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Ca. 1400 - 1100 BC.A Near Eastern black stone stamp seal, square flat face, back rising to pierced tip with grooves around the lower edge. Design: palm tree and scorpion.Size: 22.8mm x 22.2mm; Weight: 7.8gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Ca. 3000 - 2000 BC. A North Mesopotamian or central Asian, black stone stamp seal, a hemi-spheroid pierced horizontally. Design: an elaborate Greek cross with triangles filling the space. Size: 40.6mm x 40.5mm; Weight: 38.4g Provenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Ca. 3200 - 1500 BC. A collection of seven Mesopotamian bronze amulets: two standing dogs, one standing pig, one recumbent bovine, one standing badger (?), one seated human; one bronze stamp seal, design: a water creature, back: recumbent bovine. Size: 8.1-31.4mm x 15.2-10.2mm; Weight: 62.92g Provenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Early Dynastic Period, Ca. 3150 - 2686 BC. A bone cylindrical stamp seal carved with an intriguing scene incised across the exterior surfaces. It features hieroglyphic symbols on all surfaces, surrounded by two external concentric lines. For similar see: Catalogue of Egyptian scarabs, etc, in the British Museum, H. R. Hall, 1913, Cat. 2595, MET Museum Accession Number: 26.2.50 Size: 15mm x 8mm; Weight: 1.2g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Early Dynastic Period, Ca. 3150 - 2686 BC. A steatite cylindrical stamp seal carved with an intriguing scene incised across the exterior surfaces. It features hieroglyphic symbols on all surfaces, surrounded by two external concentric lines. For similar see: Catalogue of Egyptian scarabs, etc, in the British Museum, H. R. Hall, 1913, Cat. 2595 Size: 20mm x 5mm; Weight: 0.8g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

.Side cap of the Polish Air Force, Polish Armed Forces in the West. British-made side cap with the RAF (Royal Air Force) emblem at the front, featuring two pre-war Polish buttons with the wz.27 eagle in a crown. Inside, there is the manufacturer's stamp, the War Department military acceptance mark, and the production date of 1945.This side cap was worn by Polish air force personnel in the Polish Air Force.

XIX Century British Pattern 1885 Cavalry Troopers Sword and Scabbard, manufactured under contract by Weyersberg Kirchbaum Solingen, issue stamp 7/89, various inspection stamps and War Department broad arrows

WWII British Mark II A Light Respirator and Webbing Pouch, respirator stamped with broad arrow and date '30/8/44'. French Military Canteen/Cup, stamped 'Nordmetall 2-55 'P S & Co' and webbing pouch stamped 'SLH Lille', probable later stamp 'U.S.' to front.

British Military Height Measuring Device, graduated in imperial measurements with broad arrow, KA4770 1953 RW Ltd ink stamp to underside of platform.

Great British and World stamps, including Queen Victoria penny reds, half penny 'bantams', other QV issues, Ceylon, Cyprus, Hong Kong, India, Cape of Good Hope, Gold Coast, Natal, Queen Victoria and later Canada, Grenada etc, housed in 'The Empire Postage Stamp Album' and 'The Favourite Philatelic Album', mint and used examples seen

Great British and World stamps, including stamp covers, German States, Luxembourg, India, French Colonies, various overprint stamps, Air Mail covers, postcards etc, housed in an album, on pages and loose

Great British and World stamps, including 1960s and later first day covers, Queen Elizabeth II part stamp sheet, Romanian stamps on covers, Belgium, India, Italy, New Zealand, Switzerland, other world stamps etc and various postcards, housed in various albums and folders

