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Lot 288
Vinyl - Over 300 Rock & Pop 7" singles mainly 1970s and 80s to include Rainbow, Isaac Hayes, ZZ Top, Peter Gabriel, Percy Sledge, Free, Aretha Franklin, Stevie Wonder, Rolling Stones, Elvis Presley, Aztec Camera, Smokey Robinson, Francoise Hardy, The Kinks, Altered Images, Joe Tex, Julian Cope, Nazareth, UB40 and many more. Vg overall
Lot 583
SIX TRIBAL ARTWORKS IN VARIOUS MEDIUMS, to include a Jackson Beardy (Canada 1944-1984) signed limited edition print 'Searching for Direction', signed, titled and numbered 90/99, approximate size 49cm x 62cm, Mexican Aztec motifs signed Patric, approximate size 49cm x 32cm, two Brazilian Para State drawings on bark, and two Malaysian pastel landscapes form the Kampong region signed Hiang
Lot 230A
A group of Chinese, Japanese and Indian figures, 19th century and later, comrpising a carved wood netsuke, 5.2cm, a Chinese cast cylindrical vessel, 12.2cm high, an Indian painted alabaster figure, 16cm high, a terracotta head vessel, 7.8cm high, a carving of a swaddled child, 8.2cm, a lozenge-shaped seal, 7cm, a silvered figure, with a perforated base, in a glass panelled box, 10.5cm high, a cast bronze moustached head on a crocodile body, 16cm long, two Japanese carvings, a notebook, and a cast 'Aztec' figure (13)Condition ReportAll with wear. Head vessel - chipped. Jap carvings one missing face, Indian figure rubbing and wear.
Lot 838
PUNK / INDIE / ALT - 7" COLLECTION. A collection of approx 160 x 7". Artists include The Stone Roses, Ramones, The Cure, The Stranglers, David Bowie, Suede, The Jesus And Mary Chain, Cocteau Twins, Edwyn Collins, Sex Pistols, Madness, The Damned, Orchestral Manoeuvres In The Dark, Psychic TV, The Colour Field, Blondie, Aztec Camera and Adam And The Ants. The condition is generally VG to Ex/ Ex+.
Lot 609
POSTCARD RECORDS/ ARTISTS/ RELATED - 7" PACK. A smashing pack of 12 7" singles, many released on Scottish label Postcard Records, or releases by artists associated with the label. Artists/ titles include Aztec Camera - Just Like Gold (Postcard 81 3, includes postcard), Josef K inc Pictures (Postcard 81 5), Sorry For Laughing (TWI 023), The Farewell Single (TWI 053), Radio Drill Time (Postcard 80-3), It's Kinda Funny (Postcard 80-5). Orange Juice inc Blue Boy (Postcard 80-2), Poor Old Soul (Postcard 81 2), Flesh Of My Flesh (OJ4), Bridge (OJ5), Flesh Of My Flesh (OJP4, picture disc) and Felicity (POSP 386). Condition is generally VG+ to Ex+.
Lot 1086
80S AND 90S 12" COLLECTION - a collection of approximately 300 80s and 90s 12"s. Collection to include: Depeche Mode - Everything Counts/Nothing - Mute Records (12 Bong 16), Queen - The Invisible Man - Parlophone (12 Queen 12), Duran Duran - I Don't Want Your Love - EMI (12 YOUR S 1), Prefab Sprout, Erasure, Pink Floyd, New Order, Whitesnake, Prince, Bobby Brown, Fish, Michael Jackson, Simple Minds, The Stranglers, ZZ Top, Dire Straits, Madonna, Beats International, Europa XL, The Housemartins, The Pretenders For 007, Traveling Wilburys, INXS, D:Ream, Aztec Camera, Cuban Pete, Thompson Twins and more.
