We found 28 price guide item(s) matching your search

Broad Point, Bread, and Other Knives, including I Wilson (Sheffield), James Bingham (Sheffield), Barnsley & Sons, Monument Brand, etc (rust).

CLASSIC ROCK & POP - 8 TRACK COLLECTION. A broad collection of around 65 8-tracks. Artists include Alice Cooper, Love, The Grateful Dead, Faces, Tes, Bread, Family, Bill Wyman, Frank Sinatra, Randy Newman, Deaf School, Alan Price, Van Morrison, Ben E King, The Allman Brothers Band, Carly Simon, Judy Collins, Johnny Harris, Enter The Dragon OST, Greenslade. See pictures for detailed spin up images of all titles. Condition is generally VG+ to Ex+/ Sealed.

Nine silver plate napkin rings, all with broad arrow and mid- 1950's dates, with three James Dixon mustard spoons and a bread fork

H&R Daniel - A mixed group of dinner, and tea dessert warescomprising a set of six soup plates, circa 1842, pattern 7333, of 'Mary Talbot' shape, pale fawn ground with reserved white flowers and leaves, printed and hand-coloured decoration of roses and other flowers contained within gilt scrolls, puce printed retailer's mark 'J Allsup, 16 St Pauls Church Yard London', numbered, 26cm diameter; a base for a muffin dish, pattern 3978, of 'First Gadroon' form, broad pink border with gilding, unmarked, 19.5cm diameter; a pair of sideplates from a tea service, of 'Shell Variation B' form, with green panelled borders, enamelled with perching birds on branches, similar to pattern 5263, unmarked, 15.8cm diameter; a bread and butter plate, pattern 4641, of 'Second Gadroon Variation A' form, decorated with loose sprays of roses in green, gilt lined edge, unmarked, 22cm diameter; and nine other plates (Qty)Condition:Bird plates - no damages or repairs, however there is scratching and rubbing to the decoration. Please see additional images.

GROUP OF RECORDS including Neil Diamond 'Jonathan Livingston Seagul', 'Cliff Richard Live!', 'The Sound Of Bread', Paul McCartney 'Give my regards to Broad Street', Neil Diamond 'Love At The Greek' and other records

TWO BOXES OF METALWARES, EPHEMERA, ARTIFICIAL BAKED GOODS, AND SUNDRY ITEMS, to include a pair of Aitchison's Patent 1016 folding binoculars with case (binoculars' mechanism broken on one side), a WW2 blackout lamp marked with the broad arrow and labelled 'Lamps Electric No 1 J L Ltd', a Daimon/Telko Trio blackout torch with leather strap, three pieces of Desert Rose Selenite, menus from RMS Windsor Castle including Walt Disney Productions Snow White and the Seven Dwarfs children's menus, a British Legion Women's Section Badge, a box of artificial bread and cakes for displays, etc (2 boxes) (sd)

Late Period, 30th Dynasty, 380-343 BC. A complete wooden gesso-painted sarcophagus of female form housed in a custom-built Edwardian glazed wooden display case, depicting the deceased wearing a tripartite wig with long lappets, fleshy face with painted detailing, wide Broad Collar with falcon-headed terminals, each wearing a sun disk, a staff with shuti symbol to each side of the collar, a figure of Sobek beneath the staff; beneath the collar kneeling Nut with her wings spread, wearing the solar disk and holding a feather in each hand, Wedjat-eye standards on either side of the goddess; the leg area of Tetosiris coffin organised as a text apron of five columns with a formula of offering and the genealogy of the deceased, protected on both sides by the Four Sons of Horus, reading: 1. Words spoken by Osiris, foremost of the westerners, good god, lord of Rosetau 2. Isis the great, mother of the god, who resides in Akhmim and Nephtys, sister of the god. That they might give 3. an offering consisting of bread and beer, oxen and fowl, wine, milk, incense, cloth and all things 4. good and pure to the ka of the Osiris Tetosiris 5. daughter of Tutu, born of Lady Tasheritmin the sarcophagus resting on a rectangular base with a band of hieroglyphs, reading: front: 'A boon which the king gives to Osiris, foremost of the westerners, lord of [...]' left: 'Rosetau Osiris (?) make perfect (?) (?) [… ...]' right: 'Tetosiris, daughter of Tutu [… … ...]'. See Abdelhalim, A., The Stela of Nes-Hor from Akhmim CG 22142, Shedet 6 (2019); Elias, J., Examination of the Three Egyptian Coffins in the Buffalo Museum of Scienze, Ahmim Mummy Studies Research Paper 96-1 (1996, revised 2012); Tamas, M., Takwa, S., Kholoud, A., The Ensemble of Djed-Hor (Coffin, Cartonnage and Hypocephalus) in the Egyptian Museum of Cairo, RdE 62, 2011; Rindi Nuzzolo Carlo, 'Tradition and Transformation: retracing Ptah-Sokar-Osiris figures from Akhmim in Museums and Private Collections' in Todd Gillen (ed.), (Re)productive Traditions in Ancient Egypt (=Aegyptiaca Leodiensia), Liège, 2017. 137cm high; 175.5cm including case (54 (69)"). By repute discovered in the necropolis of Akin. Victorian or Edwardian collection, based on the custom-built display case. Acquired in The Hague, Holland, 1961. With Christie’s, London, 7 November 2001, lot 394. Accompanied by copies of the relevant Christie's catalogue pages and a copy of the Christie's purchase invoice. Private collection of Egyptologist Paul Whelan, Hertfordshire, UK. Accompanied by an academic report by Dr Alberto Maria Pollastrini. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11034-182413. [A video of this lot is available to view on Timeline Auctions Website.] Fair condition, the display case very fine. A special display piece.