ROYAL SALUTE STONE OF DESTINY 38 YEARS OLD | Stated age: 38 years old | ABV: 40% | Country: Scotland | Type: Blended Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: paper box covered with fabric traces of mold inside the box | Bottle code: 2007/03/21 LV80227 002306 | Estimate: 15 000 - 25 000 Kc | Bottler | Chivas Brothers Ltd. is a renowned Scottish company with a rich history in whiskey production. It was founded in 1801 as a small food and drink shop in Keith, Scotland. In 1843, brothers James and John Chivas started producing their own whisky, which led to a rapid growth in their popularity.The company is best known for its blended whiskies, with their flagship Chivas Regal, one of the best-known and best-selling blended whiskies. in the world. In addition to Chivas Regal, the Chivas Brothers portfolio also includes other major brands such as Royal Salute, Ballantine's and 100 Pipers, each offering unique blends and characteristics.Chivas Brothers Ltd. has thus established itself as a strong player in the whiskey industry, with an emphasis on quality and tradition. | Bottle | Royal Salute 38 Years Old is a luxurious blended Scotch whisky, bottled by the prestigious Chivas Brothers Ltd. named Stone of Destiny, this edition pays homage to the famous coronation relic used in the crowning of Scottish and British monarchs. The whisky has been matured for an extraordinary 38 years, giving it exceptional depth, elegance, and richness of flavors.Nose: Rich and full, with notes of dried fruit, pronounced spices, and a deep floral touch.Taste: Full and deep, with distinct notes of cedarwood and almond, complemented by a rich sherry influence and subtle oak.Finish: Long and lingering, with subtle notes of dried fruit and spice that leave a rich and lasting impression.This whisky stands out for its sophistication and intensity, achieved through prolonged aging. As a tribute to Scottish history and heritage, it is a popular choice among connoisseurs of luxury whiskies. Royal Salute 38 Years Old Stone of Destiny is an exclusive whisky that represents the pinnacle of blending craftsmanship. It is not only a symbol of Scottish tradition but also a testament to the expertise of the Chivas Brothers, who crafted this whisky with nearly four decades of maturation. The whisky is presented in a luxurious paper box.

A small collection of vintage postcards and photographs related to Steam and Traction engines - comprising 8 x pre-war postcards and photos (the majority annotated verso and with 'British Fairground Society' stamp), 16 x post-war colour postcards; two black-and-white photos of Galloping Horses fairground rides (by Seven Stars Productions); and two other 1960s-70s colour photos.

A collection of 1980s GB British mint stamps and FDCs - 1. six British Mint Stamps Collectors Packs (51 sets,1979-1984); 2. the World Wildlife Fund Conservation Stamp Collection, c.1983-1986, in three full binders containing first day covers, mints and informational text;  3. three folders containing 133 GB first day covers and stock sheets of Princess Diana 21st birthday (Crown Agents countries) mint sets;  4. the 1984 Royal Mail Special Stamps book;

Mixed Insigina and Ephemera. A baize lined wooden box containing a quantity of British Badges, Buttons, Sweetheart Badges, a stamp holder containing a 2 1/2 pence Edwardian stamp unused, shrapnel, mementoes of service, medal riband bars, a boxed Second War King’s Badge, a Colwyn Bay Coronation Medal 1911, early British Legion insignia, regimental cap badges to include Royal Engineers, The King’s Own, Military Police, Army Service Corps, in plastic and brass, GRV & GRVI etc., Shoulder Titles, Divisional Badges, Naval Insignia in bullion and cloth, including many interesting items including an unusual and rare sporting badge of Wrexham AFC Shareholder’s & Supporter’s Association, manufactured by The Birmingham Medal & Badge Company, Albion Street Birmingham, with some enamel damage, etc., generally good condition (lot) £40-£50

Laurence Stephen Lowry R.A. (British, 1887-1976), St Lukes, London, signed l.r., blind stamp l.l., offset lithograph in colours, published 1973, No.449/850, 61 by 46cm, framed. Note: Artist Resale Rights apply

David Hockney, artist. A signed (in green and blue ink) 1992 Single European Market FDC. The stamp was designed by Hockney, considered to be one of the most influential British artists of the 20th century. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

