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Click here to subscribeJames Dewdney for C.H. Brannam Barum Pottery, an art pottery vase, 1895, the baluster body with three applied wrythen handles, the two opposing panels incised with fish amongst reeds, glazed in green, ochre and blue, incised marks and date to underside37.5cm highWith some restoration to the rim and one handle.
Frederick Braddon for C.H. Brannam Barum Pottery, an art pottery vase, 1903, with seven applied loop handles, glazed in shades of yellow, green and ochre and decorated with fish amongst stylised reeds, incised date and marks to underside 16cm high; together with a similarly decorated Brannam vase fitted with three loop handles, incised marks and dated 1903 to underside,19.5cm high
James Dewdney for C.H. Brannam Barum Pottery, a large fish jug, 1897, the baluster body with fish head spout, slip decorated in blue, green and ochre over green glaze ground and incised to one side with fish scale motif, incised date and marks to underside32cm highSome glaze misses to the interior and some very small firing blisters to the exterior body, one surface scratch to the reverse, otherwise appears in good order. See additional images.
James Dewdney for C.H. Brannam Barum Pottery, a large pair of art pottery vases, 1904, the pear-form bodies each with three applied wrythen handles, slip decorated in ochre and green, the three fields decorated with fish amongst reeds against a textured ground, incised dates and marks to underside46cm high
Sir Alfred James Munnings, PRA, RWS (British, 1878-1959)Jogging on signed and dated 'A. J. MUNNINGS/1912' (lower left)watercolour and bodycolour35.5 x 51cm (14 x 20 1/16in).Footnotes:Alfred Munnings arrived in Cornwall in late summer 1911, 'curious to see this country which attracted artists'1 eventually settling to live and work in the Lamorna Valley. Munnings was a great hunting enthusiast and upon arriving in Cornwall he began to ride with the Western Foxhounds. Led by Thomas Robins Bolitho, the Western was considered excellent hunting country with no wire and a plentiful supply of foxes. Hound bloodlines come from a number of the Leicestershire packs.2 Bolitho, the oldest huntsman in England at the time, having been master since 1864, was painted by Munnings on his favourite hunter, Barum, in 1920, on the occasion of his Golden Wedding Anniversary.Munnings enjoyed his days out hunting and often was inspired by what he saw, noting in his autobiography that 'Hunting became part of my life, and I saw many things on those days: bright winter sunlight on clipped horses and scarlet coats; on bare trees; stacks; on farmhouse gables; the riding out after a slight frost; the riding home with a frost beginning and a young moon in the sky; puddles already crisping over as I said good night to friends. Such were needed to freshen my mind and vision'3 This scene appears to depict hunt followers and the huntsman bringing the hounds to the meet prior to setting off. The principal rider is most likely Ned Osborne- 'simple soul, who grew into a useful combination of groom-model, and posed for many picture'4 and the scene is set in Lamorna, with the properties 'Riverside Cottage' and 'My Rosary' in the background. Munnings often used his own horses and groom as models and the central horse in the present composition was most probably the brown mare that the artist brought down from Norfolk with him when he settled in Lamorna in 1911. On this grey day, the artist used a subdued palette yet adds life and brightness by juxtaposing the scarlet of the huntsman's jacket with the close vivid hues of green making each colour more vibrant. As a result, the central figures of horse and rider, as they are also painted in sharper focus, emerge from the background. This use of optical effects was a hallmark of his style even early in his career. Although Munnings painted in watercolour during the first quarter of the 20th century, critics at the time noted his mastery of the medium. Munnings was a member of both the Royal Institute of Painters in Watercolour and the Royal Society of Watercolour Painters. A similar watercolour, The End of the Day depicting a head-on view of a huntsman returning home, was exhibited at National Museum of Racing and Hall of Fame, Saratoga, New York in 1999.1Sir Alfred Munnings, An Artist's Life – Autobiography, Museum Press, London, 1950, p. 270.2Sporting Life and Sportsmen, 1925 p. 123.3 An Artist's Life, p. 258.4Ibid, p. 273. We are grateful to Lorian Peralta-Ramos for compiling this catalogue entry. We are also grateful to David Tovey for supplying supplementary information regarding Munning's time in Cornwall.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A collection of mixed ceramics to include; a modern abstractly colourfully designed footed bowl, a modern terracotta figure of nude young boy perching on pillar, a modern Royal Worcester Golfing collection bowl by Melvyn Buckley, a similar plate (by same artist and Worcester), a Royal Doulton D6313 dog pattern plate, a modern Royal Worcester large cup and saucer in golfing scene, a modern Goebel Rosina Wachtmeister cat topped trinket box, a Barum of Barnstaple "Suffragette Interest "novelty bell, a Corona Ware "European War" novelty crested ware cat, two modern arrow marked Swans, four Goebel style figurines, a Carlton Ware circular match holder, a modern Japanese transfer blue and white small plate, a pair of 20th century Japanese porcelain cups and saucers and matching sugar bowl, (most chipped), another miniature cup and saucer with scenic design and a different Oriental porcelain miniature tea bowl. (1 box)
