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A stripped pine day bed, with a hinged seat, 210 cm wide

A pine double bed frame, 156 cm wide

Flemish School. 16th century.‘Mary as the Gateway to Heaven. Allegory of the examination of conscience to achieve a Good Death’.Oil on panel. Accompanied by an imposing carved and gilded wooden frame.92 x 70 cm.Magnificent panel depicting the final moment of a human being lying in the centre of the bottom of the composition, taking stock of his good and bad deeds, the examination of conscience of his life; a prayerful reflection on his thoughts, words and actions in the light of the Gospel to determine how he may have sinned against God and others. The artist must have been familiar with the theology of the time, as taught by St. Ignatius of Loyola in his Spiritual Exercises, which taught: ‘at the end of the day, at the time of going to rest’ ‘to make a daily peaceful reflection on all that has happened [...] to find God in all things [...] even in those where God had apparently hidden himself’. 'The human conscience imagines its life at the ‘hour of eternal rest’. The painter places Mary, the Gate of Heaven, at the centre, as the Mother of Mercy who always awaits with open hands on her heart. In Glory,  the Holy Trinity awaits, God the reigning Father, the Suffering Son and the Holy Spirit who flies over everything and everyone. When contemplating this work, we see three differentiated levels, in which numbered phylacteries fly, like speech bubbles, which arrange the conversation. Above in the sky: Son (11) ‘PATER RESPICE VULNERA MEA...’ (‘Father, remember my wounds...’). And he also addresses his mother (14): ‘MATER MEA, FIAT TIBI SICUT VIS’ (‘My mother, let it be done as you will’). God the Father (12) ‘VENIT TEMPUS MISEREN DIEORUM’ (‘The hour has come for the miserable days’).The Father, who addresses the Virgin and calls her Daughter: ‘FILIA FIAT TIBI SICUT VIS’ (‘Daughter, be it done as you will’). And the third from heaven is the Dove or Holy Spirit (1) ‘SPONSA FIAT TIBI SICUT VIS’ (‘Bride, be it as thou wilt’). On the second level, horizontally speaking, and in the centre, the Virgin responds with three phylacteries (8): ‘PATER RESPICIE IN FACIEM CHRISTI’ (‘Father receive and look at the face of Christ’), (9) ‘FILI ASPICE UBERA QUAE TE LACTAVERUNT’ (‘Son, look at the breasts that suckled you’), and (10) ‘S. Se. DEUS ECCE QUOS AMAS INFIRMANTUR‘ (’God, Holy among the Saints, strengthen those you love"). The angels on the left, over which he prays: ‘PER HANC NOS AD DEUM’ (‘Through these, we go to God’), ask their Queen (7): ‘IUUA PUSILLANIMES, MARIA ANGELORUM REGINA’ (‘Mary, Queen of Angels, look upon the fainthearted youth’). On the right are saints and the Church: Saints Peter and Paul, Popes and Holy Fathers, and Saint Peter the Martyr, among others. Above them: ‘PER HANC DEUS AD NOS’ (‘Through these, God goes to us’), and they respond to their Mother: ‘SU COURE MISERIS SANCTORUM MATER’ (‘Merciful Mother of Saints, attend this tribunal with your heart’). On the earthly level, rests the conscience, lying in the form of a sick human being, who speaks to the Virgin (2): ‘MARIA, TU AB HOSTES PROTEGE ET HORA MORTIS SUSCIPE’ (‘Mary, protect yourself from the enemy and listen to the hour of death’). To which she replies from heaven (16): ‘CONFIDITE FILII, EXAUDITE EST ORATIO NOSTRA’. (‘Son of trust, hear our prayer’). And St. Michael the Archangel, who is named, brandishes his sword over the devil, and says to him (17): ‘IMPERET TIBI DEUS’ (‘God will annihilate you’). And that devil, who is leaning over the recumbent, says (1): ‘PECCAMUSTIS NON SPERETIS VENIAM’ (‘You must sin, do not expect forgiveness’). To the left of the couch, is an angel looking up and praying (5): ‘OCURRITE ANGELI DOMINI’ (‘Angels of the Lord, come’). To the left of his wing we read ‘STOS’ (‘he who remains standing’). To the right of the sick man Saint John the Evangelist (‘PROTECTOR’, behind him, above the shield) cries out: ‘SUB VENITE SANCTI DEI’ (‘Saints of God, come to him’). Two saints pray with the sick man, a Carmelite and an Augustinian, behind whom ‘death breathes, symbolised by the caravel waiting patiently with its shining dart’. The sick man communicates that he has had only one thought, of the fear of God (‘TIMOR DEI’), his whole life rests on the theological virtues, Faith, Hope and Charity (pillows), rests on his good works, thoughts and words (‘BONAE OPERA, BONAE COGITATIONIS, BONAE LOQUTIONES’), and rests on the cardinal virtues (legs of the bed) Prudence, Justice, Fortitude and Temperance. The devil, who stalks the dying man, sticks out from under his bed, which raised on a platform covered with a valance: ‘CONFUNDANTUR QUI ME PERSEQUNTUR ET NON CONFUNDAR’ (‘Those who persecute me will be confused, and they will not confuse me’); while the dying man prays and speaks to all: ‘MISEREMINI NOSTRI SALTEM VOS, AMICI NOSTRI’ (‘At least, you, our friends, have mercy on us’). All this theological life ‘has a face, an owner, a face, a family’, represented by the heraldic shield on the right of the evangelist and beloved disciple, either the person who commissioned the work or its painter. A shield in gold, gules and black with a heart surmounted by the Holy Cross of Jerusalem with initials B, E, P, O.Finally, we should note that an almost exactly similar panel, although not so dark in the background colour, with more light, with the same iconography, perhaps also by the same artist, is in the Pilgrimage Museum in Santiago de Compostela.

