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A GROUP OF LARGE ORNAMENTS to include a bronzed resin bust of Sir Winston Churchill in his wartime siren suit, engraved with the signature of the artist Nemon, height 20cm x width 15cm, a pair of Leonardo Collection clown busts height 20cm x 13cm, a hand-painted canal ware jug signed by the artist Sue Proudfoot 1997 height 18cm, A bronzed finished ceramic sculpture by Austin Sculpture 1990, height 42cm, a copper jug filed with artificial orchids, an ornamental iron miniature chair, a glass vase with artificial flowers, a brewing stoneware flagon, a Buddha statue (11) (Condition Report: chips to the seated woman statue, significant rust and paint damage to the iron candlestick, moss and chips on the Buddha statue)
China - Buddha, Taoist deity wearing a voluminous robe decorated with dragons in relief, bronze statue with brown patina, trace of polychromy on the back of the piece, Ming Dynasty. Normal wear - Weight: 1.50 kg - Shipping available - Region: Chine - Sizes: H 225MM X L 165MM - At first glance: normal wear / patina of use
Dimension: Height 25,8 cm ; Wide 23 cm ; Depth 15 cmWeight: 270,4 grams Buddhist Art from this period were more heavily influenced by the Pala style of India which had come to the region via the Mon and Arakanese Kingdoms. A rare and beautiful Pagan Burmese Bronze Buddha Statue with an unusual smooth surface. Most Burmese Buddha statues are seen with hair curls (small round bumps), with a slightly raised rounded usnisha. The raised urna on the centre of the forehead is referred to as the “Eye of Wisdom”. This Buddha is seen here seated, the face shows a calm serene, with the full lips upturned at the corners, eyes are cast downwards, hand gesture in bhumisparsa mudra, dressed in a simple monks robe, typical of the Pagan style Buddha statue. The Pagan kingdom was at its height between 11th and 13th Century. Pagan art and Buddha statues similar to this can be seen in the alcoves of the Ananda temple in Bagan (Pagan), located Southwest of Mandalay in central Myanmar.
Dimension: Height 22 cm ; Wide 15 cm ; Depth 6,5 cmWeight: 2288,9 grams This is a rare and well preserved statue that depicts the historical buddha sitting on a throne. He wears a robe that covers both shoulders, and a long dhoti.The factions have softened, the mouth is wider, and he wears rosettes below his hairband, and earrings, the pectoral muscles and navel are not clearly marked, his crown is typical of 10th-12th century sculptures of Kashmir/the ‘Western Himalayas’.Buddha sits below a bodhi tree flanked by 3 adorants on each side.
Dimensions: Height 29,5 cm ; Wide 14 cm ; Depth 7,5 cmWeight: 1382 grams Bronze Arakan Jambhupati Buddha Statue From Burma seated on a two-tiered square pedestal with hand gestures in Bhumisparsa mudra (touching earth). A large decorative usnisha, with a decorative pointed finial, sits in the centre of a five lotus bud-shaped pronged crown.This style is traditionally seen in the Jambhupati style from the Arakan/Mrauk-u region of Myanmar. The side flanges are attached to the crown with jewels hanging around the neck. Eyes are downcast, lips slightly curved in a gentle smile, and wearing large decorative earrings.
A LARGE BURMESE STATUE OF A CROWNED BUDDHA Burma, gilt timber, Shan crowned type Buddha statue, on black painted timber base 119cm height with base Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Ca. AD 200 - 500A beautiful Gandharan schist statue depicting Buddha. The statue is standing on a sqaure, lotus-decorated plinth, wearing long flowing robes, his face with a serene expression backed by a halo.Size: 550mm x 200mm; Weight: 13.97kgProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Antique Chinese Bronze Buddha Statue Samantabhadra Pu Hiun Riding Six Tusks Elephant. With hallmarks on backside of figure.Height: 9.5 in. - Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.
A SOUTH-EAST ASIAN BRONZE BUDDHA STATUE Probably Thai, modelled standing on a lotus, left hand holding robe and an object (presumably a pearl or bead) in his right hand 37.5cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Ca. AD 100 - 400 A stone statue of a Buddha seated on a short plinth decorated with lotus flowers. He is shown with typical long earlobes, dressed in simple clothing with his hair tied into an ushnisha top knot. His hand is posed into the Abhayamudra, a symbol representing peace, protection and dispelling of fear. Size: 470mm x 300mm; Weight: 16.7kg Provenance: From the collection of a London gentleman; formerly acquired in the early 2000s in France; previously in 1970s European collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Hokusai, Katsushika: (1760-1848). Abendregen bei Sekya in der Provinz Shimo-osa. Ein buddhistischer Mönch kämpft gegen den Wind an, während sein Gehilfe in einem Kasten auf seinem Rücken ein Buddha Statue hinterher trägt. Doppelbuchseite. Farbholzschnitt aus Hokusai Manga - Hokusais Skizzen, Bd. 7, um 1817. Format: 2x hanshi-bon. Unter Passep. mont. - Tls. Alters- u. Gebrauchssp.