A collection of eight pottery miniatures,to include a Rye jug, a Royal Doulton lustreware square form vase, a Royal Barum Ware amphora, with a silver rim, and another blue lustreware example, designed for Liberty, all with impressed or printed marks,the largest 10.5cm high together with a collection of lustreware pottery,to include a Torquay vase, in a green glaze, 9.5cm high, an Ashby Guild example, 9cm high, an Allervale teapot, 12cm high, and a Pilkington's Royal Lancastrian Gordon Forsyth bowl, the interior decorated with foliate sprays, 10cm diameterCondition ReportThe Torquay vase with a chip to the rim. The Gordon Forsyth bowl with a restored crack. Chip to the blue Liberty lustre example. The handle of the teapot has been restored. Crazing throughout.
A C.H. Brannam Barum pottery blue glazed spoon warmer as a seated winged figure inscribed to base and No'd 4456 8.5 cm high CONDITION REPORTS There is a small chip to the corner of one wing. The other wing tip is darker in colour. There is a chip/firing fault to one of his ears. There is some crazing to the glaze. Both wings have got chips to the glaze and one has been chipped and repaired the same side as the chip and repair to the ear. General wear and tear conducive with age and use - see images for more details
C H Brannam Pottery Barum Ware green-ground two-handled oviform vase, early 20th century, incised CH Brannam/Barum, mottled in green glazes, with loop handes, 23cm highCondition ReportLight surface marks, accretions. Small chip/loss to glaze on the rim, the area feels smooth so possibly just unglazed. No obvious signs of damage/restoration under UV. General wear and tear, see photos.
C H Brannam Pottery Barum Ware Arts and Crafts blue-ground two-handled vase retailed by Liberty & Co., impressed C.H. Brannam/N.Devon/Barum/Made for Liberty & Co, with pierced loop handles and globular body with baluster neck, 19.2cm highCondition ReportLight surface marks. Areas of loss to glaze. General wear and tear, see photos.
Lauder Barum Art Pottery jug, a Brannam Royal Barum Ware Art Nouveau blue-ground jug and a Baron Pottery (Barnstable) jug, the first inscribed Ye Olde Barum Purcher within incised blue borders, the Barum Ware jug moulded with whiplash motif, 13m high and the Baron red stoneware jug partly blue-glazed (3)
C H BRANNAM FOR BARUM POTTERY, BARNSTAPLE: an Art pottery jug with figural fish head spout and fish tail handle, sgraffito decorated front and back with fish swimming amongst seaweed, incised to base 'C H Brannam Barum 1889 1809, 16cm high Condition Report : crazing, minor chips - rim chip, one on mouth of spout, a glaze chip on base of handle Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
C H BRANNAM FOR BARUM POTTERY, BARNSTAPLE: an Art pottery spoon warmer modelled as a grotesque frog or toad, yellow glaze, impressed (twice) to base 'C H BRANNAM BARUM N DEVON', 9.5cm high; together with another modelled as a frog standing beside a jug, with glass inset eyes, twin tone green glaze, incised to base 'Barum Barnstaple', 11cm high Condition Report : both in good condition, no damage Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A C H Brannam Barum Ware Owl jug, by TF, probably retailed by Liberty & Co, dated 1910, incised and slip decorated plumage in blue, green and white, another similar, a very tall comical cat, two smaller bird pots, a dragon jug and two dragon candlesticks, incised marks, restored, 14.5cm. high (8)
A C H Brannam Barum Ware pottery vase by Frank Thomas, modelled as a heron standing beside a tall bamboo stem painted in cream, brown and blue on a green ground, a C H Brannam vase slip decorated with a bird in colours on a blue ground, another similar, a vase decorated with a scaly fish, a vase decorated with a heron, another vase and a jug decorated with flowers incised marks FT monogram, minor chips, 24.5cm. high (7)
A tall C H Brannam Barum Ware vase by Frederick Baron, dated 1908, tapering form with flaring top rim and three stroll handles, incised and painted birds perched amongst flowers and foliage, in colours on a green ground, another Brannam Barum vase modelled in relief with a dragon, a Brannam tyg and a tall vase with twisted handles, incised marks, restored, 43.5cm. high (4)
Lauder (Barum) Art Pottery Cockatrice / Griffin candlestick and a Baron (Barnstaple) frog spoon warmer, early 20th century, incised marks, the first glazed in a dark mottled blue/green and the frog with an open mouth, glazed in bright turquoise-green, the first 12cm high, the second 7cm highCondition ReportThe griffin/cockatrice - restoration to both feet, small retouched chip to tip of beak and further very small retouched glaze chips. Minor firing crack to central aperture. The frog - overall in good order. Minute footrim chipping. Both with minor wear.
