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Ault England Advertising Toby Jug for TIT-Bits, dated 1917, 23cm high.No chips, cracks or crazing.

An Ault majolica ovoid vase, designed by Christopher Dresser (1834 - 1904), impressed number 319, applied with four sinuous scroll handles glazed in leafy green, incised with lozenges and roundels on a mottled brown ground, 26cm, impressed signature mark, c,1880

A rare 'Tit-Bits' Toby jug by William Ault in green glaze. One of 250 produced in 1917 by George Newness Ltd for the Tit-Bits magazine. 9¼" high.

A George III 30hr longcase clock with painted arched dial, Roman numerals, date sub dial, by Joseph Ault of Belper, hunting scene to top face, mahogany cased with box wood inlay and scrolled pediments.

Holy Bible, Contayning the Old Testament and the New, woodcut title pages present for Old & New Testaments, opens with The Genealogies, ends during Second Epistle of John, not collated, sold with all faults, 8vo, later full calf, owner inscription on ffep, "Elizabeth Ault 1804", London: Bonham Norton & John Bill, 1629

Ault Art Pottery: A large potter jardiniere with wavy rim and relief shells, flowers and leaves under a green and brown glaze, diameter 31cm, height 27cm, pattern no. 476 J, vase mark in relief.Condition report:Circa 1900?No cracks or chips noted and has at best a dull ring. Glaze is encrusted on interior.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.

Clarissa Ault - A late 19th Century circa 1890s glazed earthenware ceramic Arts and Crafts vase by Clarissa Ault for William Ault Pottery. Having stylised hand painted floral decoration in greens and brown. Measuring approximately 33cm x 20cm diameter. 

An Ault Pottery jardiniere, with mottled green and brown glaze, modelled in the form of an acorn, impressed mark to underside, 20cm high.

Ault Art Pottery: A jardiniere with three suspension holes to rim decorated with wavey lines under a shaded yellow, green and blue glaze, vase mark in relief, pattern no. 517 D, height 12cms; a small vase, formed from three leaves under a shaded yellow/green glaze, diameter 9cms (chips to hole).

Ault Art Pottery: A baluster two handled vase decorated with fish and seaweed in green over a dark brown glaze, vase mark in relief, possibly designed by Christopher Dresser, pattern no. 461, height 18cms.Condition report:In good condition with no obvious damage, repair or restoration.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.

Ault Art Pottery: A circular tapering jardiniere with all over relief decoration of daffodils under a shaded blue/yellow glaze, on circular foot, relief vase mark pattern no. 549 E and lettered "Spring", height 21cm (chipped under foot rim).

Ault Art Pottery: A waisted jardiniere decorated in relief with large leaves in shaded browns, greens and blue, vase mark in relief and "England", pattern no. D 174, height 17cms.

Ault Art Pottery: A circular waisted jardiniere with relief decoration of stylized leaves under a shaded yellow green glaze, vase mark in relief, pattern 577 D, height 15cm.

Ault Art Pottery: A pottery jardiniere with wavy rim and relief decoration of swags and flowers under a shaded green glaze, vase mark in relief, pattern no. 295 D, height 18cm.

A Christopher Dresser Ault pottery wall pocket, 15.5cm diameter, chip to back

A tall Ault pottery Art Nouveau vase, streaky treacle and darker brown glaze, of slightly flared cylindrical form, impressed factory mark and shape 88, 40.5cm highCondition:hairline near mouth, crazing to the glaze

An Advertising "Tit-Bits" Toby Jug, Dated 1917 to Reverse, By Ault Pottery, 24cms High

FOUR PIECES OF GREEN GLAZED POTTERY, comprising a Lear green glazed jug marked 'Lear 145', a Lear rectangular twin handled vase moulded with flowers, marked 'Lear 186', height 22.5cm, an Ault vase moulded with trees of flowers in a sunny landscape (some glaze loss to base), and a Bretby jardiniere moulded with oriental style figures, height 15.5cm x diameter approximately 15cm (not quite circular) (4) (Condition Report: generally ok, specific issues as stated in description, pieces have light crazing and sound dull when tapped)

Postcards, Comic, a collection of 406 cards to include G.E. Shepheard, Ernest Ibbetson, Rene Bull, Harry Quinton, A.E. Beard, Comicus, a set of N. Ault 'Quotations' etc. A good lot (gd)

Ault Art Nouveau Pottery 'Oceana' jardiniere and base, c1900, moulded in fish and sea life design with a green majolica drip glaze, marked to base with Ault mark and 'the Oceana 546', H81cm. Condition - Large 'Y' shaped hairline crack to the side of the jardiniere, otherwise generally good with minor surface wear. 

