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Tri-ang pressed steel Thames Trader Articulated Shell BP Trader(4000g)Mountings buckled and do not lockSwitch and battery compartment for lights (not working)No rear tap, Does have filler cap58cms long Condition Report - Poor

41 Boxed Hornby OO gauge items of rolling stock to include R6685 Hornby Works Wagon 60th Anniversary, R149 Hunting Open Wagon, R001 BP Petrol Tank Wagon, R095 Twin Silo Wagon Bulk Powder, R031 Spiers Open Wagon, R217 Anglia Windows LWB Van, etc

37 Mid 20th C diecast, plastic and tin plate models to include Lone Star Roadmasters Cadillac 62 Sedan, Dinky Ford Sedan, Matchbox King Size No 12 BP Foden Breakdown Truck, Corgi Mini Morris, Dinky Daimler etc

Eight boxed Dinky diecast models to include 921 Articulated Lorry in yellow, 124 Rolls Royce Phantom V in metallic blue, 133 Cunningham C5R Road Racer with driver, 934 Leyland Octopus Wagon in yellow cab & green trailer, Dublo 070 AEC Mercury Tanker Shell BP with windows, 771 International Road Signs (missing one), Supertoys 972 20 Ton Lorry Mounted Crane Coles and 136 Vauxhall Viva in white, diecast in a gd play worn condition, boxes fair-gd

Boxed Matchbox King Size K5 BP Racing Car Transporter diecast model, showing some decal wear otherwise ex

Boxed Dinky 783 Petrol Pump Station BP set, with 4 x diecast petrol pumps (play wear), 4 x BP pump signs, large sign, hut and base, vg unless stated, box shows wear

Saied Dai (British, 1958), Silver Dawn, signed with monogram l.r., signed and dated 2009 verso, oil on canvas, 40 by 51cm, framed. Note: Dai trained at Bournemouth and Poole College of Art and the Royal Academy Schools, where he later taught. He has exhibited several times in the BP Portrait Award, with the Royal Society of Portrait Painters and at the Royal Academy Summer Exhibition. Note: Artist Resale Rights apply

* LESLEY ANNE DERKS (BRITISH b. 1977), ROYAL CONCERT HALL, GLASGOW oil on canvas, signed, titled versounframedoverall size 30cm x 30cmNote: Lesley Anne's cityscapes are inspired by her life in the industrial town of Grangemouth in Scotland, where the BP plant dominates much of the skyline.

* LESLEY ANNE DERKS (BRITISH b. 1977), MONTREAL SKY oil on canvas, signed, titled versounframedoverall size 30cm x 30cmNote: Lesley Anne's cityscapes are inspired by her life in the industrial town of Grangemouth in Scotland, where the BP plant dominates much of the skyline.

* DONALD MACDONALD (SCOTTISH b. 1976), WRAP 7 conte on paper, initialled mounted, framed and under glass image size 67cm x 58cm, overall size 95cm x 84cm Note: Donald Macdonald was born on the Isle of Lewis in 1976 and after a short time in the Scottish Infantry he moved to Aberdeen and gained a BA Hons degree in Fine Art. After living and painting in Denmark and Glasgow for several years he returned home to the Isle of Lewis where he is now based. His work is held in various private collections around the UK, in Denmark, Hong Kong, Israel and the USA and in 2009 he was one of only three Scottish artists to feature in the BP Portrait Prize Award Exhibition. He was also the Scottish representative for the Mead Johnson International Exhibition in Evansville, USA. In 2013 he exhibited a commissioned painting in the Imperial War Museum in Manchester and later won a place in the 7th Figurativas painting and sculpture exhibition, held in the European Museum of Modern Art, Barcelona. In 2017 he won the Public Choice Award at the Art Gemini Prize and more recently he has been invited to show at the Columbia Threadneedle Prize (2018), The Lynn Painter Stainers Prize (2019), The Scottish Portrait Awards (2019), The Westmorland Landscape Prize (2019) and The Royal Scottish Academy (2019 & 2020).

* LESLEY ANNE DERKS (BRITISH b. 1977), SAUCHIEHALL STREET, GLASGOW oil on canvas, signed, titled versounframedoverall size 25cm x 25cm Note: Lesley Anne's cityscapes are inspired by her life in the industrial town of Grangemouth in Scotland, where the BP plant dominates much of the skyline.

* STEVEN HIGGINSON, ELAINE WITH BLACK BE'RET oil on canvas, titled label versounframed (as intended)overall size 31cm x 31cm Note: Scottish portrait painter Steven Higginson’s distinctive use of light and shadow and honest approach to realist art has won him international acclaim, an engaged global audience of over 50k social media followers, and hundreds of delighted clients. His paintings feature in private collections around the world, spanning America, Europe and beyond. Steven’s portraits were part of the BP Portrait Award in 2019 and 2020, during which his work was exhibited in the National Portrait Galleries in London and Edinburgh. Steven was also awarded The Aiden Threlfall Traveling Scholarship from the Goldsmith’s Company in London after graduating from Duncan of Jordanstone, Dundee, in 2004. He used the scholarship to travel Europe, studying the work of the Old Masters, which has remained a core influence in his work to this day.

* LESLEY ANNE DERKS (BRITISH b. 1977), ATMOSPHERIC LIGHTS oil on canvas, signed, titled versounframedoverall size 76cm x 101cmNote: Lesley Anne's cityscapes are inspired by her life in the industrial town of Grangemouth in Scotland, where the BP plant dominates much of the skyline.

Marklin No.5521/27 Articulated Tanker "BP-Aral" - blue, black, white, silver, cast spun hubs - Good Plus in a Fair to Good carded picture box. 

