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A collection of glassware to include an R. Langman for Kosta Boda blue and white speckled vase with flared rim, signed to base, a marbled glass fruit bowl, unsigned, 35.5 cm diameter x 9 cm high, a Whitefriars type blue tinted glass bowl of flower head form, 17 cm diameter together with a collection of Studio Pottery including a Diana Peyton blue glazed pottery bowl 16.5 cm diameter x 8.5 cm high, another small beaker type bowl 9.5 cm diameter x 9 cm high, a Mobach mottled blue glazed bowl with gilt lustre rim 9.5 cm diameter x 8.5 cm high, a Mobach copper lustre decorated vase 8 cm x 11 cm and a Briglin Studio Pottery cup together with a pair of over sized carved wooden dice 8.5 cm

Briglin pottery part breakfast set to include five coffee cups, six saucers, egg cup, covered pot for marmalade or jam, sugar bowl, large jug, small jug, and others, very large studio pottery jug with impressed mark in deep brown glaze and further large stoneware cisterns (qty)

Studio Pottery - a Briglin Pottery part coffee service, 'Spiral' pattern in the Brutalist manner, in shades of brown, comprising coffee pot, cream jug, sugar bowl, side plates, cups and saucers, qty

A Briglin Pottery studio coffee service, banded in tones of brown, and grey, the pitcher 26cm high

A ceramic Shelf Pottery pig money box, 16 x 20cm, A Briglin Pottery hedgehog money box, 10 x 10cm, a wooden curled up cat doorstop, 26 x 26cm, A 'Signalling Equipment Ltd' Student Microscope No. 3/A mignifaction 100 x in box. A limited edition - 486 of 999, Aynsley Atlas vase ' Wild Tudor' 27cm, with cetificate, boxed. A pair of Zenith 10 x 50 Field Binoculars in case. A pair of Octra 10 x 50 Field Binoculars in case. A boxed 20,000 OHMS/Volt Multimeter Model C1001. Together with an assortment of Electro plated spoons, boxed, a boxed manicure set and various fish and flatware items.

A Briglin Pottery figure of Paul Robeson as Othello, designed by Susan Parkinson, No. 30, signed to base.

A Briglin Pottery figure of Sir Laurence Olivier as Henry V, designed by Susan Parkinson, No. 12, signed to base.

Guernsey Studio pottery - Elizabeth Ann Macphail (1939-89) Five female figures modelled in various poses, unglazed and glazed, the tallest 15.3cm. high, each signed 'EA', some earlier models, dating '66'. (5) * Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950?s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.

An extensive collection of mid century hand painted Briglin studio pottery. H.26cm (largest)

An extensive collection of mid century hand painted studio pottery to include Briglin etc. H.22cm (largest)

Briglin studio pottery coffee set, (14)

A collection of studio pottery including Briglin studio pottery vases, a Katie Timson bird vase, a Petra Wright triangular form vase, signed salt glaze vases etc. Tallest 14.5cm

A collection of mid to later 20th Century 6 inch dust pressed tiles to include examples by Christina Sheppard (formerly of Chelsea Pottery), Joyce Morgan of Chelsea Pottery, Maria Geurten produced for the Barbican Gallery in Penzance, Deborah Anne Withey on a Johnson blank, Henry Hammond, Briglin Pottery and two examples by Ann Clark, decorated with abstract landscapes, florals, bird studies and abstract sun motifs. (8)

A Briglin studio pottery coffee set, pot, milk jug, sugar bowl and six cans

A quantity of collectables to include silver handled button hooks, Royal Dux elephant, brass ware, hardstone eggs, Briglin pottery, etc.

A Briglin Pottery figure of Dame Margot Fonteyn as Ondine, designed by Susan Parkinson, No. 21. Signed to base. Condition: Colour run to left side of face. Professional restoration to left side of the dress.