PHOTOGRAPHY. A collection of mounted albumen prints comprising: Robert Rive (British, 1817-1868), four architectural views of Pisa & Florence, albumen photographs measuring approx. 19.5 x 25.5cm, each card mount bearing blind-stamp, "Robert Rive, Naples"; Giuseppe Incorpora (Italian, 1834-1914), seven architectural & topographical views of Palermo [Sicily], approx. 20.5 x 25.5cm; Giorgio Sommer (German, 1834-1914), four images of sculptures in the Napoli Museo [National Archaeological Museum of Naples], an architectural view of Tempio di Nettuno [Temple of Neptune], and two scenic Italian views. The photographs are very well-preserved, wide margins on large card mounts, a couple of the mounts have wear/loss at corners (18) 

CONRAD, Joseph (1857-1924). Chance, London, 1913, 8vo, original green cloth gilt. FIRST EDITION. Please see the extensive notes regarding the edition below.CONRAD, Joseph (1857-1924).  Chance. A Tale in Two Parts. London: Methuen & Co. Ltd., 1913. 8vo (190 x 125mm). Half title, publisher's advertisement on the verso of the title, title with "First Printed in 1913" on the verso, uncancelled and not mounted on a tab, 8-pages of publisher's advertisements dated "Autumn 1913" at the end, followed by 31-pages of publisher's advertisements dated "September 1913" (half title spotted, title cleanly torn at the lower gutter without loss, some other mainly marginal light spotting and staining, more pronounced towards the front, ink spot on page 377). Original green cloth, the spine lettered and decorated in gilt with "METHVEN" at the foot of the spine. Provenance: The Property of a Collector; Ryan Campbell, followed by a third, illegible, name (later pencil signature on front free endpaper); Tauchnitz flyer loosely-inserted. FIRST EDITION, with "First Published in 1913" on the verso of the title and "Colonial Library" stamped in purple ink in small letters beneath the imprint on the front of the title. "Moral isolation is ... the theme of Chance (1914) [sic], which is, again, a very different kind of book - different from Under Western Eyes and from the other novels ... The technical distinction of Chance has not lacked recognition. That no doubt is because Chance invites the description 'technical triumph' in a way which Nostromo and The Secret Agent do not ... The genius is amply apparent in Chance. It is most apparent in the force of realization with which the characters are evoked, and which has led above to the mention of Dickens. That which suggests Dickens in Chance - and there is a great deal of it - is all strongly characteristic of Conrad ... [Chance] is certainly a remarkable novel" (F. R. Leavis, The Great Tradition). "Few 20th-century books have a more complex publishing history than Chance, and even fewer, it would seem, have been the subject of as much bibliographical gossip and conjecture." So opens William R. Cagle's article "The Publication of Joseph Conrad's Chance" in the Autumn 1967 issue of The Book Collector (pp. 305-322) in which the bibliographer identifies no less than 12 different issues of the first edition. The present copy seems to conform most closely to the fourth of these and a pencil note on its front free endpaper [illustrated], which also suggests the numbers of copies printed, would seem to bear this out. Cagle describes this variant as follows: "4. First impression, colonial issue, second state: Issued with a cancel conjugate half-title and title with 'First published in 1913' on the verso of the title. The cancel was supplied when it was decided to issue these colonial copies domestically for which reason they were also bound in the 6s binding. When this decision was reversed and these copies were transferred back to the colonial issue they were rubber stamped 'Colonial Library' on the title-page beneath the imprint. Published as part of the colonial issue at least six weeks before the domestic issue. Two copies examined (Berg Collection, New York Public Library; University of Texas)." Two other issue points in the present copy are the "battered type" (Cagle's term) found at the foot of pages 294 and 299 and "Narcissus" having both sets of quotation marks in the list of the author's works on the verso of the half title, both of which Cagle claims to be indicators of first impressions. However, he also states that in the first impression the "motto" (i.e. the epigram) appears 44mm below the author's name on the title page, whereas in the present copy it appears 49mm beneath, and 5mm might as well be a mile in bibliography. A further article by Donald Rude which appeared in the 1978 Autumn issue of The Book Collector (pp. 343-347) entitled "Joseph Conrad's Chance. An Anomalous Copy of the First Impression of the First British Edition" starts with a similar warning to Cagle's by stating, "... the publication history of Chance ... may well be more complex than that of any other major 20th-century literary work," a conviction he then goes on to exemplify at some length. Cagle A17a; Keating pp.217-219; Smith p.58; Wise 22: "The actual princeps may be readily identified by a reference to the note which stands upon the reverse of the Title-page. In the First Issue this note reads 'First published in 1913'; in the second Issue this note reads 'First published in 1914.' In the case of this book the publishers' advertisement list bound up at the end of the volume may be of service. In some copies of the First issue this list extends to 31 pages dated 'July 1913'; in others the list consists of 8 pages dated 'Autumn 1913'. In the Second issue the 8 page list only is to be found. The binding of both issues is identical." It is interesting to note that the present copy contains both sets of publisher's advertisements. Neither Wise, or his correspondents at Methuen quoted in his bibliography, make any mention of the 'Colonial Library' stamp present in our copy, and recorded in a few others.