LOT OF 21 PHARMACY/APOTHECARY/MEDICAL JARS | EUROPE | 19th and 20th century | 15 - 21 cm (height) | Glass, painted and printed labels | Provenance: private pharmacy museum | Lot description | "NATR. SULFUR. ​​SICC.": refers to dry sodium sulfate, which is used as a laxative and choleretic. "AETHER ACETIC.": refers to acetic ether, which is used as an anesthetic and solvent. "PULV. IPECAC.": refers to ipecac powder used as an expectorant and emetic. "ACID. PHOSPHORD. DIL.": refers to dilute phosphoric acid used as a dietary supplement and in the treatment of phosphorus deficiency. "TINCT. PRUN. VIRGIN.": refers to the tincture of virgin plum tree, which is used as a sedative and antitussive. "AQUA ANETHI": refers to dill water, which is used for flatulence and indigestion. "OL. ANISI. BP": refers to aniseed oil, which is used for indigestion and as an expectorant. "TINCT. AURANTIL": refers to a tincture of orange peel used as a bitter tonic and for indigestion. "LIQ. AMON. CAUST.": refers to a caustic ammonia solution used as a strong irritant or cleaning agent. "SPIR. SINAPIS": refers to spirit of mustard, which is used in poultices and in rheumatic complaints as an irritant and warming agent. "LIQ. CAL. ACETIC.": refers to potassium acetate in solution, which is used as a diuretic and in the treatment of certain skin diseases. It also contains the "AMMON. BROMAT" and "ACID. HALLER" stands, for which it is not clear what they were used for. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

AN IRISH GEORGE II MAHOGANY ARMCHAIR OR 'MASTER'S CHAIR' CIRCA 1750 105cm high, 90cm wide, 70cm deep overall For a related carved mahogany library armchair, see Christie's London, Julians Park and Six Private Collections: Live (20031), 8th June 2021, Lot 238 (£30,000 incl. BP). Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The upholstery is incomplete with the seat area and side exterior sections missing, the remainder is hessian, horsehair, webbing and calico and is in aged and worn condition. The frame bears upholstery tack holes.There are some loose joints that are intact but with some movement.There is some evidence of old worm.There are some losses and restorations including some filler to what could be knot areas to the timber of the back legs and adjacent to later carved ear areas; some later blocks/corner braces/sections of timber.This impressive chair is of generous size and stylish line with quality design and depth of carving.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

Y A GEORGE III ROSEWOOD, HAREWOOD, SABICU AND MARQUETRY WRITING TABLE IN THE MANNER OF JOHN COBB, CIRCA 1770 The front slide with an inset writing surface, a mahogany lined side frieze drawer, veneered to all sides 77cm high, 72cm wide, 45cm deepProvenance: Private Collection, Phillimore Gardens, London Pierre Langlois, introduced French designs to London, such as this table, in the 1750s and Thomas Chippendale supplied a related 'Lady's ... writing table' to Nostell Priory in 1766, in this French fashion, see Christopher Gilbert, The Life & Work of Thomas Chippendale, Cassell/Christie's, 1978. The marquetry and design of the present table suggests London court cabinet maker John Cobb (1715-1778) who made and supplied such furniture specifically with related floral marquetry in the 1760s.For a table with related woods, diagonal crossbanding, oval of flowers, foliate sprays, apron shape, crossed palms and husk swag marquetry see Christie's, London, Important English Furniture, 8th June 2006, lot 116, (£26,400 incl BP).For another example relating to the present table see Christie's, London, Important English Furniture, 4th July 2002, Lot 49, (£6,573 incl. BP). Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Various old veneer repairs - see images. Gilt metal mounts appear original. Small handles to the slide are possible old replacements. The inset baize to the slide is a replacement and has some wear and marks. One of the 'stoppers' to a rear corner of the slide is detached. No key is present but lock to side drawer is open. Some later screws to the interior of the carcass securing the base to the top. Two later screws to the underside of one frieze. All feet with small amounts of filler to the tips in the area between the timber and sabots. Top can lift from the base very slightly at one front corner.Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A PAIR OF GEORGE III MAHOGANY BOWFRONT BEDSIDE CABINETS ATTRIBUTED TO GILLOWS, CIRCA 1800 79cm high, 39.5cm wide, 35.5cm deep Provenance: Christie's London, Parisian Taste in London: A Private Collection and Furniture (7746), 10th September 2009, Lot 408 (£15,000 incl. BP) Property of a Gentleman, London Condition Report: Both with the marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Some more significant splits to sides, doors and fools of the interiors - see images for extent. Handles are of the period but possibly replaced. Some sun fading to timber in places - see images. Small section of inset timber adjacent to side of one to. This appears to be from where the locking bar has hit this area. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A REGENCY MAHOGANY AND GILT BRASS MOUNTED LIBRARY TABLE IN THE MANNER OF JOHN MCLEAN, CIRCA 1815 With frieze drawers and false drawer fronts, the locks stamped Bramah 70cm high, 128.5cm wide, 76.5cm deepThe present library table is typical of John McLean's work combining richly grained mahogany highlighted by brass mounts and restrained neoclassical form.For a related library or writing table see Christie's, London, The English Collector, 19th November 2015, Lot 655, (£20,000 excl. BP). Condition Report: The measurement from the floor to the bottom of the drawers is 55.5cm Marks, knocks, scratches and abrasions commensurate with age and use Some old chips and splits. Some knocks, tarnishing and misshapen areas to the gilt metal edge to the top The tooled leather inset top is a later replacement Handles appear original One lock original, the remaining are later added 19th century bramah locks, no key is present but all are open. Some old veneer repairs (see images) One drawer is lacking a dividing fillet of timber The interior of the carcass with some shadows where previous supporting blocks satOne leg with various old metal bracing and glued repairs where it meets the frieze, this is structurally sound. One castor slightly loose and has later securing screws and some glue residue visible where it joins the leg One corner element to the frieze with various old repaired splits and plugged holes likely concealing screw or dowel repairsPlease see all additional images as a visual reference to condition. Condition Report Disclaimer

Y A REGENCY ROSEWOOD OCCASIONAL TABLE ATTRIBUTED TO GILLOWS, CIRCA 1820 74.5cm high, 56cm wide, 43cm deepAn almost identical table sold Christie's, 9th April 2019, Lot 72 (£7,500 incl. BP).   

