We found 27251 price guide item(s) matching your search

A Louis Philippe gilt and patinated-bronze mantel clock case, second quarter of the 19th century, French, surmounted by an equestrian archer, on a waisted plinth base and acanthus-cast bracket feet, housing a later quartz movement,34cm wide12cm deep49cm highCondition ReportGeneral knocks, wear and scratches to case. Top of bow lacking. Some light verdigris.

A Victorian brass inlaid mahogany bracket clock, with an arched case, with a twin fusee movement, striking the hour, with a glazed back door, and cast ring handles, on ball feet, 42cm highthe dial 16.5cmCondition ReportCase damaged, no glass in front. Knocks and wear. Movement strikes when wound. crazing and chips to dial.

A lapis lazuli miniature bracket clock, early 20th century, the arched gilt dial with silvered chapter ring, 15.5cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportCracks to case. One foot loose. Not running - more photos added.

A good quality bracket clock with gilt and silvered square dial in brass mounted walnut tapered case

A REGENCY MAHOGANY ARCHITECTURAL CLOCK STAND the superstructure with ivory urn finials and broken arch pediment over inlaid fenestrations, the hinged central panel mounted with a Swiss-made timepiece, the base with three short drawers on bracket feet, 56cm high x 61cm wide x 27cm deepIvory Submission Reference: XBK4WTBEProvenance: The Les Watts Collection.

AN IRISH MAHOGANY BRACKET CLOCK BY PHILIP GLASCO & SON OF DUBLINlate 18th century, the two train fusee movement striking on a bell, the back plate engraved with the makers name, the brass dial with silvered chapter ring and Roman numerals, the case with a single brass handle to the caddy top and a moulded plinth base, 41cm high x 25cm wide x 20.5cm deep

A MAHOGANY BRACKET CLOCK BY RICHARD STYLE OF LONDON18th century, the 17cm gilt dial with silvered chapter ring, subsidiary second dial and strike/silent dials and with pierced spandrels to the movement with verge escapement, finely engraved back plate and repeating bell strike, contained in case with pagoda top, pineapple finials and pierced grille sides, 53cm high x 28cm wide x 19cm deep, with keys and service record

A REGENCY MAHOGANY BRACKET CLOCK BY DWERRIHOUSE & BELLthe two train fusee movement striking on a gong, engraved with the makers name to the back plate, the white enamel dial similarly with makers name and Roman numerals, the case with foliate cast ring handles to each side, on gilt metal bun feet, 40cm high x 28cm wide x 15cm deep

A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK the double fusee eight day movement striking on a bell, the enamel dial with Roman numerals, the case with a brass acorn finial and ring handles to each side, decorated throughout with floral inlay, on turned bun feet, 48cm high x 30cm wide x 15cm deepProvenance: The Les Watts Collection.

Junghans Germany Late XIX Century Oak Mantel Clock, top with turned finials, circular enamel dial, Roman numerals, brass mounts on forefront bracket feet 52cm high x 27cm wide.

A George IV mahogany and ebony twin train bracket clock by L. Vick of Stroud - the architectural case with turned acorn and urn finial, twin gilt brass loose ring handles and arched, scale design grilles to the sides and gilt brass ball feet, the signed, Roman 7 ¾ inch dial in the original painted finish, fronting a twin train hour striking fusee movement with anchor escapement, with case and winding keys, 50.8 cm high.

A 19th century inlaid mahogany eight-day longcase clock with moonphase by Edward Massey of Burslem - the floral painted Roman arched dial with subsidiary seconds dial at noon and arched date aperture at six, pierced brass hands, fronting a bell strike movement with four knopped pillars and anchor escapement, the case with swan neck cornice with brass rosette rondels and central ball finial, over fluted columns and an ogee moulded door, probable later alterations to case, the trunk with fluted quarter columns and a cross banded glazed door, on a cross banded plinth with fan spandrels, with ogee bracket feet, probable alterations to case. (LWH 60.5 x 28 x 246.5 cm)