Howard Hodgkin (British 1923-2017) "Shutter" from 'More Indian Views' Signed and numbered on verso, with artist's blind stamp, colour lithograph. 22 x 30.5cm (framed 36.5 x 45cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

David Shrigley (British 1968-) "Really Good" 2016, polystone multiple, signed in black marker and numbered from the edition of 3000 with stamp to base, a miniature of the Fourth Plinth commission.overall: 29 x 12.5 x 7.5 cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The sculpture is in very good, original condition with no obvious faults to report.

Keith Cardwell (British 1946-) "Rosita, Flamenco" Signed in ink in the margin, with artist's blind stamp, gelatin silver print.image size 33.5 x 22.5cm (framed 47.5 x 37cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two very minor surface marks found on the paper, and the artist's signature is significantly faded. The print is ornately framed and glazed.

Howard Hodgkin (British 1923-2017) "Sky", from 'More Indian Views' Signed, dated 1976 and numbered 18/60 on verso, with artist's blind stamp, colour lithograph. 22 x 30.5cm (framed 35 x 43.5cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Howard Hodgkin (British 1923-2017) "Moon (Black Version)" Initialled, dated 1987 and numbered P (Proof) in pencil, printed by Solo Press Inc., New York, with blind stamp, hand embellished lithograph. 30.5 x 51.5cm (framed 45 x 64.5cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition. There are one or two slight undulations running horizontally across the sheet. The print is ornately framed and glazed. The frame has some very minor scuffs and knocks commensurate with age.

Keith Cardwell (British 1946-) "Yuette: Girls Zorro Jazz, Havana" Signed in ink in the margin, with artist's blind stamp, gelatin silver print.image size 33 x 22.5cm (framed 47 x 37cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The artist's signature is faded but legible and there are some slight undulations running horizontally across the paper. The print is ornately framed and glazed.

Keith Cardwell (British 1946-) "Alberto Díaz Korda" Signed and titled in ink in the margin, with artist's blind stamp, numbered 19/100 on verso, gelatin silver print.image size 22 x 33cm (framed 42.5 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The artist's signature and title are slightly faded but legible. The print is ornately framed and glazed. The frame has one or two minor scuffs and knocks commensurate with age.

Howard Hodgkin (British 1923-2017) "Window", from 'More Indian Views' Signed and numbered on verso, with artist's blind stamp, colour lithograph. 22 x 30.5cm (framed 36.5 x 45cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

Robyn Denny (British 1930-2014) "Generations" Signed, dated '78 and inscribed Colour Proof 3 in pencil in the margin, with printer's blind stamp, etching, aquatint and watercolour.52 x 70cm (framed 58 x 76cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

Keith Cardwell (British 1946-) "Jumping Ballerinas, Cuba" Signed in ink in the margin, with artist's blind stamp, gelatin silver print.image size 23 x 34cm (framed 37 x 46cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some slight undulations running vertically across the paper. The print is ornately framed and glazed. The frame has some minor scuffs commensurate with age.