Y A LOUIS XV TULIPWOOD, MARQUETRY, MARBLE AND GILT METAL MOUNTED COMMODE BY ANDRE-ANTOINE LARDIN, MID 18TH CENTURY Stamped 86.5cm high, 108cm wide, 57cm deepProvenance: Private Collection, Phillimore Gardens, LondonAndré-Antoine Lardin (1724-1790) was received maître in 1750.For related commodes by André-Antoine Lardin see Christie's, European Noble and Private Collections, London, 17th April 2014, lot 216, (£8,750 excl. BP) and Bonhams, Fine European Furniture, London, 13th December 2021, lot 95, (£6,250 incl. BP).

A PAIR OF FRENCH ORMOLU TWIN BRANCH FIGURAL WALL LIGHTS BY HENRY DASSON, DATED 1889 Each modelled as a caryatid figure, possibly Minerva and Mars, supporting two scrolled branches terminating in foliate drip pans and nozzles, one signed 'Henry Dasson et Cie 1889', later fitted for electricity 59cm high Provenance: Christie's London, The Opulent Eye - 500 Years: Decorative Arts Europe (1113), 14th March 2013, Lot 180 (£8,750 incl. BP) Property of a Gentleman, London Henry Dasson (1825-1896) established his business at 106, Rue Vieille-du-Temple, Paris and was one of the most celebrated Parisian bronzier ébénistes. Specializing in producing copies Louis XIV, XV and XVI furniture, Dasson often used to incorporate his own taste and designs into these works- and always with the highest quality metalwork and cabinet making. Successes at the Paris Expositions Universelles in 1878 onwards brought his work into demand on the Continent and in England where he established an elite clientele including the Royal family. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. As per cataloguing- both have been later wired and fitted for electricity- drilled to accommodate this. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Rubbing to gilding- stress fault to one branch at front of Minerva, small old mounting holes, Some variance to casting techniques and finishing as per the making- provenance is as stated in the catalogue: Christie's London, The Opulent Eye - 500 Years: Decorative Arts Europe (1113), 14th March 2013, Lot 180 (£8,750 incl. BP) Property of a Gentleman, London https://www.christies.com/en/lot/lot-5658203 Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

A WORCESTER TURQUOISE-GROUND LONDON DECORATED SPARROW-BEAK JUG AND COVER, PROBABLY THE ATELIER OF JAMES GILES, HARLEQUIN SERVICE CIRCA 1770 Painted with two gilt-lined panels of exotic birds and a fiddler in a landscape, Meissen style crossed swords mark and paper collection labels 14cm highProvenance: The Earls of Lonsdale and thence the Leonard Fuller CollectionThe 5th Earl of Lonsdale (1857-1944), also known as 'The Yellow Earl' for his love of that colour, inherited enormous wealth in part from his late father's coalmines in Cumbria. He was a great sportsman, master of both the Quorn and the Cottesmore in his time, as well as having associations with racing and boxing. His extravagance and the closure of the mines in the 20th century meant he had to sell many an estate and upon his death in 1944, his brother the 6th Earl was forced to sell Lowther Castle, the Lonsdale seat in Cumbria. In 1947, the contents were put up for auction in what was to be the largest house sale of the 20th century. Though pure speculation, it is possible that this Giles decorated jug was purchased at that sale by the Fullers. For a closely related example see Christie's, New York, Property From the Collection of Mrs. J. Insley Blair (1618), 21 January 2006, Lot 603, ($132,000 incl. BP). This teapot became the fourth item of this type to become known. Condition Report: Some minute chips to the gilt flower finial. Slight wear to gilt line rim of jug. Areas of fritting to the cover. Small tear to paste where the rim joins the body 3mm long. Please see additional images available from the Dept. upon request.Condition Report Disclaimer

A PAIR OF MINTON PÂTE SUR PÂTE TWO HANDLED VASES BY ALBOIN BIRKS, EARLY 20TH CENTURY Carved in low relief with scenes after designs by Louis-Marc Solon, classical maidens, one emblematic of music with a tambourine, the other with brazier, reverses with beehive and flaming torch, blue ground with gilt floral detailing, signed A Birks, gilt globe marks and impressed MINTONS mark, shape number 2449, date mark 1910 30cm high Provenance: The Estate of a deceased Gentleman For a similar pair of vases decorated by Birks on the same body shape, see Sotheby's New York, Wedgwood and Beyond: English Ceramics from the Starr Collection, 23rd October 2019, Lot 228, ($35,000 incl. BP) and Christie's New York, Minton Pâte-Sur-Pâte Masterworks from a Distinguished Private Collection, 21st October 2008, Lot 24 (£18,750 incl. BP). Literature: See Bernard Bumpus, Pâte-sur-Pâte, The Art of Ceramic Relief Decoration, 1849-1992, London, 1992, p. 115 for a pair of plaques by Solon, titled 'Papillons' (butterflies) and 'Abeilles' (bees) the likely inspiration for designs. Condition Report: Probably missing covers. Slight wear to the gilding. Please see additional images available from the Dept. upon request. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.  Condition Report Disclaimer

