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Studio Pottery Interest The Way of Raku by Christa-Maria Herrmann, first edition, Petten Press, 1988; together with a Leach Pottery Guide and Bernard Leach: Concept and Form.

Bernard Howell Leach (British, 1887-1979), Single Tree, signed l.l., etching No.10/25, 21 by 8cm, framed. Note: Artist Resale Rights apply

Bernard Leach (1887-1979) at Leach Pottery Bowlwith grey glazeimpressed potter's seal marks to the base18cm wide x 7cm high. With some crazing to the glaze. Minimal glaze and firing faults. Otherwise seems ok.

Bernard Leach (1887-1979) Small shallow bowl or tea bowlgrey glaze with kintsugi repair to the rimimpressed potter's seal marks to the base15.5cm wide x 5.5cm high. With kintsugi repair to the rim. Overall minimal glaze and firing faults as expected. Potter's seal marks partially infilled with glaze.

Assorted Bernard Leach St Ives pottery comprising bowl, jug and four tumblers.

Φ Bernard Leach CBE (1887-1979)a Leach Pottery stoneware vase, waisted cylindrical form, covered to the foot with a pale celadon glaze with iron spots,impressed BL and St Ives marks, hairline to top rim,12.5cm. high ProvenanceJoy Hallam Collection

Φ Bernard Leach CBE (1887-1979)a Leach Pottery stoneware vase, hexagonal with inverted top rim, covered to the foot with a green glaze,impressed BL and St Ives mark20.5cm. high ProvenanceJoy Hallam Collection

Bernard Howell Leach (1887-1979), a stoneware tea bowl in a dark tenmoku glaze with a speckled oatmeal rim and interior, on a small unglazed foot, with the maker's seal impressed in the glaze, and a mark to the base. H.8.2 Dia.8.5cm

A Bernard Leach (1887-1979) Stoneware conserve / marmalade pot and cover circa 1952. Tenmoku brushwork on blue on a cream ground. Painted artists initials BL 10cm high (to finial) 9 cm diameter.

Kevin Francis Toby Jug 'BERNARD LEACH' L/E 160/200 Height: 23cm

† BERNARD LEACH (1887-1979); an ink on paper study of Japanese figures, 18 x 21cm, framed and glazed. Provenance: David Whiting collection; acquired from the Ian Godfrey collection. Condition Report: Some creasing, otherwise appears good with no further signs of faults, damage or restorations.

'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987. Provenance: Andy & Di McInnes collection. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† Attributed to BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware bowl covered in dark blue glaze with wax resist decoration and kintsugi repair to the rim, impressed pottery mark, diameter 24cm, and smaller example (2). Condition Report: As well as the kintsugi, the larger bowl has a tight hairline extending 6.5cm from the rim, otherwise appears good with no further signs of faults, damage or restorations.

† Attributed to BERNARD LEACH (1887-1979) for Leach Pottery; a large stoneware bowl covered in blue/grey glaze washed with iron to the exterior and rim, kintsugi repair to the rim, and pale grey glaze with iron and cobalt decoration to the interior, impressed pottery mark, diameter 30.5cm.Condition Report: Apart from the kintsugi, appears good with no further signs of faults, damage or restorations.

† BERNARD LEACH (1887-1979); an ink on rice paper sketch of pampas grass, 12.5 x 8cm, framed and glazed. Provenance: An extract from a letter from Leach to 'JK', 1950s. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware saucer covered in dark oatmeal glaze with iron decoration, painted BL and impressed pottery marks, diameter 14cm, and two Leach Pottery slipware egg cups (3). Condition Report: Small rim chips and a re-glued rim chip to saucer, otherwise appears good with no further signs of faults, damage or restorations.

A collection of books on or by Bernard Leach, including one signed by Janet Leach (12).

'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987.Provenance: Andy & Di McInnes collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Warren MacKenzie (American, 1924-2018). Large studio ceramic three-footed bowl. Stoneware bowl with a shino glaze and tripod feet. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 3/4 in x diameter: 10 3/4 in.Condition: No visible cracks, chips, or losses. There is minute wear to the feet, as expected from age and use. There is a loss to the glaze along the surface of the interior of the bowl. There is crazing throughout. There are no signs of restoration under UV light.