Keith Cardwell (British 1946-) Dancers, Cuba Signed and indistinctly titled in ink in the margin, with artist's blind stamp, gelatin silver print.image size 23 x 34cm (framed 37 x 47.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The artist's signature and title are significantly faded and there is a minor crease in the lower left-hand corner of the paper. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Keith Cardwell (British 1946-) "Bicycle in the Rain, Havana, Cuba" Signed in ink in the margin, numbered 15/100 on verso, with artist's blind stamp, gelatin silver print.image size 22.5 x 33.5cm (framed 37 x 47cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The artist's signature is faded but legible and there are one or two minor undulations running vertically down the paper. The print is ornately framed and glazed.

John Hoyland R.A. (British 1934-2011) "Anking" Signed, dated '79 and numbered P/P in pencil in the margin, with printer's blind stamp, etching and aquatint in colours.plate size 68 x 53.5cm (framed 97 x 72.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The paper has yellowed slightly in most areas, and there are a number of minor spots of foxing found across its surface. The print is framed and glazed.

Howard Hodgkin (British 1923-2017) "Sun", from 'More Indian Views' Signed and dated on verso, with artist's blind stamp, colour lithograph. 22 x 30cm (framed 36.5 x 45cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The painting is framed and glazed.

PRE WW1 BRITISH O/R'S FULL DRESS TUNIC. Pre First World War O/R's full dress tunic badged to the Royal Sussex Regiment, blue facings of a 'Royal' regiment cuffs and bottom of collar with white piping, Kings Crown General Service buttons throughout, Royal Sussex Regiment collar badges and shoulder titles in gilding metal, white blanket lining, remains of Royal Army Clothing Factory label to interior, with pre WW1 RACF stamp of a broad arrow flanked by the letters 'WD' over the letter 'D', while the date on the label is unreadable the 'pointed' shoulder straps, and white piping at the bottom of the collar indicates this tunic to date from 1913-1914.

Collection of British Coins including Festival of Britain commemorative set of Hallmarked Sterling Silver Ingot Stamp (20.5g) with 1951 Crown, 1981 Silver Proof Crown in Original Case with Certificate, Commemorative Crowns & £5 Coins in holders, 1998 & 2001, Chinese Coin set, Set of Royal Mint ‘World Savers Medals’ with other coins.

Album of Royal Mint/Royal Mail Coin First Day Covers. Includes Silver Guernsey 1999 Royal Wedding, Falkland Islands Silver 1996 £2, Turks & Caicos Island Silver 20 Crowns coin, Silver Penny Black Cover, Sherlock Holmes Set of Four Gibraltar Crown Coin Covers, 200th Anniversary of the British Isles George III Half Penny £10 stamp Cover with other covers please see pictures for details.  

Collection of British and World Coins, including 1889 Crown with other Pre 20 and Pre 47 Silver coins, Quantity of Commemorative Crowns and £5 Coins, 3 x Heinz 1983 Brilliant Uncirculated Year Sets, 2 x 1983 UK Brilliant Uncirculated £1 coins G.E.A Kentfield £10 note with other Bank of England Banknotes, collection of First Day Cover Stamp sets,   

After Laurence Stephen Lowry (British, 1887-1976), 'St Lukes Church', limited edition print, 55/1500, published by Grove Fine Arts with GFA blind stamp to lower right, image size 38cm x 52cm, framed and glazed, 61cm x 75.5cm.