A PAIR OF BALTIC MAHOGANY AND BRASS MOUNTED SIDE CHAIRS LATE 18TH OR EARLY 19TH CENTURY The woven horsehair upholstery fabric edged with twisted cord 92cm high, 50cm wide, 50cm deepFor a closely related armchair see Christie's, The Collector, New York, 19th April 2023, Lot 474, ($9,450 incl. BP)

Y A FINE REGENCY ROSEWOOD AND BRASS MARQUETRY GAMES TABLE ATTRIBUTED TO GILLOWS, CIRCA 1815 Bearing a retailer's label for Norman Adams Ltd, 8-10 Hans Road, London SW3; the top with a sliding central panel inlaid with a parquetry chess board to one side, the hinged demi-lune ends opening to storage 76cm high, 106.5cm wide, 74cm deep Provenance: Retailed by Norman Adams Ltd., London Private Collection, Berkshire For a sofa games table with identical carving to the supports, see Christie's London, Important English Furniture (6601), 4th July 2002, Lot 176 (£10,158 incl. BP). See the Gillows Estimate Sketch Books (#3242) for almost identical illustrated carvings. For a writing or library table also attributed to Gillows with the same shell-carved feet, see Sotheby's London, Arts of Europe (L12305), 4th December 2012, Lot 521 (£18,750 incl. BP).

A SET OF TEN MAHOGANY DINING CHAIRS IN GEORGE III CHINESE CHIPPENDALE STYLE, 20TH CENTURY With printed linen upholstery The two armchairs 104cm high, 61cm wide, 55cm deep; the side chairs 104cm high, 53cm wide, 51cm deep Provenance:Purchased from these rooms, 28th February 2018, Lot 315 (£3,500 excl. BP) Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use. The armchairs with visibly filled construction screws to the arms and seat rail. Later overcovered with block printed and printed cotton fabric of two different patterns, the upholstery not tightly fitted to the seat, probably amateur upholstery. Black fabric/dust cover covering the underside of the chairs, these areas under the upholstery have not been inspected, therefore we cannot comment on the originality and condition of the hidden construction.Some losses and restorations: some replaced brackets, the use of some filler; there are some watermarks in particular to one armchair, the back of which is faded to a greater degree than the othersThere are some movement to the joins when pressure is applied.One chair with the crest rail and splat broken from the chair, see images for the extent of the break. Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report.   Condition Report Disclaimer

Y A DUTCH OLIVEWOOD OYSTER VENEERED, WALNUT AND MARQUETRY SIDE OR CENTRE TABLE LATE 17TH CENTURY AND LATER With bone, ivory and specimen timber marquetry and a frieze drawer 77cm high, 112cm wide, 82cm deep For a cabinet on stand with very closely related marquetry and motifs to the doors, see Christie's Amsterdam, European Noble and Private Collections incl. Fine Paintings (2848), 16th December 2010, Lot 270 (€43,000 incl. BP). Please note, Dreweatts have applied for a de minimis exemption certificate for the ivory in this lot (Ref: M2DX1GXS) Please note, this piece should be catalogued as 17th Century and later, and not as originally printed in the catalogue. It is constructed using various associated 17th Century elements as well as later pieces, including; supporting blocks, frieze, turned legs, bun feet, and drawer lining. Condition Report: Marks, knocks, scratches commensurate with age and use.Various old chips, splits and losses.Various old repairs throughout - see images. Please note, this piece should be catalogued as 17th Century and later, and not as originally printed in the catalogue. It is constructed using various associated 17th Century elements as well as later pieces, including; supporting blocks, frieze, turned legs, bun feet, and drawer lining.Various inset 'butterfly' repairs to the underside of the top. The expected evidence of old worm throughout (see images for extent).One of the blocks directly above a foot produces saw dust when moved or shaken, this is a result of a more significant area of worm. Please see all additional images as a visual reference to condition.Condition Report Disclaimer

A GEORGE I BURR WALNUT AND WALNUT CABINET ON CHEST CIRCA 1720 The cabinet with a cushion drawer, the doors enclosing drawers, some with false fronts, around a central door, the base with a baize inset adjustable slide above the oak lined drawers 163.5cm high, 110cm wide, 50cm deepFor a related George I walnut cabinet on chest, see Bonhams, London, The Knightsbridge Sale, Lot 260, (£6,960 incl. BP).

A DANISH MAHOGANY PEDESTAL CUPBOARD EARLY 19TH CENTURY With indistinct paper label 'I HAUGSTED ... Odense' 144cm high, 64cm wide, 47cm deep For a closely related Danish pedestal cupboard see Christie's, London, European Furniture, 13th September 2005, Lot 211, (£1,800 excl. BP). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips, splits and minor repairs No key is present, the lock is open Of pleasing colour and patina with excellent mahogany figuring to the door panel Please see all additional images as a visual reference to condition. Condition Report Disclaimer

A GEORGE II MAHOGANY 'BIRDCAGE' TRIPOD OR SUPPER TABLE CIRCA 1750 73cm high, the top 101cm diameter For a closely related example, see Christie's London, Linley Hall, Shropshire: Property from The Collection of The Late Sir Jasper & Lady More (12451), 9th March 2016, Lot 63 (£4,375 incl. BP).

