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1920's oak recliner armchair with leatherette cushion, which converts into a small single bed.

A rare Bronze Cross of Rhodesia pair awarded to Lieutenant G. J. Schrag, 2nd Rhodesian African Rifles, for his gallantry in commanding an attack on two enemy camps on 31 October 1976, when he went into a river bed alone and killed two terrorists at a range of less than ten metres; he also served in 'C' (Rhodesia) Squadron, Special Air Service RegimentRhodesia, Bronze Cross of Rhodesia (Lt. G. J. Schrag); General Service Medal, with Silver Pick Commendation (2Lt G. J. Schrag), mounted as worn, good very fine (2)Provenance:Christie's, April 1992.B.C.R. awarded 29 July 1977, the citation states:'On October 31 1976, a Platoon led by Lt.Schrag was involved in a two-phase, set-piece attack on two enemy camps, each of which included a large group of terrorists.Despite coming under heavy fire from the first camp, Schrag led the assault with great determination, forcing the enemy to break and run. Having secured the first camp, the platoon swept through the second camp, coming under close-range fire from two terrorists who had hidden in a river bed beyond the camp. The Platoon went to ground, but Lt. Schrag charged into the river bed alone and killed both terrorists at a range of less than ten metres.He then led his platoon in a sweep of very thick cover where a further four terrorists were killed. Enemy small arms and mortar fire was intense throughout the engagement.'Military Forces Commendation (Operational) awarded 31 March 1978, the citation states:'On 7 August 1977, a PATU call sign walked into Rugoyi Police Base in the Makoni TTL with radio failure, but reporting a presence of thirty CTs, the night before at locstst VQ 455454, not too far from St.Killian's Mission.Fire Force was deployed and a mixed group of CTs and civilians broke cover. The K-Car went into action and two sticks of paras were dropped in very high winds. After Platoon Warrant Officer Wilson broke a bone in his foot the drop was discontinued.Lt. Schrag co-ordinated the troops on the ground and in a series of contacts four CTs were killed. Lt. Schrag was then shot in the shoulder and acting L/Cpl G.S.Murray, of 5 Indep., took over. Lt.Schrag and L/Cpl Murray did very good work in the contact.'Graham John Schrag grew up in Umtali and served in 'C' Squadron Special Air Service, Rhodesian Signals and 2nd Rhodesian African Rifles. It was with that last unit that he served most of his time and was awarded both of his decorations, being presented the Bronze Cross on 15 March 1978.Afterwards, he was worked in various places around the world including Oman, Yemen, Egypt, Sri Lanka, Pakistan, Southern Ireland, Switzerland, Canada, France and the United Kingdom. Somewhere along the line he also had homes in Thailand, Andorra and Cyprus. Schrag died in Switzerland on 12 October 2012.…

The '1917' D.S.O., 'Neuve Chapelle 1915' M.C. group of five awarded to Lieutenant-Colonel H. G. Gilchrist, Royal Engineers, late attached 8th Signal Company, whose bravery under fire saw him honoured in 1915 as well as receiving a total of four 'mentions' throughout the warDistinguished Service Order, G.V.R., silver-gilt and enamel; Military Cross, G.V.R., the reverse engraved 'Lt. H. G. Gilchrist R.E. Neuve Chapelle March 10th-14th 1915'; 1914 Star, clasp (Lieut: H. G. Cilchrist, R.E.); British War and Victory Medals (Major H. G. Gilchrist.), with M.I.D. oak leaves, minor pitting, very fine (5)D.S.O. London Gazette 1 June 1917.M.C. London Gazette 27 April 1915, the original citation states:'For conspicuous gallantry in repairing telephone lines under heavy fire, from 10th to 14th March, 1915 at Neuve Chapelle.'Hector Gordon Gilchrist was born at Thornton Hall, East Kilbride, Lanark on 9 May 1889, the son of James and Janet Gilchrist. His father was an engineer with a shipbuilding company and the younger Gilchrist studied at the Institution of Mechanical Engineers. Later working as an engineer he was commissioned 2nd Lieutenant with the Territorial Army and posted to the Scottish Cable Telegraph Company on 2 January 1912. Gilchrist was advanced Lieutenant with them prior to being mobilised for Great War service.On the outbreak of the war he was posted to 5th Division Signals on 5 September 1914 and entered the war in France the next day. Attached to the 8th Divisional Signal Company Gilchrist went into action with them at the Battle of Neuve Chapelle in spring the next year. This was a plan to break through the German lines at the village of Neuve Chapelle to seize the Artios Ridge. The attack was successful however they were unable to follow up on the offensive, around this time Gilchrist earned a 'mention' to go with his M.C. (London Gazette 22 June 1915). Advanced Captain not long later he was serving in that role when he was 'mentioned' again the next year (London Gazette 1 January 1916). Further promoted Major on 15 March 1917 he was again 'mentioned' just two months later (London Gazette 18 May 1917) to go with a D.S.O. in July.Restored to the Territorial establishment on 18 July 1918 Gilchrist was recorded serving with Scottish Troops around this time. He was promoted Lieutenant Colonel a month after the end of the war on 12 December and again 'mentioned' for the last time then (London Gazette 23 December 1918). Appointed Chief Signal Officer of I Corps he returned to Britian on 29 January 1919 for leave only to be caught there with spanish flu.Whilst still unwell he returned to the Territorial Force on 28 June 1919 - from his hospital bed at No. 3 Scottish General Hospital, Glasgow - and returned to the rank of Lieutenant. Promoted Captain on 21 May 1920 Gilchrist was posted to 52nd Lowland Division on 12 January 1921. He was never to return to active service and instead entered the business world, joining Halley Motors Ltd. in 1921.Appointed Joint Managing Director in 1924 he became sole Director in 1926. Joining the executive committee of the north-west Engineering Trades Employers' Association in 1928 he was Director of Bowden (Holdings) Ltd. in 1939. Gilchrist later died on 27 April 1960; sold together with copied research.…