Music Legends - twenty boxed Foccos Design miniature guitars and drum kit;includes Dave Murray Iron Maiden # Strat. Style (x2), Slash # Gibson Les Paul Dark Tobacco Sunburst (x2), AC/DC Angus Young # Gibson SG Style (x2), SRV-Stevie Ray Vaughan # Fender Stratocaster (x2), James Hetfield Metallica # ESP Iron Cross Gib (x2), Bob Marley One Love # Epiphone Style (x1), David Gilmour Pink Floyd # F. Stratocaster (x1), George Harrison Beatles # Gretsch Style (x1), Paul McCartney Cavern Bass # Höfner Style (x1), Jimi Hendrix Monterey Pop # Strat. Style (x2), Carlos Santana # PRS Guitar Style (x1), Eric Clapton Black F. # Stratocaster Style (x2), and J. Lennon "Bed-In" J-160E # Gibson Acoustic (x1) ,all with presentation stands, various sizes. (20)

Music Legends - twenty boxed Foccos Design miniature guitars and drum kit;includes James Hetfield Metallica # ESP Iron Cross Gib (x2), Dave Murray Iron Maiden # Strat. Style (x1), AC/DC Angus Young # Gibson SG Style (x1), Slash # Gibson Les Paul Dark Tobacco Sunburst (x1), SRV-Stevie Ray Vaughan # Fender Stratocaster (x1), Jimi Hendrix Monterey Pop # Strat. Style (x1), Eric Clapton Crash F. # Stratocaster Style (x2), Eric Clapton Black F. # Stratocaster Style (x2), Carlos Santana # PRS Guitar Style (x2), J. Lennon "Bed-In" J-160E # Gibson Acoustic (x1), George Harrison Beatles # Gretsch Style (x1), Paul McCartney Cavern Bass # Höfner Style (x1), David Gilmour Pink Floyd # F. Stratocaster (x1), David Gilmour "Pink Floyd" # F. Stratocaster (x1), Noel Gallagher "Union Jack" # Gibson (x1), Bob Marley One Love # Epiphone Style (x1) and a Guns n' Roses # Set Drums "Guns Style", all with presentation stands, various sizes. (20)

