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A pair of Continental figures, of a boy and girl holding a basket, 26 cm high, a large green bottle, a jardinière, an orange ground vase, decorated fish, and assorted other ceramics (2 boxes)

Diego Quispe Tito (Cuzco, Peru, 1611 - 1681)"The Annunciation"Oil on canvas. It has lacks of painting.157 x 218,5 cm.Provenance: this lot is the couple of lot 81 from the auction, "Beauty and Devotion. Picasso between the Old and New World", 25th of April, 2024. A palace-house of an Andalusian marquisate, a Spanish noble family whose lineage dates back to the 12th century.Specifically, our painting was placed next to its partner, "The Holy Family in the workshop of Nazareth".It is obvious that these two pieces were a pair, because the model used to portray Mary is the same in both paintings, as well as the basket with clothes that we find centering the scene is the same in both paintings.As we read in the Real Academia de la Historia Quispe Tito "Member of a family of the Inca aristocracy, is considered among the main initiators of the Cuzco school for painting. He apparently came from the indigenous village of San Sebastián, which houses a significant part of his production. It is centred on the decorative works for the parish church in that town, for which he worked intensively between 1634 and 1669. During those years he produced four large pictorial cycles: Life of Saint John the Baptist, The Passion, Martyrdom of Saint Sebastian and The Doctors of the Church.These groups of canvasses summarise Quispe Tito's original maturity, characterised by an ingenious reinterpretation of European prints and by a precise, agile brushstroke with lively colours.His fame soon spread beyond the confines of Cuzco, and in 1667 he was commissioned by the churches of Potosí to paint Jesus among the Doctors of the Temple and The Betrothal of the Virgin, both of which are now in the Museo de la Casa de Moneda of that city.In the Inca capital itself, Quispe Tito's most ambitious work is the canvas of The Last Things or the Last Judgement, painted for the porter's lodge of the Convent of San Francisco in 1675.Here the Andean painter abandoned the dynamic formulas for depicting the Last Judgement, in force until the High Renaissance and early Baroque periods in Europe, to return to the ordered scheme, in the form of successive The Holy Family Returning from Egypt (National Museum of History), dated 1680, displays the virtuosity characteristic of his later works. Here the painter based himself on a widespread composition by Rubens, but Quispe Tito considerably reduced the proportion of the figures in relation to the background in order to place the scene of the sacred story within a vast idealised and fantastic landscape, thus heralding the emergence of one of the favourite genres of painting in Cuzco in the following century. At the same time he executed the well-known series of the zodiac, hung on the walls of the side naves of the Cathedral of Cuzco. Today only nine of the twelve signs exist, either because three of them were destroyed or because the artist died before completing the commission.It is a Christianised cycle, in which each of the zodiacal signs is identified with a parable of Christ or a Gospel story. In this case Quispe literally follows his Flemish graphic sources, while at the same time displaying a European-inspired pictorial craft, the high technical level of which is unsurpassed in the Cuzco context.In this way the artist, in the last stage of his life, seemed to adapt his work to the aesthetic preferences of a cultured, urban clientele, which may have attracted the attention of Bishop Mollinedo and his cathedral chapter.Bibliographic reference:- Wuffarden, Luis Eduardo. (n.d.). "Diego Quispe Tito". https://dbe.rah.es/biografias/54757/diego-quispe-tito

A small collection of creamware porcelain; comprising a melon tureen and cover on a leaf dish, 20 cm wide, a Wedgwood basket, a leaf dish, an ice pail and liner and others, together with later pair of covered urns, with underglaze blue decoration, 29 cm high.Qty: 8

A set of four probably late 18th/ early 19th-century architectural plaster on wooden panels, each panel emblematic of the arts including a musical trophy, songbird cage, floral basket and other on a tied ribbon motif, in carved and giltwood frames, 108 cm x 19 cmA private collectorGood order

An Edward VII pierced silver basket, London 1902, 3.7 ozt, with a blue glass liner, an Indian beaker, an Eastern shot cup, and a pair of Continental silver coloured metal candle stands (5)

An early 19th century silver swing handle basket, marks rubbed, 4.4 ozt, with a blue glass liner

