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AR * Leach (Bernard Howell, 1887-1979). Coptic Leopard, circa 1952, pen and ink on headed 'Black Mountain [College], N. C.' paper, a profile view of a richly patterned and decorated leopard with annotations, another drawing entitled 'Lifter' to sheet verso, fixed to floating mount board with tape to top margin to sheet verso, gallery label to frame verso, sheet size 10.5 x 13.8 cm (4 x 5 ins), framed and glazed (29.5 x 33 cm)QTY: (1)NOTE:Bernard Leach taught at Black Mountain College in North Carolina in the early 1950s, giving pottery seminars alongside Shoji Hamada.

AR * Leach (Bernard Howell, 1887-1979). Band and Single, circa 1940, pen, ink and pencil on wove paper, a design for a globular pot with motif and band decoration, 'V / 16 p. 34 le(?)' inscribed in pencil to the top left corner of the sheet, small area of correction in white around the word 'Band', tipped-on to another sheet of wove paper, this sheet fixed to mount with tape to verso, gallery label to frame verso, illustrated sheet size 7.2 x 6.8 cm (2 3/4 x 2 3/4 ins), framed and glazed (29.5 x 29.5 cm)QTY: (1)NOTE:This design was conceived to illustrate brushwork in Leach's A Potter's Book (Faber and Faber, 1940) but wasn't included in the published version.

AR * Leach (Bernard Howell, 1887-1979). All-over repeat, circa 1940, pen, ink and pencil on wove paper, a design for a globular pot with repeated motif decoration, tipped-on to another sheet of wove paper, this sheet fixed to mount with tape to verso, gallery label to frame verso, illustrated sheet size 7 x 6.7 cm (2 3/4 x 2 3/4 ins), framed and glazed (29.5 x 29.5 cm)QTY: (1)NOTE:This design was conceived to illustrate brushwork in Leach's A Potter's Book (Faber and Faber, 1940) but wasn't included in the published version.

AR * Leach (Bernard Howell, 1887-1979). Design for a vase, pen, ink on paper, signed with initials lower right, a design for a vase decorated with gazelles (or mountain goats), banding and undulating, vertical and horizontal lines, gallery label to frame verso, mount aperture 17 x 13 cm (6 3/4 x 5 ins), framed and glazed (32 x 28 cm)QTY: (1)NOTE:This vase form is comparable to Bernard Leach's famous 'Tree of Life' stoneware vase, circa 1958.

AR * Leach (Bernard Howell, 1887-1979). Coiling, throwing and heating, Japan, pen, ink on wove paper, a potter sits at a traditional kick-wheel and works on a large pot with various tools placed beside him, gallery label to frame verso, mount aperture 8 x 10.5 cm (3 1/4 x 4 ins), framed and glazed (23.5 x 26 cm), together with Coiling a Pot, ink on wove paper, a potter in traditional Japanese dress hand-builds a large vessel, mount aperture 5 x 4 cm (2 x 1 1/2 ins), framed and glazed (23 x 22 cm)QTY: (2)

Collection of Studio Pottery Items This collection features a cohesive group of handmade stoneware pottery, likely British studio pottery, with muted tones and semi-matte glazes in greens, blues, and earthy neutrals. The set includes: 1. **Large Bottle Vase**: Approx. 30-40cm tall, with a slender tapering neck and subtle textural markings. Finished in a speckled blue-green matte glaze. 2. **Teapot**: Rounded body with a curved spout, loop handle, and fitted lid, approx. 20-25cm wide. Blue-green semi-matte glaze with pooling effects. 3. **Goblets (5 pieces)**: Approx. 15-18cm tall, bowl-shaped tops, narrowing stems, and flared bases. Speckled green glaze with horizontal banding and slight crafting variations. 4. **Small Pitcher**: Approx. 8-10cm tall, cylindrical with a small spout and handle. Pale green glaze with light speckling. 5. **Bowls (6 pieces)**: Small to medium, some broader and shallow, others deeper. Finished in various muted tones like grey, off-white, and light green, with one bowl featuring decorative ridges on the rim. The craftsmanship suggests functional yet artistic design, with visible wheel-thrown details. The subdued colours and simple forms align with mid-20th to contemporary studio pottery, potentially influenced by Bernard Leach or similar traditions. All items made by Peter Vost.