A CARVED GILTWOOD SALON SUITE COMPRISING A SETTEE AND A PAIR OF FAUTEUILS A LA REINE LAST QUARTER 19TH CENTURY, AFTER THE MODEL BY JEAN-BAPTISTE SENÉ The back supports carved as reeded columns with Ionic capitals, upholstered in green floral silk by Tassinari & Chatel the sofa 104cm high, 163cm wide, 72cm deep; the fauteuils 99cm high, 65cm wide, 58cm deep Provenance: Christie's London, 19th Century Furniture, Sculpture, Works of Art and Ceramics Including Property from The Palazzo of a Milanese Noble Family - The Property of a Private European Collector (7710), 19th March 2009, Lot 127 (£32,450 incl. BP) Christie's London, The Opulent Eye - 19th Century Furniture, Sculpture & Works of Art (1514), 6th March 2014, Lot 114 (£25,000 incl. BP) Property of a Gentleman, London The present lot is after the celebrated suite of seat furniture carved by Jean-Baptiste Sené and Nicolas Vallois under the direction of Hauré, and supplied for the Cabinet de la Reine at Saint-Cloud in 1787.

A GEORGE II IRISH SILVER OR CENTRE TABLE CIRCA 1730 73cm high, 84cm wide, 55cm deep For two closely related tables with foliate and lozenge carved friezes, see Christie's London, Important English Furniture (6601), 4th July 2002, Lot 70 (£105,650 incl. BP) and Christie's New York, British Interior (9056), 21st January 1999, Lot 326 ($63,000 incl. BP). Please note, the top is mahogany but the base (including the legs and friezes) are probably of fruitwood or beech  Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.There are some losses and restorations: some dark staining worn over the years; the table top has a slightly indented join; later fixing marks to some corners of the top; some leaf tip chips and some possibly replaced as dark stained; later blocks to the underside.There is evidence of old worm; the table is solid and of reassuring weight.The table has unusual carving displaying detailed fluency and design to all four sides. Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition.The flecking in the timber of the top gives the timber the appearance of possibly being closer to what has been called 'red walnut' . The dark patina to the frieze and legs makes it more difficult to distinguish for certain but the inclusion of pale coloured flecking would lead to the conclusion that the legs and frieze are made from a fruitwood or beech. Although one might suggest beech, the natural build up of patina and a reddish colour (alongside less consistent flecking) would possibly more strongly suggest a fruitwood.  Condition Report Disclaimer

A CAMEO SWAN HEAD SCENT BOTTLE BY THOMAS WEBB & SONS, CIRCA 1884/1885 Blue with carved white overlay, hallmark for London 1884, the bottle carved with Registration number 11109 for 12th August 1884 14.5cm in length Provenance: The Estate of a deceased Gentleman A very similar example was sold Bonhams Knightsbridge, Fine Glass and English Ceramics, 23rd June 2021, Lot 23 (£6,120 incl. BP)Literature: A similar example is illustrated in Ray and Lee Grover, English Cameo Glass (1980), pl.C415. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Natural small flaws and inclusions from the making, end of beak with small nibble and flaw- only just visible to the naked eye- clearer under a loupe but very difficult to photograph Lacks end metal mount for attaching to lid. Marks rubbed and some tarnishing to silver. Small darker marks possibly from handling- slightly dirty Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

Y A PAIR OF LOUIS XV/XVI TRANSITIONAL AMARANTH, SYCAMORE, TULIPWOOD, KINGWOOD AND ORMOLU MOUNTED ENCOIGNURES BY LÉONARD BOUDIN, CIRCA 1770 In the Gout Grec manner, each with Breche d'Alep marble top above bold corner mounts of ram head form above laurel rings, with trailing swags below, the doors with opposed marquetry of Neoclassical vases within trellis inlay, thick ormolu band surround with chevron or diamond tip detailing, stylised Greek key panel below, scrolling leaf mounts to the apron and feet, both stamped 'L. BOUDIN' and with guild stamp 'JME' beneath the marble tops each 88cm high, 76cm wide, 54.5cm deep Provenance: Pelham Galleries London, December 1971 The Estate of a deceased Gentleman. A copy of the receipt will be made available to the successful purchaser. Leonard Boudin maître in 1761. For similar but slightly less defined corner mounts and use of Greek Key motif, see the late Louis XV ormolu-mounted tulipwood and marquetry commode by Louis Moreau and Léonard Boudin, circa 1765, from the collection of The Earls of Normanton, Somerley, Hampshire and sold, Christie's Paris, 7th June 2012, Lot 305 (€121,000 incl. BP). For a commode with almost identical use of diamond mounts and stylised Greek key panel see Jean Nicolay, L'Art et la Maniere des Maitres Ebenistes Francais au XVIIIe Siecle, pl.18, fig JLiterature: Pierre Verlet, Le Mobilier Français du XVIIIème Siècle, 1967, pl. 111. P. Kjellberg, The French Furniture of the XVIIIth Century, Paris, 1989, p.86-99 Condition Report: Marks, scratches and abrasions comensurate with age and use. There is wear and resultant loss to gilding of mounts in areas Some old chips and splits, some old repairs, some losses. Some casting faults. Most noticeably, there repaired crack(s) through the central area of each door, and some adjacent old repaired splits. There are veneer repairs/ replacements running along the position cracks (see all additional images) and in other positions. Some old chips to the edges of the marble (as expected for age) One marble top has previously been broken/ cracked through and repaired. There is filler/ cement to the underside of the top indicating the approximate line of the break. Some splits and stains to interiors as expected for age. The mounts all appear secure, some securing pins/ screws are lacking, others have possibly been replaced. Original pins appear likely to have been replaced with screws in various positions. The locks to the doors appear original and keys present to operate them. Rear panels all appear original, tape has been later applied to the meeting of the panels as most often seen. One 'leaf' mount to one foot seems likely to be a later re-cast replacement. The casting of the detail seems inferior to the other mounts. and is 'rough' in appearance. Some signs of old worm damage. This is mainly isolated to the elements of the carcass and supporting blocks to feet to the underside of each cupboard. There are some signs of old worm damage in other areas. Please refer to all of the additional images available via email for visual reference to condition. They are a vital part of this report.  Condition Report Disclaimer