AN ENGLISH PATINATED BRONZE MANTEL TIMEPIECE IN THE LOUIS XV TASTE SECOND QUARTER 19TH CENTURY, W. PAYNE, 163 NEW BOND STREET LONDON The 4.5inch gilt dial with black Roman numerals behind a glass bezel, the movement inscribed to the back plate for the maker, the patinated bronze clock case cast in the Rococo manner 36cm high overall Condition Report: Movement is relatively clean and will run however a precautionary gentle clean/service is advised. The pendulum holdfast bracket is missing and there is some denting to the backplate no doubt from historic hammering around the pivot holes to address wear. The crutch also has noticeable bending from historic beat adjustments. The dial is a little discoloured/oxidised with wear/rubbing to the numerals. The case is in good original condition albeit dirty/neglected in appearance.Timepiece has pendulum and a winding key. Condition Report Disclaimer

A GREEN PAINTED AND GILT METAL MOUNTED BRACKET CLOCK IN LOUIS XV STYLE 19TH CENTURY, POSSIBLY SWISS The movement striking on two concentric bells, stamped 1324K, the case after the manner of Andre-Charles Boulle, with putto finial and of typical waisted form and atop a conforming bracket 128cm highProvenance: The Hon. Claude John Yorke, and thence by descent Condition Report: Movement is not original to the dial. It is typically Swiss and quarter strikes on two bell together with pull-quarter repeat work. The movement is in neglected condition hence is not running; the going and strike trains appear serviceable however the repeat work probably requires more involved attention and is lacking its bells and hammers. The dial has a spare winding hole (left over from the original movement) as well as numerous hairline cracks and chips/losses. The case was originally 'contra-parti' veneered with shell within a brass ground - the brass has been removed and the surface painted green around the relief scroll design brown tortoiseshell. The case is otherwise structurally sound but with age related shrinkage and wear; the mounts have lost most of their gilding and the cherub surmount is missing something from his right hand. The bracket is in very similar condition except that the mounts retain more of their original gilding/finish. Clock has pendulum and a winding key. Condition Report Disclaimer

A 19th Century mahogany cased bracket clock with replacement Smiths English Clocks electric movement, the painted tin dial with Roman numerals incribed "Hubbard sen. Dorking" raised on four ball feet 49 cm high CONDITION REPORTS The dial is 20.5 cm diameter.

A 19th Century French gilt bronze cased mantel clock of architectural form, the surmount with side facing gryphons on column supports of tapered porcelain puce and gilt decorated form, on an ornate bracket foot and foliate decorated base, the eight day movement by Achille Brocot, with porcelain dial decorated with Venus and Cupid, within a chapter ring of Roman numerals, 30 cm wide x 35 cm high, on a carved giltwood plinth base, bearing initials "DS" and remnants of old label, bears inscription to reverse of door "William Evill from his affectionate Mother-in-Law June 8th 1869"

An 18th Century oak longcase clock, the hood with pagoda pediment and turned pillars, full length door and reeded side columns to the trunk, on bracket feet with circular dial and 30 hour movement, by Kidd Malton, height 227cm.

Victorian ' Dent of London ' satinwood bracket clock, the square case with dentil moulded cornice, bevelled glass panel sides and raised on an ogee and stepped base with brass bun feet, the silvered dial marked ' Dent by Royal warrant, 34 Cockspur Street, London ' with roman numerals and foliate scroll engraved spandrels, circa 1890 with single train fusee movement, 23cm highCondition ReportAll clocks and watches are sold untested for time keeping accuracies. However this clock was ticking upon inspection. One corner of the case top has a knock and wood surrounding it is cracked. Glass panels have surface marks and scratches in places caused through previous use. Dial appears to be in good condition. Case discoloured in places.  Overall condition bar this appears to be good, with no obvious signs of major damage or repair.

Mid 18th century walnut longcase clock, the five pillared twin train movement by William Stumbels, Totnes, the broken-arch brass dial with silvered chapter ring, roman numerals for the hours, arabic minutes, subsidiary seconds dial, square date aperture, signed circular boss in arch, arched hood with corinthian pilasters, door with herringbone and crossbanded details and thumbnail moulding, all on bracket feet, 240cm high  William Stumbels (d.1769) has been described as the finest West Country clockmaker and one of the best outside London at the time and made clocks for the illustrations houses of the area incuding Powderham Castle near Exeter  Condition Report Dial has possibly been refinished/restored. All clocks and watches are sold untested for time keeping accuracies. Has two brass weights and pendulum. Arch back top of the hood is broken/split in two places, see additional photograph. Marks, small splits to the case and wear in places commensurate with age and previous use. 

