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A Balinese carved bust portrait, of a man, 35 cm high

Various 1960's evening dresses to include a green and cream brocade full length evening dress labelled 'Lee Delman' trimmed with green chiffon on the bust and with an attached shawl, a red satin evening dress 'V' neck, a dark blue evening dress with a ruched bodice and bow, with spaghetti straps, an emerald green silk halter neck evening gown with a ruched bodice, a pale yellow and cream cocktail dress empire waist, bell skirt, the cream bodice decorated with sequins, a black crepe cocktail dress, pleated skirt, short capped sleeves, 'V' neck, the bodice decorated with black sequins and a red lace strapless evening gown, full skirt, ruched bodice (7)

An alabaster bust of Apollo of Belvedere of recent manufacture, of typical form, raised on a socle, engraved 'Italy',20cm wide30cm highCondition ReportWith some minor nibbles to the left shoulder. Otherwise in good overall condition. Structurally sound.

A collection of six French school bronze medals, 19th century, dated 1857 and 1858, with a bust of Claude Martin (1735-1800) a French soldier of the French East India Company, founder of the La Martiniere schools, 5cm diameter, and another two similar examplesone cast 'Societe Philomahique de Bordoeaux, 6.7cm diameter (8)Condition ReportRubbed and with wear.

A Grand Tour souvenir bust 19th century, after the Antique, on a socle, 33cm high together with a set of four plaster souvenir busts, modern, on rouge marble plinths22cm each (5)Condition ReportThe large bust has an old crack repair accross the toga

A painted plaster bust mid 19th century, of John Smith, a Fen brewer, on a flat socle, 66cm highCondition ReportWith some knocks.

A bronze model of a dog, late 19th to early 20th century, modelled on a faux hardstone bronze plinth, 10.5cm high together with an Art Nouveau bronze bust, in the manner of Emmanuel Villanis, depicting a shoulder-length female, 21.2cm high (2) Condition ReportWear and losses to the finished in places. Knocks, scuffs and imperfections more noticeably to the bust.

An Art Nouveau Goldschieder terracotta bust c.1900, by J Louger, of a Dutch maiden, impressed marks, model no. 2491, with Les Styles Hamburg exhibition catalogue, 39cm highCondition ReportRubbing and wear to the paint.

A BUST PORTRAIT OF THE OTTOMAN SULTAN MEHMED II (R. 1451 - 1481) AFTER PAOLO VERONESE’S CIRCLE (1528 - 1588) Possibly Northern Italy, 19th centuryOil on canvas, the vertical-format portrait depicting the bust of Sultan Mehmed II in full regalia, with a sumptuous and voluminous white turban enhanced with encrusted ornaments on the front, wearing a brocaded red overcoat on a striped anteri robe, on the left hand-side an inscription identifying the sitter in Italian reading MAVMETO SEG. VIII, the 19th-century composition paying tribute to the renowned cycle of Ottoman sultans' portraits by the Italian Renaissance painter Paolo Veronese's circle at the end of the 16th century, now part of the Bayerische Staatsgemäldesammlungen (Bavarian State Painting Collection) in Munich, Germany, mounted and framed.71cm x 56.5cm including the frame For further reference and to view the 1570s original portrait (inv. no. 2247) by the circle of Veronese (Paolo Caliari), please click on the following official link of the Bayerische Staatsgemäldesammlungen: https://www.sammlung.pinakothek.de/de/artwork/6kLaqA9L8V 71cm x 56.5cm including the frame Qty: 1

Miscellaneous items including butter mould, glass bust of John Wesley, a school desk pencil sharpener, set of drawing instruments, etc

Pair of brass candlestick decorated with greyhound dogs together with greyhound bust Height of candlesticks - 18cm

Miniature bust portrait of a young woman wearing Continental regional costume on glazed ceramic panel in an ornate frame

Collection of six bronze some circa BC coins o include:INDO-GREEK: Apollodotus I, ca. 180-160 BC, AE unit (9.51g), Bop-6K, Apollodotus, holding bow.Ruler Eukratides 171-135 BCDenomination Eukratides' helmeted bust right as pictured.With four other early bronze coins as pictured.