A PAIR OF STAINED HARDWOOD 'LANGLEY' ETAGERES OR SIDE TABLES BY ROBERT KIME LTD., LATE 20TH OR EARLY 21ST CENTURY Each with maker's label to the underside 85cm high, 47cm wide, 47cm deep Provenance: Supplied by Robert KimeSee Dreweatts, Robert Kime, The Personal Collection, Lot 377 (£10,000 excl. BP) for the pair of 19th century Irish tables that were the original inspiration for the range of 'Langley side tables' made by Robert Kime Ltd.

Y A NORTH EUROPEAN ROSEWOOD, EBONY AND IVORY MARQUETRY CABINET ON STAND PROBABLY ITALIAN, MID 19TH CENTURY The doors enclosing a shelf, the stand with a frieze drawer, the figures including George and the dragon 153cm high, 107cm wide, 47cm deep Provenance: Bonhams London, Fine European Furniture, Sculpture and Works of Art (20017), 9th December 2010, Lot 60 (£6,000 incl. BP) Property of a Gentleman, London Please note, Dreweatts have applied for a de minimis exemption certificate for the ivory in this lot (Ref: H3CV5DZF)

Y A PAIR OF CONTINENTAL FIGURED MAHOGANY PEDESTAL CUPBOARDS PROBABLY DANISH, CIRCA 1825 Each door opening to a shelved interior, mother of pearl key escutcheons 139.5cm high, 62cm wide, 39cm deepA near identical pair sold Christie's, 30th March 1999, Lot 168 (£18,400 incl. BP).  

A WILLIAM IV OAK AND BRASS BOUND STICK STAND CIRCA 1835 With a metal liner and a bone label to the underside 'JOHN DAVIS & Co 255 & 256 TOTTENHAM COURT RD LONDON' 62cm high, 31.5cm wide, 24cm deep For an identical stick stand, albeit in mahogany, see Christie's London, The English Collector (10697), 21st May 2015, Lot 114 (£5,250 incl. BP)

Y A PAIR OF FRENCH MAHOGANY, EBONY AND ORMOLU MOUNTED BEDSIDE CABINETS POSSIBLY BY PAUL SORMANI, LATE 19TH CENTURY Each with a marble top and interior 82cm high, 41.5cm wide, 33cm deep Provenance: Bonhams London, Fine European Furniture, Sculpture and Works of Art (17831), 9th December 2010, Lot 168 (£11,400 incl. BP) Property of a Gentleman, London Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.There is some cracks and repair to the marble tops with the use of some filler. There is a crack to one of the interior marble panels.Three of the gilt metal screw stops for the drawers are missing for the mahogany drawer linings. The doors when closed go slightly too far and require stops.There is some subtle sun fading.Some small bending to one edge of the pierced gallery with a tack missing to this section.Excellent selection of cuts of timber and the ormolu mounts have good detail and depth.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

A GEORGE III IRISH SYCAMORE, HAREWOOD AND MARQUETRY SEMI ELLIPTICAL SIDE OR CONSOLE TABLE IN THE MANNER OF WILLIAM MOORE OF DUBLIN, CIRCA 1790 82cm high, 144cm wide, 53.5cm deep Provenance: The Estate of a deceased Gentleman William Moore, cabinet maker, specialised in neo-classical marquetry in Ireland in the late 18th century. Moore, who trained under Ince and Mayhew, moved to Dublin before 1782, and his work was influenced by and resembled that of Ince and Mayhew. The present table includes key features seen on furniture associated with Moore: the use of segmented veneers centred by shaded fans with pendant bellflowers, marquetry 'flutes' to the frieze, and legs inlaid with small flowerheads and swags. For a closely related pier table attributed to William Moore, see Christie's, The English Collector, London, 19th November 2015, Lot 653, (£5,000 incl. BP). Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use. There are some losses and restorations: some missing and replaced marquetry and crossbanded veneers; some later blocks to the underside, the bow fronted central drawer has been later made and inset; some use of filler.There could be some old worm, but none seemed evident on inspection.A neoclassical table with quality specimen timbers and good colour differentiation.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

Y A PAIR OF REGENCY ROSEWOOD AND LINE INLAID CARD TABLES CIRCA 1815 72cm high, 91cm wide, 45cm deep (when closed) Provenance: Freeman & Lloyd Antiques, Folkestone Kent, May 2000. The Estate of a deceased Gentleman. A copy of the receipt will be made available to the successful purchaserFor a pair of Regency rosewood and brass inlaid card tables of closely related form, see Christie's London, Important English Furniture (6832), 27th November 2003, Lot 6 (£12,548 incl. BP). Please note the provenance has been updated and differs from the printed catalogue.