Music Legends - sixteen boxed Foccos Design miniature guitars and drum kit;includes AC/DC Angus Young # Gibson SG Style (x1), Dave Murray Iron Maiden # Strat. Style (x1), Slash # Gibson Les Paul Dark Tobacco Sunburst (x1), David Gilmour Pink Floyd # F. Stratocaster (x1), SRV-Stevie Ray Vaughan # Fender Stratocaster (x1), Jimi Hendrix Monterey Pop # Strat. Style (x1), James Hetfield Metallica # ESP Iron Cross Gib (x1), Bob Marley One Love # Epiphone Style (x1), Carlos Santana # PRS Guitar Style (x1), J. Lennon "Bed-In" J-160E # Gibson Acoustic (x1), Eric Clapton Black F. # Stratocaster Style (x1), Paul McCartney Cavern Bass # Höfner Style (x1), Eric Clapton Crash F. # Stratocaster Style (x1), George Harrison Beatles # Gretsch Style (x1), Noel Gallagher "Union Jack" # Gibson Style and Guns n' Roses # Set Drums "Guns Style". all with presentation stands, various sizes. (16)

Music Legends - twenty boxed Foccos Design miniature guitars and drum kit;includes George Harrison Beatles # Gretsch Style (x2), Paul McCartney Cavern Bass # Höfner Style (x2), J. Lennon "Bed-In" J-160E # Gibson Acoustic (x2), James Hetfield Metallica # ESP Iron Cross Gib (x2), Dave Murray Iron Maiden # Strat. Style (x2), Carlos Santana # PRS Guitar Style (x2), Eric Clapton Black F. # Stratocaster Style (x2), SRV-Stevie Ray Vaughan # Fender Stratocaster (x1), AC/DC Angus Young # Gibson SG Style (x1), Eric Clapton Crash F. # Stratocaster Style (x1), Jimi Hendrix Monterey Pop # Strat. Style (x1), Bob Marley One Love # Epiphone Style (x1), and David Gilmour Pink Floyd # F. Stratocaster (x1) ,all with presentation stands, various sizes. (16)

Music Legends - twenty boxed Foccos Design miniature guitars and drum kit;includes Dave Murray Iron Maiden # Strat. Style (x2), Bob Marley One Love # Epiphone Style (x2), David Gilmour Pink Floyd # F. Stratocaster (x2), George Harrison Beatles # Gretsch Style (x1), Noel Gallagher "Union Jack" # Gibson (x1), Slash # Gibson Les Paul Dark Tobacco Sunburst (x1), AC/DC Angus Young # Gibson SG Style (x1), Eric Clapton Crash F. # Stratocaster Style (x1), Paul McCartney Cavern Bass # Höfner Style (x1), SRV-Stevie Ray Vaughan # Fender Stratocaster (x1), Jimi Hendrix Monterey Pop # Strat. Style (x1), James Hetfield Metallica # ESP Iron Cross Gib (x1), Carlos Santana # PRS Guitar Style (x1), Eric Clapton Black F. # Stratocaster Style (x1), J. Lennon "Bed-In" J-160E # Gibson Acoustic (x1), and The Beatles # Ludwig Drums Ringo Starr Style, all with presentation stands, various sizes. (20)

Various Edwardian late 19th century nightgowns, to include with broderie anglaise, lace trimmed, a cotton bed jacket with pink ribbon threaded through cuffs, hem and collar, and a pale yellow crepe nightgown labelled 'The Miranda' (this has moth damage) (8)

A fruitwood single four poster bed, 19th/20th century,116cm wide198cm long195cm highCondition ReportDismantled. Used and with wear.

A carved oak four poster single bed, 19th/20th century,135cm wide 225cm deep252cm highCondition Reportthe bed is dismantled. Used condition.