The campaign group of six awarded to Private W. R. P. Seymour, Gloucestershire Regiment, late Royal West Kent RegimentSeymour was wounded in action in Italy in October 1944 and went on to be one of the 'Glorious Glosters' who was taken a Prisoner of War with 8 Platoon, 'C' Company at the Battle of Imjin River, April 19511939-45 Star; Italy Star; War Medal 1939-45; Korea 1950-53 (3959731 Pte. W. R. P. Seymour. Glosters.); U.N. Korea 1950-54, mounted court-style as worn, good very fine, together with his United States Presidential Unit Citation riband (6)William R. P. Seymour was born in Dublin in 1923 and during the Second World War served in the 5th Battalion, Royal West Kent Regiment. He was wounded in action on 20 October 1944, when the unit were thrown to attack the Gustav Line. He was transferred to the Army Reserve, by this time his family living at Ravenhill Avenue, Belfast.Recalled to the Army with the outbreak of the Korean War, Seymour would served with the 8 Platoon, 'C' Company, 1st Battalion, Gloucestershire Regiment. He shared in the actions at taken Prisoner of War at the Battle of Imjin River, 22-25 April 1951.As part of the United Nations Forces, the 1st Battalion was despatched to Korea in 1950 when the Communist North Koreans invaded South Korea without warning. Later, a Chinese Communist Army came to the assistance of the North Koreans. ln April 1951 the British 29th Infantry Brigade was holding a wide defensive position behind the lmjin River. The Glosters occupied a vital part of this front, astride the main track to Seoul, the capital city of South Korea, which was the traditional invasion route from the north.For days a Chinese attack had been expected and on the evening of 22 April, small parties of the enemy were observed approaching and then crossing the wide river bed. A patrol of 'A' Company at "Gloucester Crossing" did great execution to these parties, but soon the trickle of Chinese became a flood, and by 2330hrs the patrol had used up all its ammunition and was recalled.By 0300hrs on the morning of the 23rd, St George’s Day, 'A' Company’s position on a commanding feature named Castle Hill was under extremely heavy attack, as was 'D' Company on their right, and an hour later 'B' on the right of 'D' was equally engaged. After six hours fighting, much of it hand to hand, 'A' Company was driven back from Castle Hill and a desperate but unsuccessful counter-attack was launched to retake it, during which Lieutenant Curtis lost his life but gained a posthumous Victoria Cross. 'D' Company’s position was now untenable, so it was later withdrawn after further fighting, together with the remnants of 'A'. 'B' Company was later pulled back, and the whole Battalion now took up position on the hills around the village of Solma-Ri.The Chinese did not closely follow up this withdrawal, but meanwhile very large numbers of them had crossed the river and infiltrated past the Glosters. Their attacks on other parts of the front had been equally severe, and now the other United Nations units on their flanks had been forced back so that by mid-day the Glosters were completely separated from the rest of the Division, and indeed almost surrounded.That night 'B' and 'C' companies were heavily attacked, the former being reduced to one officer and 20 other ranks. Early the following morning, Colonel Carne decided to concentrate the remnants of his Battalion on the top of a steep and rugged feature known as Hill 235 on the map, but now as Gloster Hill (presumably one and the same 'Battalion Hill as recalled by Seymour). On the 24th no major attack developed against the Battalion, but two relieving columns of armour and infantry, sent forward by Division, failed to fight their way through. The Glosters were now completely cut off, but although short of ammunition and water they were in good heart and determined to hold out for as long as possible.ln the very early hours of the 25th, the Chinese launched an all-out attack on the hill wave after wave of shooting, screaming men surged forward, regardless of the defenders fire. Chinese trumpets directed them and encouraged them. ln order to confuse them it was decided that one of the British bugles should be blown. The adjutant then ordered Drum Major Buss to sound his bugle and on being asked what calls, replied everything except Retreat. Of all the calls the Long Reveille was the one which made the deepest impression. The battle continued with every weapon involved, and then at 9 o'clock a highly successful air strike was delivered by the US Air Force which for the time being halted the Chinese decisively. lt was during this pause that the Colonel received instructions over the wireless to fight his way out, his job done, and Brigadier Brodie wrote in the Operations log book at Brigade HQ 'Nobody but the Glosters could have done this.'The Battalion split up into groups which tried to work their way back independently, but the United Nations forces were now consolidating after their withdrawal fully seven miles to the rear, and only one party succeeded in reaching them, the rest being killed or captured. Out of 750 men of the Battalion only 150, including the rear echelon, remained on which to rebuild the unit. Lieutenant Colonel Carne, who survived his harsh imprisonment, later received the V.C., and the Battalion was awarded the Presidential Unit Citation to commemorate its magnificent stand. The Queen graciously granted permission for the emblem of the Citation to be worn by all members of the Regiment.Having been captured, Seymour was one of a band of British and American captives who were (probably) forced to sign a Statement of Protest against the bombing og a POW Camp in North Korea, their names being broadcast on Peking Radia at 0900hrs on 9 November. After his return home on his debrief he gave two statements:'My reason for my statement is that Pte. R. T. Othen was in my Squad and was taken to Hospital where he died.''Pte. E. K. Gudge was wounded on C. Coy. 8 Plt. position and when we had to withdraw back to what was so called Batt Hill [Gloster Hill] he was taken to the RAP where he died on the 24.4.51. Who was with him when he died I have forgot. Best we were told that he had died before we moved to the last position.'Sold together with a letter from RHQ and copied research.…