A group of pottery items, including a Carter Stabler & Adams Poole vase, another Poole vase, a bottle vase signed Briglin, and a Studio slipware dish, diameter 31cm

each plaque depicting the process - (1) Wedging (2) Throwing (3) Turning (4) Making Handles (5) Handling (6) Texturing (7) Packing 1 Kiln (8) Painting (9) Making Glaze (10) Pacing 2 Kiln (12) On Sale, clip hanging points to back, each signed 'EA', approximately 5¼ x 4½in. (13.3 x 11.5cm.). (12)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Mostly very good, needs dusting, some with loose elements, one figure with missing arm.

of varying forms, in different glazes, signed 'EA', the largest 5in. (12.8cm.) high. (45)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be in good condition, natural firing flaws only.

comprising circular, square and rectangular, of varying designs, glazes and styles, to include pierced designs, rough textured cubist style designs, floral and patterned designs, mostly scratched signed 'EA' and measuring 4in. (10.2cm.) square. (45)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be in good condition, some firing faults only.

modelled similarly to the Rocking Chair yoga pose, raised on an oval base, signed 'EA', 10in. (25.5cm.) at longest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, no chips or cracks found, firing faults only.

modelled in various sizes and glazes, signed 'EA', the largest 8in. (20.2cm.) diameter. (14)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be in good order, some natural firing faults, good.

in various glazes, sizes and patterns, signed 'EA', the largest standing 5 1/8in. (13cm.) high. (20)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, one mug with hairline, possible firing faults.

comprising two pianists, two organist, three violinist, nine bass or cello players, flute player, guitarist, singers and a group of musicians with conductor, signed 'EA', the largest plaque measuring 6 5/8 x 6in. (17 x 15.3cm.). (20)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Overall very good, some small elements possibly missing (bows etc, if they were ever made), some firing faults etc.

in varying styles, sizes and colourways, to include four teapots, four large milk jugs and sixteen cups / mugs. (24)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Mostly very good, one teapot with chip / nibble to cover, some firing faults.

modelled in seated position, rising from oval base, signed 'EA' to underside, 7¾in. (19.7cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips and cracks found, natural firing flaws only, good.

modelled in a seated position, raised on an oval base, signed 'EA', 7in. (17.8cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, no chips or cracks, possible firing faults.

in green, blue and brown glazes, modelled sitting on a chair with scroll back and having a music stand, raised on oval base, signed 'EA', 6in. (15.3cm.) at widest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Very good condition, no chips or cracks.

modelled sitting on a chair with scroll back and music stand, raised on circular base, signed 'EA', 5in. (12.8cm.) diameter.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No cracks found, tiny flea-bites to rim of base, overall good.

of varying styles, designs and glazes, to include textured examples, each having elongated fluted stems and bulbous bodies, signed 'EA', the tallest 5¾in. (14.7cm.) high. (12)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, light wear only, some firing faults.

of varying styles, designs and glazes, to include textured examples, each having elongated fluted stems and bulbous bodies, signed 'EA', the tallest 6¾in. (17.2cm.) high. (12)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be good, some firing faults.

modelled sitting, wearing a large sun hat with floral design, raised on oval base, signed 'EA', 7¼in. (18.5cm.) at widest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some firing blemishes.

Penguin - King; Swan - Queen; Horses - Knights; Elephants - Rooks; Owls - Bishops and ducks the Pawns, each set housed in glazed dishes of varying forms. (quantity).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* some pieces with a little damage (example, crown tips etc.) overall good.

of varying forms, glazes, and styles, the largest of textured form depicting musical notes and standing 6in. (15.3cm.) high. (18)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* good condition, some firing faults.

modelled similarly to the 'Boat Pose' in Yoga, raised on blue / brown striped tear drop base, signed 'EA', 7¾in. (19.8cm.) at widest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips or cracks, firing faults only, good.

modelled in a seated position, raised on oval base, signed 'EA', 8in. (20.3cm.) high. a/f* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* restoration - head, right arm and top cello re-attached (done in manufacturing / firing)

modelled in a seated position, raised on oval bases, signed 'AE', largest 4½in. (11.5cm.) high. (2)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.*Both pieces good, natural firing blemishes only.