Postcards, a broad subject selection of 17 cards with Louis Wain comic cards 'Manx Kippers for Tea', RP of hand delivery cart for 'Phillips Bread', woven silk of Lord Kitchener, embroidered silk for R.F.C, RP of Sandy (Beds) Railway Station Interior, Royal Mail Delivery van (faded), RP of bridge demolished by traction engine (thought to be near Rye Sussex). Also set of 7 Metropolitan Railway (District) published in 1928 for Diamond Jubilee 1868-1928 with original packet etc (mixed condition, fair/gd)

A COMMEMORATIVE ROUND OF HARDTACK, CIRCA 1901 the hardtack stamped 'DY' together with a broad arrow mark and framed within a glazed carved oak frame inscribed LEST WE FORGET 1877 -- 1901 -- 10¼in. (26cm.) diamFootnote: Possibly this is a reference to reforms introduced by Sir John ('Jackie') Fisher when freshly baked daily bread replaced the long tradition of these rock-hard weavil-infested stale biscuits which for centuries had been a mainstay of naval dining.Condition report: As viewed.

A 19th century large terracotta bread mug with slatted wooden lid.  It sounds as though it has a hairline crack.  Some chipping to the rim, including a broad chip in one place.

A good late George III silver gilt shaped oval bread basket by J. E. Terrey & Co., London 1819, the swing handle cast and chased with flowers, foliage and scrolls and with dolphin terminals, the broad rim cast and chased with masks of Ceres or Demeter within wheat sprays, dragons, flowers, leaves, scrolls and agricultural tools, the sides pierced with scrolls and trellis, on four cast and chased supports of scroll and foliate form with animal heads at the feet, 39cm (15 1/2in) long, 2587g (83.15 oz)Condition Report: Marks are clearWobblesNo splits to the pierced decorationSlight to knock to pierced decorationRubbing to the gilding of the bowlNo engravingLight scratches and wear commensurate with age and useCondition Report Disclaimer

A set of four 20th century Limoges dinner plates, decorated with two bands of gilding flanking a broad band of gilt foliate decoration, outlined in red, containing a horse head crest, Limoges CMC (Maureil Chapeau et Charles) factory marks to base, 9¾in. (24.8cm.) diameter; together with a pair of white glazed chestnut or bread baskets, Continental, 20th century, of shallow oval form, on half round toes, impressed '985', 9½ x 6in. (24 x 16.5cm.), one rim a/f; together with a matching circular fruit bowl with waved foot rim, impressed '987', 5½in. (14cm.) high, glaze discoloured to well. (7)

An English porcelain part tea and coffee service 19th century, painted with landscape panels upon a broad turquoise ground, the service comprising two bread and butter plates, nine saucers, nine teacups and six coffee cups, unmarked (26)

Dated 2038 BC. A terracotta pillow-shaped tablet with impressed cuneiform text to both broad faces and one edge; the message deals with the issue of food to men leaving the town of Hurtum to visit the king, it lacks an official seal but bears a second text regarding a sworn oath; dated to Year 9 of King Amar-Suen (i.e. 2038 BC); text reads: '5 quarts of stew/porridge, 6 quarts of bread, when the men of Hurtum went from Hurtum to the king's place. Via Idi-Erra royal messenger. Because there was no seal (he swore) the oath by the king. Issued month shu-gar-gal Year (named) the year after the enpriestess of Eridu was selected.' 24 grams, 40mm (1 1/2"). From the property of a London gentleman; formerly in a London, UK collection, acquired before 1992; accompanied by an old academic identification and translation sheet (B"). Very fine condition, exceptional quality