A Victorian brass mounted iron double bed with tapered finials, 55" wide overall

ALFRED STEVENS (1823-1906) An interior with a woman by a cradle signed to the left of the cradle, oil on canvas, 102cm x 76cmProvenance: Private Collection, London.Note: Stevens studied at the Académie Royale des Beaux-Arts in Brussels before travelling to Paris in 1843, where he studied at the École des Beaux-Arts and developed a friendship with fellow Belgian artist Florent Willems (1823-1905). Both artists were heavily influenced by the interior scenes of 17th century Dutch masters, such as Gerard ter Borch (1617-1681) and Gabriel Metsu (1629-1667), with Stevens and Willems both, like their predecessors, depicting elegant women in luxurious interiors, works which are redolent with a contemplative air.The subject of the maternal figure is one which appears throughout Stevens' work, as, for example, in the painting entitled 'Une Mère' (c.1870), held at the Worcester Art Museum [1913.1], which depicts a mother and her young child sleeping peacefully in a richly decorated bed. The painting 'La Jeune Mère', held at the Dumbarton Oaks Research Library and Collection, Washington D.C. [HC.P.1926.06.(O)], is likely a preparatory study for 'Une Mère', and exhibits the same loose, sketchy brushwork that characterises the present work.Indeed, Stevens treated the subject of mother and child in a number of compositions, including also in his 'Tous les bonheurs' (1861), at the Musées Royaux des Beaux-Arts in Belgium [no.3645], which also utilises the imagery of the mother by a crib, and his 'Mother and Child' (c.1875-80) held at the Clark Art Institute in Williamsburg [1955.862].The auburn-haired figure of the present work is typical of Stevens' models, with many of his subjects bearing a strong resemblance to her. These include Sarah Bernhardt, whom Stevens depicted on multiple occasions, both in portraits but also in interior scenes, as in 'Love's Messenger' (c.1885), currently held in a Private Collection. Indeed, models with strikingly similar features can be found throughout Stevens' work, including notably, in his 'In the Studio' of 1888 [Metropolitan Museum, New York, no.1986.339.2], and in his much earlier painting 'L'atelier' of 1869 [Musées Royaux des Beaux-Arts, Belgium, no.3423], with the model's face here depicted in sharp profile, similar to the present work.In this canvas, Stevens skilfully contrasts loose brushstrokes, which effectively impart a sense of movement to the work, with a close consideration of the surfaces and textures, as in the shiny satin bow on the crib, the glimmering silverware on the table behind, and even the light which reflects off the sitter's fingernails, all of which demonstrate an attention to detail for which Stevens was renowned, and which led one critic to label him the 'Ter Borch of France'.