ELECTRIC ADJUSTABLE SINGLE BED WITH HEADBOARD Condition

SINGLE DIVAN BED WITH STORAGE BASE Condition

A box containing a hand crocheted table runner approx. 200 cm x 60 cm, an incomplete hand crocheted bed cover approx. 130 cm x 220 cm, an incomplete table cover approx. 188 cm x 173 cm, a crocheted stole approx. 150 cm x 60 cm, a crocheted table cover approx. 85 cm x 85 cm together with a felted burgundy table cover with fringed edges approx. 150 cm x 137 cm together with a box of vintage domestic linen to include embroidered, lace-edged and other tablecloths, napkins, table mats, doilies, etc. (2 boxes)

Three vesta cases, a brass owl 'go-to-bed' style with glass eyes, a copper boar's tusk and a white metal mouse

Antique brass double bed frame with curtain rails to the headboard, all castors present, two brass bolts missing and straps present but not secured

Ornate copper and brass bed warming pan

Copper bed warming pan and two boxes of Bakelite records, box of fishing tackle, tools, clamps, ropes etc

Continental style heavily carved super king bed frame, internal width 183 cm

Modern metal double bed and mattress

A Victorian iron and brass mounted double bed, 56" wide overall

A Victorian all-brass single bed with rail ends and side irons 45" wide

A Victorian brass double bed with tapered finials and side irons, 56" wide

Frederick Pegram (1870-1937)'Nude', seated on a bed and wearing a green kimono, signed, watercolour, 49 x 33.5cm Prov: With the Royal Institute of Painters, Piccadilly

French school (19th century)A reclining female nude on a bed, indistinctly signed and dated '84, oil on panel, 6 x 8.5cm

WINSTON CHURCHILL INTEREST: A FRENCH FLAME MAHOGANY SLEIGH BED 19th century, with scrolled ends joined by opposing stretchers, inset with castors, bearing a label inscribed 'Maples Depository - Vicountess Churchill', 107cm high x 132cm wide x approximately 195cm longProvenance: Acquired from Birchall's, Antiques and Fine Art, 28th June 1994, Lot 541.Note: Divan base available to purchase.

DOROTHY TENNANT, LADY STANLEY (1855-1926) A young boy visiting a sickly girl in her bed bringing a pet red squirrel to lift her spirits, oil on canvas laid on board, 58.5cm x 72cm (unframed)Provenance: The Estate of Henry Morton Stanley (1841-1904), thence by descent.Note: The red squirrel appears to be a mascot or emblem of the Tennant/Stanley family. Dorothy herself is depicted holding one in George Frederick Watts' portrait of her as a young woman.

WILLIAM BARNES (1801-1886): HIS VICTORIAN MAHOGANY BOOKCASE FROM OLD CAME RECTORY, DORSET late 19th century, with an arrangement of short and long shelves, some with gilt tooled leather fronts, on pedestal bases, 218cm high x 266cm wide x 35cm deepProvenance: The Old Came Rectory, Winterborne Came, Dorset.Acquired by the Lock Family of Lock, Reed and Lock Solicitors, and thence by descent.Note: Lock, Reed and Lock were solicitors of Dorchester from 1757-1999, they were responsible for handling the estate of Thomas Hardy (1840-1928), who was in turn a close friend of Barnes and regular visitor of Old Came Rectory.Literature: Figure 4 shows an image of the bookcase behind Barnes' bed as it was located shortly after his death.

A Charles II oak tester bed, West Country, parts later, the ring turned posts supporting a sixteen panel tester carved with lozenges, the profusely carved headboard with twin arcaded panels flanking a central cupboard door, with stiff leaf and flower uprights and punch marked decoration overall, with fitted mattress, 132cm wide, 200cm deep, 186cm high in totalOverall looks good, ready to use, the usual scuffs and knocks in line with age and usage. The deep side rails and the square sections below turned posts perhaps later.Hand crafted Vi-Spring 'Earl de Luxe' mattress 4'6 x 6'2. Looks clean and tidy.