Lot 749
POST PUNK/ INDIE/ ALT - 7" COLLECTION. A smashing collection of 28 7" singles. Artists/ titles include Josef K - It's Kinda Funny (Postcard 80-5, w/ pic insert), Aztec Camera inc Just Like Gold (Postcard 81-3, w/ postcard), Mattress Of Wire (Postcard 81-8), Oblivious (RT122). Orange Juice inc Poor Old Soul (Postcard 81 2), Simply Thrilled Honey (Postcard 80-6), Blue Boy (Postcard 80-2), Love Love. The Chills - Dole Drums, The Smiths inc Hand In Glove, This Charming Man. The Velvet Underground's Maureen Tucker, Victims Of Pleasure. Shack, Fire Engines, The Monochrome Set, Jesse Garon, The Jesus And Marychain, Jonathan Richman, Nick Nicely, The Relations, Care, The Lilac Time, Everything But The Girl, Hip Hip Flowers, The Friends Again EP. Condition is generally VG to Ex+.
Lot 610
PREFAB SPROUT - 7" COLLECTION (INC BOX SET). A fine selection of 7 7" by Aztec Camera. Titles include Lions In My Own Garden (SRTS 82), Don't Sing (SK9), When Love Breaks Down (SK21), Appetite (SK23), When Love Breaks Down (SKDP19), Nightingales (SK 39) and Jordan: The EP (SKQ 49, 7" box set with inserts and pictures). Condition is generally VG+ to Ex+.
Lot 1555
PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL (2003) - Set of Three Cursed Aztec Coin and Spanish Coins - A cursed Aztec coin and two Spanish coins from Gore Verbinski's action-adventure film Pirates of the Caribbean: The Curse of the Black Pearl. Central to the film's plot, cursed Aztec coins formed the vast treasure hoard of Cortes, hidden on the Isla de Muerta, which transformed Captain Barbossa (Geoffrey Rush) and his crew into undead creatures.The coins are made from cast metal and plated with a faux-gold finish. Cursed Aztec coins and Spanish coins, as well as various other treasure, formed the vast hordes of wealth found by Barbossa (Geoffey Rush) in the Isla de Muerta pirate cave. The cursed coin features a skull-and-sun symbol on one side, and the reverse displays an Aztec glyph. The Spanish coins feature the royal coat of arms, and "Philippus V D Grat" on one side, and a cross and "Hispaniarum Rex 1701" on the other. Also included are two letters of authenticity. The coins exhibit some production-deliberate wear, but otherwise remain in very good condition. Dimensions: 4 cm x 4 cm x 0.5 cm (1.5" x 1.5" x 0.25")Estimate: £3,000 - 6,000 M Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
Lot 1606
SPARTACUS: BLOOD AND SAND (2010) - Crixus' (Manu Bennett) Battle Costume Display - Crixus' (Manu Bennett) Battle costume from the Starz historical series Spartacus: Blood and Sand. The "Undefeated Gaul" wore his attire during his battles in the arena, notably when he and Spartacus (Andy Whitfield) fought Theokoles (Reuben De Jong) in the episode "Shadow Games". The costume comprises a gold-coloured fibreglass helmet featuring a brown plume; a chain-mail manica with embellished red leather straps (labelled "Crixus", with the word "Double" crossed out); an additional leather shoulder strap; an Aztec-print fabric sash; a cotton gauntlet; a red leather belt with metal details (labelled "Crixus Hero"); a pair of burnt-orange cotton pads; and a pair of ornate, bronze-coloured fibreglass greaves. Exhibiting intentional distressing, the costume is presented on a custom-made display featuring the series' title artwork, which illuminates via a switch at the back of the base. The lot is accompanied by five Starz certificates of authenticity. Dimensions (displayed): 50 cm x 56 cm x 229 cm (19.75" x 22" x 90.25")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £3,000 - 6,000 † ΔBidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
Lot 291
Vinyl - Over 85 Rock & Pop LPs to include The Doors x 5, Earth Opera, Syd Barrett (no sleeve), Jethro Tull, Jefferson Airplane, Garland Jeffreys, Tommy James x 2, Its A Beautiful Day x 2, Kevin Ayers x 2, Chris Isaak x 2, Iron Butterfly, The Housemartins, Mary Hopkin, Aztec Camera x 2, Aphrodites Child, Barclay James Harvest x 2, The Honeys, Dave Edmunds x 7, Rockpile, Earth Quake x 2, The Eagles x 2, Donovan, Tymon Dogg and more. Vg overall