A Louis XV style king size cane bed, by And So To Bed113cm high162 x 230cm Includes; head board, foot board, 2x side rails with their screws, 2x feet, 3x slats (1 appears missing) and 2x bed base sections. Does NOT include; bed mattress, any additional screws, and potentially 1 slat missing.  The side rails are particularly knocked with sections of the carved roses lost. The bed bases are dirtied on the sides with some minor areas skuffed. The cane work is in good condition. The side rails both have their accompanying integrated screws to fix to the head/foot boards.  Please see the additional images.

A Victorian leather upholstered day bed, with buttoned leather upholstery on cabriole legs and gadrooned feet, with 'Merryweather & Son London' label to the underside,85 x 197 x 82cmThere is significant fading to the leather upholstery throughout, with areas of wear, stains and dirt build-up. Sections of the leather have come 'unfolded'. There are scratches and dents on the feet. Structurally sound. Please see the additonal images.

Unassembled pine bed with under bed storage

Unassembled child bed

Armchair folding bed

Handmade patchwork quilt and tasselled bed throw

A PORTUGUESE ROSEWOOD FOUR-POSTER BED 19th century and incorporating earlier elements, the rectangular canopy supported by four ring turned and barley twist posts, the pierced and carved headboard adorned with conforming turned spindles, 220cm high x 200cm long x 165cm wideProvenance: Sir Herbert Cook, Monserrate Palace, Portugal, Thence by family descent.Note: For similar examples of Portuguese beds incorporating 17th century elements, see those illustrated in J.F. Da Silva, Nascimento, Leitos e Camilhas Portugueses, 1950, Figs. 17, 19 and 21, and further examples with similar carving in the guide to the Museu-Escola de Artes Decorativas Portuguesas, 2001, pp.234-235.

CHRISTIAN LIAIGRE DAYBED; LATE 20TH/EARLY 21ST CENTURY Upholstered in Rose Uniacke's 'White Rose' linen 82cm high, 128cm long, 78cm wideProvenance: Property of a Lady, Eaton Square, London Condition Report: Light marking to fabric atop of bed consistent with age and use. Few marks to base consistent with age and use. Structurally sound and in very good condition overall. Please see additional images. Condition Report Disclaimer

PHILIP PLEIN (FRENCH) "OPEN SKY" FOUR POSTER BED; LATE 20TH/EARLY 21ST CENTURY Custom made, queen size; stainless steel, with white divan and leather cushions 270cm high, 165 wide, 210cm deepProvenance: Property of a Lady, Eaton Square, London Condition Report: Signs of age and use in a domestic setting, all the joints are tidy in appearance except one to the bar at the foot - to one side this appears uneven and looks to have been repaired with a 'spot weld', there is some surface discolouration as well as the unevenness of the surface and this is presumed to be a repair - this is holding firmly at time of report. Some other light surface marks to the steel, some pitting Mattress and divan both appear 'new' and have protective plastic wraps to them - Dreweatts cannot guarantee they have never been used. Overall appears solid and stable Please see additional images for visual reference to condition Condition Report Disclaimer