A very collectable, hammered Silver Shilling of Queen Elizabeth I - struck between the years of 1584 to 1586. The obverse features the crowned bust, facing left, without a rose behind or a date. The reverse shows the square-topped Royal shield of arms, with the cross Fourchee through. The mint mark of "Escallop" is featured on both the obverse and reverse. This coin is of good detail and even tone, and was struck at the time when Mary Queen of Scots was imprisoned by Queen Elizabeth the First, and sent to trial for reasons of treason.

§ Karin Jonzen, FRSA (1914-1998), an impressionistically modelled terracotta bust of a young boy, incised signature to reverse, 30 x 18 x 11cm; together with a wall-mask of a young boy at rest, 26 x 18 x 14cm (2)

§ Karin Jonzen FRSA (1914-1998), a glazed terracotta bust of a boy, possibly the artist's son, impressionistically modelled and finished with a verdigris glaze, mounted to wooden plinth base26 x 13.5 x 14cm, exclusive of base

§ Ursula Edgcumbe (1900-1985), The Majorcan Boy, a carved brown marble bust of a young man, mounted to integral oak plinth basethe bust 14.5cm high; 30.5cm high overall Exhibited: London, The Leger Gallery, 1936Provenance: The collection of Quentin Stevenson

§ Sir Eduardo Paolozzi CBE (1924-2005), Bust, a plaster bust of a cubist style male head, unsigned21cm high

§ Sir Jacob Epstein KBE (1880-1959), Master Stewart (Babe with Arms), 1949, a patinated and impressionistically modelled bronze bust of an infant modelled with arms outstretched, raised on a stepped marble base, incised signature to back25 x 22 x 38cm

D* W* Haddon - watercolour Bust portrait of a elderly Cornish female, signed 10" x 7"

Artist unknown - pen and ink A pair of sepia Old Master-style portraits 9" x 7½" and one other 19th century pencil sketch - female bust portrait (3)

S** R** - pencil Three bust portraits of Middle Eastern gentlemen, signed with initials 15" x 11" and 10½" x 9" (3)

D* W* Haddon - oil on canvas Bust portrait of a young girl, signed 15½" x 11½"

S* Marevo - oil on canvas Bust portrait of an Italian male, signed 10" x 7½" (af)

Eliza Ianthe (Shelley) Esdaile (daughter of Percy Bysshe Shelley) - oil on board Bust portrait of a gentleman wearing a hat, inscribed to verso, 5" x 4"

Circle of Jean Baptiste Peronneau (1715 - 1783)Bust length portrait of a lady, her coiffed hair adorned with jewels and a feather, wearing a fur trimmed blue dress, oil on canvas, 43 x 32cm oval in Empire gilt gesso frame

A simulated bronze composition bust of Sir Edward Elgar, 15.5cm high; and ten further, mainly composers (11)

Circle of Christian Wilhelm Ernst Dietrich (1712-1774)Bust length portrait of a man wearing turban, oil on panel, 8.5 x 7.5cm; and companion, a pair (2)

SCOTTISH SCHOOL, 18TH CENTURY A portrait of the young Bonnie Prince Charliedepicted bust-length in a feigned oval, wearing a Royal pendant at his breast, oil on board, 42cm x 34cm

ATTRIBUTED TO ALEXANDER KUCHARSKI (1741-1819) AFTER ELISABETH-LOUISE VIGEE LE BRUN (1755-1842) 'The Countess Potocka' a bust-length portrait of Zofia (Sophie) Potocka, wearing a blue ribbon in her hair, pastel on paper, 46cm x 37cmNote: Born Zofia Clavone in modern day Turkey in 1760, Zofia was a Greek slave courtesan and a Russian agent, later a Polish noblewoman. She was famous in contemporary Europe for her beauty and adventurous life.A 1943 letter penned by Reginald W.M. Wright, Director of Victoria Art Gallery and Municipal Libraries, Bath, is affixed verso, in which he details his opinion that the sitter is Countess Alexandra (Anna) Potocka (née Tyszkiewicz) the wife of Count Aleksander Stanisław Potocki. A further newspaper clipping housed in an envelope verso refers to the sitter being the Delfina Potocka, the Polish Countess, friend and muse to Frederic Chopin.