An early 19th Century painted chest or cassone, Continental, likely Spanish, the rectangular hinged top painted with two scenes depicting a hospital interior with nurses or nuns attending patients and another scene of a patient on a stretcher, the double panelled front painted with scenes of a ward with patients in bed, the sides depicting landscape scenes with a castle and cypress trees, the back unfinished, 154cm wide, 55cm deep, 53.5cm high

Ron Arad (b.1951), for One-Off, a 'Round Rail' bed, with Kee Klamp joints and six strut horizontal supports, with a 'One-Off ' label,136cm wide198cm long69cm highCondition ReportScratches, scuffs, and wear to the frame - more noticeably the black elements. Please see the additional images.

Elizabethan design oak 5' Kingsize four-poster bed, the canopy with projecting moulded and gadrooned cornice over applied strapwork frieze, Ionic capital over tapering fluted posts with cup and cover balusters carved with gadroons and acanthus leaves, terminating to square supports with applied strapwork and split turnings, the panelled headboard carved with a coat of arms and inscribed 'WJR' dated '1857', possibly for the Rawson Family who rebuilt Nidd Hall in 1825, with motto 'Reddens Laudes Domino', decorated with arcades and further applied strapwork, with floral and urn pattern chintz curtains and matching bedspread Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968Dimensions: Height: 232cm  Length/Width: 183cm  Depth/Diameter: 223cmCondition Report: The head and posts are connected by VONO bars, later side and end rails. The side rails do not close up completely and may need attention. Mattress is not included.

Edwardian Adam Revival green-painted and parcel gilt 5' Kingsize four poster-bed, acanthus leaf moulded canopy with curled feather finials, on four turned posts painted with acanthus leaves and draped festoons, shaped arch headboard with painted oval panel depicting maidens of love leading a chariot holding Eros, with craquelure finish, dressed in silk curtains decorated with floral bouquets Dimensions: Height: 269cm  Length/Width: 173cm  Depth/Diameter: 222cm

Double bed and mattress (AF)

Vintage folding bed

A pair of floral print curtains, matching double bed valance, dressing table cover and skirt curtains, unfinished circular tablecloth, cushion and qty of matching fabric offcuts. Curtains handmade in 'Magnolia' c1979 printed for Charles Hammond, cream cotton mix ground with pink, blue and green magnolia tree flower and foliage design, interlined and lined in cream cotton sateen, triple pleat heading. 230cmW x 194cmH. Some marks and some sun fade to leading edge. Matching double bed base valance, piped and frilled to 3 sides, some marks with an ink stain at the top end, possibly not visible when in situ. Together with a matching shaped, piped, dressing table cover and a pair of skirt curtains; cover 112cmW x 56cmD, curtains 240cmW x 73cmH each. Also with a matching unfinished circular tablecloth, 204cm diameter, and matching piped cushion, 30cm sq. 

A collection of fish knives and forks, plated in presentation box, together with a series of framed coloured etchings of country scenes, a folding bed tray, a trio of Kelly's Directory of Lincolnshire books, pair of ceramic cows, one in the Milka form, an Orchid wall plate, and a set of glass tulip vases. (1 tray and loose)

A painted wooden single bed, a pair of matching side tables, a mahogany occasional table, a 'corby' trouser press, a double wardrobe and linen basket, etc.

