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An unusual copper wall hanging display cabinet, with a glazed front, flanked by two cupboard doors, 81 x 132 cm

An 18th century oak corner cabinet, 77 cm wide

A walnut corner cabinet, with a glazed door, 70 cm wide

An oak dining suite, comprising an extending dining table, six chairs, a sideboard, 160 cm wide, and a side cabinet, 80 cm wide (9)

A Royal Worcester vase, decorated fruit, 13 cm high, a similar cabinet cup, decorated roses, a blue and white plate, a Royal Doulton jug, and assorted other ceramics and glass (box)pottery jug has a piece missing from it's base, chips and losses to blue and white plates, some rubbing to guilt on Royal Worcester vase, cup and saucer, the saucer having a crack.

A mahogany bow fronted display cabinet, with the leaded glazed door, the top glass panels bowed, 104 cm wide

A Chinese hardwood mother of pearl inlaid table top display cabinet, 47 cm wide17.5 cm deep47.5 cm high

A Chinese hardwood cabinet, the top with stepped shelves, on a base with two cupboard doors, profusely carved with floral forms, 210 cm high x 100 cm wideThe top is slightly warped, and cornice does not correctly sit, the cornice is also split. some of the decorations on the shelves are loose. Variation of colourWe would recommend Martin Brothers for shippingFrom a deceased estate

A Chinese cabinet, with four cupboard doors, decorated figures in a landscape, inset with a glass top, 165 cm wide

Imposing carved and polychromed wooden cupboard. Viceregal work. Peru. 18th century.210 x 152 x 60 cm.Structurally, it has two front doors that close with a large original wrought iron bolt. It is topped with a cornice and supported by a long continuous base. The entire cabinet is completely carved with rich ornamentation of flat carving and moulding in square ribbed sections.The decoration on the doors is divided into three segments, the upper one shows the keys and the Mitre of St. Peter (elements that are repeated in the cornice), the central one shows two Eucharistic pelicans among branches and flowers, and the lower one is formed by a single large rose window, similar to a cathedral stained-glass window.The same decoration, somewhat smaller due to there being less space, can be found on the sides.An example comparable to this is the one in the Museo de Arte de Lima, and as María Campos Carlés points out in her book on Viceregal Peruvian furniture ‘Un legado que pervive en Hispanoamérica. El mobiliario del Virreinato del Perú de los siglos XVII y XVIII": it is ’a dazzling and majestic cabinet for civilian use. This piece was built in the last quarter of the 17th century by anonymous artisans from Cusco with Italian influence.Another example comparable to this cupboard is the one in the Vivian and Jaime Liébana collection in Lima, dating from the 18th century.Regarding the origin and style of this type of baroque furniture, we highly recommend reading chapter VI of the aforementioned book by Compos Carlés (Wooden, baroque style furniture with flat carving, bare, gilded and polychromed. Civil and religious, utilitarian and ornamental use. Lima, Cusco, Arequipa, Puno and Trujillo) in which it is explained how: ’the local craftsman extracted artistic patterns from books of engravings and drawings of European art. This valuable data allowed them to ornament a piece of furniture with Europeanising morphology while inserting juxtaposed autochthonous elements. The Spanish Baroque underwent changes in the Viceroyalty of Peru as a result of the added ornamental fantasy of a typically Andean identity, avid for creativity...The three-dimensional volumetry was achieved by means of bevelled roughing on hard and ductile woods...It is relevant that on some occasions the carved wood was totally or partially gilded with gold leaf, and patinas and polychromy were also used.210 x 152 x 60 cm.Structurally, it has two front doors that close with a large original wrought iron bolt. It is topped with a cornice and supported by a long continuous base. The entire cabinet is completely carved with rich ornamentation of flat carving and moulding in square ribbed sections.The decoration on the doors is divided into three segments, the upper one shows the keys and the Mitre of St. Peter (elements that are repeated in the cornice), the central one shows two Eucharistic pelicans among branches and flowers, and the lower one is formed by a single large rose window, similar to a cathedral stained-glass window.The same decoration, somewhat smaller due to there being less space, can be found on the sides.An example comparable to this is the one in the Museo de Arte de Lima, and as María Campos Carlés points out in her book on Viceregal Peruvian furniture ‘Un legado que pervive en Hispanoamérica. El mobiliario del Virreinato del Perú de los siglos XVII y XVIII": it is ’a dazzling and majestic cabinet for civilian use. This piece was built in the last quarter of the 17th century by anonymous artisans from Cusco with Italian influence.Another example comparable to this cupboard is the one in the Vivian and Jaime Liébana collection in Lima, dating from the 18th century.Regarding the origin and style of this type of baroque furniture, we highly recommend reading chapter VI of the aforementioned book by Compos Carlés (Wooden, baroque style furniture with flat carving, bare, gilded and polychromed. Civil and religious, utilitarian and ornamental use. Lima, Cusco, Arequipa, Puno and Trujillo) in which it is explained how: ’the local craftsman extracted artistic patterns from books of engravings and drawings of European art. This valuable data allowed them to ornament a piece of furniture with Europeanising morphology while inserting juxtaposed autochthonous elements. The Spanish Baroque underwent changes in the Viceroyalty of Peru as a result of the added ornamental fantasy of a typically Andean identity, avid for creativity...The three-dimensional volumetry was achieved by means of bevelled roughing on hard and ductile woods...It is relevant that on some occasions the carved wood was totally or partially gilded with gold leaf, and patinas and polychromy were also used.