Cornish Art Interest "Artists of the Newlyn School", Caroline Fox and Francis Greenacre. Exhibition catalogue, 1979. "Painting in Newlyn", Caroline Fox. Exhibition catalogue, 1985. "John Milne". Auctioneers catalogue. 1988. "John Milne; Sculpture and Drawings". Exhibition catalogue. Marjorie Parr Gallery. 1972 "Concept and Form - Bernard Leach". Published by Headland Printers. "Pottery; the technique of throwing", John Colbeck. Published 1969 by F E Bording Ltd. "Craftsmen Potters Associtation Newsletter". September 1962. "Studio Potter". Published by Daniel Clark Foundation.

A BERNARD LEACH porcelain small bowl, the exterior decorated under glaze with horizontal banding. Celedon glaze interior. Impressed personal & Leach Pottery marks. Diameter 9cm. Condition: Appears to be no damage, repairs or restoration. Three small surface glaze marls to exterior, possibly originally had a lid.

An early dish believed to have been produced and decorated by Michael Cardew. Another example can be seem from the photos. The current owner of the dish informs us that the dish was purchased by his late father for his mother as a gift in the 1920's. Making this the first time it has come to the open market Dimensions - 24cm width, 2.5cm height " WINCHCOMBE POTTERY - HISTORY There has been a pottery on the current site in Greet since at least 1800, 1 mile (1.6 km) north of Winchcombe. Known as Greet Potteries under the management of R A Beckett (who died in 1913), it produced a range of farmhouse ware, advertised as "Garden, Sea-Cale, Rhubarb, & Chimney Pots". Closed in 1914 at the outbreak of World War I, it did not restart again after the war. Bernard Leach is credited with restarting craftsman pottery in Britain in 1920. One of his early students was Michael Cardew who, at 25, was looking for a suitable site for his own pottery and in 1926 rented the old pottery buildings. Influencing his choice were the availability of local clay and the original bottle kiln. Cardew recruited two locals, critically Elijah Comfort, aged 63 and who had worked before in the pottery, and inspirationally, in 1927, Sidney Tustin (aged 13). Cardew wanted people to use his pottery in regular daily use, as has been the tradition in early centuries. He followed the classic English slipware style using the red earthenware Winchcombe clay. After a difficult star and many trials, he managed to start slipware production. Experiments with firing the pots in the bottle kiln were eventually successful. For the produce of three men, the bottle kiln was really too large but it was what they had. A firing went on for three days. Gradually Cardew's skills and hard work were recognised. In 1935 he had one of his pots exhibited in the Victoria and Albert Museum. In 1935 the team was expanded to include Charlie, Sid's younger brother. A young chemist called Ray Finch tried to join the pottery staff in 1935 but was sent away by Cardew to gain some pottery experience. Finch returned in 1936, aged 22, and was able to convince Cardew that he now knew enough and he joined the team." Source www.winchombepottery.co.uk 12/7/24

Various Artists,  The Penwith Portfolio, 1973;  comprising an incomplete set of 7 lithographs in colours on wove,  to include works by F.E. McWilliam, John Piper, Michael Rothenstein, Bernard Leach, Merlyn Evans, Robert Adams & Alan Davie,  each signed and numbered 32/90 in pencil,  published by the Penwith Society, St. Ives,  each sheet: 55 x 76 cm,  (unframed)  (ARR)  Note: this portfolio only includes 7 of the original 12 prints. Together with original brown fabric covered card portfolio box.  

(Signed and Inscribed) Bernard Leach Kenzan's Edo Densho (1964 facsimile edition), string bound with a paper label on the front wrap bearing Bernard Leach's initials and date handwritten. The front free endpaper includes an inscription: 'Exact reproduction of the Edo Densho described & translated in my book Kenzan and His Tradition. These are Ninsei's notes written out in black by Kenzan whose own comments are added in red ink', The work is housed in a card case, also initialed and dated by Leach, accompanied by a supplemental booklet by Yamato Bunkakan. Both are enclosed in a cloth clamshell box, in a fine condition.Bernard Leach. 'Kenzan and His Tradition. The Lives and Times of Koetsu, Sotatsu, Korin and Kenzan,' first edition, unclipped dj, illustrations throughout, vg to fine, Faber and Fabe, London, 1961.The Borough of St. Ives, Cornwall booklets for Barbara Hepworth & Bernard Leach to commemorate the conferment of the Honorary Freedom of the Borough, 1968. In the original acetate slipcase.'Bernard Leach Ceramics-Oriental Objects d'Art,' sales catalogue, W. H. Lane & Son, Thursday 29th May 1980, Penzanze. (5)

(Signed) Bernard Leach Drawings, Verse & Belief Signed by the author,, 210/500, light spotting to original cloth, card slip, vg, Jupiter Books, London, 1973.

