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Juan Correa (Mexico City, 1646 - 1716).‘The Indian Juan Diego presenting the Virgin of Guadalupe to the bishop of Mexico Juan de Zumárraga’.Oil on canvas. Signed and located in Mexico.28 x 64 cm. Juan Correa is considered the principal painter of late 17th-century Mexico. Son of a famous Spanish surgeon and a freed black woman, Correa was one of the few mestizo painters who achieved fame in his time (the art of painting was generally considered the domain of white or Spanish masters). His two large-scale canvases for the sacristy of Mexico City's Cathedral (1691-98), for example, are considered masterpieces of Mexican Baroque.'"The National Institute of Anthropology and History of Mexico defines him as "one of the main exponents of the Baroque in Mexico, whose works are characterised by their sumptuousness, detail, and golden tones."His origins were reflected in his creations, "as his father was a man of African and Spanish descent, and Juan Correa was the first to paint angels with black or brown skin tones and the Virgin Mary with a dark complexion," a fact that "would become an unmistakable hallmark in his creations."Highlights among his extensive work include "The Coronation of the Virgin" at the National Museum of the Interventions, one of his masterpieces, and the "Expulsion from Paradise" at the National Museum of the ViceroyaltyOur Lady of Guadalupe, venerated in Mexico with great devotion, is the patroness of the country and the most important incarnation of the Virgin Mary in Latin America. Although the Our Lady of Guadalupe from Extremadura (Southern Spain) accompanied the conquistadors in their great adventure to the New World, the Mexican Virgin has her own origins. Both oral tradition and historical documentation, particularly the Nican Mopohua, narrate the different miracles and apparitions of this virgin to the indigenous man baptised with the name Juan Diego (1474-1548) on the hill of Tepeyac in 1531.According to the legend, there were four appearances of Our Lady of Guadalupe: In the first one, the virgin entrusted Juan Diego to see the bishop Fray Juan de Zumárraga and let him know her will to have a temple built in her honour in the place where she had appeared. Juan Diego obeyed, but the bishop did not believe him. In the second appearance, Juan Diego tells him what happened and asks the Virgin Mary to use another messenger because he was just a poor Indian. The Virgin Mary tells him that it was necessary for him to return to the bishop and repeat the message. Bishop Zumárraga asked him to bring a sign to be sure that it was "the lady from heaven" he was talking about. In the third appearance, the Virgin Mary asked the Indian to go up the hill and cut the flowers he would find there. Juan Diego knew that no flowers grew on that hill, especially not in December, but he found the summit turned into a flowered garden. He cut the flowers and took them to the Virgin Mary in his "ayate" (tunic). Our Lady of Guadalupe instructed him to go back to the Bishop, tell him where he had picked the flowers, and indicate that it was the sign that the Virgin Mary wanted him to build a temple. In the fourth appearance, on December 12, Juan Diego told the bishop everything that had happened, and when he spread out his "ayate", all the roses fell to the ground, and the image of the Virgin Mother of God miraculously appeared on it. After this event, the church was built, and this astonishing image is, according to tradition, zealously guarded by the Basilica of Our Lady of Guadalupe.As a result of this event, the worship of Our Lady Guadalupe became enormously prominent, especially within the indigenous sector of the population, becoming one of the most deeply rooted in Mexico and part of its identity. It is not surprising that soon