Four WW2 Evacuee Labels to Matilda Binstock and Doreen Fellows aged 13 and 14 of Elmwood School, Croydon and Edward & John Faulkner of Hollydale Road School, Nunhead, Peckham, London, which would have been attached to their clothing while in transit during evacuation. On the reverse of each label is a stamp reading 'FC Page, 10 Park Lane, Southwick, Sussex’. A letter dated 1/6/1939 re the Govt Evacuation Scheme from Southwick UDC, another from the Min of Health dated April 1939 re the same. A slip of paper in hand written pencil '10 Park Lane, Matilda Binstock. Doreen Fellows' and stamped 'Southwick Urban District Council, Sussex', the original allocation paper at the railway station. A printed certificate to Mrs. C. Page in appreciation of taking in evacuees, from Queen Elizabeth (King George VI's wife) enclosed in a remittance envelope from Buckingham Palace addressed to Mrs C. Page, 10 Park Lane, Southwick, Brighton, Sussex. A wonderful, scarce complete collection telling of the time when British children had labels attached and were sent into the unknown to avoid the Blitz. (9 items)

WW1 British Made American Tunic, fine example of the wool combat tunic as issued to American troops, this example being a British made type with the white lined interior and inked WD issue stamp. Standard American eagle tunic buttons, bronzed collar discs for US National Army and Signallers to the other side. Rank and service chevrons to the sleeve. Attached to the breast is an US Allied Victory medal with France clasp. Accompanied by a pair of khaki breeches with lace ties to the bottom. Set remains in good overall condition.

§ § John Piper (British, 1903-1992) Carew Castle (Levinson 334)silkscreensigned in pencil and numbered 6/10044 x 64.5cm Good untouched condition, colours strong, unprinted margin, possibly evenly discoloured, blind stamp near the signature, visible sheet 48 x 68cm, plain card mount and glazed plain frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A quantity of stamp sheets, American Christmas stamps 1937, British stamps, etc.

A collection of 21st-century British Royal Mail stamp presentation packs. The collection includes examples such as, 'Classic Album Covers', 'Classic Locomotives of England', 'Christmas with Wallace and Gromit', 'Musicals', 'Britons of Distinction', 'Comics', and more. With an approximate face value of £340.

A collection of 21st-century British Royal Mail stamp presentation packs. The collection includes examples such as, 'Beijing 2008', 'Cathedrals', 'Celebrating Wales', 'Classic Locomotives of England', 'Insects', 'Christmas Robins', 'Farm Animals', 'The Royal Horticultural Society', First Day of Issue £1 Coin packs, and more. With an approximate face value of £490.

A small album of 19th and 20th century British postage stamps. The collection to include a early red cancel Penny Black stamp (J,L), two Penny Red stamps, alongside a selection of other definitive and commemorative stamps.

A collection of 21st / 20th century British Royal Mail stamp presentation packs. The collection includes examples such as, 'Millenium Stamps', 'Nobel Prizes', 'Bridges of London', 'Airliners', 'Pub Signs', 'The Coronation 1953', 'Famous Trains', 'The Great Tudor', and more. With an approximate face value of £360.

A collection of 21st-century British Royal Mail stamp presentation packs. The collection includes examples such as, 'The Beatles', 'The World of Invention', 'Harry Potter', 'Cathedrals', 'British Design Classics', 'Darwin', 'Celebrating Wales', and more. With an approximate face value of £290.

A collection of 19th and 20th century British Commonwealth postage stamps. The collection to include examples from New Zealand, Nigeria, Paksitan, Samoa, South Africa, St Helena, Kenya, Uganda, Trinidad and Tobago, Zanzibar, and others. Featuring examples such as 1882-97 New Zealand 2 1/2d blue, 1938 New Zealand 'official' overprint stamp, St Helena halfpenny overprint on six pence green, and other examples.

A collection of 21st-century British Royal Mail stamp presentation packs. The collection includes examples such as 'Classic Locomotives', 'Lord of The Rings', 'Animal Tales', 'Isambard Kingdom Brunel', 'World Heritage Sites', 'Jane Eyre', and more. With an approximate face value of £210.