JOSEPH WILLIAMS (20TH CENTURY) A BRONZED RESIN BUST OF SIR WINSTON CHURCHILL signed and dated 1978 to the reverse, with a green velvet base, 27cm highNote: For a comparable, see Sotheby's, English Literature, History, Children's Books and Illustrations, 9th July 2019, Lot 35.

A bust of Madame Juliette RecamierPlaster sculptureInscribed "M.me Recamier", signed Houdon (Jean-Antoine Houdon, 1741-1828) and dated 1802Alt.: 65 cm

A bust of Louis XIVPainted cement sculptureOn a standDim.: 88x64 cm (busto)Alt.: 80 cm (base)

English School (19th century): Bust Portraits of Cherubs, pair oils on canvas unsigned 21cm x 16cm (2)

Crown Staffordshire Figurine, tins, travelling ink well, bridge set, resin bust, etc:- One Tray.

A quantity of ceramics including two Losol ware tureens, Royal Stafford 'Camellia' pattern teacups etc. bust of horse, quantity of loose diecast mainly by Matchbox, LPs, two framed prints and embroidery etc. Two Boxes

Two pieces: 1. A large Nuremburg 17th century style bronze cup weight box, with dark brown patination, probably early 20th century, the hinged lid with mythical beast and female bust mounts and clasp, 21cm high (lacks nested weights from interior) 2. A copper and brass Port and Starboard ships's lantern, with red and green glass and top swing handle, 26.5cm high plus handle

A hand carved terracotta bust of King James I by Mark Jones - signed and dated 1976 to reverse, half-length, 32.5cm high.

A reconstituted stone bust of a flower maiden - on a waisted socle, 41.5cm high.

An enamelled and gold-plated George III 1797 'cartwheel' penny - the lettering and the background of the king's bust inlaid with black enamel; Britannia decorated in five-colour enamel and cream ground, Soho mint mark clearly visible, the masted ship obscured by the ground enamel; the coin mounted in a gilt-metal pendant-mount with 24" chain.

Four pieces of German porcelain, early 20th century - comprising a KPM Berlin pastille burner or pot pourri and cover, painted in the Dresden style with courting couples in garden landscapes, underglaze blue mark, 16.7cm high; a bust of Prince Louis Charles de Bourbon, after the Meissen original by Kandler, probably Dresden, 15cm high, feather to bonnet a/f; and a pair of baluster vases with gilt entwined vine handles, painted with Deutsche Blumen, printed blue crown marks, 18.5cm high. (4) - Pastille burner: Good condition with no faults. Very minor gilt wear.- Bust: Losses to feather and crossed ribbon on bonnet. Loss to one side of bow beneath chin. Minor losses to floral bocage.- Pair of vases: Some gilt wear. No other faults.

Bobbie Williams: a glazed terracotta sculpture titled 'Green Goddess' - sculptor's inscribed card pasted to base, the female bust in a dark green and parcel gilt bronze-style glaze, 34.25cm high.* In good condition overall, with just a couple of tiny chips to the back of the hair. No other chips, cracks or damage. Minor abrasions to the bronzed finish to raised detail.

An antique carved wooden deer’s head and antler wall mount – possibly Indian, first half 20th century, the carved wooden bust with red, black and white painted decoration, with real antler mounts, approx. 55cm high, the ears probably later replacements.