WILLIAM MORRIS (1834-1896) FOR MORRIS & CO. A 'BIRD' PATTERN TEXTILE HANGING CIRCA 1890 Original design circa 1877 and 1878, jacquard-woven woollen double cloth approximately 150cm long by 125cm wide Provenance: Sir Edward Coley Burne-Jones (1833-1898); By descent to his daughter Mrs J W Mackail (nee Margaret Burne-Jones) (1866-1953); By descent to her daughter Clare Mackail (1896-1975); Thence by family descent. Literature: Parry, L., William Morris Textiles, V&A 2013, pp. 222-223, illus. This textile was the first hand-loom jacquard woven at Queen Square in London and later at Merton Abbey. In November 1879, Edward Burne-Jones ordered a set of bed hangings in this pattern and it is possible that this hanging may have formed part of this order. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some mild colour muting from sunlight. Small dark stain lower right of centre. Some loose threads. Edges have been folded over and then backing applied. 1/4 inch or less of edge can be felt to reverse edges. The edges themselves not completely straight. With hoops attached to top edge for hanging. Unevenness of weaving looks to be from manufacture Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Y&nbspA SWISS ROSEWOOD AND INLAID MUSICAL BOX LATE 19TH CENTURY, RETAILED BY IMHOF & MUKLE Playing a choice of eight airs via a pinned brass cylinder and tuned steel combs, the movement driven by a single wound spring drum mounted on a gilt iron bed beneath a hinged glass internal cover, marked for the retailer, and with selection levers to the side, the lid with applied printed and hand written tune sheet serial numbered 39967, the case of typical rectangular form with marquetry inlaid lid 24cm high, 78cm wide, 36cm deep Condition Report: The mechanism will wind and play; the stop/start and repeat/change levers appear operational. The cylinder wheel (applied to the cylinder arbor) has three worn teeth hence drive will 'skip' over these when running. The comb is missing three teeth and the crank handle endpiece is presently detached. The tune sheet is present but wrinkled/worn. The exterior of the case has water staining and fading to the top which also has a couple of small veneer chips/losses. The banding to the front and sides has losses mostly to the front right-hand edge. The ebonised mouldings are rubbed and the key escutcheon is missing.There is no key for the lock present. Condition Report Disclaimer

A PAIR OF CURTAINS AND PELMET WITH FOLIATE PATTERN 20TH CENTURY Curtains approximately 280cm drop, each 320cm wide; the pelmet approximately 365cm wide (including return), 55cm drop at longest point Together with another similar pair of curtains from a half tester bed, approximately 280cm drop, 250cm wide; the pelmet 290cm wide (including return), 55cm drop at longest pointThe collection from Trethill House, Cornwall Saleroom Notice: Please note the updated cataloguing which differs from the printed catalogue Condition Report: Curtains are lined and generally in fairly good condition, albeit with some mild sun-fading and small areas of damp exposure, notable visible to reverses. Some surface dirt and creasing from use, transport and storage. Condition Report Disclaimer

A HEPPLEWHITE STYLE MAHOGANY FOUR POSTER BEDSTEAD 19TH CENTURY AND LATER 200cm high, 140cm wide, 197cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSome splits and cracks, chips and lossesAs catalogued this has been adapted and altered The mattress is horsehair There are marks and stains to the canopy material, there are no additional drapes or hangings - these would need to be sourced or made by the purchaser for installation there is some wobble and looseness to joints, overall - Dreweatts recommends this gets built and there may be additional bracing elements required before use in a domestic setting The bed is designed to be moved, it breaks down into a canopy, two uprights at the front, the rear assembly, the rails, mattress and box - a tool will be needed to loosen and retighten these bolts.Please see additional images for visual reference to condition and appearance Condition Report Disclaimer

A collection of various furniture to include mahogany pedestal wine table, small mahogany occasional table, stick back chair, carved back low elbow chair, oak barley twist occasional table, small open bookcase, mahogany framed bijouterie table, a single drawer side table and matching two drawer coffee table, oak two tier occasional table, brass bed end, 19th Century oak and cross banded bureau, 19th Century mahogany oval drop leaf dining table on turned tapering legs to pad feet and a pair of Edwardian salon elbow chairs

A box containing an embroidered single bed cover with shattered silk lining, a small quantity of household linen, a parcel of part feather boas together with two vintage nightgowns, two petticoats and parts of petticoats, one pair of split leg drawers, a net fichu muslin apron etc CONDITION REPORTS All items badly stained. Silk to reverse of bed cover is shattered