A large 19th century polished bronze figure of a Buddha seated cross legged beneath a pierced parasol, height 46cm.Provenance: Accompanied with a card inscribed 'This statue of Buddha was given by an Indian friend to Mrs Kathleen Jackson, wife of Major General Jackson, on the occasion of the birth of her daughter in 1910 at Poona'.
STATUETTE DE VAJRADHARA EN ALLIAGE DE CUIVRE DORÉNÉPAL, DÉBUT DE L'ÉPOQUE MALLA, XIVE SIÈCLEHimalayan Art Resources item no. 20418 42.5 cm (16 3/4 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF VAJRADHARANEPAL, EARLY MALLA PERIOD, 14TH CENTURY PublishedMeinrad Maria Grewenig & Eberhard Rist (eds), Buddha: 2000 years of Buddhist Art, 232 Masterpieces, Völklingen, 2016, p. 336, no. 141. ExhibitedBuddha: 2000 years of Buddhist Art, 232 Masterpieces, Völklingen, 24 June 2016 —19 February 2017. ProvenancePrivate German CollectionChristie's, New York, 22 March 2000, lot 73 The Diamond Vehicle of Nepal Vajrayāna (the Diamond Vehicle), a practice developed during the later stages of Buddhism, sees the proliferation of deities subject to the religious school or, at times, even the monastery. In addition to a rich pantheon inherited from the Indian tradition are countless entities characterised by iconographies of varying complexity. These are evoked during rituals that are sometimes esoteric, carrying moral or philosophical significance. Although the relative importance as well as the hierarchy of these deities diverge from one religious order to another, above them is a supreme Buddha, whose essence embodies the essence of all buddhas. Depicted here is Vajradhara, who presides over the monks of the Sakya order, amongst others. With both palms crossed over the chest, he holds his two characteristic attributes, the vajra (thunderbolt-diamond) and the ghanta (bell). The shape of the vajra is reminiscent of a diamond sceptre. The purity, clarity, and indestructible nature of this gemstone demonstrate the reason it became an object of much fascination in tantric Buddhism. The deity's feet are tightly crossed, akin to a yoga pose. The immaculate craftmanship of the jewellery adorning the figure is borrowed from stylistic forms that were initially developed in Northern India. Notably, two ascending floral peduncles surround the centre of the floret tiara sitting above the forehead. This fashion of ornamentation is characteristic of Nepalese sculptures as well as those influenced by the Newar artistic tradition from around the 13th century onwards. On the base of the tiara is a sneering kīrtimukha mask. The knotted ribbons which snake around both sides of the head maintain the tiara in place. A pair of elegant armbands is illustrated on either arm with a large floret replicating those on the tiara. The deity wears three necklaces, each of varying shape and size. The length of the second necklace ends at the pectoral region and is largely hidden from view behind the vajra and the ghanta. A scarf, reduced to the form of a simple ribbon with intricate blossom motifs, encircles the arms, and billows around both shoulders in an elegant swirl, emphasised by a pair of turquoise gems. Small floral pendants hang from the sash around his waist. At the front, a fall of pleats interwoven around the crossed ankles opens out at calf level. The slight inclination of his head to the right suggests that the deity had once been accompanied by another statue, that of his consort, the goddess Vajradhātvīśvarī. His facial features are characteristic of Nepalese sculptures. As described in canonical texts, these youthful traits are those of an adolescent, including the 'beauty folds' marking the neck. A small dimple indents the chin and the lips curve up in a slight