Warren MacKenzie (American, 1924-2018). Small studio porcelain covered vessel or bowl. With a grey-green glaze and tripod feet. MacKenzie only worked with porcelain for a short period of time in the 1960s and 1970s. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 3/4 in x width: 5 in.Condition: There are no major chips, cracks, losses, or restorations. There are three felt tabs attached to the footrims. Crazing to the glaze throughout.

Warren MacKenzie (American, 1924-2018). A small studio pottery ceramic chawan tea bowl or cup. Stoneware with a shino glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 3/4 in x diameter: 5 3/4 in.Condition: No chips, cracks, losses, or signs of restoration when examined under UV light. Extremely light crazing throughout. There is extremely light wear along the footrim consistent with age and use.

Warren MacKenzie (American, 1924-2018) and Alix MacKenzie (American, 1922-1962). Group of two studio pottery cups or chawan (tea bowls), 20th century. Stoneware, one cup with navy tenmoku glaze, rendered by Alix MacKenzie; the second cup with a mottled gray sodium carbide glaze. Each stamped along the footrim with an early Warren MacKenzie stamp.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Blue) height: 3 1/2 in x diameter: 3 1/4 in. (Gray) height: 3 1/2 in x diameter: 3 1/2 in.Condition: There are no visible cracks, losses, or restorations. Faint crazing along the interior of the bowl. Light wear to the footrim.

Warren MacKenzie (American, 1924-2018). Set of two studio ceramic plates. Each stoneware plate is with a shino glaze and concentric circular slip trailed designs. One of the plates is stamped along the foot rim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Each) Height: 1 1/2 in x diameter: 7 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.

Warren MacKenzie (American, 1924-2018). Studio pottery ceramic three-footed plate or shallow bowl. Stoneware with shino glaze and slip trailing along the surface of the plate, resting atop three tripod feet. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 1/2 in x diameter: 10 in.Condition: No visible cracks, chips, or losses. There is minute wear to the feet, as expected from age and use. There are no signs of restoration under UV light.

Warren MacKenzie (American, 1924-2018). A studio pottery ceramic chawan tea bowl. Stoneware with titanium matte glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/4 in x diameter: 4 1/2 in.Condition: No chips, cracks, or signs of restoration when examined under UV light. Extremely light wear to the footrim consistent with age age and use.

BERNARD LEACH (1887-1979): A St Ives pottery side plate, with painted blue dash decoration. Painted BL and impressed St Ives seal to base. 16cm diameter. (Glazed over chip to inside foot rim)

Bernard Leach (1887-1979), a stoneware rectangular bottle vase in tenmoku glaze, with impressed BL and St Ives marks to base. 19cm high.Please see additional images

BERNARD LEACH (BRITISH 1887-1979) AT LEACH POTTERY VASE impressed maker's and pottery seals, stoneware with tenmoku glazes, with incised design to each side, and lug handles to the shoulder 13cm high, 17.5cm wide (5 1/8in high, 6 7/8in wide) Private Collection, U.K.

BERNARD LEACH (1887-1979) AT LEACH POTTERY BOTTLE VASE impressed maker's and pottery seals, stoneware with tenmoku and finger wipe motif front and back 19.7cm high, 13cm wide (7 ¾in high, 5 1/8in wide) Private Collection, U.K.

Bernard Leach (1887-1979) St Ives Pottery, a small lidded pot with cobalt blue rings and oxide dashes on white ground, impressed 'BL' and St.Ives marks to base, height 4cm, diameter 6cmCondition ReportOverall in good order. The cover has a very small flat rim chip which occurred during the making and is beneath the glaze and it is very minor.  

YANAGI, Soetsu. The Unkown Craftsman: a Japanese Insight into Beauty, Kodansha International 1972, first edition, adapted by Bernard Leach, foreward by Shoji Hamada, orig. cloth, dustjacket, 8vo; BIRKS, Tony & Cornelia Wingfield Digby. Bernard Leach, Hamada & their Circle from the Wingfield Digby Collection, Phaidon. Christie's 1990, illus., orig. cloth, dj, 4to; and others on studio pottery and oriental ceramics, some pbk (9)

BERNARD LEACH (BRITISH 1887-1979) A SMALL STONEWARE VASE, of bulbous form with short flared neck, decorated on the shoulders with three stylised flower motifs on a grey-brown ground, bearing incised BL and impressed Leach Pottery mark, height 9cm (1) (Condition Report: appears in good condition, no obvious damage)