Lot 369
Vinyl - Over 90 Rock / Pop / Indie 12" singles to featuring test pressings and promos to include Slayer (promo), Grace Jones, J.A.M's (promo), The Beautiful South, The Pale Fountains, The Darling Buds, Anthony Adverse, Tom Petty, The Sugarcubes, The Sundays, The Stairs, 10,000 Maniacs, The Who, Robert Wyatt, The Motorcycle Boy, Levellers, Everything But The Girl, Marianne Faithful, Triffids, The Animals, Virginia Astley, INXS, The Icicle Works, Aztec Camera, Marc Almond and more. Vg+ overall
Lot 1157
(RUUSSCHER, M. de). Natuerlyke historie van de couchenille, beweezen met authentique documenten. Histoire naturelle de la cochenill, justifiée par des documens authentiques. Amst., H. Uytwerf, 1729. (12), 175, (3) pp. W. title-p. printed in red, & 1 engr. plate. Cont. vellum. (Vellum a bit loosening, name entry on ti., waterstained throughout). NOTE: Rare bilingual (Dutch/French) edition on the cochineal, a scale insect from which the dye carmine is derived. Traditionally, cochineal was used for coloring fabrics. Cochineal dye was used by the Aztec and Maya peoples of North and Central America as early as the second century BC. After the Spanish conquest, carmine became a valued and very important trade product. - Barbier II, 817f.
Lot 496
A large quantity of Atari video game cartridges, mostly from the 1980s, including CHUCKIE EGG, NINJA COMMANDO, AZTEC CHALLENGE, PHANTOM, SCREAMING WINGS, GAUNTLET, RIVER RESCUE, CASTLE TOP, etc... (Qty)PLEASE READ CAREFULLY - All items in this sale are SOLD AS SEEN in compliance with UK Auction Law. They are not tested in any way, and we cannot guarantee the working condition of any consoles or games in this section of the auction. Electrical items should be PAT tested by a competent electrician before use. PLEASE make sure you are satisfied with the condition of each lot BEFORE bidding, either by viewing in person, or asking for further pictures or a condition report.
Lot 65
Juan Correa (Mexico City, 1646 - 1716).‘The Indian Juan Diego presenting the Virgin of Guadalupe to the bishop of Mexico Juan de Zumárraga’.Oil on canvas. Signed and located in Mexico.28 x 64 cm. Juan Correa is considered the principal painter of late 17th-century Mexico. Son of a famous Spanish surgeon and a freed black woman, Correa was one of the few mestizo painters who achieved fame in his time (the art of painting was generally considered the domain of white or Spanish masters). His two large-scale canvases for the sacristy of Mexico City's Cathedral (1691-98), for example, are considered masterpieces of Mexican Baroque.'"The National Institute of Anthropology and History of Mexico defines him as "one of the main exponents of the Baroque in Mexico, whose works are characterised by their sumptuousness, detail, and golden tones."His origins were reflected in his creations, "as his father was a man of African and Spanish descent, and Juan Correa was the first to paint angels with black or brown skin tones and the Virgin Mary with a dark complexion," a fact that "would become an unmistakable hallmark in his creations."Highlights among his extensive work include "The Coronation of the Virgin" at the National Museum of the Interventions, one of his masterpieces, and the "Expulsion from Paradise" at the National Museum of the ViceroyaltyOur Lady of Guadalupe, venerated in Mexico with great devotion, is the patroness of the country and the most important incarnation of the Virgin Mary in Latin America. Although the Our Lady of Guadalupe from Extremadura (Southern Spain) accompanied the conquistadors in their great adventure to the New World, the Mexican Virgin has her own origins. Both oral tradition and historical documentation, particularly the Nican Mopohua, narrate the different miracles and apparitions of this virgin to the indigenous man baptised with the name Juan Diego (1474-1548) on the hill of Tepeyac in 1531.According to the legend, there were four