W. Edwards, Bishops Castle an oak longcase clock the thirty-hour plated movement striking the hours on a bell with the twelve-inch square painted dial having Arabic numerals, decorative birds to the centre, 'false' winding holes, a subsidiary seconds dial and date aperture, anchor style spandrels painted to the four corners and signed W. Edwards, Bishops Castle, with decorative gilt-brass hands, the oak case having fluted pillars to the hood with cast-brass capitals, a swan-neck pediment, three cast-brass urn finials and standing on bracket feet, height 212cms.Note: William Edwards is recorded as working in Bishopsgate, Shropshire. He was baptised in December 1776 being the son of the clockmaker Edward Edwards, recorded as working in Bishopscastle from before 1771, and Susannah. William was unmarried and lived in Church Street where he is shown with his sister in the census of 1841 and 1851. Douglas J. Elliott Shropshire Clock & Watchmakers Pub. Phillimore & Co Ltd, 1979.

A balloon shaped late-Victorian mahogany moonphase mantel clock having an eight-day duration movement striking the hours and half-hours on a bell with the white enamel dial having black Roman numerals, blued-steel moon hands with the inset centre having three subsidiary dials for Day/Date/Year and with a phases of the moon disc below XI o'clock, the mahogany balloon case with inlaid boxwood stringing, a pediment top and standing on cast-brass bracket feet, height 46cm.

Junghans, Wurttenberg, an oak mantel clock having an eight-day duration movement chiming the quarters on four gong rods with the silvered arched dial having black Arabic numerals and two subsidiary dials to the arch for Chime/Silent and Regulation, the oak flat-top case with gadrooned moulding to the pediment, fluted canted corners, and carved decoration to the top corners, height 39cm. Hamburg American Clock Company an oak mantel clock the eight-day duration movement striking the hours on a gong with the backplate stamped with the cross-sword trademark of the maker, the square brass dial having black Arabic numerals, the oak case having a gadrooned pediment, three turned finials, fluted pillars and bracket feet, the interior of the door having a paper label for H.A.C, with the cross-sword trademark, height 47cm.

A mahogany Georgian bracket clock the eight-day duration, double-fusee movement striking the hours on a bell with the seven-inch round painted convex dial having black Roman numerals and decorative blued-steel hands, the dome-topped mahogany case with boxwood stringing to the front, brass fishscale frets to the sides and surmounted by a brass carrying handle, all standing on brass ball feet, height 41cm not including handle.An Edwardian mantel clock retailed by F. E. Bowden & Sons, Plymouth having an eight-day duration timepiece movement with a platform lever escapement, the four-inch round silvered dial engraved with the retailer's name and having black Roman numerals and blued-steel spade hands, the curved-topped mahogany case with fluted canted corners and stringing to the front, height 23cm.

A Regency inlaid mahogany bracket clock having an eight-day duration double-fusee, five-pillar movement striking the hours and half-hours on a bell, with wheat-ear border engraving, the eight-inch round painted convex dial having black Roman numerals and decorative blued-steel hands, the arch-topped mahogany case inlaid with boxwood stringing, with ebonised mouldings, cast-brass handles, brass steeple fretwork to the sides and standing on brass ball feet, height 47.5cm

An 18th century oak longcase clock, having an eight-day duration movement striking on a bell with the twelve-inch break-arch brass dial having a silvered chapter ring engraved with black Roman numerals and decorative blued-steel hands, with the centre having a subsidiary seconds dial and date aperture, with cast-brass female-head spandrels to the four corners, the arch with a brass boss engraved Tempus Fugit and with an engraved eagle, the oak case with mahogany crossbanding to the trunk and hood and with star-inlaid decoration to the trunk, the break-arch hood having three-quarter plain pillars and surmounted by a cast-brass eagle finial, all standing on bracket feet, height 217cm without finial, 234cm including finial..