A Ralph Lauren brown leather upholstered scroll end double bed with carved show frame decoration to the ends on stylised paw feet, 207 cm wide x 275 cm long x 138 cm high CONDITION REPORTS Basically sound though leather work very stained to the headboard and scratched throughout, seemingly animal claw scratches to the headboard, footboard and side panels

A cotton Pembroke square bedspread (approx. 250 cm square), a Sanderson style single bed valance together with ten storage boxes and six completed and part completed embroideries with wools (2 boxes)

A collection of various electrical equipment including a Lumie Brightspark lightbox, a Philips bathroom mirror, a Good Ideas bed cleaner, an Equip mini pulp ejector juicer, a Boots Ipulse smooth skin intense pulsed light permanent hair reduction machine, a Panasonic high definition LCD projector (PT-AE500E), a Tanita Innerscan body composition monitor, a BBC micro computer system and a George Hoover

A pine chest of drawers; another; kneehole desk or dressing table; blanket chest; bedside chest; cheval mirror; a pair of demilune side tables; pine bed frame (9)

A walnut veneer five-piece bedroom suite, by Waring & Gillow, comprising wardrobe, 190.5cm high, 154.5cm wide, 48.5cm deep, dressing table, chest of two short and two long drawers, bedroom cabinet and bed frame (5)

Massage bed

Z' bed

An oak four poster bed with solid canopy above, carved detail to foot and head, with turned supports. Length 217 x height 210 and width 166 cm.

CAPTAIN E. GASKELL, 255874, Royal Engineers, a most complete collection of Captain Gaskell's WWII military effects comprising dress: from socks, scarf and boots to mess uniform, great coats and helmets and including folding clasp knife, lecture books and other ephemera, camp bed, gas mask, mess tines, enamel bowl, restricted military books, Urdu text books, etc. contained in a camphorwood chest and two metal trunks, with a photograph and dog tags.

Edwin Frederick Holt (1830-1912), dogs resting on a straw bed in a barn, oil on canvas, signed and dated 1900, 10" x 12" (25 x 30cm).

Mid century, circa 1970, modular plastic Space Age bed designed by James Seccombe, comprising a white plastic frame with pale green upholstered inset headboard, flanked either side by integrated bedside tables with smoked mirrored glass shelves, four pull-out storage compartments to base (will fit a double mattress), 220cm wide x 206cm long x 90cm high Condition ReportSurface scratches and scuffs. Discolouration and yellowing in places. No obvious signs of breakages. Separates into 9 or 10 pieces, largest being 98cm x 71cm.  General wear and tear.

THE BEATLES: An officially licensed Beatles inflatable Li-Lo Air Bed, manufactured in 1964 by P.B. Cow, in yellow and red with black printed Beatles portraits and names to top, approx. 149cm long

SINGLE ANTIQUE STYLE METAL BED FRAME having slatted base, 149 (h) x 90 (w) x 201cms (d)Provenance: private collection Conwy

MODERN LIGHT OAK EFFECT DOUBLE BED FRAME, 4ft 6in, rarely used and with mattress, 104 (h) x 146 (w) x 202cms (d)Provenance: private collection Conwy

ANTIQUE EFFECT METAL BED FRAME, 128 (h) x 138 (w) x 203cms (d)Provenance: private collection Conwy

A suite of black lacquered and parcel gilt bedroom furniture, in early 18th century taste, early 20th century; comprising a bed with headboard, footboard, wrought iron frame and fabric covered box spring, the headboard 125cm high, 124cm wide; a chest with two short drawers, a long drawer and twin doors; 76cm high, 95cm wide; a dressing table with tripartite mirror, and with stool, the former 174cm high, 112cm wide; a wardrobe, 193cm high, 130cm wide; a bedside cupboard, two wall mirrors, a bed tray, a side chair; and an associated lacquered folding cake stand