Metal workshop cabinet with 28 wooden drawers, measuring 64cm wide, 48cm deep, 139cm high.

Industrial metal workshop cabinet with 2 internal shelves and shelf space under cabinet top, raised on legs, measuring 46cm wide, 38cm deep, 100cm high.

Set of vintage 12 drawer apothecary/workshop cabinet measuring 91cm wide, 31cm deep, 37cm high.

Silverline 15 drawer metal filing cabinet measuring 28cm wide, 41cm deep, 87cm high.

Antique cabinet makers/joiners measuring tools believed to belong to the principal joiner at Armathwaite Hall during early 20th century, comprising of a pair of Mathieson & sons set squares, Rabone no1167 folding ruler, Rabone cast iron carpenters square and Mathieson & sons wood scribe and sliding bevel.

Wooden worktop cabinet with 3 graduated drawers, lockable with key, measuring 76cm wide, 22cm deep, 47cm high.

Wooden worktop 6 graduated drawer cabinet, with wooden lid, measuring 84cm wide, 27cm deep, 43cm high.

Industrial metal workshop cabinet with 1 shelf, measuring 46cm wide, 39cm deep, 92cm high.

Silverline 15 drawer filing cabinet measuring 28cm wide, 41cm deep, 87cm high.

Antique cabinet makers wooden tool chest with 4 internal sliding draws, measuring 91cm wide, 52cm deep, 60cm high.

Metal worktop 6 drawer cabinet containing screws, bolts, drills etc, measuring 45cm wide, 48cm deep, 39cm high.

Industrial metal workshop cabinet with 2 shelves, measuring 46cm wide, 39cm deep, 92cm high.

Set of 5 table/cabinet leg forms/templates.

A traditional Chinese red and black lacquer Marriage Cabinet, 19th century (?) the doors painted with boys at play with a female courtier.on simple stile legs,110 cm wide x 55 cm deep x 202 cm overall height.

A 20thC oak display cabinet, the raised and arched top above an arrangement of two cupboard doors and central mirrored panelled door, above three drawers and three cupboards, on block base.

A Dutch silver novelty miniature cabinet on stand late 19th century to early 20th century, lion key mark, maker's mark 'JvD H', surmounted by three urns, above two doors, to a bombe form stand, raised on two paw feet, 10.5cm high3.49oztCondition ReportTarnishing throughout. One of the back supports is dented.