Elliott, London a contemporary ebonised 17th century-style bracket Golden Jubilee clock the eight-day duration movement having a platform lever escapement set between the movement plates and striking the quarters and hours on two gongs with the fully engraved backplate signed F.W. Elliott London, Reg. No. 80, the square brass dial having a silvered chapter ring engraved with black Roman numerals with cast cherub-head spandrels to the four corners and engraved decoration to the edge, the centre having an applied silvered plaque engraved F.W. Elliott, the ebonised case with a cast-brass basket top pediment, corner finials and applied mounts to the front, all surmounted by a cast handle, the interior of the door with plaque engraved Supplied Exclusively to Garrard & Co., Ltd, Crown Jewellers, height 34cms inc. handle.

A late-Regency mantel clock having an eight-day duration, single-fusee timepiece movement with anchor escapement, the round white-painted dial with black Roman numerals, missing hands, the round drum case seated on a rectangular plinth with carved scroll moulding and bracket feet, height 43.5cm.

Payne & Co. London a walnut bracket clock the eight-day duration, double-fusee, five-pillar movement striking the hours on a bell and numbered 5013, the eight-inch round painted dial having black Roman numerals, blued steel spade hands and signed Payne, 165 New Bond Street, London, the figured walnut case with pediment top, canted corners and inset panels, height 45cm.

A nice early Victorian and later mahogany bracket or library clock, marked Gillett & Co Croydon to dial, twin chain fusee movement, appears to have had a good restoration and case probably repaired, 40cm high, with key and pendulumPlease see additional images.

A mid 19th century rosewood and gilt metal mounted bracket or mantle clock, 29.5cm high, front foot loose but present, other feet loose and panel of wood to base also loose, with eight day movment and the case with pierced sides, with case keys and pendulum

Late 19th / early 20th Century mahogany balloon shaped bracket clock, the brass dial with Arabic and Roman numerals, signed J. Broadbelt, London, the three train movement striking and chiming on eight bells, 44cm high excluding the loop handleCase condition issues - as per photographs. Dial door is secured with wire. Movement appears complete - not currently running.

19th Century oak clock bracket, 34cm wide

Reproduction ebonised three train bracket clock by Kieninger, 34cm high

19th Century mahogany longcase clock, the circular painted dial inscribed Birley, Birmingham, having subsidiary seconds and date apertures, decorated with masonic emblems, the two train movement striking on a bell, the case with flush panel door and conforming plinth base on ogee bracket feet, 218cm highMarks and cracks to case, dial has been re-painted. Has not been tested for any length of time. Movement is very dusty/dirty.

Early George III mahogany longcase clock the painted arched dial indistinctly signed Webster White, in square hood with glass frieze and canted columns, raised on bracket feet, with twin train movement striking on a bell, 233cm high, with two weights and pendulum

A slate mantel clock and a miniature bracket timepiece, slate clock 25cm high. Condition - miniature bracket time piece, polish on top worn,slate clock has fine scratch.

A late 19th Century Black Forest carved softwood mantel cuckoo Clock, by Gordian Hettich Sohn, with two train movement striking on a gong, the back plate stamped 'G.H.S.', the dial applied with Gothic Roman numerals, the architectural case carved and pierced with a bird above fruiting vine, on a rectangular fenced base and bracket feet, with pendulum, W 28.5 cm x H 43 cm x D 24 cm. 

A large 19th century bracket clock bracket, 46cm wide, together with a cast metal dog, a metal dog companion set and various metalwares

A late 20th Century walnut veneered bracket clock by John Warmink Amsterdam, with moon phase, in domed case, Franz Hermle 8 day movement striking on bell, 24cm tall.

An Edwardian mahogany bracket clock, with an eight day movement and a Westminster chime, a silvered dial with Arabic numerals, and two subsidiary dials marked 'Slow/Fast' and 'Chime/Silent', H-35.5cm.

