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SAS War Diary 1941-1945, The Services Edition, limited edition no. 347 / 1000, facsimile with colour and monochrome illustrations, original blind-stamped light brown leather over boards, large folio, London: Extraordinary Editions Ltd., 2011, with letter from publisher dated 2011.

An 18th-century marble-topped Chippendale period mahogany serving/side table with blind fret Greek Key and chinoiserie frieze and square section legs with internal chamfer and block feet. 164 cm wide x 73 cm deep x 86 cm overall height.Formerly of Donnington Castle House, Oxfordshire.

A George III mahogany chest on chest, with blind fretwork chamfered corners, on bracket feet,116.5cm wide 58cm deep188cm highCondition ReportWith knocks and loose pieces. Fair. Used.

WILLIAMS, Anna: Miscellanies in Prose and Verse. T. Davies, 1766. First edition, [4], 184 pp. (First edition of the only book by Anna Williams (1706-1783), the blind poet and companion of Samuel Johnson); BOUND WITH: Lloyd, Robert: The New River-head: A tale. G. Kearsley, 1763, 1st. edn. 19pp; BOUND WITH: Dryden, John: Alexander's Feast or the Power of Musick. Tonson, 1762. 26pp. The three works are bound in cont. leather backed boards; hinges cracked and lacking the endpapers.

Rapin de Thoyras, Paul: The History of England. 5 vols. John & Paul Knapton, 1743-51. Folio, PP: 849, 807, 796, 714, 274, with 221 plates --- 24 maps, 78 portraits (possibly of 80), 22 monuments, 36 medals, 3 views, 31 town plans, 18 battle plans, 8 genealogies, and 1 table. Later half leather, marbled boards & new endpapers. Ex-Libra, with blind stamps. (5)

MIXED: Stuar, V: Nile Gleanings, Concerning The Ethnology, History And Art Of Ancient Egypt. Murray, 1879, 1st. Edn. Folding map & numerous plates, some coloured & folding. Original pictorial boards; Livingstone, David: Missionary Travels and Researches in South Africa. Murray, 1857, 1st. Edn. Folding frontis, folding maps & plates. Original blind stamped boards, rubbed & with tears; Winkles: French Cathedrals. Tilt, 1837. Engraved plates, 4to. Cont. half leather; rubbed; Saint-Germain: Maitre Pierre, ou Le savant de village. Paris, 1834. Folding maps & plates. Cont. full leather; Tissot, S: Advice to People in General, With Respect to Their Health, in 2 Vols. Edinburgh: A. Donaldson. 1768; Walker, Donald: Games and Sports. J Thomas, 1840. With numerous plates; one is loose. (7)

1951 MG YA SaloonRegistration number UMG 214Chassis number Y6436Engine number XPAGSC13095Indigo blue and silver with a grey leather interior pipped in blueAffectionately known as MaggieFrom a deceased estateAn older restoration from the chassis upGarage stored for some timeGood history fileA scarce MG to see today, one of the later 6,158 YA's to roll off the production line at AbingdonWill need some re-commissioningFrom the family Here’s some information about Maggie: This classic 1951 MGYA was lovingly renovated by her amateur car restorer owner after finding her in 1985 as a rusty shell in a farmyard. This restoration was a personal labour of love with the owner doing all of the work by himself (with some guidance from a close family friend who restored vintage vehicles). He happily spent many hours in the garage stripping her down, rebuilding the engine, spraying the bodywork, re-instating the sunroof, polishing the woodwork, restoring the headlining and rear roller blind (with the help of his wife) and re-upholstering the interior in quality leather.  Affectionately known as 'Maggie' the car was well-loved by the owner and his family. She was a regular at local car shows, including Tredegar Park and Margam Park, winning awards including ‘Car of the Show’ at Caldicot Castle. The owner was an active member of the Octagon Car Club and Gwent Classic Car Club. Sundays in the summer were spent taking Maggie on countryside drives, and she was also used for family weddings. She was a part of countless happy memories. In 2014, when the owner became too ill to drive, Maggie was carefully stored under blankets in the garage, where she has remained until now, waiting for someone new to appreciate her. The car oozes style and elegance with her indigo and silver bodywork, chrome detailing and grey leather interior. The silver cat emblem mounted on the petrol cap was added by the owner as a tribute to the much-loved family cat 'Penelope'. Comes with MOT certificates, tax discs, restoration photographs and some history.All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions HPI clear V5, V5C, RF60, old tax discs, workshop manual, large group of previous MOT certificates This lot must be collected by 12.30pm on Friday 25th October. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £100 + VAT, to include the first week of storage, unless otherwise noted. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Drone Attack', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm, Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Riot', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 52cm x 69.5cm,Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

