraphy (converted) H 36cm

An antique Chinese blue and white porcelain tea caddy, decorated with foliate sprays, bats and calligraphy with wooden lid, 13.5cm high 

A PAIR OF CHINESE PORCELAIN IRON RED AND GILT VASES20TH CENTURYeach decorated with figures and with calligraphy to the reverse, with seal marks, on a hardwood stand (4)30.5cm highProvenanceThe contents of The Grange, Wendover.

Jacob G. Nieuwkerk in Heeg 'Isaiah 40.6', Bible text in calligraphy, 1853, ink drawing/paper, h 56 x w 42 cm.

A Chinese scholar's green jade calligraphy brush rest, 7cm wide

A Chinese calligraphy scroll, after Zeudan (Zhang, 1085-1145) "Along the River during the Qingming Festival", printed on silk, mounted on embroidered silk, browned! late 19th / early 20th century, approximately 400cm in length

A pair of substantial Chinese split bamboo japanned parcel gilt columns, profusely decorated in relief with calligraphy, approximately 9ft high

Zheng Guogu (Chinese, b.1970) 'Year Two Thousand, Another Two Thousand Years to Rust', 1999-2007 a set of etched bottles and cans in steel, brass and copper, each signed and dated '1999-2007' to the underside 10.5 to 40cm high (23) Zheng Guogu is a prominent Chinese postmodern artist, known for his innovative and multifaceted approach to contemporary art. His work spans a variety of media, including photography, sculpture, installation, and painting, often exploring themes related to the rapid modernisation of China and the impact of globalisation. The artist is one of the founding members of the Yangjiang Group, a collective formed in the early 2000s, along with Chen Zaiyan and Sun Qinglin. The group is known for its experimental and avant-garde projects, which often incorporate diverse elements, such as calligraphy and performance art, reflecting the unique cultural and social landscape of their hometown. In 2006, Zheng Guogu's talents were recognised when he won the prestigious 'Chinese Contemporary Art Award' (CCAA). His work has been exhibited widely in his home country and internationally, where he continues to challenge and redefine the boundaries of contemporary art. Condition ReportSurface dust and dirt with tarnishing and rust. For a full report please contact the department.

Three 20th century Zisha clay teapots. The lots comprising a domed shaped teapot depicting flowering plum blossom and Chinese calligraphy by Wang Yaqin (small chip to the lid); a terracotta coloured teapot decorated with Qianlong coin relief with a toad finial to lid; and a teapot decorated with peaches and leaves with lid. Impressed seal mark to the base and within the lid. Largest measures approx. 9cm tall x 17cm long. 

A Qing dynasty blue and white dish plate, along with a late Qing dynasty Republic famille rose porcelain pin dish. The blue and white plate decorated with Chinese character "Shou" in the centre and elongated "Shou" on the cavetto; the famille rose plate featuring a scholar watching a swan accompanied by his attendant and seated beneath a tree, calligraphy inscription above. Blue & white plate measures approx. 12cm in diameter, the famille rose example17cm in diameter. 

A box of Oriental items including shadow puppet, calligraphy and writing equipment; Japanese fan etc.

9ct gold chain with a green hardstone crucifix and a Chinese jadeite plaque with yellow metal calligraphy, (3)

Chinese enamelled and calligraphy bowl 15cm diameter

Two Persian Iznik blue and white calligraphy arched top tiles, 28cm x 21cm, together with shards of a similar tile

A large Chinese enamel censer, 20th Century, the lid with seated lion finial, with rectangular form handles, on tripod feet, decorated with auspicious symbols, lines of phoenix and trailing foliage, bearing the calligraphy honorific mark for Qianlong, height 167cm, width 99cm, diam. 67cm.

Y&nbspMONTBLANC, MIYAMOTO MUSASHI 77 A LIMITED EDITION FOUNTAIN PEN, NO. 4/77, 2007 Cap and Barrel: The black lacquer barrel engraved with five Kanji characters in tribute to the 'Go Rin No Sho' (Book of Five Rings), the cap set with five bands brilliant cut diamonds and a mother of pearl Montblanc rounded star cap, the clip modelled as a Samurai katana, stamped 750 with Swiss assay marks and common control marks Nib and Filling System: Medium yellow gold coloured nib stamped 18K and 750 and engraved with two crossed Samurai Kanji, piston filling system, uninked Accessories: Original black lacquer Montblanc Miyamoto Musashi box, Miyamoto Musashi booklet, Miyamoto Musashi outer card box and outer white card box One of the greatest Samurai swordsmen, Miyamoto Musashi (1584-1645) developed a style of two handed swordsmanship that is still used in martial arts today. As a Samurai warrior he also mastered the arts of the tea ceremony, calligraphy and ink painting, for which he was equally accomplished. Towards the end of his life he became a hermit, and wrote his seminal work 'Go Run No Sho' (The Book Of Five Rings), which was his philosophy on swordsmanship with is basis in Buddhist principles.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: As new, uninked and unused. Packaging is mint.Condition Report Disclaimer

Two Indian Mughal watercolours, 19th century. Each with rows of calligraphy to front and reverse, later framed, 46 x 35cm and 38 x 29.5cm. (2)

A Chinese bone brush pot, Qing Dynasty. Decorated with a seated figure on the river bank playing a musical instrument, with rows of calligraphy, height 14cm, width 5cm, depth 5cm.