A collection of 20th century British and Foreign postage stamps. The collection across seven small stamp albums. To include examples from Canada, Zambia, Barbados, Brunei, Fiji, Malaysia, Hungary, Turkiye, Andorra, Hong Kong, South Africa, and others. Featuring stamps such as a selection of 1966 British Guiana Guyana Independence 1966 overprints, 1953 Japan Goddess Kannon, 1941-48 South Africa 1 1/5d Goldmine, and others.

▲ Clive Barker (b.1940) 'Dalek', 1998 (Fermon 335)polished aluminium, stamp signed, titled, dated and numbered '5/6' on base15.5cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportDust and dirt to the crevices. For a full report please contact the department.

▲ Michael Seymour (1932-2018) Pauline Boty, 1963;Susannah York contact sheet;Michael Caine and Terence Stampthree modern prints from original negatives, each signed 'Michael Seymour' and dated '26.09.08' with artist's copyright stamp versoimage 32 x 50.5cm and similar, unframed (3)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportOverall: 42 x 59cmAll three prints present well overall. The photograph of Pauline Boty has a small yellow spot to the centre of the left margin.

▲ Philip Townsend (1940-2016) Two photographs of The Rolling Stones, c.1962;George Harrison and John Lennon, 1968three archival pigment prints, printed later, all signed 'Philip Townsend', each numbered from an edition of 50 with artist's blind stamp,together with two further prints, also signed and with blind stamp61 x 50.5cm and smaller, unframed (5)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportLight handling creases. Some of the signatures and numbers are a little faded and smudged, please refer to images. The print of Marty Wilde has a brown mark line across the top margin and has an additional signature verso. The print of a shop has fragments of paper stuck to the reverse however the front of the print does not appear to be affected.

▲ Michael Ward (1929-2011) 'Rolling Stone - Mick Jagger - 1964''Rolling Stone - Brian Jones - 1964'two gelatin silver prints, printed later, each signed 'Michael Ward' and inscribed with title, numbered '4/25' and '5/25' respectively, both with a further embossed signature, also inscribed and dated with artist's stamp verso48 x 33cm and 33 x 48cm, unframed (2)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportBoth prints appear to be in good condition.

▲ Clive Barker (b.1940) 'Elementary', 2017 (Sherlock Holmes)polished bronze, stamp signed, titled, dated and numbered '1/2' on a plaque verso19cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportSurface dust and dirt to crevices. For a full report please contact the department.

▲ Ray Bellisario (1936-2018) 'Freedom - First Day Out Of Prison, Lying in a Field’, 1964three gelatin silver prints of Christine Keeler, printed later, one artist's proof, signed 'Ray Bellisario', inscribed and numbered 'AP 3/3' and also signed by Christine Keeler, one signed 'Ray Bellisario' and numbered '1/10', and also signed 'C M Sloane', the name later adopted by Keeler when she struggled to find work, all with The Estate of Christine Keeler blind stamp50 x 40cm, unframed (3)Provenance: The David and Pam McCleave Collection of Modern British Art. Condition ReportThe prints do not sit completely flat at the edges. There is a small purple mark to Keeler's dress beneath the collar on all three prints which is possibly a printing defect (?), please see images, however overall all three prints present well.

▲ Michael Ward (1929-2011) Marianne Faithfull at home, London, 26 July 1967gelatin silver print, printed later, embossed signature l.r., numbered '7/50', signed 'Michael Ward' in pen verso with Michael Ward Archives stamp image 34 x 50cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportOverall: 42 x 59.5cmAppears to be in good condition.

▲ David Bailey (b.1938) Christine Keeler contact sheet, 1969archival photograph, 2016, signed, dated and numbered '1/10' verso with David Bailey copyright stampsheet 61 x 79.5cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportAppears to be in good condition.

▲ Clive Barker (b.1940) 'Andy Capp', 1978 (Fermon 182)polished aluminium, stamp signed, titled, dated and numbered '6/6' on base23cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportDust and dirt to crevices. For a full report please contact the department.