Vinyl - 12 original UK 1st pressing Reggae / Ska 7” singles on Island Records to include: The Wailers – Put It On (WI 268), The Soul Brothers / Don Drummond – Ska Bostello / Looking Through The Window (WI 294), Baba Brooks / Dotty & Bonny – Guns Fever / Don't Do It (WI 229), Delroy Wilson / The Soul Brothers – Dancing Mood / More And More (WI 3013), Roy Richards / Marcia Griffiths – Green Collie / You No Good (WI 297), Blues Busters / Byron Lee And The Dragonaires – Wings Of A Dove / Dan Is The Man (WI 222), King Perry / Soul Brothers – Doctor Dick / Magic Star (WI 292), The Sound System Featuring Owen Gray – You Don't Know Like I Know (WI 258), Desmond Baker & The Claredonians / The Sharks – Rude Boy - Gone Jail / Don't Fool Me (WI 295), Joyce Bond – This Train (WIP 6018), Bob Marley & The Wailers – Roots, Rock, Reggae / Them Belly Full (But We Hungry)(WIP 6309), Lorna Bennett / Scotty & Lorna Bennett – Breakfast In Bed / Skank In Bed (WIP 6237). Condition VG overall with writing on labels.

WHEEL GUN | CENTRAL EUROPE, CENTRAL EUROPEAN | Country: Central Europe | Date: turn of the 19th and 20th centuries | Condition: Minor traces of removed corrosion on the barrel, non-original magazine | Lot information | A decorative wheel pistol made at the turn of the 19th and 20th centuries as a reconstruction of a historical original from the 17th century. The weapon is characterized by a precisely processed wheel lock with fine engraving and relief motifs that correspond to the aesthetics of the early Baroque. The mechanism of the cock and the firing wheel is made in detail according to the original patterns.The stock made of dark wood is decorated with metal elements with engravings and ornamental decoration. The barrel with a smooth bore is fitted with a tastefully profiled bed, which underlines the historical character of the weapon. The pistol is an elegant collector's item and a testament to craftsmanship, inspired by the masterpieces of the 17th century. | Dimensions | Length: 670 mm | Weight: 1,9 kg***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

STAND FOR RESTING WEAPONS | EUROPE, EUROPEAN | Country: Europe | Date: 1st half of the 20th century | Condition: Excellent | Lot information | Wooden one-sided stand for 6 long firearms, composed of two parts. Profiled upper bed with cut-outs for barrels, lower support part. Swivel stops for fixing weapons. Dimensions: height 690 mm, width 625 mm, depth 420 mm. | Dimensions | ***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

A 19th century copper bed warming pan, length 104cm, a copper kettle on brass stand, a cast iron iron on stand and an early 20th century walnut cased coal purdonium, width 38cm, depth 38cm, height 57cm (4).

Indie - A group of eight 7" singles to include SNOW PATROL: 'One Hundred Things You Should Have Done in Bed' (JPR7 005, x2 copies, one of which signed) and 'Chocolate' on limited edition brown vinyl (9866356), SUPERGRASS: 'Going Out' on limited edition burgundy vinyl (R 6428), CAST: 'Walk Away' on limited edition clear vinyl (576 284-7), BETH JEANS HOUGHTON: 'Golden' (VAN180, limited edition of 500, x2 copies) and THE LEMONHEADS: 'Mrs. Robinson / Being Around' (A7401). Together with THE VIEW: 'Same Jeans' CD single, case signed by the band (9, vinyl and sleeves generally VG+-EX)

Early 20th century copper and brass to include brass fire guard, saucepan, toasting fork and fireside companion set, bed warmer and wooden bellows

Quantity of early 20th century stoneware hot water bottles to include 'The adaptable hot water bottle & bedwarmer by Old Fulham Pottery' in large and for muff or pocket, Sunrays and other examples together with a copper bottle and Wafax bed warmer (1 box)

Selection of early 20th century copper and brass to include fire companion set, copper kettle, warming dish, large two handled pan, 34cm diameter and lidded bed/foot warmer

A Victorian day bed - with modern button-back upholstery in ivory damask, raised on baluster turned walnut supports with brass castors. (LWH 180 x 64 x 86cm)* There is some movement to one side of the back. The legs have some old and more recent chips to the edges of the turning. One has a recent screw through the block to secure the joint to the underside of the chaise. The fabric has some light brown dirt marks to the surface of the fabric around the edges, and one large black oily-looking mark to the centre of the outside of the back (please see photo). The current upholstery is tacked to the underside of the back and these tacks are loose in places, allowing the frame to be seen (again, see photo). These tacks should be easy to reinstate if required.