the Mexican devotees wanted to have a copy of this miraculous image, so reproductions and the artists dedicated to creating them proliferated. The fame of this incarnation of the Virgin Mary soon became universal, gaining great veneration throughout Europe, especially in Spain.This representation of the Virgin of Guadalupe is a faithful rendering of the original, with the subtle variations that each artist can provide. The beautiful Virgin Mary is depicted as standing, crowned and surrounded by a mandorla of sun rays amid a cluster of clouds. She is seated on a crescent moon with the points facing upwards, supported by an angel with colourful eagle wings. She is portrayed as a young woman with a serene face and a lowered gaze reflecting love, tenderness, and respect. With her knee slightly bent, she clasps her hands in prayer in the Western manner. She wears a pink tunic adorned with floral elements and a blue mantle decorated with stars that also covers her head. She wears a ribbon around her belly as Aztec women did during their pregnancies, thus announcing that she is a pregnant woman. The iconographic type clearly derives from that of the Immaculate Conception.In this case, Our Lady of Guadalupe is depicted without the Apparitions or other ornamental elements that frequently accompany her and can therefore be considered a strictly faithful copy of the original. Most of these faithful copies, which are more iconographically straightforward, correspond to the earliest ones, generally dating from the 17th century. The more elaborate ones, with cartouches representing the apparitions and miracles, elaborate floral frames, views of the city of Mexico, or the inclusion of angels and archangels, are more typical of the 18th century. All these copies carry an implicit message, as most of them were "touched to the original," so the miraculous character was transmitted, making them bearers of her divinity."Enconchado" technique, so beloved and used in Mexico, actually has Oriental origins. It is a pictorial technique carried out on wood in which sheets of mother-of-pearl from shells and molluscs are inlaid, combined, and fused with oil paint to complete the image. This allows for the play of iridescence, gleam, sparkle, and subtle light effects that are highly valued. Provenance:- Former Pedro Vindel collection.Pedro Vindel was an antiquarian bookseller from Cuenca, as reported by the Royal Academy of History, ‘who became the first Spanish antiquarian bookseller of his time’, with one of the most important collections of books of hours. As the RAH continues, ‘Pedro Vindel, in the style of the great European booksellers, published his catalogues from 1895, and organised several book auctions, in premises rented by him, such as that of 1913, the catalogue of which he had printed. He also initiated what he called ‘graphic bibliography’ in Spain, by including [...] photolithographic reproductions of the covers or other elements of the books in his catalogues’.For further information, we recommend reading ‘Pedro Vindel: Historia de una librería (1865-1921)’, by Pavl Cid Noé. Bibliographical references:- Toussaint, M. Pintura colonial en México. Instituto de Investigaciones Estéticas. Universidad Nacional Autónoma de México. Mexico, 1965.- Vargas Lugo, E. "El indio que tenia "el don"..." in Anales del Instituto de Investigaciones Estéticas, no. 86, 2005.- Sánchez Mariana, Manuel. (n.d.). "Pedro Vindel Álvarez". https://dbe.rah.es/biografias/67005/pedro-vindel-alvarez- Mediateca Instituto Nacional de Antropología e Historia. (19 de octubre de 2020). "Juan Correa". https://mediateca.inah.gob.mx/repositorio/node/5231- Mediateca Instituto Nacional de Antropología e Historia. (22 de enero de 2022). "Juan Correa, pintor novohispano afrodescendiente". https://mediateca.inah.gob.mx/islandora_74/node/5383 