A Bernard Leach lithograph 'Tree Jar' signed in pencil and numbered 36/100 - unframed

A Bernard Leach lithograph 'Black Jar' signed in pencil and numbered 22/100 - unframed

LAKE, ALAN (21st century) British (AR), "Homage to Bernard Leach" oil on board, signed and dated '87, framed. 12 x 14 cm.

Paper Ephemera - Early - Mid XX Century, signed letters from prominent society figures including 'My Religious Faith' signed Bernard Leach and dated 1966 (unverified); Cuming Walters cuttings and publishers correspondence relating to the publication 'Charms of Lancashire'.

Bernard LEACH (1887-1979) Lion Tile, 1974 Lithograph, signed in pencil to the margin, numbered 98/100, image 43 x 52cm, framed 74.5 x 93.5cmPublished by Curwen Studio in 1974

A Potter's Book Bernard Leach With introduction by Soyetsu Yanagi and Michael Cardew. Published Faber and Faber Limited. Hardback.Please see additional images. A tear can be found on page 99. Light foxing marks can be found on the end papers as well as the edges of the pages. There are some marks to the cover of the book as well as the spine.

Warren MacKenzie (American, 1924-2018). Group of two studio ceramic pottery vessels. Glazed stoneware including one tripod lidded vessel and one cup. Each marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Lidded vessel) height: 7 1/4 in x diameter: 6 in. (Cup) height: 5 in x diameter: 5 1/2 in.Condition: There are no major losses. There is a small chip on the outer rim of the lidded jar (left), a 1/4 inch in length. The jar also has 2 hairline cracks that have been glazed over in the firing, but do not carry through to the inside of the vessel. There is no visible cracks, chips, or losses, to the footed bowl (right). There are several small pen/pencil marks inside the footed vessel. There is wear as expected from age and use.

A STUDIO POTTERY TAPERING HEXAGONAL SHAPE VASE, in the manner of Bernard Leach. 15cms high.

A collection of seven English books related to the decorative arts, with subjects such as antiquities, Wedgwood, and ornamental design, comprising, KIRK. Outlines from Figures and Compositions upon the Greek, Roman, and Etruscan Vases of the late Sir William Hamilton with Engraved Borders. London: T. McLean, 1814. Calf. Engraved plates. Boards detatched, lacking spine, spotting; Together with, T. A. WORLIDGE. A Select Collection of Drawings from Curious Antique Gems. London: Drydem Leach, 1768. Calf spine over patterned cloth boards. Engraved plates. Fading and wear to boards, lacking spine, contents with intermittent toning and stains; METEYARD, ELIZA. Choice Examples of Wedgwood Art...[and] Wedgwood and His Works... London: George Bell and Sons, 1879, and London: Bell and Daldy, 1873. Both in publisher’s cloth. Laid down photographic prints. Bindings worn and defective almost detatched from textblock, dampstaining to contents, mostly in margins; and JAMES MILLINGEN. Ancient Unedited Monuments: Painted Greek Vases... London: 1822. Color printed plates in black and orange. Worn, with text block detaching from binding; and OWEN JONES. The Grammar of Ornament. London: Bernard Quaritch, 1868. Publisher’s cloth, gilt. Color printed plates. Large losses to cloth at spine; and with GEORGE TURNBULL. A Treatise on Ancient Painting... London: A Millar, 1740. Contemporary brown speckled calf, gilt. Engraved plates. Worn, joints cracked with hinges holding by a few cords, occasional spotting to contents, this lot of seven books is sold as is.

Bernard Leach CBE (1887-1979) a Leach St Ives pottery Tile, depicting a stylised ibex in tenmoku and deep blue glaze on oatmeal ground, artist's monogram to lower right corner and studio mark to lower left and four further impressed marks verso, 10cm x 10cm.

Bernard Leach CBE (1887-1979) a Leach St Ives pottery Tile, depicting a pair of aquatic animals in tenmoku on oatmeal glaze, artist's monogram to lower left corner and studio mark to lower right, four further impressed marks verso, 10cm x 10cm.

A Collection of Bernard Leach St. Ives Pottery including three Standard Ware casserole pots with covers (largest 20cm diam. incl. handles), one other pot and two jugs

Bernard Leach CH (1887-1979) - four lithographs on wove, two signed in pencil, the full sheets, each approx 77x57cm, all unframedAll prints are in very good condition. Images are all good and crisp. Some light marks in margin.

Studio Pottery Interest The Way of Raku by Christa-Maria Herrmann, first edition, Petten Press, 1988; together with a Leach Pottery Guide and Bernard Leach: Concept and Form.