A collection of unframed engravings of Oxford and other English scenes in two folders; together with a colour print after Sir William Russell Flint (1880-1969) - 'The Dubious Bernini', pencil signed to the margin, and with FATG blind stamp (3)

Edward Ridley (1883-1946)Full length portrait of a standing female nude, pencil signed and inscribed and with blind stamp 'ESK'(Examined School of South Kensington), 53 x 25cm

Alfred Louis Brunet-Debaines (1845-1939) after John ConstableThe Valley Farm, etching, pencil signed in the margin, and with blind stamp for the Printers Association, 50 x 42cm

WALTER SICKERT (BRITISH 1860-1942) THE OLD SOLDIER Oil on canvas Signed (lower right), inscribed and dated Le Pollet. 1912. (lower left) 41 x 33cm (16 x 12 in.)Provenance: Sale, Christie's, 1950s (sale unknown) Private Collection, A.D. Peters Private Collection, J.B. Priestley (a gift from the above in 1964 for Priestley's 70th birthday) Sale, Sotheby's, 18 June 1997, lot 63 The Collection of The Bowerman Charitable TrustLiterature: Wendy Baron, Sickert, 1973, cat. 302, fig. 211 Wendy Baron, Sickert Paintings & Drawings, 2006, cat. 390., p.393 (illustrated)The present work was referenced in letters dated 1913 between Walter Sickert and Ethel Sands. 'I have happily decided to hold over the finishing of the blind sailor. It won't do for me to come our just now with an important sentimental work unfinished or à peu près.'The work was painted during a visit to Dieppe in 1912. Sickert was a regular visitor to the area and took up permanent residence in Dieppe between 1898-1905. In 1912 Sickert and his new wife Christine Angus Drummond bought the Villa d'Aumale in Envermeu, a village set in the valley of the Eaulne ten miles inland from Dieppe. Condition Report: Not relined. Pinhole to the upper left corner. The canvas is quite thin in areas and there are some scattered holes, these are hardly noticeable and they are extremely small (fine pin holes). The work may have been cleaned by Simon Gillespie in 1997 (according to label verso).Condition Report Disclaimer

Helen Bradley (1900-1979) We Met in the Park, signed lower right, blind stamp lower left, offset lithograph, 30 x 50 cm, frame 54 x 74 cm, together with two further signed prints by the same hand, and a copy of the publication And Miss Carter Wore Pink, (4)

ARR David Gentleman (b.1930) Dundas Aquaduct, signed lower right, artist proof, lithograph,blind stamped lower left, 63.5 x 51 cm (SH), together with 'Gainard - Bennett House' signed lithograph, numbered 84/100 by the same hand (2)From The Bath Suite series 1974

ARR Helen Bradley (1900-1979) Blackpool Sands, 1976, signed in pencil lower right, blind stamped lower right, offset lithograph, 45 x 60 cm, frame 70 x 84 cm, together with 'Evening on the Promenade', signed offset lithograph, and a copy of the publication 'And Miss Carter Wore Pink' (3)

ARR Peter Schmidt (German 1931-1980) Cycloid I, signed and numbered 13/60 lower right, blind stamped lower left, screenprint, 76.5 x 51 cm (SH)Condition:The print is unframed, the sheet is in overall good condition - no losses or tears. There are some creases to the corners (see images). The print colours are crisp and well preserved, stable.

ARR Peter Schmidt (German 1931-1980) Cycloid IV, 1966, signed and numbered 15/50 lower right, screenprint, 76 x 51 cm (SH) Condition:The print is unframed. The sheet is in overall good condition, no tears are present. There are some handling marks around the edges- around the upper edge and top right, including a stain to the upper right edge. There is some slight crumping to the sheet at the top. Blind stamp is present to the lower left with a small crease to the corner. A crease to the bottom-centre edge. Please see additional photographs. The print itself has crisp colours and well preserved, stable.