A GROUP OF STUDIO POTTERY BY DAVID (1911-2005) AND JEREMY LEACH (B 1945), comprising two pieces by David Leach (son of Bernard Leach): a twin handled stoneware dish with slip decoration and tenmoku glaze, impressed potter's mark partially obscured by glaze, width 28cm x height 7cm, and a porcelain covered jar, with cut banding under a celadon glaze, impressed potter's mark to base, height 9cm, together with a stoneware covered box by his son Jeremy Leach, of cylindrical form with central monogram on an off-white and pale blue ground, impressed potter's mark and Leach Pottery mark to base, diameter 11cm x height 4cm (3) (Condition Report: generally good condition, covered box has a tiny chip on the inner rim of the base, other pieces appear in good condition with no obvious damage)

TWO EDITIONS OF HAMADA: POTTER by Bernard Leach, one edition is a 1st 200 Review Copy, 1st Edition 1975 published by Kodansha, Tokyo, the second edition is published 1976 by Thames and Hudson, London and BERNARD LEACH, Edited by Shoji Hamada, pub. Asahi Shimbun Publishing Co. Tokyo 1966 with a foreword by Bernard Leach, 32 colour plates, 95 black and whites plates, original case and box (3)

THE WORKS OF SHOJI HAMADA 1921 - 1969, pub. Ashahi Shimbun Tokyo 1969, English and Japanese text by Bernard Leach and Shoji Hamada, 127 colour plates in original case and box together with Shoji Hamada A Potter's Way & Work, by Susan Peterson, pub. 2004

LEACH; Bernard, Drawings Verse & Belief, pub. Adams & Dart 1973

Bernard Leach (SIGNED): A Potter's Book. 1955 reprint, with dust jacket. Signed by Bernard Leach and dated 1957.

§ Bernard Leach (1887-1979), a St. Ives cut-sided bowl, circa 1960, the faceted stoneware body glazed in tenmoku and persimmon glazes, the interior in speckled oatmeal, raised on a small unglazed foot, St. Ives and potter's seal to underside9.5 x 12.5cm diameterIn good condition with no apparent damges or repairs.

AR * Leach (Bernard Howell, 1889-1979). Japanese Climbing Kiln, pen, ink and paper on buff paper, gallery label to frame verso, mount aperture 18 x 23.5 cm (7 x 9 1/4 ins), framed and glazed (32 x 37.5 cm)QTY: (1)NOTE:A very similar version of this kiln design can be found in the 'Kilns' section of A Potter's Book, Unicorn Publishing, page 239 (page 184 in the older Faber editions).

AR * Leach (Bernard Howell, 1889-1979). Technical throwing instructions, 1934, pen and ink on blue paper, additional drawing in ink of a Japanese pottery to verso, and dated '19.8.34', gallery label to frame verso, mount aperture recto and verso 20.5 x 15.5 cm (8 x 6 ins), framed and double glazed (34 x 30 cm)QTY: (1)

AR * Leach (Bernard Howell, 1889-1979). Climbing Kiln 'Sunagama', pencil and ink on buff paper, gallery label to frame verso, mount aperture 19 x 24 cm (7 1/2 x 9 1/2 ins), framed and glazed (32 x 37.5 cm) QTY: (1)

AR * Leach (Bernard Howell, 1887-1979). An early stoneware dish, mid to late 1930s, covered in a celadon glaze, impressed early BL and Leach Pottery marks, professional restoration to rim, diameter 15.5 cmQTY: (1)

AR * Leach (Bernard Howell, 1889-1979). Kiln technical drawing, ink, pen and pencil on buff paper, gallery label to frame verso, mount aperture 22.5 x 18.5 cm (9 x 7 1/4 ins), framed and glazed (34 x 30 cm)QTY: (1)

AR * Leach (Bernard Howell, 1889-1979). Communal Korean Kiln, pen and ink on wove paper, with an additional ink drawing underdrawn in pencil to the sheet verso, possibly of a raku kiln, gallery label to frame verso, sheet size 6.8 x 11.5 cm (2 1/2 x 4 1/2 ins), framed and glazed (29.5 x 34 cm)QTY: (1)NOTE:An almost identical version of this kiln design can be found in the 'Kilns' section of A Potter's Book, Unicorn Publishing, page 239 (page 184 in the older Faber editions).