A silver coloured metal filigree basket, 29 cm wide312g

A hardstone cameo bracelet, late 18th/early 19th century, set with a sequence of cameos in gold collet settings, the cameos including: an owl in white agate; two putti in pinkish agate, depicted standing with raised arms, a basket in the foreground; a rabbit in pinkish agate; a swan in agate; two depictions of Cupid in grey onyx; a pair of clasped hands in amethyst; Cupid in lapis lazuli; a spaniel dog in pinkish jasper; and a classical woman in profile in grey agate, largest cameo 1.9 x 1.4cm, bracelet length 18cm

Regency painted silk picture, depicting a girl in white dress carrying a basket of pink roses within an oval floral cartouche, framed, 26.5cm x 23cm, together with an early 19th century needlework sampler by Mary Riley, 1818, worked with a religious verse before Adam and Eve, crowns, vases of flowers and birds, 37.5cm x 36cm 

E Hardaker  Watercolour drawing  Game, pheasants beside wicker basket, inscribed to mount 'E Hardaker 1879', 49.5cm x 66.5cm 

A pair of four Victorian silhouettes, of a girl wearing a long dress, reading a book with a dog at her feet, and a girl wearing a dress, holding a basket, each 20.5 x 13.5cm, framed in walnut, 29 x 22cmtogether with a similar pair, of a soldier, full length, holding a sword, standing to attention, and 'Mrs Boyd', a lady, full length wearing a bonnet and a long dress, holding a posy, with inscriptions verso each 22 x 15.5cm, framed in burr walnut, 31 x 24.5cm Condition ReportEach with foxing and time staining. The frames with knocks and wear.

A pair of Baccarat clear glass decanters and stoppers, 20th century, fitted in a leather and brass basket, marked 'Hermes Paris', 21cm wide17cm high, together with a Baccarat glass dish, etched mark, 25cm diameter, and a pair of cut glass decanters and stoppers, 32.5cm high (5)Condition ReportDish - chip to the edge. Lether - with some wear. Decanters worn to the bases.

A Herend porcelain basket 20th century, the centre with painted flowers and butterflies, to pierced sides, printed marks, 21cm diamater together with a Herend porcelain vase, with painted birds and insects, raised on paw feet, printed marks, 7.5cm high and a Copenhagen porcelain dish, 20th century, with painted floral decoration, painted and printed marks, no. 4/1526, 23cm wide (3)Provenance: The property of the late Baron John Mauger Langin Condition ReportAll in need of a good clean with some wear to the decoration but no apparent chips or losses.

A Elizabeth II Gordon Highlanders officers basket hilt sword, by Wilkinson, regulation double edge blade cut with a single fuller and etched with royal cypher and thistles, regimental details and panel with coat of arms Wilkinson number to the edge '90733',the basket hilt with wire bound fish skin covered grip, red felt covered buckskin liner, in its leather covered scabbard, blade, 83cm, 102cm overall, in scabbardCondition ReportSome wear to the blade. Knock and dent to the end of the scabbard. Red felt with rubbing through.

BOX CONTAINING VARIOUS BRASS DISPLAY PLAQUES, BRASS PLANTERS, 2 LEVI GENTS BELTS, HANDLED EP BASKET DISH 

TRAY COMPRISING QUANTITY OF EP WARE INCLUDING 4 PIECE EP TEA SERVICE, EP BASKET, EP FOOTED BOWL, PAIR OF EP LOOP HANDLED BASKET DISHES Condition

BOX CONTAINING LARGE QUANTITY OF EP, 2 PARIS OF EP CANDLESTICKS, EP GALLERY TRAY, EP CRUET SET, EP BASKET & DISH, QUAICH, BONE HANDLE CUTLERY, LARGE ORIENTAL VASE, OAK DESK TIDY Condition

PAIR OF SCOTTISH CLAYMORE STYLE SWORDS WITH BASKET HILTS & METAL SHEATHS 

BASKET CONTAINING THE OLD ZEISS CAMERA, VARIOUS GENTS TRAVEL VANITY CASES, AA BADGE, VARIOUS HIP FLASKS, CHILDS SPORRAN ETC Condition