ARR Peter Schmidt (German 1931-1980) Cycloid I, 1966 signed and numbered 27/60 lower right, blind stamped lower left, screenprint, 76.5 x 51 cm (SH)Condition:The sheet is in overall good condition - there is a small tear to the lower-centre edge (see image). Some minor handling marks to the edges but otherwise free of damage or losses. The print is unframed. The print has crisp colours that are well preserved and stable

World Travel & Other Subjects to include: Petavius (D.) Rationarium temporum in partes duas, Libros tredecim, distributum, Leiden: Peter Van der Aa, 1710, 8vo, contemporary blind stamped vellum, three folding maps, lacking other plates and maps, title in red and black, device to title; The New and Complete Book of Martyrs ... being Fox's Book of Martyrs, London: for Alex Hogg, n.d., folio, frontispiece and multiple further plates full calf, poor condition and not collated; together with various volumes on antique collecting

William Lee Hankey (1869-1952) etching in colours, seated girl, signed and with blind stamp, plate 20 x 15cm

William Lee Hankey (1869-1952) etching, mother and child, signed and with blind stamp, plate 10 x 15cm, mounted, together with two further etchings by the same hand. (3)

William Lee Hankey (1869-1952) etching, Market traders, signed and with blind stamp, 13 x 10cm, and another by the same hand

William Lee Hankey (1869-1952) etching, Nude bather, plate 25 x 20cm, signed and with blind stamp, together with three further etchings by the same hand, all mounted. (4)

XVIII Century Style Mahogany Double Corner Cupboard, with a stepped pediment, blind fret frieze, glazed astragal doors, shaped shelves, on bracket feet, 72cm wide, 184cm high (key).

Jackson Simpson 'The Burnside' Etching, pencil signed and titled, blind backstamp. 14.3 x 21.7cm. J. Alphege Brewer 'Edinburgh' (Jon Knox's House) etching, signed 25 x 13cm (2).

**Snaffles (Charles Johnson Payne, British 1884-1967) 'The Worst View in Europe. "Oh Murther! The dhrink died out of me and the wrong side of Bechers" colour lithograph, signed in pencil lower left in the margin, blind stamp image size 22.5 x 49cm, ebonised frame (44.75 x 69.5cm)  **(Subject to ARR)

A GEORGE III MAHOGANY LONGCASE CLOCK LATE 18TH CENTURY The eight-day bell striking movement striking on a bell, the 13inch dial with a painted scene to the arch and inscription for the maker THOMAS WORSWICK LANCASTER above Roman numeral chapter ring and Arabic five minutes to the outside track and with central date aperture, the case attributed to Gillows of Lancaster, with fretwork and blind fretwork, fluted quarter columns, and canted plinth base 230cm high Condition Report: Movement is complete but is generally in neglected condition hence will require a clean/overhaul before putting to use. The hour hammer has been altered (in the 19th century) to have an external cock/pivot at the rear together with external spring/counter (to sound on a gong that was once fitted to the case backboard); the bell and stand are replacements. The dial is a little dirty/discoloured and may have originally had a rocking figure feature to the arch (no longer present and painted scene now fitted flush within the dial aperture. The movement rests on an old seatboard onto to cheek uprights of the case which appear not to have been packed hence movement and dial are probably original to the case. The case would have originally had a pierced/fretwork crest and the fretwork (no longer present) and the fretwork infill to the upper quadrants above the dial are most likely replacements. The case backboard may also be a replacement (or has been out of the case and re-fitted). Otherwise faults to the case are limited to relatively minor bumps, scratches, scuffs (most noticeably one to the front of the base) and light shrinkage.Clock has two weights, a case key but no winder. Condition Report Disclaimer

A CARVED MAHOGANY GAINSBOROUGH ARMCHAIR IN GEORGE III STYLE, 19TH CENTURY With blind fretwork to the front legs and arm supports 94cm high, 67cm wide, 75cm deep The collection from Trethill House, Cornwall

YORKSHIRE, Coatham, Sir William Turner’s Grammar School, a silver award medal by an uncertain maker, named (The Junior Challenge Cup D.L. Gilmour 1913), hallmarked Birmingham 1912, 38mm, 24.00g; Halifax, Haley Hill Working Man’s College, a silver award medal, unsigned, named (John Halliday 1863), 48mm, 51.40g; Halifax Municipal Technical School, a silver award medal, unsigned, named (George Edward Haigh 1914), 45mm, 54.00g; Leeds (?), Claypit Academy, a silver award medal, unsigned, named (T.J. Stephenson for Assiduity in Learning and Good Behaviour 1811), 35mm, 20.80g; York, Yorkshire School for the Blind, a silver award medal, unsigned, named (C. Milsom), 32mm, 16.30g [5]. About very fine and better, second pierced, third with suspension loop and ring £120-£150