Two gold and enamel pendants, one set with an American 1914 five dollar coin applied with multicoloured enamel, in a gold mount, length 3.2cm including bail, dated 1914; and a medallion pendant of Mayan/Aztec inspiration, applied with multicoloured enamel, the reverse engraved 'Pierre du Soleil', length 4.2cm, stamped 750

A GEORGE III WALNUT GAINSBOROUGH ARMCHAIRwith blue Aztec pattern covers, the square back over a square seat, on block front legs and outswept rear legs terminating in brass castors, 97cm high x 66cm wide x 76cm deep

An arts and crafts footstool on bobbin legs with and aztec style upholstery

Ivory ground Kashmir carpet with Aztec medallion design, approx 170cm x 115cm

1986 WORLD CUP Unused ticket for Semi-Final, Argentina v Belgium 25/6/1986 at the Aztec Stadium. Staple holes on the left. Generally good

An inter-War S.G.M. group of three awarded to Assistant Steward G. S. Bruce, S.S. Aztec, Mercantile Marine, for his gallantry in rescuing the crew of the schooner Ria in the North Atlantic Ocean, 16 November 1931 Sea Gallantry Medal, G.V.R., bronze (George Scott Bruce “Ria”. 16th. November 1931.); Liverpool Shipwreck and Humane Society, Marine Medal, 3rd type, bronze (To George S. Bruce. For Gallant Service. 16/11/31.) with integral top riband bar; Shipwrecked Fishermen and Mariners Royal Benevolent Society, silver (G. Bruce S.S. “Aztec” - Schr. “Ria” November. 16. 1931.) with ‘double dolphin’ riband bar and top silver riband buckle, about extremely fine (3) £500-£700 --- S.G.M. London Gazette 30 June 1933: George Scott Bruce, Assistant Steward, S.S. Aztec (in a joint citation with seven others): ‘In recognition of their services to the Newfoundland schooner Ria on the 16th November 1931. The men mentioned manned a lifeboat from the S.S. Aztec, and were successful in taking off the shipwrecked crew of six hands from the schooner, in adverse weather conditions.’ The Board of Trade records state: ‘On the night of 16 November 1931, the Newfoundland schooner Ria, of St. John’s, was in distress in the North Atlantic Ocean. For several days the vessel had encountered stormy weather, which had carried away the sails, and, by 16 November, the Ria was leaking badly. Her signals of distress were observed about 9.30 p.m. by the S.S. Aztec, of Bristol, which altered course towards her. A rough sea, with a high confused swell, was running and the wind was blowing at gale force; and in view of the unfavourable conditions, the Master of the schooner did not expect a rescue to be attempted before daylight. The Aztec, however, at once took up a position to windward in order to launch a lifeboat. Difficulty was experienced and several oars were lost or broken sending away a lifeboat. Further difficulty was encountered in getting the boat alongside the Ria, but the distressed crew of six hands was eventually taken off and transferred to the Aztec.’ The Shipwrecked Fishermen and Marines Royal Benevolent Society Records state: ‘The S. S. Aztec (Captain E. H. Brice) left Avonmouth on 9 November 1931. Heavy weather was experienced on 16 November. At 9:30 p.m. in latitude 35.58N and longitude 38.10W, a vessel burning distress signals was observed. Course was altered to investigate and at 10:00 p.m. the vessel was stopped alongside the three-masted schooner Ria, bound from Cadiz to Groundbank, Newfoundland, with a cargo of salt, that had been drifting derelict for seventeen days, having lost all sails and suffered considerable damage, and also leaking badly. Food and water was almost exhausted, and the crew had suffered considerable hardship.
At 10:00 p.m. a boat manned by a volunteer group of eight was launched Some difficulty was encountered when the boat arrived alongside the schooner, owing to the vessel being unmanageable in a strong northerly wind, rough sea, and high confused swell. The crew, consisting of six, including the Master, were eventually taken off, having set fire to the derelict to prevent her becoming a danger to navigation. At 11:45 p.m. the boat returned to the ship and was hoisted. The Schooner was well afire before leaving.’ George Scott Bruce served as an Assistant Steward in the S.S. Aztec, but died in Bristol Royal Infirmary after suffering major injuries after falling 50 feet into the hold of the S.S. Patuce in Avonmouth Docks just days before he was due to travel to London to be presented with his Sea Gallantry Medal by H.M. King George V. He is buried in Arno’s Vale Cemetery, Bristol. His Sea Gallantry Medal was subsequently presented to his father at Dundee on 24 March 1934.

A South American lava stone figure, possibly Aztec, 26cm. Condition - commensurate with age

A PAIR OF BRASS PRICKET CANDLESTICKS19TH CENTURYwith unusual Aztec inspired decoration (2)30.2cm highProvenanceThe contents of The Grange, Wendover.

A pair of silver plated Aztec candlesticks, reel sconces, panelled columns, spreading square bases, 18cm high, 20th century

An arts and crafts stool on bobbin legs with an aztec style upholstered seat

A Charlotte Rhead Crown Ducal shaped circular plate tube lined in the Aztec pattern c.1930 signed, 26cm diameter; another unsigned pattern number 4082; Grimwades Art Deco serving plate, assorted Shelley Harmony and swirl plates etc (15)

A Vintage Mexican sterling silver turquoise Aztec head brooch, with articulated drops, 78.3mm, 17.2g . Condition Report:No damage or repair, only light surface wear, fitting working

The Buccaneers Television Show / 16mm Films, three black and white 16mm Television episodes of this swashbuckling fifties TV show comprising To The Rescue, Cutlass Wedding and Aztec Treasure - three reels - very good condition untested

PERSIAN WOOLLEN RUG of red ground with Aztec patterns throughout multi border, 237 x 169cmsProvenance: private collection Conwy

A yellow metal small aztec-style pendant set square-cut emerald marked “18K” on 9ct gold fine-link rope-twist necklaces; & a similar smaller pendant. (Pendants: 2.gm combined, necklace: 2.2gm).