AFTER LOUIS-ROBERT CARRIER-BELLEUSE (1848-1913) FOR THE CHOISY-LE-ROI FACTORY, A FAIENCE BUST OF DIANA CIRCA 1900 Set on a fabric covered wooden base, incised signature A LOUIS CARRIER BELLEUSE to reverse 61cm high excluding socle, 76.5cm high overall The collection from Trethill House, Cornwall Condition Report: Extensive firing cracks and faults throughout. Crescent hair-piece chipped. Please see additional images for reference. These are available upon request from the Dept.Condition Report Disclaimer

JOHN ADAMS-ACTON (1830-1910)- A MARBLE PORTRAIT BUST OF A GENTLEMAN DATED 1865 Socle base and grey marble plinth, signed and dated to reverse "JOHN ADAMS ACTON FECIT ROMA 1865" 71cm high overall, base 24.5cm wide Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Wooden pin joint between socle and bust has perished- the bust is currently sitting on the socle fixed only by gravity, this will require remedial work before safe domestic display. With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Natural inclusions and some darker veining, several pockmarks Bust with dirt, water and paint splashes. Edge scuffing, marks and stains notably to shoulders and along back edges. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer

WILLIAM HAMILTON, 11TH DUKE OF HAMILTON 19TH CENTURY On socle base, unsigned 73.5cm high Set on a simulated porphyry pedestal, pedestal 106cm high, 179.5cm high overall Literature: The Connoisseur, May 1965, p2 Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Bust- natural darker inclusions and veining throughout. Small dark pockmarks scattered throughout. Surface dirt. Edge rubbing, small chips and wear notably around shoulders and top rear edge. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer

A TRENTANOVE (19TH CENTURY) A MARBLE PORTRAIT BUST OF CHARLES PHILIP YORKE, 4TH EARL HARDWICKE (1799-1873) MID 19TH CENTURY Socle base, titled to tablet "CHARLES PHILIPS YORKE, 4TH EARL HARDWICKE", inscribed to reverse "A TRENTANOVE SCULP LONDON" 71cm high Provenance: Probably commissioned by the Earls of Hardwicke, and thence by descent. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. With professionally restored break to neck, natural darker inclusions, pock marks and veining throughout. Some surface stain marks Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer

A WHITE MARBLE PORTRAIT BUST OF A GENTLEMAN LATE 19TH/EARLY 20TH CENTURY Depicted wearing tie, waistcoat, and double-breasted jacket, unsigned 69cm high Affixed to a white marble and simulated scagliola pedestal column, 20th century, the pedestal 114cm high 183cm high overall Saleroom Notice: The description has been updated and differs from the printed catalogue. Condition Report: Saleroom Notice: The description has been updated and differs from the printed catalogue. "Affixed to a white marble and simulated scagliola pedestal column, 20th century, the pedestal 114cm high 183cm high overall " Bust is fixed to the marble top of the simulated scagliola base- which is now detached from the base. Bust: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Dirt and paint/water splashes. Natural inclusions and spots, some scuffing and marks to both shoulders, small edge losses, Base with loss and some wear around top moulding from marble removal- further edge old repairs- some losses to lowest plinth base- paint splashes Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer

AFTER ANTOINE-DENIS CHAUDET (1763 -1810)- A MARBLE PORTRAIT BUST OF NAPOLEON BONAPARTE 19TH CENTURY 67cm high Provenance: Possibly the Drury Lowe family, Warwickshire, sold at Sotheby's circa 1987.  This bust of Napoleon I (1769-1821) is inspired by a model by the French Neoclassical sculptor Antoine-Denis Chaudet. His marble version of 1804 was Napoleon's preferred image of himself and became the official portrait that was reproduced in biscuit porcelain made from 1805 at the Sèvres porcelain factory.  The collection from Trethill House, Cornwall Condition Report: With mild wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally in clean good condition, natural darker inclusions and veining. Some surface marks notably to sides of face, loss to rear of socle edge that may benefit from remedial work before domestic use. Wear to edges- notably shoulders and rear top edge with some chips and losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers.  Condition Report Disclaimer