appearances of Our Lady of Guadalupe: In the first one, the virgin entrusted Juan Diego to see the bishop Fray Juan de Zumárraga and let him know her will to have a temple built in her honour in the place where she had appeared. Juan Diego obeyed, but the bishop did not believe him. In the second appearance, Juan Diego tells him what happened and asks the Virgin Mary to use another messenger because he was just a poor Indian. The Virgin Mary tells him that it was necessary for him to return to the bishop and repeat the message. Bishop Zumárraga asked him to bring a sign to be sure that it was "the lady from heaven" he was talking about. In the third appearance, the Virgin Mary asked the Indian to go up the hill and cut the flowers he would find there. Juan Diego knew that no flowers grew on that hill, especially not in December, but he found the summit turned into a flowered garden. He cut the flowers and took them to the Virgin Mary in his "ayate" (tunic). Our Lady of Guadalupe instructed him to go back to the Bishop, tell him where he had picked the flowers, and indicate that it was the sign that the Virgin Mary wanted him to build a temple. In the fourth appearance, on December 12, Juan Diego told the bishop everything that had happened, and when he spread out his "ayate", all the roses fell to the ground, and the image of the Virgin Mother of God miraculously appeared on it. After this event, the church was built, and this astonishing image is, according to tradition, zealously guarded by the Basilica of Our Lady of Guadalupe.As a result of this event, the worship of Our Lady Guadalupe became enormously prominent, especially within the indigenous sector of the population, becoming one of the most deeply rooted in Mexico and part of its identity. It is not surprising that soon the Mexican devotees wanted to have a copy of this miraculous image, so reproductions and the artists dedicated to creating them proliferated. The fame of this incarnation of the Virgin Mary soon became universal, gaining great veneration throughout Europe, especially in Spain.This representation of the Virgin of Guadalupe is a faithful rendering of the original, with the subtle variations that each artist can provide. The beautiful Virgin Mary is depicted as standing, crowned and surrounded by a mandorla of sun rays amid a cluster of clouds. She is seated on a crescent moon with the points facing upwards, supported by an angel with colourful eagle wings. She is portrayed as a young woman with a serene face and a lowered gaze reflecting love, tenderness, and respect. With her knee slightly bent, she clasps her hands in prayer in the Western manner. She wears a pink tunic adorned with floral elements and a blue mantle decorated with stars that also covers her head. She wears a ribbon around her belly as Aztec women did during their pregnancies, thus announcing that she is a pregnant woman. The iconographic type clearly derives from that of the Immaculate Conception.In this case, Our Lady of Guadalupe is depicted without the Apparitions or other ornamental elements that frequently accompany her and can therefore be considered a strictly faithful copy of the original. Most of these faithful copies, which are more iconographically straightforward, correspond to the earliest ones, generally dating from the 17th century. The more elaborate ones, with cartouches representing the apparitions and miracles, elaborate floral frames, views of the city of Mexico, or the inclusion of angels and archangels, are more typical of the 18th century. All these copies carry an implicit message, as most of them were "touched to the original," so the miraculous character was transmitted, making them bearers of her divinity."Enconchado" technique, so beloved and used in Mexico, actually has Oriental origins. It is a pictorial technique carried out on wood in which sheets of mother-of-pearl from shells and molluscs are inlaid, combined, and fused with oil paint to complete the image. This allows for