A BRISLINGTON WILLIAM III PORTRAIT CHARGER LATE 17TH CENTURY Painted in shades of green, manganese, blue and green, 35cm diameterFor a closely related charger, see Sotheby's London, L13302, 3rd December 2013, Lot 37 (£5,250 incl BP). See also M.Archer, Delftware in the Fitzwilliam Museum (2013), p.11, A.12 for an illustration of a similar example. Condition Report: Chips to base. Chips and glaze loss to rim. There are two hairline cracks one at 10'o clock and another at 4 o' clock. There are 3 areas of paint and glaze loss to the portrait. Overall fritting. No further serious damage or restoration detected.Condition Report Disclaimer

Y A TULIPWOOD, AMBOYNA, FRUITWOOD AND ORMOLU MOUNTED DISPLAY CABINET OR VITRINE THE MOUNTS BY HENRI PICARD, PARIS, LATE 19TH CENTURY The mounts stamped to the reverse 'HPR' 185cm high, 89.5cm wide, 39.5cm deep Provenance: Christie's London, The Opulent Eye - 19th Century Furniture, Sculpture & Works of Art (1554), 18th September 2014, Lot 212 (£16,250 incl. BP) Property of a Gentleman, London

A FLIGHT OF VICTORIAN OAK LIBRARY STEPS LATE 19TH CENTURY The steps inset with gilt tooled brown leather, the back with a brass handle 202cm high, 104cm wide, 52.5cm deep For an identical, if not the same set of steps, see Christie's London, The Desmond Heyward Collection, From Hasley Court, Oxfordshire (20031), 8th June 2021, Lot 139 (£5,000 incl. BP). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Overall the stairs have significant movement within the frame and joints, currently we would suggest that it would be unsafe for use in a domestic setting. We would suggest attention from a restorer to secure and reinforce joints if buyers are interested in physically using the stairs. Spliced/dowel repairs to both the front and back legs.Some plugged holes and 'shadow' to the rear legs from where the brass handle has either moved position or been replaced Tooled leather insets to the steps are later replacements, they bear some marks, scratches and wear.Please see attached images. Condition Report Disclaimer

A GEORGE I GILTWOOD AND GESSO STOOL OR WINDOW SEAT ATTRIBUTED TO JAMES MOORE, CIRCA 1720 With an early 18th century upholstered drop in seat 44cm high, 83.5cm wide, 45cm deepJames Moore (c1670-1726) was a leading exponent of chased relief gilt gesso furniture, first gaining experience in this specialist technique under the Gumleys. Moore is known to have supplied gilt gesso furniture to amongst others Queen Anne and George I for Kensington Palace; and to John Churchill, 1st Duke of Marlborough at Blenheim Palace.The State Bedroom at Houghton Hall, Norfolk has a related giltwood stool.For a somewhat related stool attributed to James Moore, see Christie's, New York, The Collector, 25th April 2024, Lot 629, (£13,860 incl. BP).    Condition Report: Overall there are some scratches, marks, chips, cracks, knocks and abrasions consistent with age and use.The upholstery is extensively worn with holes and tears, the frame of the drop in seat has not been inspected.The gilding is worn, flaking and missing in places to reveal the underlying white gesso and wood.Some stained to the underside.Some losses and repairs including: re-tipping to feet; later braces to the corners under the brace; lacking one part of one leg (sectional construction).There is some evidence of old worm.Overall in appealing 'country house' condition.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

A FINE PAIR OF MINTON PÂTE SUR PÂTE MOON FLASKS BY MARC-LOUIS SOLON, LATE 19TH OR EARLY 20TH CENTURY Each of moon flask or pilgrim bottle form, carved in relief with Venus and Cupid vignettes emblematic of food and wine, reserved on a blue ground with gilt floral and scale detailing, paler blue necks and olive green banding below necks and to bases, signed L Solon, gilt globe marks and retailer's marks for Phillips London, faint impressed marks 26cm high Provenance: The Estate of a deceased GentlemanFor a similar pair of vases by Solon, see Bonhams London, Fine Glass and British Ceramics (24158), 17th May 2017, Lot 412 (£32,500 incl. BP) Condition Report: One vase has an area of barely visible damage to the blue-ground body, probably done by a sticky label at one point in it's history and with an associated paint mark.. Both have rubbing to gilding. Please see additional images available upon request that should make all this clear. Examined with UV light. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.  Condition Report Disclaimer

A CHARLES II OAK REFECTORY TABLE PROBABLY WELSH, CIRCA 1670 74cm high, 243cm long, 71cm wide A closely related table sold Christie's London, Interiors (12580), 26th October 2016, Lot 378 (£10,625) and another Christie's London, Oak Furniture & Works of Art (5185), 26th June 2007, Lot 159 (£5,400 incl. BP).

A LARGE PAINTED ROYAL COAT OF ARMS EARLY 19TH CENTURY Depicting the coat of arms of the United Kingdom circa 1816-1837 within a carved oak frame 89cm high, 131cm wide including the frame For a similar 18th century painted coat of arms, see Christie's London, Robert Kime, David Bedale, Piers von Westenholz and Christopher Gibbs - The English Home (5953), 30th April 2014, Lot 56 (£11,875 incl. BP).