CHRISTOPHER DRESSER (1834-1904) FOR WILLIAM AULT & CO Two dome shape vases, one painted with a butterfly and flowers, impressed signature to base and number 263, the other with two scroll handles and upon bun feet with transfer printed chinoiserie style decoration, painted number 9560 to base,  both 8.5cm high (2) Condition Report:CHINOISERIE - has a small chip to base rim, some rubbing to decorationother has light overall crazing

A large Ault Pottery jardiniere designed by Dr Christopher Dresser, shouldered form with pulled handles, moulded in low relief, glazed turquoise, olive and brown, impressed mark, old restoration, 32.5cm. high

5 green glazed pottery bowls, including Ault (5)

A TURQUOISE MATRIX SNUFF BOTTLE, CHINA, 18TH CENTURY 十八世紀綠松石紋理鼻煙壺 Please note this Lot is to be sold at No Reserve. 本拍品不設底價Of flattened form, well hollowed, the rounded rectangular body supported on an oval foot rising to a short cylindrical neck with a narrow mouth. The stone of variegated turquoise and green tones, some areas with a yellowish tinge, and dramatic dark blue veining of the matrix on either side.Provenance: From a prominent New York snuff bottle collector.Condition: Very good condition with expected old wear and some organic weathering. The stone with natural fissures, some of which may have developed into small hairline cracks over time. Very minor nicks around the rim.Stopper: Sapphire with a beaded gilt metal collar, probably matching and also dating to the 18th century Weight: 83.9 g Dimensions: Height including stopper 68 mm. Diameter neck 19.5 mm and mouth 6 mm. The universal gem standard for turquoise is that the more brilliant the sky-blue color, the more valuable the stone, but in China, it is clear that both green and blue veined material was equally valued. The evidence lies in snuff bottles made from other materials that evoke turquoise. Of the entire turquoise range of Qing glass snuff bottles, many more are of a green tint than a sky-blue one. Porcelain imitations of the material are even more informative. Both the green and blue varieties were regularly copied during the mid-Qing period. One of the finest imitation turquoise bottles is in the Ault Collection (Kleiner 1990, no. 131). It probably dates from the late eighteenth century and is of a distinctly green color. In the same publication, a magnificent and unique porcelain bottle made for the Master of the Xie Bamboos, whose hall name appears on other known porcelains of the first half of the nineteenth century, simulates a turquoise-matrix bottle with panels of calligraphy in iron-red on white. Not only is the color unambiguously green, it is as riddled with black matrix markings as any of the real material carved into bottles.Expert’s note: Whatever the color of the material may have meant, this example is intriguingly marked with some well-figured matrix, unusual speckling across both faces of the bottle, and intriguing darker staining, possibly partly due to handling but too well defined to stem purely from patination. This is one of the star turquoise bottles known, of lovely color and material. It is also superbly formed, with matching perfection of finish. Therefore, this bottle can be firmly dated to the 18th century.Literature comparison:For a related snuff bottle, see Michael Hughes, The Chester Beatty Library, Dublin. Chinese Snuff Bottles, The International Snuff Bottle Society, Baltimore, 2009, page 190, pl. 151.Auction result comparison: Type: Closely related Auction: Sotheby’s Hong Kong, 25 May 2014, lot 1068 Price: HKD 237,500 or approx. EUR 34,500 converted and adjusted for inflation at the time of writing Description: A turquoise matrix snuff bottle, Qing dynasty, 18th / 19th century Expert remark: Compare the closely related color. Note the different form. Auction result comparison: Type: Related Auction: Christie’s New York, 26 March 2010, lot 1162 Price: USD 8,750 or approx. EUR 11,500 converted and adjusted for inflation at the time of writing Description: A rare turquoise snuff bottle, 1780-1850. Expert remark: Compare the color. Note the different form and smaller size (5.5 cm).