A collection of eight Victorian and Edwardian slate and marble mantel clocks, three with a longcase movement, and an oak-cased bracket clock. (9 Items)

Victorian Ebonised Wood and Brass Bracket / Wall Clock. Height: 36.5cm

Regency Single Fusee Bracket Clock. Brass inlay in stylised foliate forms. some light wear and tarnishing. Height: approx. 40cm

A 19th century mahogany, brass and line inlaid twin fusee bracket clock, the 8in painted convex dial inscribed 'Plowman, Chichester', 50cm high, with pendulum and winding key.

EARLY 19TH C. WELSH OAK & MAHOGANY 8-DAY LONGCASE CLOCK, B. Rice (Neath), painted Roman dial with subsidiary seconds and calendar aperture, signed dial with moon phase in the arch, swan neck pediment between real moulded columns, reeded quarter column trunk and box base raised bracket feet, dial 11.5in (dia.), 215cms (h)Provenance: private collection SwanseaComments: dial with original craquelure and paint, case missing back legs, loose moulding to trunk, generally good condition

19th Century English Bracket Clock with half hour striking on large bell. Moncas Liverpool. Circa 1830. Mahogany clock case with gilt brass decorations. One leg missing. Dimensions: H 47 cm. In good condition.

A late 19th century carved walnut wall bracket (previously for a Bracket clock), carved with serpentine, and C-scrolls, gadrooned border, 39cm high x 35.5cm wide x 25.5cm deep; a another smaller wall bracket, (2).

A George III style mahogany brass dial longcase clock The dial unsigned Probably first half 20th century, the hood with swan neck pediment and turned fluted columns, the case with cross-banded arched door flanked by fluted quarter columns above a line-inlaid base box raised on bracket feet, the 9in arched dial with silvered Roman chapter, subsidiary seconds dial below 12 and a matted centre, the arch with a silvered Silent/Strike dial, with mask and foliage spandrels, the eight day movement with four knopped pillars striking on a bell. With pendulum and two weights. 39.5cm wide x 22cm deep x 193cm high Condition:IMPORTANT NOTE: This clock is not George III period as originally catalogued but a later reproduction, possibly first half 20th century Hood: Good with some minor cosmetic marks.Case: Good with minor signs of age, chip to back edge of right side of the trunk, cosmetic marks to base box.Dial: Good.Movement: Winds, runs and strikes.Ancillaries: In good working order.Unless otherwise stated, all clocks are likely to have been serviced and/or repaired in their lifetime and may have had parts replaced.  While a clock may be described as 'working' at the time of the report, they are not guaranteed for timekeeping or durability - it is advised that all clocks are inspected and serviced by a qualified horologist before full use.

A late 17th century oak brass dial longcase clock The dial signed John Andrews, Londini fecit The case possibly associated and with later carving, the hood with scroll pediment above freestanding fluted columns, the trunk with moulded panel door, the base box with conforming moulded panel, raised on a shaped plinth, the 11.35 inch brass dial with silvered Roman and Arabic chapter, subsidiary seconds dial below XII and separate calendar indicator, the centre matted and engraved with floret boss and scrollwork, the four-pillar weight-driven movement striking on a bell, with two weights, pendulum, winder and case key. 47cm wide x 24cm deep x 207cm high Footnote:John Andrews was apprenticed to Nathaniel Pyne from 1680 then later transferred to Samuel Stanton. He was freed in 1688 and worked in Leadenhall Street. A bracket clock by the maker can be found in the collection of the Metropolitan Museum, New York, accession Number: 64.101.861. Condition:Hood: Generally good.  Cracks to glass in both top corners.Case: Generally good with minor/expected signs of age.Dial: Good.  Chapter ring silvering is slightly tarnished.Movement:  Winds, sets, runs and strikes.  Strike hammer not hitting the bell.Ancillaries:  Good/serviceable condition.Unless otherwise stated, all clocks are likely to have been serviced and/or repaired in their lifetime and may have had parts replaced.  While a clock may be described as 'working' at the time of the report, they are not guaranteed for timekeeping or durability - it is advised that all clocks are inspected and serviced by a qualified horologist before full use.

Mahogany cased chiming mantel clock raised on brass bracket feet, H: 26cm. Not available for in house P&P.