Judaea, Bar Kokhba Revolt. Silver Sela (13.58 g), 132-135 CE. Year 2 (133/4 CE). 'Simon' (Paleo-Hebrew), tetrastyle façade of the Temple of Jerusalem; show bread table or Ark of the Covenant in chest form with semicircular lid and short legs, seen from a narrow side; above façade, cross. Rev. 'Year two of the freedom of Israel' (Paleo-Hebrew), lulav with etrog at left. Hendin 1387a; Mildenberg 17 (O4/R11); TJC 230. Boldly struck on a nice broad flan. Toned. Extremely Fine. From the Palm Desert Collection. Ex Superior (14 December 1987), Dr. Feori Pipito Coll., 584. The obverse of this year 2 sela issue depicts the Jerusalem Temple but now features a + shape above the façade whereas this space was taken up by part of the paleo-Hebrew legend on the issues of the first year of the Bar Kokhba War. There is a great deal of controversy over whether this added symbol was intended to depict a star and advertise Simon bar Kokhba's supposed messianic ambitions. The patronymic of the rebel leader was actually bar Kosiba but he assumed the name bar Kokhba (literally "son of a star") as his nom de guerre because of its association with the messianic prophecy of Numbers 24:17.

A Victorian silver bread basket by Henry Wilkinson & Co, London 1858 with a swing handle, a wheatsheath broad rim and basket-weave sides, 10" dia, 822g

Benjamin Cole A CITY OF LONDON WARD MAP OF BREAD STREET WARD AND CORDWAINERS WARD Street map, 1755, 24.5 x 36.5cm, together with a further similar Benjamin Cole BROAD STREET WARD AND CORNHILL WARD Street map, 1755, 35.5 x 47cm (2)

A broad selection of household silver plated items, to include trays, bread basket, jugs, sugar bowl, sugar castor, etc

1940s silver bread dish of oval form, with central well and broad rim (Sheffield 1940), maker - E. V. All at approximately 14ozs, 32.3cm across

A COALPORT HARVEST BOWLthe interior painted with pseudo armorials with emblems of agriculture above Trust in God and with the motto THE HUSBAND/MAN`S DILIGENCE PROVIDES BREAD, the broad gilt inner and outer borders of scrolling foliage with oval medallions of scythes, flail, harrows, sacks, saddle, milking stool and other emblems, 32cm diam, c1810Long encircling crack in the well and localised wear to gilding but unrestored

A MINTON MAJOLICA BREAD TRAY DESIGNED BY A W N PUGIN the broad rim moulded with ears of wheat and inscribed in relief WASTE NOT WANT NOT SPARE NOT, the underside turquoise, 36cm diam, impressed marks and 368, moulded PODR mark, c1860 Faint surface firing crack caused during manufacture mirroring part of the ring foot but stable and not too noticeable. The impressed date code indistinct, possibly that for the year 1864

A VICTORIAN STAFFORDSHIRE PORCELAIN TEA SET having gilt scroll border, painted in polychrome with floral scroll, comprising lidded teapot, generous period sugar, milk, ten tea plates, 14cm diameter, nine saucers, slop, two bread & butter and cake pla tes, seven broad lip and seven tall cups

An English porcelain quakers teaset, in the manner of Rockingham, decorated in gilt, pink and puce on broad grey bands, comprising: nine morning tea cups; ten afternoon tea cups; twelve saucers and a bread and butter plate, circa 1840

Civic pewter bread plate , the broad rim set with Ruskin type roundels, diameter 27cm.

An English Porcelain Tea and Coffee Service, circa 1850, each piece decorated with broad bands of fleshy leaves in yellow against a green ground enriched in gilt, comprising a pair of bread and butter plates (25cm diameter), slop basin, milk jug, nine coffee cups, eleven teacups and twelve saucers, pattern number only in red 5/311

An Edward VII Bread Fork, Onslow type pattern with vacant cartouche, to three broad tines, length 7 ¾”, Sheffield 1905, Maker’s Mark Mappin & Webb, and a further registration mark

A GRAINGER, WOOD & CO WORCESTER TEA SERVICE each piece with a broad gilt stylised foliage band, comprising: teapot, cover and stand, sugar basin and cover, milk jug, waste bowl, two bread and butter plates, eleven teacups, seven coffee cans, eleven saucers, gilt script mark Grainger, Wood & Co., Worcester warranted

THE RESIDUE OF A STAFFORDSHIRE TEA SERVICE each piece painted with flowers and a broad pink band enriched with flowers, comprising: six teacups (three damaged), four coffee cups (two cracked), six saucers (one cracked), two bread and butter plates (one cracked)