A group of three KPM porcelain cabinet plates early 20th century, Berlin, each hand-painted with a still life fruit scene enclosed with a gilt border, printed and painted mark,19cm diameter (3)Condition ReportOne with a poorly restored chip to the rim. Minor wear and rubbing throughout.

A collection of Wedgwood Jasperware items, 20th century, to include a set of three footed vases, a similar larger example, 14.8cm high, a teapot, 18cm wide, a cream jug, 6.9cm high a pair of teacups and saucers, teacups 6.7cm high, and two side plates, 17cm diameter, and two cabinet plates, 23.5cm diameter, each with classical figures to a lavender ground, impressed marks (qty)Provenance: The property of the late Baron John Mauger Langin Condition ReportSmall chip to the end of the spout on the teapot. The rest with surface scratches and wear.

A marquetry inlaid gilt metal mounted pier cabinet 19th century, the single panelled door inlaid with foliate scrolls, flanked by two corinthian columns, the interior fitted with two shelves, 93 wide39cm deep109cm highCondition ReportLosses in veneer in areas. Knocks, scuffs present - associated with usual wear. Lock in working order. Beading around panelled door slightly loose.

A set of six porcelain cabinet plates, 19th century, the centres each decorated with hand painted floral arrangement, within a colbalt blue and gilt border.23.5cm diameterCondition ReportNo apparent chips, cracks or restoration. Only light surface scratches to the painted decoration and wear to the gilding. Please see the additional images.

A collection of Wedgwood Jasperware items, 20th century, comprising, a pair of jugs, 11cm high, a straight-sided example, two cups and saucers, teacups 5.7cm high, a pair of side plates 16.5cm diameter, cabinet plate 23.7cm diameter, a pair of squat candle sticks, pot pourri pot and cover, a pin dish, an ashtray, each with classical figures to a buff ground (qty.)Provenance: The property of the late Baron John Mauger Langin Condition ReportMarks and wear commensurate with use.

A Sevres porcelain cabinet plate 19th century, the centre with a painted scene of a courting couple, to a gilt and pink ground border, printed mark S.57, 24cm diametertogether with a Sevres porcelain teapot on standwith a painted scene of musicians, signed Wateau, to a gilt and blue ground, painted marks, total 24cm highand two named view porcelain dishes,of shaped form, comprising a Dresden example titled 'Cattle on the Rhine, Germany', and another titled 'Northumberland',25cm wide (4)Provenance: The property of the late Baron John Mauger LanginCondition ReportNamed view dishes) The Northumberland example with a restored crack.Teapot) Wear to the painted scenes. Cabinet plate) Good condition, no apparent chips or cracks.

A set of seven Royal Worcester porcelain cabinet plates decorated by H Ayrton, painted to the centre with fruit, to a cobalt blue and cream ground, with gilt border, signature to each, and a copy of the letter of authentication from The Royal Worcester Porcelain Co. Ltd.,24cm diameter,Condition ReportNo apparent chips, cracks or restoration.

A Royal Worcester Aesthetic Movement porcelain cabinet plate, 19th century, decorated in gilt with flowers and a crane, to a red/ orange ground, with printed marks, 23cm diameterProvenance: The property of the late Baron John Mauger Langin Condition ReportWith rubbing to the decoration and gilt. Crazing to the base. With some rubbing and kiln pickup to the foot rim.

OAK ROLL FALL FRONT FILING CABINET WITH 2 KEYS Condition

MAHOGANY CASED SEWING MACHINE CABINET, TEAK NEST OF 2 TABLES, BLACK FOREST STYLE CUCKOO CLOCK 

TRAY CONTAINING THE QUANTITY OF BOXED MODEL CARS, OLD TIMER, ANTIQUE CLASSICS, DAYS GONE, GLASS FRONTED MODEL DISPLAY CABINET BOXED ETC 