A STUDIO POTTERY TAPERING HEXAGONAL SHAPE VASE, in the manner of Bernard Leach. 15cms high.

BERNARD LEACH1887 Hongkong - 1979 Hayle, GroßbritannienVASE Großbritannien, Leach Pottery, St. Ives Steinzeug rötlich, Tenmoku Glasur. H. ca. 26 cm, D. max. ca. 13 cm. Signet u. Blindmarke (geprägt). Provenienz: Privatsammlung Hessen.

Bernard Leach CH (1887-1979) - Lion Tile (1974), lithograph in colours, signed in pencil lower right, unframed, sheet 57 x 77.5cmMinor creases and scuffs to the edges.Some discolouration and dirt to the margins.A few small specks of dirt to the printed area, otherwise in good condition.

Bernard Leach CH CBE (British, 1887-1979) - Signed limited edition lithograph - 'Lion Tile', 98/100, signed in pencil lower right, 56cm x 76cm, framed under glass

Bernard Howell Leach (British, 1887-1979), Single Tree, signed l.l., etching No.10/25, 21 by 8cm, framed. Note: Artist Resale Rights apply

John Minton (British, 1917-1957) 'The Street', couple in an industrial town, lithograph, signed in pencil and dated 1946 and dedicated 'To Joan and Bernard' [Leach], 24 x 27cm.Condition Report: Fair overall condition, thin line of acid damage on the margins of the mount, some foxing throughout, some age related discolouration to the paper.

Bernard Leach (1887-1979) at Leach Pottery Bowlwith grey glazeimpressed potter's seal marks to the base18cm wide x 7cm high. With some crazing to the glaze. Minimal glaze and firing faults. Otherwise seems ok.

Bernard Leach (1887-1979) Small shallow bowl or tea bowlgrey glaze with kintsugi repair to the rimimpressed potter's seal marks to the base15.5cm wide x 5.5cm high. With kintsugi repair to the rim. Overall minimal glaze and firing faults as expected. Potter's seal marks partially infilled with glaze.

Assorted Bernard Leach St Ives pottery comprising bowl, jug and four tumblers.

Φ Bernard Leach CBE (1887-1979)a Leach Pottery stoneware vase, waisted cylindrical form, covered to the foot with a pale celadon glaze with iron spots,impressed BL and St Ives marks, hairline to top rim,12.5cm. high ProvenanceJoy Hallam Collection

Φ Bernard Leach CBE (1887-1979)a Leach Pottery stoneware vase, hexagonal with inverted top rim, covered to the foot with a green glaze,impressed BL and St Ives mark20.5cm. high ProvenanceJoy Hallam Collection

Bernard Howell Leach (1887-1979), a stoneware tea bowl in a dark tenmoku glaze with a speckled oatmeal rim and interior, on a small unglazed foot, with the maker's seal impressed in the glaze, and a mark to the base. H.8.2 Dia.8.5cm

BERNARD LEACH (1887-1979)BolCirca 1960Monogrammé 'BL' et avec le cachet de Leach PotteryGrès partiellement émailléH: 11,6 cm. (4.5/8in.); D: 25,6 cm. (10.1/8in.)A monogrammed bowl in partially glazed stoneware by Bernard Leach with Leach Pottery's seal circa 1960.This lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com

A Bernard Leach (1887-1979) Stoneware conserve / marmalade pot and cover circa 1952. Tenmoku brushwork on blue on a cream ground. Painted artists initials BL 10cm high (to finial) 9 cm diameter.

Kevin Francis Toby Jug 'BERNARD LEACH' L/E 160/200 Height: 23cm

† BERNARD LEACH (1887-1979); an ink on paper study of Japanese figures, 18 x 21cm, framed and glazed. Provenance: David Whiting collection; acquired from the Ian Godfrey collection. Condition Report: Some creasing, otherwise appears good with no further signs of faults, damage or restorations.

'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987. Provenance: Andy & Di McInnes collection. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† Attributed to BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware bowl covered in dark blue glaze with wax resist decoration and kintsugi repair to the rim, impressed pottery mark, diameter 24cm, and smaller example (2). Condition Report: As well as the kintsugi, the larger bowl has a tight hairline extending 6.5cm from the rim, otherwise appears good with no further signs of faults, damage or restorations.