Wargaming - Navwar - Naismith Design - A collection of 32 x packs of unpainted metal 15mm Aztec figures including Warriors, Jaguars and Novices in various poses. They all appear as new. (This does not constitute a guarantee) [ba]

A South American lava stone figure, possibly Aztec, 26cm. Condition - commensurate with age

Pre-Columbian Aztec stone figure, carved as a coiled serpent with open mouth a protruding forked tongue, H17cm

A Wedgwood lidded coffee pot, together with a Wedgwood Home 'Aztec' coffee pot. Height 22cm. (2) Blue coffee pot of 2nd quality. Aztec of first quality with no obvious signs of restoration or damage.

Hand knotted Chobi Kilim rug- Aztec style- Vibrant colours. [148x102cm]

Aztec Calender 1oz Silver Round: The reverse depicts the ancient Aztec calendar stone with the sun god Tonatiuh at its centre. The obverse features a portrait of the last of the Aztec Emperor of Tenochtitlan, Cuauhtémoc. Minted in the USA each round contains 1 Troy ounce of 999.0 fine silver. Diameter: 36.04mm Thickness: 4.6mm.

7" Singles, approximately 300 titles by, Kirsty MacColl, Madness, Steve Miller Band, Van Morrison Motors, Fleetwood Mac, Duran Duran, Dr Feelgood, Del Amitri, Def Leppard, Wings, Thin Lizzy, Jimi Hendrix, Squeeze, Specials, Small Faces, Aztec Camera, George Michael, Gary Numan, Kraftwerk, Pet Shop Boys.

An Assorted Box of Fifty LPs, artists include Pink Floyd, Paul McCartney and Wings, Propaganda, George Harrison, Eurythmics, Aztec Camera, Dire Straits, Chris Rea, Billy Idol, Starship, Climie Fisher, David Bowie, Blow Wilson, Fleetwood Mac, Tina Turner, Stevie Nicks, Bruce Hornsby, etc, generally very good - very good plus

Christopher Dresser for Linthorpe Art Pottery - A moon flask, circa 1885, mottled green and brown glaze, modelled in relief with stylised Aztec stars to the centre of each side within beaded borders, the central design a more unusual design than the typical quartered honeysuckle pattern, impressed factory mark and facsimile signature, shape 337, 20cm highCondition:Good condition with no damages or repairs. A couple of minor glaze scratches to the body.

ROCK / POP ACROSS THE DECADES! - 7" COLLECTION. A collection of approx 250 x 7". Artists include Black Sabbath, The Beatles, The Rolling Stones, Bruce Springsteen, Catatonia, The Police, The Jimi Hendrix Experience, Duran Duran, Mike Oldfield, Madonna, Adam Ant, The Jam, Kraftwerk, Levellers, Billy Bragg, Skids, Bauhaus, Aztec Camera, Japan, Kylie, Adam And The Ants, Orchestral Manoeuvres In The Dark and Kylie Minogue. The condition is generally Ex to Ex+/ As New.

An original UK BPI sales award presented to Ray Jenks of IDS to recognise sales of more than 60,000 copies of Aztec Camera 'High Land, Hard Rain' in 1983. Approx 16x20".

ROCK/POP/SOUL - 7" COLLECTION 'A TO Z' COLLECTION PART ONE 'A TO M' ARTISTS. Comprehensive collection of around 550 x classic 7" largely featuring 1960s/80s artists. The collection includes picture discs, special editions, poster sleeves and more! With cuts from the likes of David Bowie, Iron Maiden, Beastie Boys, Kate Bush, The Doors, Buzzcocks, Justified Ancients Of Mu Mu, KLF, Lene Lovich, Tony Lemar, Kraftwerk, Johnny Hates Jazz, Madness, The Jam, Michael Jackson, The Icicle Works, Human League, How We Live, Whitney Houston, The Housemartins, Murray Head, Genesis, Peter Gabriel (solo), Phil Collins (solo), John Foxx, Aretha Franklin, Frankie Goes To Hollywood, Fleetwood Mac, Everything But The Girl, Electronic, Echo And The Bunnymen, Duran Duran, Dire Straits, Bruce Dickinson (solo), Dexys Midnight Runners, Del Amitri, Culture Club, Boy George (solo), James Brown, Bon Jovi, Marc Bolan, Black, Aztec Camera and 808 State. Condition can range from VG to Ex+.