smile. Wide arched eyebrows frame his small almond-shaped eyes. On his forehead, the ūrṇā is represented by a rectangular turquoise, accentuating the precious value of the deity. The monumental size of the figure implies the likelihood of its veneration in a chapel. In the Kathmandu Valley, chapels are small rooms situated at the end of the courtyard in monasteries. The abundance of copper mineral along the Kathmandu Valley has for centuries fostered the development of a diversified metalcraft industry, including in the city of Patan. Despite being part of a Buddhist sub-caste, bronze artisans in Newar society accommodated the different religious and iconographic prescriptions of their clients. Their excellent craftmanship warrants the exceptional popularity and influence their works gained in Tibet or abroad–reaching Beijing from the 13th century onwards. The impeccable gilding that is achieved using an amalgam of mercury, as well as the frequent use of inlaid fine stones, gave the statues an esteemed presence. One may only imagine how they glowed beneath the scintillating luminosity of butter lamps in temples and chapels, enhancing the sanctity of these spaces. Gilles BéguinJanuary 2024銅鎏金金剛總持像尼泊爾 馬拉王朝早期 十四世紀著錄Meinrad Maria Grewenig 及 Eberhard Rist 編,《Buddha:2000 Years of Buddhist Art,232 Masterpieces》,弗爾克林根,2016年,頁336,編號 141展覽「Buddha:2000 Years of Buddhist Art,232 Masterpieces」,弗爾克林根,2016年6月24日至2017年2月19日來源德國私人珍藏佳士得,紐約,2000年3月22日,拍品73尼泊爾之金剛乘金剛乘(Vajrayāna)作為佛教發展的最終階段,根據不同的宗派,有時甚至根據不同的寺廟,創造了眾多神祇。在其所繼承之印度傳統之萬神殿外,亦有諸多神祇或其他形象為後加,標識以種種複雜而多變之圖像學特徵。這些形象出現於神秘儀式之中,並承載著道德或哲學意義。儘管神祇們之相對重要性與上下傳承之位階,時而因不同宗教派別而異,然而,在他們的頂端,有一位至高無上的佛,其本質為所有佛之本質。此處所呈現之形象為金剛總持,居薩迦以及諸派之眾僧侶之上。其雙手交叉於胸前,握持兩件此神祇之象徵性法器:金剛杵與金剛鈴。前者為形似金剛石般的權杖。此寶石具純淨、閃光與不可腐蝕之特質,密宗佛教對其之熱衷之原因不言而喻。神祇的雙腿緊密交叉,猶如瑜珈姿勢。此造像之珠寶設計細緻無瑕,借鑒自起源於印度北部之古老樣式。其華冠便引人注目,兩朵花莖向上延伸,烘托著中央盛開的優美花盤。此種裝飾風格為尼泊爾造像以及那些十三世紀以來受尼泊爾造像影響而出現之造像之標誌性特徵。寶冠下緣中央見一張齜牙咧嘴的怪獸面具,即「天福之面」。寶冠以繒帶固定,兩端盤結於頭部兩側,如風中飄揚。優雅的臂釧上見一碩大花朵,形制與寶冠中央一致。神祇配戴三串項鍊,大小不一、樣式各異。第二串項鍊長度及頸下,大部分被其手中所持鈴杵遮擋。圍巾之樣式則簡明為細帶,刻以細密相連之花紋圖案,自然纏繞雙臂,再於肘部向上翻飛,呈現出優美的弧度,突出末端所托舉的綠松石點綴。腰帶上則懸掛下一枚枚小巧的花朵墜飾。視線落至神祇身前,層層衣褶從交叉的腳踝間流出,於小腿處形成一簇扇形。神祇的頭部微微向其右傾斜,暗示著其身旁曾另有一尊其明妃金剛界自在母造像相伴。神祇的面部體現尼泊爾造像的特徵。正如經文所描述,其面部年輕俊美,特徵正為少年人,包括環繞其脖頸的幾道細線所表示的「美麗褶皺」。下巴中央見一道淺痕,嘴角微微上揚,蘊含笑意。雙眉為大弧線,流暢舒朗,下方為小巧的杏眼。前額之白毫為一塊長方形的綠松石,烘托神祇之尊貴。鑑於其碩大的體量,此像可能曾供奉於一座小型廟堂。在加德滿都河谷之中,這一類廟堂通常位於寺院庭院的盡頭。豐富的銅礦資源沿河谷蘊藏,數個世紀以來造就了多樣的金屬手工藝的發展,帕坦市幾包含其中。儘管屬於佛教這一次支,銅藝匠人們卻能夠滿足眾多供養人之不同宗教以及圖像要求。他們精湛非凡的技藝,造就了作品之風靡,其深遠影響遠至西藏,甚至自十三世紀起,達至北京。其無可挑剔的以水銀合金而鎏金的工藝、頻繁而熟練的寶石鑲嵌,給予其作品他們的作品壯觀而輝煌之觀感。今人則僅可遙想,這些造像如何置於寺廟與佛堂的酥油燈的閃爍光線下,熠熠生輝,莊嚴著彼時的空間。Gilles Béguin2024年1月This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
A CHINESE CARVED WOOD BUDDHA STATUE Circa 19th Century, modelled sitting with legs crossed, eyes closed and right hand held outward, with related base, has been re-painted more recently 27cm high Condition: There are several age splits to the base and one running up the back of the figure to the shoulder. the figure has been later re-painted in gold paint. A previous repair to the hand, a chip to the nose and general age related wear throughout. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
BronzeSwat Valley , 8th century Dimensions: Height 14,5 cm Wide 8 cm Depth 6 cmWeight: 642 grams This statue from the Swat Valley in Western Kashmir depicts a Buddha on a throne supported by two lions on a fragmented, double reverse lotus base.The legs are crossed, the feet are exposed underneath the wavy robe covering the whole body.The right hand is raised at chest-height showing the gesture of protection and fearlessness called abhaya mudra.The other hand is resting on the knee.The posture is upright, the oval face framed by elongated earlobes, and curls cover head and a big ushnisha.