Bernard Leach (British 1887-1979): Fish Vase, photo-lithograph signed and numbered 88/100 in pencil 55cm x 31cm

Bernard Leach (British 1887-1979): Black Jar, photo-lithograph signed and inscribed 'studio proof' in pencil 51cm x 43cm

In the style of Bernard Leach (1887-1979) studio pottery square dish, with painted decoration of a tree, indistinctly marked to the base, 25cm x 25cm Overall good condition, with minimal wear, firing imperfections. Otherwise seems ok.

▲ Bernard Leach CH (1887-1979) 'Bird Dish'lithograph in colours, 1973-74, signed 'Bernard Leach' in pencil l.r., outside main editionsheet 77 x 56.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight handling creases. A couple of very faint dirty smudges to the margins.The right edge has some light surface dirt with a vertical line/ slight crease mark running along the right edge 1cm in from the edge of the sheet. The printed area presents well.

▲ Bernard Leach CH (1887-1979) 'Deer Plate';'Lion Tile';'Tree Jar'three lithographs in colours, 1973-74, all signed 'Bernard Leach' in pencil l.r., the first numbered '6/200'sheet 77.5 x 57cm, unframed (3)Provenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportPreviously rolled. Light handling creases. 'Deer Plate' and 'Lion Tile' have a faint vertical line/ crease mark running along the right margin, 1cm in from the edge of the sheet. 'Tree Jar' has a similar line along the left edge. The printed areas appear to be in good condition.

▲ Bernard Leach CH (1887-1979) 'Black Jar'lithograph in colours, 1974, signed 'Bernard Leach' in pencil l.r., and numbered '6/100'sheet 77.5 x 56.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight creasing to the margins. A diagonal fold mark to the lower right corner. A small 1cm tear to the upper left edge. The printed area appears to be in good condition.

A Bernard Leach temmoku glazed vase, each of the flattened sides of the ovoid shape incised with pairs of willow trees, impressed marks. H 28cms.

Bernard Leach & Bill Marshall for Leach Pottery, St Ives - a vintage 20th century stoneware studio pottery casserole dish. The dish having a short handle and a lid, black glazed interior. Marked under the handle.Measures approx. 12cm tall x 25cm long.

A collection of Leach studio pottery included scroll handled tankard, beaker, small bowl and oatmeal glazed bowl in the manner of Bernard Leach

A collection of books relating to BERNARD LEACH studio pottery, including A Potters Life (8)

Including two rare St Ives pottery items, including a stoneware glazed coat hook (16.5cms high), and a stoneware glazed pen stand with incised design (possibly one of two, 13.5cms long), both with impressed St Ives marks (coat hook with clear mark, stand - mark less clear). Also with a pair of turned elm candlesticks, used in Bernard Leach's cottage on the fireplace. *These items were found within a desk that belonged to Laurie Leach, Bernard's second wife and inherited by their son Maurice. The candlesticks were apparently used in the sitting room of Pottery Cottage. *CR Coat hook, glaze has not quite covered the whole item, with areas around the top and sides not covered. Stand, underside is quite uneven and the mark is quite difficult to see, small nibble to the edge of the base Candlesticks, have been well used with wax on both stems and inside the bowls, crack to the base of one.

Warren MacKenzie (American, 1924-2018). Studio pottery fluted ceramic bowl. Stoneware in an amber celadon or ame glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 5 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There is crazing throughout. There are no signs of restoration under UV light.

Warren MacKenzie (American, 1924-2018). Studio pottery altered ceramic bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 3/4 in x diameter: 10 in.Condition: Overall there are no visible chips, cracks, losses, or restorations. There is a glazing flaw along the top rim measuring approx. 1/2 inch in length, visible in the lot listing. Light wear throughout.

Warren MacKenzie (American, 1924-2018). Large studio ceramic double-rim platter. With a shine glaze and drip decoration. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Diameter: 13 in.Condition: No cracks, chips, losses, or repairs. Light debris gathered between the two rims. Light wear to the footrim

Warren MacKenzie (American, 1924-2018). Studio porcelain double-rim pinch pot, ca. 1960s-70s. With a cream white glaze and ovoid yonic opening. Not marked. MacKenzie only worked with porcelain for a short period of time in the 1960s and 1970s.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 5 in.Condition: There are no major chips, cracks, losses, or restorations. There is light wear along both of the double rims. Some dirt/dust gathered along the interior. Light wear to the footrim. There is a partial felt tab affixed to the underside. Crazing to the glaze throughout.

Warren MacKenzie (American, 1924-2018). Studio pottery ceramic double-lipped bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 7 1/2 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.