AFTER THE ANTIQUE- A PLASTER BUST OF A GODDESS LATE 19TH/EARLY 20TH CENTURY Possibly Demeter or Hera 55cm high Together with Bell Malcolm, Edward Burne-Jones: A Record and Review, 1892, original cloth Provenance: By family repute the plaster bust was in the studio of Sir Edward Coley Burne-Jones (1833-1898); By descent to his daughter Mrs J W Mackail (nee Margaret Burne-Jones) (1866-1953); By descent to her daughter Clare Mackail (1896-1975); Thence by family descent. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Numerous casting lines and quite roughly finished. Loss to nose seems to be by design. Darker surface largely again from manufacture but with some dirt accretion. Some wear to base edge. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

RICHARD CLAUDE BELT (1851-1920) A MARBLE PORTRAIT BUST OF THE HON.ELIOT CONSTANTINE YORKE DATED 1879 On socle base, inscribed to reverse 'R C BELT SCULT LONDON 1879' 69cm highProvenance: Probably commissioned by the Earls of Hardwicke, and thence by descent. The Hon. Captain Eliot Constantine Yorke (1843-1878) was the fourth son of Admiral Charles Philip Yorke, 4th Earl of Hardwicke, and the Hon. Susan Liddell. A Member of Parliament, he was also a captain in the Cambridgeshire Militia, an Equerry to His Royal Highness the Duke of Edinburgh and a Deputy Lieutenant of Cambridgeshire. On 11 February 1873, Yorke married Annie, daughter of Sir Anthony de Rothschild, 1st Baronet. The marriage had no issue and he died in 1878, aged 35.  Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Paint and water splashes and dirt accretion. Natural inclusions and some darker veining, several pockmarks including larger one under his chin. Some scuffing, marks and stains around shoulders and back edges. Lower edge of socle with loss Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer

A VICTORIAN CARVED MARBLE PORTRAIT BUST OF LADY MARY CATHERINE YORKE (1837-1890) CIRCA 1860-1870 Socle base, unsigned 71cm high Provenance: Probably commissioned by the Earls of Hardwicke, and thence by descent.Lady Mary Catherine Yorke was the daughter of the 4th Earl of Hardwicke. She married William George Craven, Grandson of the 1st Earl of Craven.   Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. With natural faults, inclusions and darker veining to stone. The whole quite dirty and with numerous blue and pink paint splashes and signs of water splashes as well. Rust(?) brown stains also notably to back edge and to socle which has cracks. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

RICHARD WESTMACOTT (1775-1856) A MARBLE PORTRAIT BUST OF CHARLES JAMES FOX 1818 Signed and dated "RD. Westmacott R.A 1818" 70cm high It is likely that this exact bust is the one referred to in the National Portrait Gallery summation of the known portraits of the Whig statesman Charles James Fox (1749-1806): "1816- Statue by Richard Westmacott jr., whole-length seated, the Magna Carta in his right hand. Bloomsbury Square, London (illus. M. Busco, Sir Richard Westmacott, 1994, p 73). Engraved S. W. Reynolds and W. Ward 1817. A bronze model formerly at Holland House. The head based on Nollekens's 1801 bust. Separate marble busts by Westmacott sold Christie's, 28 January 1988, lot 189, and formerly at Alscot Park; bronze busts sold Sotheby's, 15 July 1998, lot 38 (as Nollekens), and in Brooks's, London." As the NPG indicates, the Bloomsbury Square statue of Fox and the accompanying separate busts may well have drawn inspiration in their depiction from Nollekens's 1801/1802 bust- a version of which is held in the NPG itself (NPG 3887). The other portrait by Westmacott is in Westminster Abbey- Fox's monument, depicted supported by Liberty, mourned by Peace and thanked by Africa. (illus. M. Busco, Sir Richard Westmacott, 1994, p 70). A bronze bust of Fox is held in the Parliamentary Art Collection.Literature: National Portrait Gallery collection catalogue: John Ingamells, National Portrait Gallery: Mid-Georgian Portraits 1760-1790, National Portrait Gallery, 2004The collection from Trethill House, Cornwall Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Natural inclusions and some darker veining, thin layers of white paint to both cheeks and temple- perhaps disguising wither darker inclusions or scratches. several pockmarks notably one under chin. The signature looks to have had brownish material rubbed into it to strengthen it. Some scuffing, marks and stains around shoulders and notably around upper back edges. Edge chips and losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers.  Condition Report Disclaimer