A GEORGE I WALNUT WING ARMCHAIR CIRCA 1720 Upholstered in damask, inset with a section of Aubusson tapestry 117cm high, 85cm wide, 70cm deepProvenance: Moor Park, Hertfordshire. Acquired from Peter Lipitch Limited, Grosvenor House Antiques Fair July 1995.  A closely related chair with the same unusual scrolling feet was sold Christie's London, Important English Furniture and Carpets (6959), 25th November 2004, Lot 50 (£21,510 incl. BP). Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The woven damask upholstery with some marks of use and wear. The Aubusson panel with some repairs. The frame under the upholstery has not been inspected.There is some evidence of old worm.There are some losses and restorations of the ears flanking the tops of the cabriole legs.Wear has reduced the feet.A chair of neat size and good shape with some unusual carved details to all four legs and feetPlease see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

A GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE ATTRIBUTED TO GILLOWS, CIRCA 1790 The lower section with three deep drawers, the pair of lower cupboard doors opening to a shelved interior, flanked on either side by a further cupboard door enclosing fitted drawers 240cm high, 244cm wide, 61cm deepFor a secretaire bookcase with the same handles and also attributed to Gillows, see Christie's New York, Interiors (3727), 2nd April 2015, Lot 487 ($5,000 incl. BP) and for another bookcase of closely related breakfront form, see Bonhams London, The Connoisseur's Library Sale (29208), 13th February 2024, Lot 217 (£4,480 incl. BP). 

Y A REGENCY SATINWOOD AND ROSEWOOD SIDE CABINET CIRCA 1820 87cm high, 140cm wide. 44.5cm deepProvenance: Purchased from Mallett, London Christie's London, Important English Furniture (6522), 29th November 2001, Lot 45 (£18,800 incl. BP) Property of a Gentleman, London Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use Some old chips, splits, losses and repairs (see images) Various splits and cracks across the top, the attention of a qualified restorer would greatly improve this. Some evidence of previous filler use to disguise Some undulation and lifting to the veneers to the sides The biting of the key appears has sheared off possibly within one of the locks to the lower doors. One side door is locked, the others are open. No key present for the lock to the central drawer, but this lock is open Please see all additional images as a visual reference to condition.Condition Report Disclaimer

Y A FRENCH ORMOLU MOUNTED KINGWOOD VITRINE OR DISPLAY CABINET LATE 19TH CENTURY 119cm high, 72cm wide, 52cm deep Provenance: Christie's London, The Opulent Eye - 19th Century Furniture, Sculpture & Works of Art (1554), 18th September 2014, Lot 118 (£10,625 incl. BP) Property of a Gentleman, London   

A GEORGE III BURR YEW AND SATINWOOD CROSSBANDED PEMBROKE TABLE IN THE MANNER OF INCE & MAYHEW, CIRCA 1770 The frieze drawer opposing a false drawer front 70cm high, 95cm wide, 50.5cm deepFor a closely related table see Christie's, London, The Collector: English Furniture and Works of Art, 22nd May 2019, Lot 27, (£7,500 incl. BP).

A MEISSEN (OUTSIDE DECORATED) BAROQUE STYLE TUREEN AND COVER SURMOUNTED WITH A CORONET AFTER THE MODEL BY J. J. KANDLER, LATE 19TH CENTURY With blue crossed swords and cancellation mark 19cm high, 25cm wideProvenance: The Estate of a deceased Gentleman Literature: This model is illustrated L. Mitchell, Meissen: Collector's Catalogue, Woodbridge, Suffolk, 2004, p.139, pl.39A similar example of this model sold Christie's South Kensington, 22nd September 2009, Lot 462 (£11,250 incl. BP). Condition Report: Small chips and losses. Please see additional images available from the Dept. upon request.Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.  Condition Report Disclaimer

A REGENCY MAHOGANY DRESSING TABLE BY GILLOWS, CIRCA 1815 The central drawer stamped GILLOWS LANCASTER, with concave shaped central element 87cm high, 114cm wide, 57cm deep overall Provenance: Property from a Deceased Estate, WorcestershireFor a closely related dressing table see Christie's, London, The Collector, 13th November 2018, Lot 40, (£4,000 excl. BP). Condition Report: Marks, scratches and abrasions, Some old chips and splits comensurate with age and useSolid mahogany drawer linings throughout. The largest central drawer with two splits across the floor of it (as often seen for age) glued down strips of fabric have been applied to the underside of the cracks to keep them closed and prevent from dividing. The table stands solidly. It is of very solid structure.The handles and casters are all original. A small number of old marks/ stains to the top. The makers stamp to the drawer is worn but legible on close inspection. Exudes the quality of Gillows overall. The colour and patina of the timber good overall. The dressing table has been polished. Please refer to all additional images for visual reference to condition.Condition Report Disclaimer

A GEORGE I BURR YEW AND FIGURED OAK CROSSBANDED SIDE TABLE CIRCA 1720 73.5cm high, 84cm wide, 53cm deep For a related George I yew wood table, albeit with cabriole legs, see Bonhams California, Fine European and American Furniture and Decorative Arts - Property of Warren C. Wachs (17106), 15th June 2009, Lot 1112 ($4,880 incl. BP).

A REGENCY MAHOGANY PLATE STAND AFTER A DESIGN BY GILLOWS, CIRCA 1815 With a shaped undertier and removable brass liner 67cm high, the top 33.5cm diameter A similar example of plate stand sold in these rooms, June 27th 2023, Lot 147 (£1,400 excl. BP).

A RÉGENCE CARVED GILTWOOD CONSOLE TABLE CIRCA 1720 79cm high, 115cm wide, 55cm deep For a similar console table of the period, see Christie's Paris, Le Goût Français Dont - Le Pavillon de Ribourg (13909), 13th April 2017, Lot 124 (€68,500 incl. BP) and Christie's New York, The Art of Collecting: Three Private Collections (2776), 9th October 2013, Lot 639 ($35,000 incl. BP).

AN EDWARDIAN WALNUT AND BRASS MOUNTED LETTER BOX CIRCA 1905 34cm high, 30cm wide, 24.5cm deep For another walnut post box of similar form, see Dreweatts, Fine Furniture, Sculpture, Carpets, Ceramics and Works of Art, 11th September 2024, Lot 529 (£4,200 excl. BP).