A 19th century post-Regency mahogany Pembroke table, rounded rectangular top with fall leaves above a single frieze drawer, blind to verso, rope twist legs, brass casters, 73cm high, 56cm opening to 107cm wide, 98cm deep

After Sir William Russell Flint (1880-1969) Colour lithograph Seated female nude draped in pink silk, signed in pencil within margin, published by Frost & Reed, with blind stamp, framed and glazed, image size 47cm x 36cm

After Algernon Newton (1880-1968) Colour print River landscape with tree, signed in pencil within margin, published by Frost & Reed Limited, bears blind stamp, framed and glazed, image size 48cm x 69cm, together with after Gerald Cooper (1898-1975), colour print, signed in pencil within margin, with blindstamp, framed and glazed, image size 55cm x 71cm, with Frost and Reed (2)

After Robin Hill (Australian 1932-) Colour print Two limited edition prints of parrots, signed and numbered 101/280 & 102/200 in pencil, blind stamp lower left, published by Tryon Gallery Limited (2)

19th century walnut hanging corner shelf with pierced fretwork and blind fretwork carving and mirrored back, 96cm high 

Mahogany and cross banded chest of drawers in the George III manner, the thumb moulded top over a brushing slide and four long graduated drawers with ornate brass loop handles and escutcheons, blind fretwork chamfered corners and raised on double ogee bracket feet, 78cm wide x 48cm deep x 80cm high 

Folk / Country - JOHN FAHEY: Eight LPs to include 'Blind Joe Death' (TAK 7002, x2 copies), 'The Transfiguration Of Blind Joe Death' (TAK 7015), 'God, Time And Causality' (Shanachie 9706), 'The Best Of John Fahey 1959-1977' (TAK 7058), 'I Remember Blind Joe Death' (REU 1025), 'Rain Forests, Oceans, And Other Themes' (VR-019) and 'Of Rivers And Religion' (ED 216) (8, vinyl and sleeves generally VG+ - EX+)

A George III mahogany and glazed breakfront bookcase on stand, late 18th century; with moulded and dentilled cornice above a blind fretwork frieze; with geometric astragal adorned doors; the stand with moulded upper edges and straight, channeled legs; 269cm high, 168cm wide, 45cm deep

A George III mahogany chest of serpentine outline in the Chippendale manner, the top with a moulded edge and projecting canted angles, containing four long drawers between blind fret carved canted angles, on ogee bracket feet, 111cm width, 85cm height, 62cm depth.

A George III mahogany chest on chest, late 18th century; the upper part with dentil moulded cornice and blind fretwork frieze in Chippendale style, above two short and three graduated long drawers; the base section with brushing slide and three further long drawers, all with brass swing handles; on ogee bracket feet; 191cm high, 115cm wide, 58cm deep

A George II walnut and feather and crossbanded kneehole desk, circa 1740; with quarter veneered top above a brushing slide and a long drawer, the pedestals each with three short drawers, all with brass swing handles, flanking a blind apron drawer above the kneehole, with recessed cupboard; 81cm high, 83cm wide, 54cm deep

A George III mahogany and glazed bookcase on stand, late 18th century; with moulded and dentilled cornice above a blind fretwork frieze; with twin geometric astragal adorned doors; the stand with moulded upper edges and straight, channeled legs; 256cm high, 114cm wide, 32cm deep

A George III mahogany chest of drawers, last quarter 18th century; the two short and three graduated long drawers all with brass swing handles with backplates in Chinoiserie taste; flanked by canted blind fretwork panels at the angles; on ogee bracket feet.; 81cm high, 89cm wide, 47cm deep

Herbert Thomas Dicksee (British, 1862 -1942) - 'Ready' - A wire-haired Fox Terrier, 1928 - Etching - 35 x 56.5cm - Signed in pencil lower left with Fine Art Trade Guild blind stamps.