Bronze giltThailand, Ratanakosin Style Dimensions: Height 11 cm Wide 8 cm Depth 3,5 cmWeight: 196 grams Buddha seated in meditation pose with legs crossed and hands resting in each other in his lap. Seated on a three-tiered expansive throne with engraved ornamental decorations and a small tapestry hanging down in the center. Body adorned with elaborate clothing and jewellery, a winged crown on the head. The ushnisha is broken off at the top, details of face missing due to rub off. The statue is hollow. Provenance:Collection Madeleine und Erich Dammann , 1950 -2012
BronzeArakan Kingdom 12th century Dimensions: Height 54 cm Wide 22 cm Depth 5 cm without baseWeight: 9960 grams with base The Arakan kingdom was an ancient and rich historical country in the west of Myanmar.This fragment of a standing Buddha statue is attached to a rod.The Buddha is wearing a simple cape running down his back and an elaborate chest piece made of jewellery.The arms are missing from the elbows. The body is very slender and gracious.Two necklines are visible, the oval face is slightly gazing downwards with downcast eyes, a prominent nose and the lips smiling slightly.The Buddha is wearing a winged crown with five points, enclosing the ushnisha topped by a diamond jewel.Large floral pendants hang from the ears.
Grey schistGandhara 4th century Dimensions: Height 31 cm Wide 17 cm Depth 13 cm with baseWeight: 6220 grams with base Elegant head of a Buddha showing several necklines, the oval face has small lips, a slender nose and downcast eyes.A raised urna between the arched eyebrows, the face flankes by sligthly elongated earlobes decorated with beaded earrings.The shoulder-length wavy hair is held together at the back by a beaded headpiece encircling the ushnisha.This statue shows the distinct marks for Gandhara Buddhist sculptures.
BronzeCambodia late 13th century Style Dimensions: Height 35 cm Wide 10 cm Depth 7 cm without baseWeight: 2790 grams with base Standing Buddha on a wooden base in erect position, both hands raised at chest height with seeing eyes in their palms, the thumb touching the index finger.Dressed in a simple robe with wide sleeves.The face has big lips that are curved to a smile, the eyes are slightly squinted.One of the elongated earlobes is missing.The hair is done up and joined together in a pointy ushnisha.The statue is very slim from the side, almost creating a two-dimensional look.
Bronze with silver eyesSwat Valley , 10th century Dimensions: Height 12 cm Wide 7 cm Depth 6 cmWeight: 330 grams The Future Buddha seated on a throne shaped like a chalice with a lotus flower foot.He is sitting cross-legged in a pleated garment, the soles of the feet showing.His right hand is raised showing the abhaya mudra, his left hand is holding a ritual bell.Adorned with beaded necklaces, the sacred thread, armlets and bracelets he sits upright.His round face has plump lips, the eyes are open with a sombre expression.Large floral ear pendants and a three-pointed tiara decorate the head, done up strands of hair can be seen from the back.A small noose is attached to the back, the statue is hollow.
Bronze with traces of goldBirma 18th century Dimensions: Height 13 cm Wide 8,5 cm Depth 5 cmWeight: 406 grams The Buddha is seated on an expansive base with legs crossed, one hand lying in the lap with the palm facing upwards,the other hand touching the earth with the fingers, bumispharsa mudra.The figure is dressed in a simple robe draped over his left shoulder. The head is slightly bent downwards,the face enframed by elongated earlobes.The eyes are open with an attentive expression.Small curls cover head, the ushnisha in the center.The statue is hollow.
BronzeBirma Pagan 12th century Dimensions: Height 18 cm Wide 15,5 cm Depth 10 cmWeight: 2046 grams A simplistic Buddha statue showing the deity with legs crossed on a plain surface.The hands are forming the gesture of calling the earth to witness.Dressed in a simple short garment, no other accessories attached.Elongated earlobes frame the face. Lips and nose have a pointy, sharp character.The small head is covered by curls.
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