the play of iridescence, gleam, sparkle, and subtle light effects that are highly valued. Provenance:- Former Pedro Vindel collection.Pedro Vindel was an antiquarian bookseller from Cuenca, as reported by the Royal Academy of History, ‘who became the first Spanish antiquarian bookseller of his time’, with one of the most important collections of books of hours. As the RAH continues, ‘Pedro Vindel, in the style of the great European booksellers, published his catalogues from 1895, and organised several book auctions, in premises rented by him, such as that of 1913, the catalogue of which he had printed. He also initiated what he called ‘graphic bibliography’ in Spain, by including [...] photolithographic reproductions of the covers or other elements of the books in his catalogues’.For further information, we recommend reading ‘Pedro Vindel: Historia de una librería (1865-1921)’, by Pavl Cid Noé. Bibliographical references:- Toussaint, M. Pintura colonial en México. Instituto de Investigaciones Estéticas. Universidad Nacional Autónoma de México. Mexico, 1965.- Vargas Lugo, E. "El indio que tenia "el don"..." in Anales del Instituto de Investigaciones Estéticas, no. 86, 2005.- Sánchez Mariana, Manuel. (n.d.). "Pedro Vindel Álvarez". https://dbe.rah.es/biografias/67005/pedro-vindel-alvarez- Mediateca Instituto Nacional de Antropología e Historia. (19 de octubre de 2020). "Juan Correa". https://mediateca.inah.gob.mx/repositorio/node/5231- Mediateca Instituto Nacional de Antropología e Historia. (22 de enero de 2022). "Juan Correa, pintor novohispano afrodescendiente". https://mediateca.inah.gob.mx/islandora_74/node/5383
Lot 200
Two gold and enamel pendants, one set with an American 1914 five dollar coin applied with multicoloured enamel, in a gold mount, length 3.2cm including bail, dated 1914; and a medallion pendant of Mayan/Aztec inspiration, applied with multicoloured enamel, the reverse engraved 'Pierre du Soleil', length 4.2cm, stamped 750
Lot 226
Punk/New Wave - 11 x 7" Single Records: Patti Smith - Hey Joe UK 6078 614, Aztec camera - Pillar to Post, Orange Juice - Blue Boy, Simply Thrilled Honey, Rip It Up, Lovesick/A Sad Lament, The Psychedelic Furs - We Love You, Sister Europe, Pretty in Pink, Marky Ramone - Coward with a Gun Yellow Vinyl and Johnny Thunders - Hurt Me. (11)
Lot 198
A SILVER VANITY MIRROR, PURSE AND PILL BOX, polished mirror with Aztec pattern boarder, hallmarked 'Daniel Manufacturing Company' Birmingham, a silver rectangular purse with foliate pattern and vacant cartouche, push piece clasp with chain handle and finger ring, hallmarked 'Joseph Gloster' Birmingham 1908, brown leather interior, together with a small embossed heart shape pill box, hallmarked 'Henry Matthews' Birmingham 1906, approximate gross weight of purse and pill box 109.9 grams (condition report: general light wear)
Lot 265
A collection of 1980's Synth Pop And Rock LPs and 12" Singles. Includes: Frankie Goes To Hollywood - Rage Hard Ltd Ed Boxset (1986 - contains original 12" single of the same title - cat no: 12 ZTAX 22). Plus other artists: Spandau Ballet, INXS, The Smiths, Depeche Mode, Cyndi Lauper, Aztec Camera, A-HA, Ultravox, Transvision Vamp, Pet Shop Boys and similar. Overall condition: Very Good Plus. (30)
Lot 66
HERMÈS Seidencarré "ASTRES ET SOLEILS", by Annie Faivre, Entwurf erstmals erschienen 1994. Akt. NP.: 495,-€. 100% Seide. Inspiriert von der Zivilisationen der Maya und Azteken, deren Mythologie uns eine Erde zwischen 13 Himmeln und 9 Göttern vorschlägt, die von den vier Kindern eines originellen Schöpferpaares regiert wird. 90 x 90 cm. Handrollierte Säume. Box anbei. Sehr guter Zustand.| HERMÈS silk scarf "ASTRES ET SOLEILS", by Annie Faivre, design first published in 1994. Retail price: 495,-€. 100% silk. Inspired by the Mayan and Aztec civilisations, whose mythology proposes an earth between 13 heavens and 9 gods, ruled by the four children of an original creator couple. 90 x 90 cm. Hand rolled hems. Box enclosed. Very good condition.