(Nonesuch Press.) Alexander Pope: 'Pope's Own Miscellany. Being a reprint of Poems on Several Occasions 1717 containing new poems by Alexander Pope and others. Edited by Norman Ault', London, The Nonesuch Press, 1935, limited edition, number 260 of 750 copies, designed By Francis Meynell, printed on Van Gelder paper in Fell types, xcvii,[1],165,[2]pp, original full green buckram gilt, top edge gilt, others uncut, dust wrapper. An excellent copy

An early 20th Century Ault Pottery earthenware vase by Christopher Dresser, of squat double gourd form with tall collar neck and twin handles, decorated with a stylised polychrome foliate motif to either side over a graduated green ground, raised Ault vase mark and inscribed Dresser signature, height 17cm, together with a Burmantofts jug decorated in a blue ground with a central band of crackle effect pattern, impressed marks, height 17.5cm, damage. (2)

EMILY AULT (B.1961), ARR, DONKEY RIDES EPPING FOREST, SIGNED, TITLED AND NUMBERED 1/20, LINOCUT, 15 X 10cm (pl.)

A large William Ault Art Nouveau vase, 34cm

Zaehnsdorf Bindings. Tolstoy (Leo). War and Peace, A Novel, London: William Heinemann, 1925, half-title, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, top edge gilt, contemporary green half morocco gilt by Zaehnsdorf, spine lightly faded, 8vo, together with:Harland (Henry). The Works, 7 volumes, London: John Lane for The Bodley Head, 1893-1909, half-titles, top edge gilt, red morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedowns, original publisher's cloth bound-in at rear of each volume, contemporary crushed red half morocco gilt by Zaehnsdorf, light rubbing to extremities of a few volumes, 8vo, withDuséjour (Dionis). The Origin of the Graces, London: Vizetelly & Co, circa 1885, half-title, frontispiece, additional engraved title, 5 engraved plates in sanguine, red morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, top edge gilt, contemporary green straight-grain morocco gilt by Zaehnsdorf, spine lightly faded, 4to, withJesse (John Heneage). Memoirs of The Pretenders and their Adherents, 2 volumes, 1st edition, London: Richard Bentley, 1845, half-title to volume two only, engraved portrait frontispieces, extra-illustrated with 100 late 18th and 19th-century engraved views and portraits, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedowns, top edge gilt, 20th-century full maroon morocco gilt by Zaehnsdorf, 8vo, withAult (Norman). Elizabethan Lyrics from the Original Texts, 3rd edition, London: Longmans, Green, and Co, 1949, half-title, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, top edge gilt, contemporary blue crushed half morocco gilt by Zaehnsdorf, spine faded, 8vo, plus 21 other morocco-bound volumes by Zaehnsdorf, including Justin McCarthy's A History of the Four Georges and William IV (6 volumes, 1901-12) and Jacques Roergas de Serviez's The Roman Empresses (2 volumes, limited to 1000 copies, The Walpole Press, 1899)QTY: (33)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplate).

A pair of Ault vases, decorated with a mill in a continuous landscape. Impressed marks. 10½" high.

A late 18th Century longcase clock by Joseph Ault of Belper, Derbyshire, painted dial with Codnor castle sand still life detail, Roman numerals, date dial and mahogany case, scrolled pediments and Britannia inlayed detail to weight door.