A Georgian style mahogany bracket clock, c.1900, the silvered Roman dial with chime/silent and slow/fast subsidiary dials, 8-day Winterhalder & Hofmeier movement striking the quarter, half, and hour on a pair of coiled gongs, the case with canted corners on four bun feet, four turned finials, and brass carrying handle, 34.5 x 24.5 x 50cms high.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.

A French brass carriage clock timepiece, c.1900, the white Arabic white dial within an engine turned surround, short bracket feet and hinged carrying handle, 8-day French movement with platform lever escapement, 8 x 6 x 12.3cms high.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.

Calvert, Dundee: a William IV, Victorian mahogany grandfather clock, c.1835, the painted Roman dial with subsidiary seconds and date dials, decorative scene at the arch of 'Robert Burns at the Plough', the spandrels depict the four seasons, 8-day movement striking on a bell, the case with swan-necked pediment, panelled waist door flanked by quarter columns, panelled base, on bracket feet, 53 x 216cms high. PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.

A George III mahogany clock case, with arched hood and arched waist door, on bracket feet, 228cms high.

Two wooden cased clocks comprising of mantle clock & bracket clock.

An antique style giltmetal mounted walnut bracket clock, with brass and silvered arch top dial, 32cm h excluding handle and a stained wood Vienna style wall clock, brass dial with enamel chapter ring, c1930, 54cm h (2)

A late Victorian ormolu mounted golden oak cased eight day chiming bracket clock in architectural case, the arched dial with silvered chime / silent, slow / fast, chime on eight bells / Westminster chimes and Roman chapter ring, unsigned triple fusee movement chiming on eight bells and striking on a gong, 37cm wide, 25cm deep, 63cm high, with original wall bracket Top finial is a little loose, gilt finish to the metal work is now somewhat matted with a little verdigris in places, dial looks original and untouched, now slightly oxidised, working key for front door, small imperfections to the veneer, working key to the back door which has an undulating metal grille now somewhat oxidised, movement looks rather dirty but complete, hammer striking the gong has been taped in place, comes with original brass pendulum and probably original winding key, not tested for timekeeping, bracket in good order - top 40cm wide, 27cm deep, 30cm highPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Jefferys & Ham, Salisbury Square, London. A George III eight day repeating bracket clock in arched mahogany case with painted signed Roman dial and twin fusee movement, with anchor escapement and ornately engraved backplate striking upon a bell, 32cm wide, 19.5cm deep, 39.5cm high Looks to be in essentially good condition having seen some restoration many years ago, much of the brass ware is now a little oxidised, case is of a good rich reddish brown tone, damage to the door where an escutcheon has been broken, no key, lower right pierced brass grille at the front has been pushed inwards, dial looks to be later restored but good, back door slightly out of shape, lock present but key missing, damage around escutcheon, movement looks good and is going, comes with matching engraved pendulum but no winding key, repeat operating.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Payne, 163 New Bond Street, London. A Victorian satinwood cased eight day bracket clock in plain architectural case, with silvered Roman dial, unsigned twin fusee movement striking on two bells, 28cm wide, 19cm deep, 37cm high Overall in good clean condition, case is of a bright golden tone slightly matted at the top, front door pushes almost shut but key is a little unreliable in operating the lock mechanism, one or two scattered oxidisation spots to the dial but overall good, movement in good order but not tested for timekeeping, comes with pendulum and probably original winding key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Wasbrough Duggan & Co. Bristol. A George III mahogany eight day hour repeating bracket clock in plain arched case with foliate swag engraved silvered Roman dial, signed with strike / silent and subsidiary date dials, unsigned twin fusee movement with anchor escapement, 29cm wide, 19cm deep, 43cm high Overall in good condition, probably having seen some restoration many years ago, case of a good rich mid toned polished brown colour, front door seemingly locked shut although no key present, dial with slight oxidisation as are the brass mounts, back door with some old splits and cracks running through it and slightly warped out of shape, original lock fitted but no key present, movement looks complete and going but not tested for timekeeping, comes with adjustable brass pendulum but no winding key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.