Lot 106
An inter-War S.G.M. group of three awarded to Assistant Steward G. S. Bruce, S.S. Aztec, Mercantile Marine, for his gallantry in rescuing the crew of the schooner Ria in the North Atlantic Ocean, 16 November 1931 Sea Gallantry Medal, G.V.R., bronze (George Scott Bruce “Ria”. 16th. November 1931.); Liverpool Shipwreck and Humane Society, Marine Medal, 3rd type, bronze (To George S. Bruce. For Gallant Service. 16/11/31.) with integral top riband bar; Shipwrecked Fishermen and Mariners Royal Benevolent Society, silver (G. Bruce S.S. “Aztec” - Schr. “Ria” November. 16. 1931.) with ‘double dolphin’ riband bar and top silver riband buckle, about extremely fine (3) £500-£700 --- S.G.M. London Gazette 30 June 1933: George Scott Bruce, Assistant Steward, S.S. Aztec (in a joint citation with seven others): ‘In recognition of their services to the Newfoundland schooner Ria on the 16th November 1931. The men mentioned manned a lifeboat from the S.S. Aztec, and were successful in taking off the shipwrecked crew of six hands from the schooner, in adverse weather conditions.’ The Board of Trade records state: ‘On the night of 16 November 1931, the Newfoundland schooner Ria, of St. John’s, was in distress in the North Atlantic Ocean. For several days the vessel had encountered stormy weather, which had carried away the sails, and, by 16 November, the Ria was leaking badly. Her signals of distress were observed about 9.30 p.m. by the S.S. Aztec, of Bristol, which altered course towards her. A rough sea, with a high confused swell, was running and the wind was blowing at gale force; and in view of the unfavourable conditions, the Master of the schooner did not expect a rescue to be attempted before daylight. The Aztec, however, at once took up a position to windward in order to launch a lifeboat. Difficulty was experienced and several oars were lost or broken sending away a lifeboat. Further difficulty was encountered in getting the boat alongside the Ria, but the distressed crew of six hands was eventually taken off and transferred to the Aztec.’ The Shipwrecked Fishermen and Marines Royal Benevolent Society Records state: ‘The S. S. Aztec (Captain E. H. Brice) left Avonmouth on 9 November 1931. Heavy weather was experienced on 16 November. At 9:30 p.m. in latitude 35.58N and longitude 38.10W, a vessel burning distress signals was observed. Course was altered to investigate and at 10:00 p.m. the vessel was stopped alongside the three-masted schooner Ria, bound from Cadiz to Groundbank, Newfoundland, with a cargo of salt, that had been drifting derelict for seventeen days, having lost all sails and suffered considerable damage, and also leaking badly. Food and water was almost exhausted, and the crew had suffered considerable hardship.
At 10:00 p.m. a boat manned by a volunteer group of eight was launched Some difficulty was encountered when the boat arrived alongside the schooner, owing to the vessel being unmanageable in a strong northerly wind, rough sea, and high confused swell. The crew, consisting of six, including the Master, were eventually taken off, having set fire to the derelict to prevent her becoming a danger to navigation. At 11:45 p.m. the boat returned to the ship and was hoisted. The Schooner was well afire before leaving.’ George Scott Bruce served as an Assistant Steward in the S.S. Aztec, but died in Bristol Royal Infirmary after suffering major injuries after falling 50 feet into the hold of the S.S. Patuce in Avonmouth Docks just days before he was due to travel to London to be presented with his Sea Gallantry Medal by H.M. King George V. He is buried in Arno’s Vale Cemetery, Bristol. His Sea Gallantry Medal was subsequently presented to his father at Dundee on 24 March 1934.
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