A quantity of vintage clothing to include a brown wool cape with hood and leather trims and ties by Elgee of London, a WWII Red Cross ambulance driver's outfit comprising overall with tied belt, dungarees and elasticated belt with pocket, a vintage silk striped jacket with fine wool lining, peplum and button and loop closing, bust approx. 80 cm, a Liberty silk 1930s waisted blouse with large collar and smocked detailing, button holes and self-covered buttons, bust approx. 92 cm, a purple silk short-sleeved blouse with peplum, dressmaker made, with gilt buttons and button loops, bust approx. 84 cm, a cream cotton voile blouse with button back fastening and insert lace detail to the front and collars, bust approx. 76 cm, a dress by Anna Belinda of Oxford in floral Liberty print cotton lawn with button front yoke to dress and blue and white striped edging to yoke pockets and hem, bust approx. 96 cm, a smock top blouse by Antony Sheppard Machynlleth Wales in Liberty lawn fabrics with elastic gathered sleeves, size Small, a turquoise smocked top cotton skirt by Simran, label showing size 14 and a box containing a child's kilt and braces by Rob Roy, size 32”, a small quantity of household linen, a pair of crochet gloves, a knitted child's waistcoat and a Sam Brown belt, complete with whistle and a lady's belt decorated with applique felt flowers, hearts, birds, etc. for waist approx. 77 cm

A KPM Berlin porcelain Parian ware bust of Queen Louise of Prussia, 26.5 cm high, a Weigel & Messerschmidt Parian ware bust of a Bacchanalian maiden, 27 cm high and another Parian ware bust of a maiden with flowers in her hair, 24.5 cm high CONDITION REPORTS The Bacchanalian maiden - there are some chips to the plinth base, particularly the back corners and some minor losses to the extremities in the grape and vine decoration. Otherwise all three have some grubbiness, discolouration etc. In need of a good clean. General wear and tear conducive with age and use - see images for more details

A collection of vintage clothing to include a Biba mushroom velvet peplum jacket with self-covered buttons, size 10, a Laura Ashley Archive pleated and gathered top in green with white block print, size 8, a Sultan leather parka style jacket in dark green, size Small, a pink silk kimono of traditional form, approx. 77 cm long, a beaded and sequin embellished pale blue silk jacket, dressmaker made, bust approx. 96 cm, a Laura Ashley black dress with gold embossed decoration, size 14, a 1930s silk petticoat and a vintage emerald green bugle beaded collar

Elizabeth I (1558-1603), Fifth issue, Sixpence, 1582, mm. sword, bust 5A, 2.99g/7h (N 1997; S 2572). Fine, patchy tone, die flaw on reverse £80-£100

Victoria, Diamond Jubilee, 1897, a lozenge-shaped silver medal by G.W. de Saulles, young bust left, rev. veiled bust left, 49 x 40mm (W & E –; BHM 3506, footnote). Extremely fine or better, toned, with suspension ring and blue ribbon with bar inscribed (Presented by Queen Victoria to W. Ferguson, Mayor, Jubilee Year 1897); in fitted Royal Mint case of issue, very rare £100-£150

Capture of Vienna and Presbourg, 1805, copper medals (2),by B. Andrieu and A. Galle, laureate bust right, rev. Napoleon, naked, as Hercules, female figures of the two cities kneel and offer the keys, 40mm (Bramsen 443; Julius 1439); by L. Manfredini, helmeted head left, rev. figure of Vienna before trophy of armour, 42mm (Bramsen 844; Julius 1443) [2]. First extremely fine, second nearly so £90-£120

William III (1694-1702), Crown, 1695, first bust, edge septimo (ESC 990; S 3470). Nearly very fine, toned £150-£180 --- Provenance: Bt L. Bennett