FRISTER & ROSSMANN SEWING MACHINE HOME MAKER16 & FITTED CABINET Condition

SINGLE DOOR SHAPED WALNUT VENEER DISPLAY CABINET Condition

TRY CONTAINING LIDDED AINSLEY DOUBLE HANDLED TABLE VASE, USSR DANCING BEAR, 3 PIECES OF ROYAL CHELSEA GOLDEN ROSE TEA WARE, 6 PIECE VICTORIAN FRUIT SET, PAIR OF PARAGON CABINET CUP & SAUCERS, HAMMERSLEY SUGAR & CREAM Condition

5 PIECE GPLAN TEAK LOUNGE SECTIONAL UNIT COMPRISING BOOKCASE, COCKTAIL CABINET ETC Condition

MID CENTURY TEAK OTTOMAN, TEAK RECORD CABINET WITH QUANTITY OF CLASSICAL MUSIC LP'S 

OAK SINGLE DOOR DISPLAY CABINET Condition

PAIR OF AINSLEY HAND PAINTED CABINET CUP & SAUCERS, 3 VARIOUS PAPERWEIGHTS, 12 PIECE ROYAL STANDARD ROSE OF SHARON, APPROX 40 PIECES OF TUSCAN TEA WARE Condition

BINDING: The Cabinet of Poetry, in 6 vols. Phillips, 1808. Cont. full mottled leather, VG+; The satyrical works of Titus Petronius Arbiter, in prose and verse, in three parts. 1708, Frontis & plates. Cont. full leather & later spines; Glover, Richard: Leonidas, a Poem, 1737; Gray, Thomas: Poems And Letters. 1879; Pope: The Iliad of Homer, in 4 vols. 1763. Cont. full calf. Vols: 1&2 only (1)

FURNITURE: Chippendale’s The Gentleman and Cabinet Maker's Director, 1910; Hepplewhite's The cabinetmaker and upholsterer's guide, 1910; Beveridge: English Renaissance woodwork, 1660-1730. 1921, folio; Macquoid, P: A history of English Furniture, 4 vols. Leather bound Plus others in cloth & dws; Plus several other volumes on Furniture (qty.)

Peter Blake (SIGNED): 1- One Man Show, by Marco Livingstone. 1st. Edn. Dw. Title page SIGNED & DATED BY BLAKE. FINE; 2- A retrospective. 1st. Edn. SIGNED, Card covers, fine; 3- Rock, Paper, Scissors. 1st. SIGNED, Card covers, fine; 4- A cabinet of curiosities from the collections of Peter Blake. 1st. INSCRIBED, SIGNED & DATED BY BLAKE & ONE OTHER? Pictorial card covers, FINE; 5- Vaizey, Marina: Peter Blake. 1st. Edn. SIGNED BY BLAKE, FINE. (5)

Two Victorian albums of cabinet cards and cartes des visite

Assorted paper ephemera, together with a Victorian album of cabinet cards and cartes de visite

Unusual arch topped carved oak wall cabinet with glass door and sides

Oak wall fitting cabinet [ 56.5 x 58 x 12cm]

Kingwood and marquetry bijouterie cabinet, the shaped top with floral marquetry inlay with bevel edge glass insert with a surrounding gilded bezel with foliate casting, the lower with a supporting inlaid shelf, the whole raised on cabriole legs with sabots [77.5x60x41cm]

Antique burr walnut display cabinet with glass panelled doors and keys

Georgian mahogany corner cabinet, the glazed door opening to shelved interior, surmounted by scroll extensions [119x71x42cm]

Music Sheet cabinet [ 87 x 55 x 40cm]

Reproduction fitted wall cabinet [ 76.5 x 77 x 24cm]

19th Century Apothecary cabinet, the marble top above an arrangement of drawers with brass handles and number plaques ranging from 1-25 (optional mirror back available)

Small three drawer chest together with bathroom cabinet, kitchen bin and office storage holders

Antique style walnut veneered cabinet in the style of Whytock and Reid, the rectangular surface above  pull-out ledge and two cupboard doors, raised on square legs [92x69x51cm]

19th Century filing cabinet by Whytock and Reid Edinburgh, the flamed mahogany surface above a pull-out writing ledge and two cupboard doors opening to filing area above squared cabriole legs [92 x 69 x 50cm]