A hand painted carved coffee table, with Aztec figures

A collection of six 20th century African carved ebony wood bust sculptures, together with a pair of Aztec Inca ebony wood figural bookends, 19x12cm, and two ebony walking canes, having carved pommels formed as male African heads, 82cm long.

Troika Pottery Aztec double sided face mask, cast in relief in shades of green, brown and yellow ochre, painted marks and decorator's mark of Anne Jones (1976-77), 26cm high

Troika pottery vase by Teo Bernatowitz of tall square form with Aztec style decoration, height approx 22.5cm. Extensive repair to top rim, chips to the body.

Maria Simonds-Gooding (b.1939) Aztec Fresco Pigment on plaster, 30.5 x 42cm Edition 1/10 Signed, inscribed and dated 1985Provenance: With Taylor Galleries, Dublin, label verso

A GREEN HARDSTONE DEMI PARUREin sterling silver, including a necklace, a bracelet and a pair of earrings, all inlaid with green hardstone over an Aztec design, (c.124.3g gross weight)

AN ORNAMENTAL AZTEC EMBOSSED WALL PLAQUE

Wedgwood Aztec dinner service

THREE SIGNED LIMITED EDITION FACET CUT CAITHNESS PAPERWEIGHTS, comprising Aztec Orchid No.1/1 series 2- Colin Ferris 1998, Stella Maris by Colin Ferris 1997 23-75, and Blue Velvet No.1/1 1996 series 1 by M.Murphy, each inscribed and signed on the base (3) (Condition Report: all appear in good condition)

An Anton Taxco silver Aztec enamel brooch, 17 g

10th-early 16th century A.D.. Seated male figure with legs crossed, arms bent, hands placed in an advanced position each offering a cup; bracelets on the upper arms; ceremonial headdress, round lobed earrings, the body covered only by a fringed loincloth, or ehuatl. See Instituto Geologico de M?xico, Catalogo Geográfico de las especies minerales de M?xico, Boletin 41, M?xico, 1923; Mirambell, L.E., Tecnicas Lapidarias Prehispanica, M?xico, 1968; Pohl, J., Aztec, Mixtec and Zapotec Armies, London, 1991; Mirambell, L.E., Materiales Arqueologicos y material prima’, in Serie Arqueologia INAH, M?xico, 2005; Langenscheidt, A., ‘Los Abrasivos en Mesoam?rica’, Arqueologia Mexicana vol. XIV, No 80 Julio-Agosto, M?xico, 2006, pp.55-60. 5.85 kg, 30 cm (11 134 in.). The Aztecs' capital city, Tenochtitlan, established in the 14th century, was located on the present-day site of Mexico City.From an Italian collector living in Torino, Canada. Part of her family's collection, 1965. By descent from her grandmother, 1993. Private collection, England. Accompanied by a copy of the Italian cultural export permit. Accompanied by a signed academic report by Emilio J. Bejarano Erosa (Director of the Instituto Nacional de Antropología E Historia, Mexico, 1968-1982). Accompanied by scholarly note TL5340 by Dr Ronald Bonewitz. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10287-168435.

Two ceramic garden planters with Aztec motif

1986 WORLD CUP Unused ticket for the Opening Ceremony and Bulgaria v Italy 31/5 at the Aztec Stadium. Staple holes on the left. Generally good

1986 WORLD CUP / HAND OF GOD MATCH / DIEGO MARADONA Unused ticket for England v Argentina 22/6/1986, Quarter-Final at the Aztec Stadium. Staple holes on the left and very slightly creased. Generally good

1986 WORLD CUP Unused ticket for Semi-Final, Argentina v Belgium 25/6/1986 at the Aztec Stadium. Staple holes on the left. Generally good

1986 WORLD CUP Unused ticket for the Mexico v Bulgaria 15/6 at the Aztec Stadium. Staple holes on the left. Generally good

1986 WORLD CUP Unused ticket for the England v Paraguay 18/6 at the Aztec Stadium. Staple holes on the left. Generally good

A mixed selection of Sri Lankan and Balinese colourful carved masks, and a single mask Aztec Mayan mask. (7)

80s POP / NEW WAVE - 7" COLLECTION. A super collection of approx 67 x 7". Artists include ABC, Adam and the Ants, Marc Almond, Aztec Camera, Associates, Bow Wow Wow, Bronski Beat, China Crisis, Duran Duran, Frankie Goes To Hollywood, Haircut One Hundred, Heaven 17, The Human League, Japan, Prefab Sprout, Simple Minds, Spandau Ballet, Soft Cell, Ultravox, Visage, The Teardrop Explodes, Tears For Fears, Thompson Twins, Wham! and Yazoo. Condition is generally VG+ to Ex+.

