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Click here to subscribeJames Bond: Skyfall (2012), British Quad Teaser poster, October, Imax style, double-sided, rolled, 40 x 30 inches. (1) From 2000-2020, the vendor's late husband worked for a company that printed film posters. Their main clients were Buena Vista, 20th Century-Fox, Warner Bros., and other small independent film companies.
James Bond: Skyfall (2012) US One Sheet, Teaser, October, double-sided, rolled, 27 x 40 inches. (1)tFrom 2000-2020, the vendor's late husband worked for a company that printed film posters. Their main clients were Buena Vista, 20th Century-Fox, Warner Bros., and other small independent film companies.
James Bond: Skyfall (2012), British Quad Teaser poster, October, double-sided, rolled, 40 x 30 inches. (1)From 2000-2020, the vendor's late husband worked for a company that printed film posters. Their main clients were Buena Vista, 20th Century-Fox, Warner Bros., and other small independent film companies.
Twenty US One Sheet film posters - includes: James Bond: Sky Fall, Sorority Boys, Bubble Boy, Princess Diaries, Big Trouble (Red), Big Trouble (Blue), Signs, Blade Runner 2049 (X2 Group/ Ryan Gosling), Dragonfly, Atlantis (x2 designs), The Rookie, In The Bedroom, Return to Neverland, Sweet Home Alabama, Monsters Inc., The Others, K-Pax, Pearl Harbour, all rolled, 27 x 41 inches. (20)From 2000-2020, the vendor's late husband worked for a company that printed film posters. Their main clients were Buena Vista, 20th Century-Fox, Warner Bros., and other small independent film companies.
An Art Deco natural pearl and diamond ring, early 20th century, centring on a natural pearl with three circular-cut diamonds to each shoulder, mounted in platinum, size L, indistinctly stamped to shank, fitted case stamped R. Bond & CoA verbal report from GCS states that the pearl is natural saltwater
Edward Brian Seago RBA, ARWS, RWS (1910-1974) Watercolour drawing “Cattle on a Marsh”, signed, with Mandell's Gallery label verso and receipt dated 1986, 27cm x 36cm From the collection of the late Maurice Costley Edward Seago was born in Norwich, a self taught artist who is renowned for his portrayal of East Anglian scenes. Working in both watercolour and oil, his paintings are atmospheric and moody in an impressionistic and post-impressionistic style. During WWII he joined the army and worked on developing camouflage. He was extremely popular during his life time, exhibiting at some of London’s top galleries which included P & D Colnaghi where a queue would form along Bond Street to purchase one of his pictures. During his later career he travelled to paint with various patrons, to Venice, Gambia and to remote areas such as the Antarctic. His most famous patron was Queen Elizabeth, the Queen Mother, and many of his works are in the Royal Collection. Condition ReportOverall in good order. The paper is undulating slightly and does not sit flat, there are some small areas of faint brown discolouration to the sky, the mount has discoloured slightly. Uninspected out of frame.
Elizabeth Fritsch (1940) stoneware vase, oval, ‘Blown Away, Moon Pocket Vase’, 28cm high From the collection of the late Maurice Costley Acquired from the Fine Art Society, New Bond Street, London, Elizabeth Fritsch Exhibition, 12th-27th November 2008, cat. no. 7. Condition ReportOverall in good order. Some minor glaze scratching to underside of base and minute surface wear overall. No restoration or damage apparent when inspected under UV light.
Two vintage top hats, one with the royal crest stamped inside and the other labelled Scott & Co hatters to HM the King, Old Bond Street Piccadilly within a vintage top hat box, both 20cm x 16cm inside, approx. 15-16cm tall.Condition ReportBoth have some wear to them, particularly to the top of the hats. One has significant wear around the top rim.
An accounts book from S Luckin & Sons of GREAT DUNMOW, 1918-1925. 434 double-sided ruled pages, 409 of which entered with transactions, including: dates, quantities, weights, product & price. Their client list includes: Mrs. Bond, Clock House; Lady Fane, Brook End; Mrs. E. J. Foakes; Lady Gordon Lennox, POW Camp Guards; Mrs. E B Trow, Grammar School; Lady Warwick, Pantry account, fruit account; Cat fish, Easton Lodge Kitchen; H. G. Wells. [S Luckin & Sons were fishmongers & fruiterers in Great Dunmow, Essex. Their principal customer appears to have been The Countess of Warwick at Easton Lodge. There are a number of accounts listed: Pantry Account; Easton Lodge Kitchen; Easton Lodge Cat Fish; Lady Warwick fruit account. There had been a disastrous fire in the house in 1918, by repute caused by one of her pet monkeys. The volume measures: 42 x 19 x4.5cm.
*JOHN NORTHCOTE NASH (1893-1977) ‘Wood Study’, en grisaille watercolour and pencil on paper, with pencil annotations, 23cm x 34cm, Framed dimensions: 43cm x 53cmProvenance: The collection of the late Barrie St. Clair McBride (1938-1992) Private collection, Dorset, Exhibited: New Grafton Gallery, Old Bond Street, London, May 1978, Note: This work has previously been certified by David Wolfers (1917-2001), founder of the New Grafton Gallery and John Nash's artistic trustee.
PETER HVIDT & ORLA MØLGAARD-NIELSEN FOR FRANCE & DAVERKOSEN: A TEAK 'FD147' MODEL EASY ARMCHAIR, with a woven rattan cane back, curved armrests and swollen supports, with button label, 66.5cm wide x 67cm deep x 87cm high, seat 38.5cm highProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Designed in 1956, this was the most successful and elegant of all the Hvidt & Mølgaard designs, as witnessed by its appearance in the first James Bond film, ‘Dr. NO’, and in the American television period drama, ‘Mad Men’ (set in a 1960s New York advertising agency), where the chair was featured in lead character Don Draper’s office.
*STANLEY ANDERSON (1884-1966) 'Hedge-Laying', monogrammed in plate, signed and dedicated in pencil to the margin, line-engraving, the image 10cm x 7.5cm; together with another similar engraving by Anderson 'Trimming Stakes', signed in pencil to the margin, the image 9.5cm x 7.5cm (2)Frame dimensions (Hedge-Laying): 28.5cm x 25.5cm Framed dimensions (Trimming Stakes): 28.5cm x 25.5cmProvenance: The latter purchased from Robin Garton, New Bond Street, London, 11th January 1982.
John McClusky (1923 – 2006)“Bolsena”, signed with initials and dated ’93, pen, ink and watercolour, 21cm x 28.5cm; and one further – “Elounda – Crete – Easter”, signed with initials and dated ’79, pen, ink and watercolour, 18cm x 26cm (2).*John McClusky, drew the James Bond comic strip for the Daily Express c. 1950’s/1960’s
ß  2020 Bouchard Pere et Fils, Corton-Charlemagne Grand Cru OWC 6x75cl IN BOND Packed in 2x3 OWC. Previously stored at Octavian.Dreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.
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