A cast iron fire basket in the Georgian style with shell and latticework decorated back and serpentine front on cabriole front legs to scroll feet 48 cm wide x 31 cm deep x 66 cm high

THEOLOGY: HALL, Joseph: THE FIRST BOOKE. CHARACTERISMES. F Kyngston, 1620. Folio; BOUND WITH: Hall, J: Contemplations On Principal Bible Passages of the Holy storie, (vol. 4). Fletcherstone, 1621. PP: 967 + 166. Later half leather, rubbed; Shuckford, Samuel: The Sacred and Prophane History of the World Connected. One volume only. Knapton, 1728. PP: 366 + Plates & Maps. Cont. full calf; William Eyre: Vindiciae Justificationis, or The Free Justification of a Sinner 1695; The whole duty of Man. Basket, 1721. Cont. full leather, very worn. (4)

Basket containing lacework, fans, materials, a faux crocodile handbag and an issue of 'Harpers Bazaar' for 1879

§ Charles Vyse (1882-1971), The Daffodil Seller, 1924, a polychrome glazed earthenware Chelsea figure, the female figure modelled standing and holding a bunch of yellow daffodils, a basket of yellow and whites beside her along with some tulips, raised on integral plinth base, painted marks to underside25cm highA number of small chips and losses to flower heads in both the bouquet in her hand and the bunches in the basket. A hairline crack running approximately 2cm through the undersid eof the base, up the plinth edge and in to the back of the basket (not visible in basket). Some all over fine crazing.

§ Ursula Edgcumbe (1900-1985), Country Group, 1939, a carved mahogany figural group of four women, one holds a small bird in her hand, another holds a basket, carved date and signature to underside 45 x 34 x 19.5cm Exhibited: Bournemouth, The Russell-Cotes Gallery, 1948Provenance: The collection of Quentin Stevenson

A good quality bronze figure of a classical female holding a basket of fruit, signed "Henn", 7½" high

A Royal Dux pottery figure of a Middle Eastern female holding a basket, 16½" high and one other Continental figure of a female (2)

Edwardian copper log basket with brass lion detail

Black lacquered mother of pearl inlaid oriental basket, 23 cm high (handle loose), and small Chinese blue and white bud vase, 16 cm high

Basket and garden trug containing glassware, stoneware, ramekins etc

Joshua Hargrave Sams Mann (1826-1886)Prayer Time, signed and dated 1877, oil on canvas, 41.5 x 52cm Not lined. Some cracking to the paint, which is starting to become brittle and to lift/flake in the upper right area. There is also a small flake of paint loss to the lower left area by flower basket.

E Cockan (19th century)A woman seated in a doorway in an extensive mountainous landscape, a basket of vegetables and a dog at her side, signed, oil on canvas, 70 x 90cm

A CONTINENTAL GILTWOOD OVERMANTEL MIRROR19th century, the shaped rectangular plate within a heavily carved surround, the cresting centred by a basket of flowers from which floral swags drape across the plate, each side moulded with drapery and foliate tendrils, 127cm high x 120cm wide

A PAIR OF LOUIS XV STYLE GILT METAL CANDLESTICKS of rococo design, 19th century, the sconces held on a leafy and foliate branch above a scrolling and rocaille-work base, one mounted with a porcelain figure of a young boy with a basket of flowers, the companion with a young girl holding a garland of flowers, 28cm high (2)Provenance: The Grey-Egerton Family, formerly of Oulton Hall.

A CONTINENTAL PORCELAIN FIGURE OF A GRAPE HARVESTER19th century, bearing a Vienna style beehive mark, the lady wearing a green headscarf and with a basket to foot, 20cm high

A Victorian rosewood and burr walnut work table, the canted rectangular top with lozenge design parquetry inlay above a fitted drawer and a work basket, on moulded legs with knurl feet on castors, 64cm wide, 46cm deep, 69cm high

A Chinese black lacquer wedding basket, red and gilt decoration, three tiered, 27cm diameter, 40cm high and a Chinese ceramic stool, 28cm diameter x 80cm high (2)

A vaseSilver 833/000Reliefs decoration of wicker basket and flowersOporto hallmark (1887-1937) and goldsmith's mark Rocha & Azevedo (1936-1969)Alt.: 15,5 cm594,8 gLiterature:VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nº 73 e 2996