A collection of mixed 20th century playing cards to include Warren & Ault, Waddingtons, ' The forces favourites' 'Playboy, Hooters, Marlyn Monroe and othersLocation:ROS

Christopher Dresser for Ault, a large Aesthetic Movement art pottery vase, circa 1880, shouldered and footed ovoid form, modelled in relief with Classical portrait roundels of Venus, Aphrodite and others, above sunflower lappets, the conical neck with Egyptian cornucopia and acanthus motifs, yellow draining to green, moulded mark, 61cm high

A VERY LARGE VICTORIAN MAJOLICA PLANTER ON STAND. WILLIAM AULT. DESIGNED BY CHRISTOPHER DRESSER

2006 Don Audio AC12 Custom Build guitar amplifier, made by Don Ault, Isle of Man, fitted with Celestion green back 12" speaker *Sold with on behalf of the original owner who had the amplifier made by Don Ault. Sold with original documentation, original replaced Celestion G12 speaker and complete set of NOS valves **Please note: Gardiner Houlgate do not guarantee the full working order of any electrical items. Do not assume that this lot or any other electrical item is fully working. Please ask for a condition report before placing any kind of bid

AN AULT ART POTTERY VASE 26 cms high, with a Brownfields Aesthetic jug with raised enamel decorati0n and a Royal Worcester Aesthetic jugl

Lena Ault, Daffydown Dilly and one other, watercolours in one frame

Lena Ault, Daffydown Dilly and one other, watercolours in one frame

Ault pottery vase decorated with swallow (21cm) t/w Dartmouth gurgle fish jug

WILLIAM AULT; a pair of Art Pottery vases with stylised designs, impressed signature, height 29cm. (2).

A collection of Burmantofts, Ault, Bretby and Wardle pottery vases,1890s, variously coloured in sang-de-boeuf, pink, green and mustard glazes, variously stamped marks, 4.5 to 26.5cm high (11)Provenance: David Sheard, Doncaster.Condition ReportGlazes with crazing, no restoration,

An Ault Pottery vase designed by Dr Christopher Dresser, shape no.129, flat disc form cast in low relief with loop handles and flaring neck, impressed mark, 19cm. high

The Anthony R. East Classic Motorcycle Collection1939 Raynal 98cc AutoRegistration no. JBB 897Frame no. none visibleEngine no. XXA45285Hailed as 'a completely new make of motorcycle', Raynal arrived in 1937, its first offering being the 'Auto', an autocycle powered by the 98cc Villiers Junior engine commonly found in such machines. The latter went into an open ladies-style frame equipped with sprung, bicycle-type front fork and hub brakes. A maximum speed of 30mph and fuel economy averaging 140 miles per gallon were claimed. A cheaper 'Popular' model with unsprung fork was added for 1939, the Auto being renamed 'De Luxe'. Production recommenced post-WW2 and continued until 1950 when Raynal was acquired by Raleigh. Previously belonging to a Mr Ault of Grange-over-Sands, this Raynal Auto was purchased by Tony East in July 2017. The hand-painted machine is offered with a 1957 tax disc; a V5C document; and a quantity of photocopied literature.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Toulouse-Lautrec, Henri de (Albi 1864 - 1901 Schloss Malromé, Gironde, Schüler von L. Bonnat und Cormon, in Paris ansässiger Maler, Zeichner, Lithograf und Radierer),"The Ault Wiborg Co", Farblithografie, monogrammiert und datiert im Druck unten rechts TL (18)96, 31 x 22 cm (PA), unter Glas gerahmt

A XX century Crown Devon (Fieldings) four musical jugs, John Peel, Roamin in the gloamin, Killarney, Ault Lang Syne.