An Edwardian mother of pearl copper and brass inlaid maple wood and bird's eye maple double bed - the high, panelled head board decorated with foliate strapwork and rosettes and a central dentil-bordered tablet, below a dentil carved cornice and floral swagged cresting with shell surmount, with a conforming panelled foot board and swag inlaid panelled sides with scroll brackets (LWH 162 x 204 x 166cm), requires some restoration, bed base not included. (* See lots 497, 499 and 500 for other pieces from the same bedroom suite)

A cream-painted antique-style metal single bed frame - with scrollwork head and foot boards with brass ball finials, with slatted bed base (no mattress). (LWH 91 x 205 x 125cm)

A fine quality bespoke fiddle back Makore mahogany and burr vavona wood super king size sleigh bed in the Art Deco style, by cabinet maker Andrew Varah - inlaid with ebony and rosewood, complete with the slatted bed base (no mattress), 251cm long, 169cm wide, 122cm high, some fading to colour to footboard. (* to match lots 457 and 458)

A pine king size bed - the arched foot and head boards with two panels and turned ovoid finials, on turned baluster legs, with base slats (no mattress, bed linen in photo not included). (LWH 211.5 x 164 x 94cm)

2 pairs Laura Ashley curtains, floral cotton print; 1) lined only, measuring 260cmW x 225cmH, fair condition; 2) self lined with frill to leading edge (made for side panels of half tester bed), 160cmW x 280cmH, fair condition.

A French 19th century style carved giltwood bed canopy / ciel de lit - late 20th century, with dentil and reel carved decoration and a bold, pierced foliate cresting. (LWH 77 x 29 x 35.5cm)

A comprehensive suite of French provincial bedroom furniture, comprising single wardrobe H206, W93, D63cm, dressing tables with stool, a bedside set of drawers, a four height chest of drawers, H85, W77cm, single bed head, and two triple dressing table mirrors. (7)

2020 Swift Icon Trend 2 caravan. CRIS registered SGDST3GSWL0924447. Costing over £20,000 when new this two berth caravan is in very good condition. This two owner from new, our vendor the last three years is fitted with a galvanised chassis, AKS stabiliser and ATC trailer control system, the exterior has a solar panel and Thule mounting brackets for a bike rack and a gas BBQ socket. The twin sofa converts to a double bed, there are multiple power and charger sockets, the radio is part of the control panel, four burner hob, grill, oven and microwave, an Omnivent, in place of a standard rooflight, the full height fridge has opening on either side, the bathroom has a toilet, wash hand basin and shower. Our vendor has fitted a motor mover, reversing camera, Maxview WiFi module, Sargent monitoring and alarm system (by subscription, details available). It was serviced in November 2024 with a new tow hitch, new brake shoes, new tyres and the anti freeze changed. It is ready for use straight away, happy holidays :). https://www.practicalcaravan.com/reviews/kimberley-icon-trend-2

A suite of French provincial bedroom furniture, comprising a wardrobe with internal mirror, a kidney shape dressing table with stool, a double bed head with a pair set of drawers, a cheval mirror, and two triple dressing table mirrors. (7)

A large wicker dog bed, H-40cm x 104 x 74.

A Black and Decker lathe bed mounted onto a wooden plinth, an Auto Maxi 'Superlux' car roof rack system (2), a PH car roof rack system (2), another unbranded car roof rack system (2), a Keter plastic work top with two drawers, a set of four Guitel wheels with brackets, a wooden storage box with canvas cover 41.5cm (w) x 23cm (h) x 26.5cm (d) and a Harry Moss two gallon petrol can.

An early 20th century teak tea trolley - manufactured by Castles Shipbreaking Ltd. from wood recovered from HMS Defiance (1860-1932), contemporary labels identifying maker and vessel, 77 x 46 x 72cm. Note: HMS Defiance was a development of the Renown class of vessel and laid down in 1860. She spent much of her time as a torpedo and mining school and also a test-bed for early radio telephony trials.

A Halcyon Days bonbonniere - Away in a Manger no Crib for a Bed, limitied edition 372/750, 9cm high, boxed with papers, together with another We Three Kings of Orient Are, also boxed with papers. (2)

Crompton - Aspinall LTD XX Century Blackpool Folding Travelling Bed.

XIX Century Style Brass White Painted Double Bed 146cm wide.

A Good Quantity of Woodland Scenics Lightweight Layout System Risers, various thicknesses, plus bridge components, track bed, glazed windows etc (contained in two boxes).