A snuff boxChinese export porcelain and silver metalOf rectangular formWith molded 'basket weave' decoration and painted with Famille Rose enamels depicting floral compositionsThe interior of the lid is decorated with flowers and fruitsQianlong period (1736-1795)4,5x8,5x7 cm

A snuff boxChinese export porcelain and silver metalOf rectangular formWith molded 'basket weave' decoration and painted with Famille Rose enamels in the Meissen style, depicting floral compositionsQianlong period (1736-17957,5x4 cm

A box and coverSilver 833/000Wicker basket shapedFloral decoration to coverOporto hallmark (1887-1937) and goldsmith's mark Rocha, Oliveira & Simões (1919-1956)Alt.: 13 cm298,6 gLiterature:VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nº 73 e 2984

A snuff boxChinese export porcelain and silver metalOf rectangular formWith molded 'basket weave' decoration and painted with Famille Rose enamels in the Meissen style, depicting floral compositionsQianlong period (1736-1795)4x7x6 cm

A toothpick holderSilver 833/000Reliefs decoration and figure holding basket sculptureOn three feetOporto hallmark (1887-1837)Alt.: 19 cm220,8 g

English School, early 20th century, oil on board, Kittens in a basket, in gilt frame, indistinctly signed. 27 x 34cm.                                            

Alexandra Meynell, Contemporary British School. Oil on board, still life study of a basket of flowers. Overall including frame 43x54cm.

Pair of white porcelain candlesticks, originally candelabra, modelled as two cherubs holding a woven basket of flowers, perched before a tree trunk, possibly by Montreuil-sous-Bois, double crossed swords mark beneath and incised no. 1533, H23cm x W16.5cm

19th century Derby style porcelain model of a ram, stood before a bocage on scroll base, H15cm, pair of Faience candlesticks, another Faience candlestick, 19th century porcelain basket, hand painted with floral sprays, L18cm and a Royal Doulton jug designed by Frank Brangwyn etc (7)

Edwardian silver circular fruit basket with flower head and scroll pierced border on a short pedestal foot D25cm London 1908 Maker Josiah Williams & CoCondition Report:Approx silver weight 20ozt (633 grams)

Fortnum-Mason Picnic Hamper, one other picnic basket, two carpet beaters, tapestry frameAll have age related wear, both baskets appear without anything missing and both close and lock as expected.

Franklin Mint Ceramic Eggs (x 10), 6.5cm high, nine smaller in basket, six glass capsuled, et:- One Tray.

Lladro Figure of a Girl Holding a Basket of Oranges, Villeroy-Boch coffee mug-saucer, Country Artists figure of a Deer standing, etc:- One Tray.

E.P.N.S Oval Plated with gadrooned edge, plated and pierced basket, cutlery, etc.

Persian Style Curved Knife, and other knives:- One Basket. (6)

Indian Kukri Knife, other Indian knives:- One Basket.

Franklin Mint Collectors Knives, Japanese multi knife Laguiole L'Eclair 440 blade in a box, etc:- One Basket

Cameras - Praktica, Kodak brownie, Olympus, quantity of costume jewellery to include cuff links, tie pins and necklace etc, Maruman lighter, cased Gillette razor, plated bound wooden barrel, two tins and a Harper mincer. One Basket

A vintage wicker fishing basket/creel, 33 x 25 x 30cm, containing a pouch of flies, dressing equipment and two books on fly dressing

A GEM SET FLOWER BASKET BROOCH The pierced and reeded basket with ropetwist handle issuing a spray of textured leaves and circular cut ruby and sapphire flower heads, stamped 18K Italy Size/dimensions: 4.2cm long Gross weight: 16.0 grams

Vintage basket with quantity of postcard and photograph albums

Pink Lloyd loom style linen basket, ceramic lamp with pink shade and a smaller glittery bedside table lamp

A Georgian Plated Inkstand, with original blue glass (incomplete), on reeded pad feet; together with a Georgian plated on copper helmet shape cream jug, a plated swing handled sugar basket with blue glass liner; pair of navette shape plated on copper salts, each of pierced design with blue glass liners, etc.