A 20th Century clay pottery vase, of Aztec style with two ringed handles and signed 'Para Pedro Silva' to the underside, measuring 25cm high

Buck McCain (American, b. 1943)"Aztec Warrior in Headdress" - 1993Oil on Panel. Signed lower right. Housed in the original Taos style frame.Sight Size: 20 x 16 in.Overall Framed Size: 28 x 23.75 in.

A quantity of Churchill Aztec style pattern china.

A carved wood figure of a mother seated with her child on her lap.   H 41cms. together with a terracotta Aztec head

A Collection of Aztec Mayan Clay/Terracotta Figures & Fragments, modern Mexico, some possibly from Chichen Itsa, various periods (qty- one tray)

PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL (2003) - Set of Six Spanish Coins - Six Spanish coins from Gore Verbinski's Pirates of the Caribbean: The Curse of the Black Pearl. Stacks of coins filled the caverns of Isla De Muerta when Barbossa's (Geoffrey Rush) crew returned Aztec gold taken years earlier to finally lift their curse.Based on historically-accurate real-world medieval Spanish coins, these six pressed metal coins are painted to resemble gold (x3) and silver (x3). Five are engraved on one side with the empire's Royal Coat of Arms and with crosses on their reverses, while the six is engraved with the date "1701" and the Latin motto "Hispaniarum Rex." They exhibit tarnishing and uneven edges throughout. Dimensions: (each) 2" x 2" x 0.25" (5 cm x 5 cm x 0.25 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.

A contemporary Jonathon Harris studio trial graal glass footed chalice, in the Aztec pattern, decorated with stylised flowers and foliage in outlined gold tones, on an opal ground above  below a petrol blue band, the knopped short stem with gold leaf inclusion, engraved signature and dated 2013, height 15cm. PLEASE VIEW CODNITION REPORT

A  1960s yellow and rose gold Aztec design brooch and a pair of matching earrings, stamped 18ct, 21g

TWO BOXES AND LOOSE CERAMICS AND GLASSWARE FROM NAMED MANUFACTURERS to include a Royal Doulton English Renaissance coffee set comprising a coffee pot, four tea cups, four saucers and six side plates, six Royal Doulton Fontainebleau tea cups, a J. & G. Meakin Aztec coffee pot, six coffee cups, and six saucers, a quantity of decorative plates to include an Iznik style plate, a Spode Book of Iona plate, a Wedgwood majolica plate with a vine and strawberry pattern (heavily restored), a quantity of royal memorabilia, a pair of blue Wedgwood Jasperware candles holders with a matching cream jug and a yellow Jasperware vase, two Beswick birds comprising Budgie No. 1217 and Blue Tit No. 992 (s.d to both), a Bewley conserve pot, assorted glassware, and three framed pictures, etc (2 boxes and loose) (s.d)

Sega Master System video games comprising Marksman Combo, Double Dragon, Mickey Mouse Castle of Illusion, World Class Leader, Aztec Adventure and World Soccer, all with instruction manuals.

Ivory ground Kashmir carpet with Aztec medallion design, approx 170cm x 115cm

Appears to be a tobacco holder. The container is metal with a removable aluminum liner. On the bottom of the lid is impressed, Dip In Cold Water, Aztec U.S. Pat. Off. The golf bag has six, removable chrome clubs possibly for cleaning pipes or stirrers for mixed drinks and each measures 7.75"L. On the bottom right corner of the wooden base is a plaque with I.H.C. Invitational 1967 engraved onto it. A great piece of sports memorabilia for either a smoker, a golf collector or both. Issued: 1967Dimensions: 6"L x 9.5"W x 7"HManufacturer: AztecCountry of Origin: United StatesCondition: Age related wear.

A pair of gold Aztec/Mayan style pendant earrings, each designed as a totem, with post and butterfly fittings, one detailed ‘18K’, weight 7.5g, length 3.6cm, with an associated case.