A substantial pine dresser, early 20th century; the plate rack with moulded cornice and blind frieze; the open shelves with metal cup hooks; the base section with three drawers, with twin turned knob handles; with knop-turned straight legs to a pot-board base; 235cm high, 233cm wide, 53cm deep

A Victorian miniature mahogany chest of drawers, inscribed E.BRADBURY 1892, above an ogee moulded blind drawer; above three graduated drawers, all with twin glass handles; on low bracket feet; 45cm high, 40cm wide, 25cm deep

A fine Regency rosewood ebonised and parcel gilt console table with mirror, circa 1815; the rectangular cassetta frame with moulded rocaille and scrolling foliate at the corners of the recessed fascia; above a white Carrara marble top; on blind friezes supported above scrolling foliate carved supports and a conforming mirror back to a platform base; 261cm high, 161cm wide, 45cm deep

After Archibald ThorburnPartridge - Spring -Colour printed lithograph -32.5 x 45cm - 52 x 66.5cm framed -Signed in pencil lower left margin -Blind stamp of the Fine Art Trade Guild to lower left

A pair of George III mahogany and glazed bookcases, late 18th century; each with moulded and dentilled cornice above a blind fretwork frieze; the astragal adorned doors opening as opposing; of the lower sections, one with later glass pane, the other lacking original panel or later pane; 264cm high, 87cm wide, 35cm deep

A miniature oak wardrobe in Art Deco style, circa 1930; possibly an apprenticeman's piece, with moulded top above a beaded blind pediment; the twin doors each with a bevelled oval glass pane, opening to a fitted interior; on cylindrical front feet; 52cm high, 33cm wide

Pair of mid 20th Century oak open bookcases, each with a moulded top above a blind fretwork frieze, adjustable shelves and plinth base, 125 x 92cm, together with another oak open bookcase of Arts and Crafts design, 98cm wide

19th Century mahogany bureau, the fall front and upper drawers with blind fretwork and conforming fitted interior, above three long drawers and bracket feet, 87 x 48 x 100cm high

18th Century oak longcase clock, the pagoda hood with brass finials and blind fretwork frieze above a rectangular panel door and conforming plinth, the brass dial with cherub spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Marke Hawkins, Bury St. Edmunds, the two train movement with anchor escapement striking on a bell, with two weights and pendulumOverall height 232cm. Overall in good condition. Restored recently.

Amedeo Lanci (b.1943), a signed, limited edition etching 'Gallo' 1992 with the artist's blind stamp. With notes and an original sketch to the reverse. H.52 W.37cm

SIX SILVER COFFEE SPOONS AND A GROUP OF PLATED FLATWARE (QTY)The rat tail pattern coffee spoons Birmingham 1959, weight 85 grams, a set of six pairs of plated dessert or fruit knives and forks, with a case, a set of six plated teaspoons and a plated spoon detailed Guide Dogs for the Blind Association

A GEORGIAN FLAME MAHOGANY CONVERTED LINEN PRESS, the cornice with blind fretwork, double cupboard doors enclosing an open interior with a brass clothes pole, atop a base with four drawers, on bracket feet, width 131cm x depth 61cm x height 199cm x height of base 73cm (condition report: converted interior, doors warped and bowed, loose handle, repair to front left leg)

A CHIPPENDALE STYLE MAHOGANY RECTANGULAR TABLE, with blind and open fretwork detail, length 88cm x depth 56cm x height 67cm (condition report: open fretwork broken in four places, historical cracks to the top surface)

Ralph Waldo Emerson Signed 'Concord Hymn' Poem Excerpt PSA/DNA 1874, ink on wove paper, signed below excerpt, dated lower left in another hand, blind stamp lower right, accompanied by PSA/DNA certificate #AP01504 Property from: a Private Collector, Wilmette, Illinois Height: 8 inches, Width: 5 inches Condition: wear associated with age, two horizontal folds, short tears at folds near edges Category: Collectibles > Ephemera Estimated Sale Time: 10:02 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Joseph Warren (Founding Father) Signed Document PSA/DNA 1775, printed document filled out in script from the Committee of Safety to Benjamin Bullard, ink signed by Warren as chairman, on laid paper partially adhered at top and sides to wove paper backing having remains of stamp hinges verso, blind stamp lower right corner, accompanied by PSA/DNA certificate #AP01503 Property from: a Private Collector, Wilmette, Illinois Height: 9 3/4 inches, Width: 5 5/8 inches Condition: wear associated with age, partially mounted to backing sheet, having toning, folds, light edge wear, minor tears to upper and lower edges, cut on left edge, tape residue Category: Collectibles > Ephemera Estimated Sale Time: 10:09 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

World War II German Adolf Hitler Signed Document PSA/DNA 1942, typed document on paper, ink signed, countersigned and blind stamped left of signature, accompanied by PSA/DNA certificate #AP01502 Property from: a Private Collector, Wilmette, Illinois Height: 11 5/8 inches, Width: 8 1/4 inches (sheet) Condition: wear associated with age, red pencil numeral upper right Category: Collectibles > Ephemera Estimated Sale Time: 10:11 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4