† Attributed to BERNARD LEACH (1887-1979) for Leach Pottery; a large stoneware bowl covered in blue/grey glaze washed with iron to the exterior and rim, kintsugi repair to the rim, and pale grey glaze with iron and cobalt decoration to the interior, impressed pottery mark, diameter 30.5cm.Condition Report: Apart from the kintsugi, appears good with no further signs of faults, damage or restorations.

† BERNARD LEACH (1887-1979); an ink on rice paper sketch of pampas grass, 12.5 x 8cm, framed and glazed. Provenance: An extract from a letter from Leach to 'JK', 1950s. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware saucer covered in dark oatmeal glaze with iron decoration, painted BL and impressed pottery marks, diameter 14cm, and two Leach Pottery slipware egg cups (3). Condition Report: Small rim chips and a re-glued rim chip to saucer, otherwise appears good with no further signs of faults, damage or restorations.

A collection of books on or by Bernard Leach, including one signed by Janet Leach (12).

'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987.Provenance: Andy & Di McInnes collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Warren MacKenzie (American, 1924-2018). Large studio ceramic three-footed bowl. Stoneware bowl with a shino glaze and tripod feet. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 3/4 in x diameter: 10 3/4 in.Condition: No visible cracks, chips, or losses. There is minute wear to the feet, as expected from age and use. There is a loss to the glaze along the surface of the interior of the bowl. There is crazing throughout. There are no signs of restoration under UV light.

Warren MacKenzie (American, 1924-2018). Small studio porcelain covered vessel or bowl. With a grey-green glaze and tripod feet. MacKenzie only worked with porcelain for a short period of time in the 1960s and 1970s. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 3/4 in x width: 5 in.Condition: There are no major chips, cracks, losses, or restorations. There are three felt tabs attached to the footrims. Crazing to the glaze throughout.

Warren MacKenzie (American, 1924-2018). A small studio pottery ceramic chawan tea bowl or cup. Stoneware with a shino glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 3/4 in x diameter: 5 3/4 in.Condition: No chips, cracks, losses, or signs of restoration when examined under UV light. Extremely light crazing throughout. There is extremely light wear along the footrim consistent with age and use.

Warren MacKenzie (American, 1924-2018) and Alix MacKenzie (American, 1922-1962). Group of two studio pottery cups or chawan (tea bowls), 20th century. Stoneware, one cup with navy tenmoku glaze, rendered by Alix MacKenzie; the second cup with a mottled gray sodium carbide glaze. Each stamped along the footrim with an early Warren MacKenzie stamp.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Blue) height: 3 1/2 in x diameter: 3 1/4 in. (Gray) height: 3 1/2 in x diameter: 3 1/2 in.Condition: There are no visible cracks, losses, or restorations. Faint crazing along the interior of the bowl. Light wear to the footrim.

Warren MacKenzie (American, 1924-2018). Set of two studio ceramic plates. Each stoneware plate is with a shino glaze and concentric circular slip trailed designs. One of the plates is stamped along the foot rim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Each) Height: 1 1/2 in x diameter: 7 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.

Warren MacKenzie (American, 1924-2018). Studio pottery ceramic three-footed plate or shallow bowl. Stoneware with shino glaze and slip trailing along the surface of the plate, resting atop three tripod feet. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 1/2 in x diameter: 10 in.Condition: No visible cracks, chips, or losses. There is minute wear to the feet, as expected from age and use. There are no signs of restoration under UV light.

Warren MacKenzie (American, 1924-2018). A studio pottery ceramic chawan tea bowl. Stoneware with titanium matte glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/4 in x diameter: 4 1/2 in.Condition: No chips, cracks, or signs of restoration when examined under UV light. Extremely light wear to the footrim consistent with age age and use.

BERNARD LEACH (1887-1979): A St Ives pottery side plate, with painted blue dash decoration. Painted BL and impressed St Ives seal to base. 16cm diameter. (Glazed over chip to inside foot rim)

Bernard Leach (1887-1979), a stoneware rectangular bottle vase in tenmoku glaze, with impressed BL and St Ives marks to base. 19cm high.Please see additional images

BERNARD LEACH (BRITISH 1887-1979) AT LEACH POTTERY VASE impressed maker's and pottery seals, stoneware with tenmoku glazes, with incised design to each side, and lug handles to the shoulder 13cm high, 17.5cm wide (5 1/8in high, 6 7/8in wide) Private Collection, U.K.

BERNARD LEACH (1887-1979) AT LEACH POTTERY BOTTLE VASE impressed maker's and pottery seals, stoneware with tenmoku and finger wipe motif front and back 19.7cm high, 13cm wide (7 ¾in high, 5 1/8in wide) Private Collection, U.K.