in various glazes, to include bowls, organic sculptures, spoons, dishes troughs etc. (approximately 80 pcs).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* overall very good, some firing faults etc.

in various colourways, glazes and sizes, to include cats, swans, owls, pigs, imps, elves, dancers, dragon, dogs, fish, etc, housed in trays. (large quantity)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Overall very good condition, some firing faults.

intricately hand made, many different glazes, shapes and sizes, mostly signed 'EA', the largest 2 5/8in. (6.7cm.).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Some pieces may have minute nibbles and or firing faults, good condition.

in blue green / turquoise glaze, modelled in various poses, the largest 2 3/8in. (6cm.) high, each signed 'EA', housed in crescent dish. (50).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, a couple with breaks to beaks.

to include two featuring a woman, one with a baby, the other flowers, each within a wreath, the largest 10¾in. (27.4cm.) diameter, together with three modernist slabs / plaques. (5)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Each piece good with no chips or cracks, some minor firing blemishes etc.

the first modelled doing excise, the other holding aloft their foot (possibly after injury), signed 'EA', the tallest 6½in. (16.5cm.) high. (2)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips or cracks, good.

modelled sitting and looking behind with bow down to the side, signed 'EA', raised on oval base, 6½in. (16.5cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips, some firing faults, good.

with pull-off cover, 12¼in. (31.3cm.) high, together with a hand bell, miniature pasty wall pockets, lamp base, various dishes etc, signed 'EA'. (20)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All pieces appear to be in good order, some firing blemishes.

modelled in a seated position on a scroll back chair, with music stand, raised on oval base, signed 'EA', 6¼in. (15.8cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some firing blemishes.

of varying styles, sizes and glazes, mostly signed 'EA'. (quantity)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* good condition, some firing blemishes etc.

in various sizes, styles and glazes, the largest 7¼in. (18.5cm.) diameter, mostly signed 'EA'. (38)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Two bowls with flea-bite nibble, mostly very good, some firing blemishes.

to include two cubes with lids, having textured and floral designs, opening for storage 4in. (10.2cm.) square; hedgehog and pig money boxes; various lidded boxes, and jars with covers. (16)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some warping to lids etc.

of varying forms, glazes and sizes, the largest unglazed and measuring 8¾in. (22.3cm.) high, mostly signed 'EA'. (30)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some with firing faults and shrinkage.

of varying sizes, glazes and types, mostly signed 'EA', the largest 7¾in. (19.8cm.) diameter. (50)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some firing blemishes etc.

modelled in seated position, raised on circular bases, signed 'EA', the largest 4½in. (11.5cm.) high. (3)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All in good condition, some natural blemishes.

modelled doing stretches, raised on oval base, signed 'EA', 7½in. (19cm.) long.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, firing blemishes only.

modelled doing stretches, raised on oval base, signed 'EA', 7in. (17.8cm.) long.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, firing crack to waist (doesn't detract).

the larger in a turquoise glaze, raised on circular base, 4½in. (11.5cm.) high, together with a miniature. (2)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Both pieces good.

modelled seated, raised on oval base, signed 'EA', 7in. (17.8cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, firing blemishes only.

modelled seated, raised on oval base, signed 'EA', 6½in. (16.7cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Firing crack to waist area, otherwise good.

of varying forms, colours and sizes, each signed 'EA', the tallest 10in. (25.5cm.) high. (10)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* One vase with tiny flea-bite nibble to rim, overall good.

in various glazes and sizes, raised on naturalistic flat bases, each signed 'AE', the largest measuring 7½in. (19cm.) long. (8)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Natural firing flaws only, some shrinkage, overall good.

to include fifteen modelled flat, facing left & right in different colourways and textures, the largest measuring 6¼in. (15.8cm.) long, together with an elephant modelled as a jigsaw and various miniature elephant figures, housed in rectangular shaped trough. (35)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Very good condition, natural firing flaws only.