C H Brannam Art Pottery Barum blue-ground triple spill vase and a Lauder Barum pottery blue-glazed puzzle-jug, the first dated 1910, incised marks, AB probably for Arthur Babcock, of waisted form, moulded with panels of carp, issuing three trumpet-shaped spouts, the puzzle-jug incised with a verse and stylised fish, incised marks to base, 24.5cm high (2)Condition ReportThe triple spill vase with restoration to all spouts and rim and body of central vase, associated areas of retouching, small rim chips to central spout. The puzzle jug with restoration to two spouts and associated area of rim, very minor footrim chipping.
Pair of Lauder Barum Art Pottery oviform vases, circa 1900, impressed marks, decorated with a band of birds amongst tulips, within dark-blue borders, with wrythen formed handles, 38cm high Condition ReportBoth with restoration to upper rim and necks with restoration extending into handles, associated repainting, one with a thumbnail sized chip to glaze at underside of base, some further minor glaze chipping and losses.
Group of early 20th century Art Pottery vases, various incised marks, comprising: a Barum (Barnstaple) purple-blue ground tapering vase with purple grapes, a Longport (Torquay) pottery quadruple spill vase with birds on prunus, a blue-ground pottery vase incised and glazed with a reindeer pulling a swan sleigh, a ribbed globular blue-ground vase and others (6)
Lauder Barum pottery Arts and Crafts nightlight-vase, early 20th century, incised marks, of baluster form, pierced with a flared neck above three bird terminals and scroll-moulded apertures, enriched in a dark blue mottled glaze,15cm high Condition ReportSmall chips to tip of beaks, minor firing cracks around apertures, crazing and slight wear but in good order overall.
Assembled pair of C.H. Brannam Art Pottery candlesticks and sconces, dated 1904 & 1905, incised C.H. Brannam/Barum and signature with BP marks, each modelled as a bamboo candlestick with foliate removable sconce, flanked by a spotted heron, on a rocky base, enriched in dark blue and green glazes, 25.5cm highCondition ReportCracks and small chips to rim of one candlestick. One sconce with chip and nibbles, the other sconce with crack. Repair to the foot of one. General wear and tear, see photos.
Group of C H Brannam Art Pottery small vases, early 20th century, incised C.H. Brannam Barum marks, comprising: a pair of small green ground globular pots with wrythen handles and frilled rims, dated 1913, an oviform vase decorated with a fish, signed FB & dated 1905/6, a blue-ground two-handled oviform vase dated 1908 and a flared beaker incised with a castle on a blue ground (5)Condition ReportThe pair of green vases with small scattered rim chips, the larger two-handled vase with fish is restored to one handle, two short hairline cracks to rim and restoration to the rim, the smaller vase with fish with two restored rim chips, large restored footrim chip. Frilled cylindrical vase with a small restored rim chips.
A C H Brannam pottery money box , made for W.H.S, born September 1st 1905 , believed first name to be William, C H Brannam 'Barum' mark incised on the base, approx. 12cm high . Together with a 1911 Brannam pottery King George V coronation mug , also inscribed "Willie", approx. 8cm high Further Details: Small chip to base of 1911 mug.
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