A Small Quantity of 'N'Gauge/2mm Spare Parts, damaged locomotives for spares/repair, (includes a Class 47 Scotrail and two 9F's) buildings, track bed, Dapol N spares 8 and 9 packs (couplings), etc.

A MAHOGANY FOUR POSTER BED 20TH CENTURY, THE HANGINGS BY CHARLOTTE YORKE-LONG With a moulded canopy and turned front posts, hung with green and cream silk hangings 257cm high, 200cm wide, 212cm long Condition Report: Marks, knocks, scratches, abrasions consistent with age and use The headboard with marks and stains - would probably benefit from a re-cover The hangings and drapes appear in presentable order, some light marks consistent with age and use, The frame is solid and stable at time of report, it would need to be constructed properly for installation and all joints secured before use There is no tool to do up the hexagonal bolts, these can be tighten and loosened with a 'socket set' Visible timber elements polished in appearance, hidden rails are unpolished and designed to be hidden beneath aprons and skirtsThe mattress is included in the lot Please see additional images for visual reference to condition  Condition Report Disclaimer

A GREEN AND CREAM-PAINTED `GARRICK' FOUR POST BED OF GEORGE III STYLE 20TH CENTURY, AFTER THE ORIGINAL MADE BY THOMAS CHIPPENDALE FOR DAVID GARRICK The tester with carved lappets above reeded front posts with guilloche collars and square bases painted with sunflower paterae and husk swags, hung with cream cotton and silk drapes, with headboard and boxspring 242cm high, 138cm wide, 208 cm long This well-crafted copy of "The Garrick Bed" takes its name from the celebrated actor and theatrical manager David Garrick (d.1779). He commissioned the original bed for his Thames-side villa at Hampton, Surrey from the workshops of the Thomas Chippendale (d.1779) whom Garrick engaged for some 10 years from 1768. The original bed is now on display in the British Galleries at the Victoria & Albert Museum, London. An early 20th century copy of the Garrick bed attributed to Druce & Co., of very similar proportions to the present bed was sold (together with other bedroom furniture) Christie's London, 19th November 1992, lot 102, another was sold Christie's New York, 17th October 2003, lot 93.   Condition Report: County of origin: EnglandCondition Report Disclaimer

A PAIR OF GREEN AND CREAM PAINTED FOLDING TOWEL RAILS OF GEORGE III STYLE EARLY 20TH CENTURY, IN THE MANNER OF THOMAS CHIPPENDALE 91cm high, 64cm wide (folded) Together with two ends of a George III style green and cream painted single bed, of similar Chippendale design, decorated with landscapes with pagodas, approximately 140cm high, 110cm wide  

Britains Royal Engineers Pontoon Section comprising four horses, two riders, flat bed carriage, grey painted pontoon, and two wooden road sections, 203, in original box with label.

Bed warmer, glass bottle, cast iron and a washing plunger, with box

An ornate metalwork kingsize bed and a Dream memory foam mattress

An Ikea single bed

A Defender folding chair/bed, with bag.

After Pierre Alexandre Schoenewerk bronzed resin figure of Euterpe, 33cm high, a bronzed resin bust of an Art Deco lady on a marble-effect plinth base, 17cm high and an oak-framed bronzed resin model of a lady laid in a bed, 35cm wide (3) 

Pair of mahogany four-poster bed posts of turned baluster fluted form, 223cm high

A Victorian half tester bed, with two base sections, and frame canopy 190cm wide 175 x 216, base section Condition ReportNow dismantled.The width given is the size of the base - so this would be the size of the mattress

Mahogany Victorian bed post torchiere stand with wrythen and tulip carved column standing 116cm tall.

A mahogany demi lune side table, two button back chairs, a pair of bentwood chairs, and a walnut single bed frame (qty)

An oak chest, a pair of mahogany bedside cabinets, and a single bed frame (4)Various losses and marks to the chest and cabinets with a variation of colour,the chest top is slightly warped, bed frames are of different shade of colour no obvious signs of woodworm,

A brass double bed frame, 155 cm wide

Faux Leather Chesterfield Style King Size Bed Frame with crystal buttons. Water damaged stock, may have some rust and discolouration in places. Boxed flat pack. a/f

Modern velour upholstered bed

Brass long armed bed warming pan and wood carved tribal mask

Small dog bed, vintage adjustable industrial style desk lamp and three large light bulbs