A MOLDED AND CARVED 'DRAGON' FAMILLE ROSE PORCELAIN SNUFF BOTTLE, SIGNED LIQUAN, CHINA, 1853-1864Of pear shape with a wide mouth, finely carved and molded and brightly enameled to depict a fierce five-clawed dragon in high relief with sinuous scaly body chasing a flaming pearl amid colorful swirling clouds. The base with a neatly painted iron-red four-character mark.Inscriptions: To the base, 'Liquan zi zhi' (made by Liquan himself).Provenance: Collection of John Ault. Robert Kleiner & Co. Ltd., London, United Kingdom, 2005. A private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 5 July 2005, confirming the dating above, and stating a purchase price for the present lot of GBP 4,250 or approx. EUR 10,000 (converted and adjusted for inflation at the time of writing), accompanies this lot. John Ault (d. 2014) was a British intelligence officer, novelist, and avid collector of Chinese snuff bottles. Robert Kleiner (1948-2014) was an important expert of Chinese snuff bottles, beginning his long career at Sotheby's in London. Along with Hugh Moss and Bob Hall, he became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles.Condition: Very good condition with only minor old wear, few expected manufacturing irregularities, remnants of gilt around the mouth. The jade stopper with natural fissures.Some rubbing to enamels.Stopper: Celadon jadeWeight: 72.5 g Dimensions: Height incl. stopper 74 mm. Diameter neck 21 mm and mouth 11 mm Expert's note: Only one other bottle with the mark “made by Liquan himself" has been recorded, see Robert Kleiner, Chinese Snuff Bottles, The White Wings Collection, 1997, number 81. Several near-identical bottles do exist, however, these are all molded only (and not additionally carved) and bear the mark Guangyao neizao “made in the official kilns". It is likely that the whole series was made during the Taiping Rebellion (1853-1864), when the Imperial kilns and surrounding areas were under the control of the rebels, raising considerable problems of protocol in marking porcelains. As Robert Kleiner explains, it is possible that Liquan was the director of the kilns during this time. There is only one further molded and carved version known, but this one is signed Rongjing zuo (made by Rongjing), lacks the enamels, is in the Victoria and Albert Museum since 1883, and was illustrated by Helen White, Snuff Bottles from China, The Victoria and Albert Museum Collection, page 243, number 1. The signature on this bottle also lacks the term for “himself" which could mean that Rongjing may not have been as important as Liquan. It also seems likely that only the carved bottles bear the “made by" marks, while the more common molded bottles bear the official kiln mark.Auction result comparison: Type: Closely related Auction: Christie's Hong Kong, 25 April 2004, lot 822 Price: HKD 95,600 or approx. EUR 17,500 converted and adjusted for inflation at the time of writing Description: A molded famille rose porcelain snuff bottle, 1851-1865 Expert remark: Compare the closely related form and decoration. Note the 'Guanyao neizao' (made by the official kilns) mark and the size (60 mm). Also note that this is the more common, molded only version. 1853-1864年粉彩堆塑龍紋鼻煙壺，“子靜自製"款梨形，廣口，堆塑精美，明亮琺瑯彩，描繪一條矯健的五爪龍，龍身蜿蜒，雲中戲珠。 款識：子靜自製 來源： John Ault 收藏；Robert Kleiner & Co. Ltd.，英國倫敦，2005 年；英國私人收藏，購自上述機藝廊。隨附 Robert Kleiner & Co. Ltd. 於 2005年 7 月 5 日開具的原始發票副本，確認了斷代，以及當時的售價為 4,250 英鎊或約 10,000 歐元（在撰寫本文時已根據通貨膨脹進行換算和調整）。John Ault（2014 年去世）是一位英國情報官員、小說家和中國鼻煙壺收藏家。Robert Kleiner（1948-2014）是一位重要的中國鼻煙壺專家，他在倫敦蘇富比中國藝術部門度過漫長的職業生涯。他與Hugh Moss和Bob Hall一起成為Mary 與 George Bloch收藏的重要顧問，Robert撰寫並製作了他們的第一個鼻煙壺目錄。 品相：狀況非常好，只有輕微磨損，壺口部周圍有鎏金殘留，壺蓋帶有天然裂紋。部分琺瑯有摩擦。 壺蓋：青玉 重量：72.5 克 尺寸：總高 74 毫米，頸部直徑21 毫米，壺口11 毫米 拍賣結果比較： 形制：非常相近 拍賣：香港佳士得，2004年4月25日，lot 822 價格：HKD 95,600（相當於今日EUR 17,500） 描述：1851-1865年官窯內造粉彩鼻煙壺 專家評論：比較非常相近的外形和裝飾。請注意'官窯內造'款和尺寸 (60毫米)。請注意這是更常見的、僅模製的版本。

CHRISTOPHER DRESSER (1834-1904) FOR WILLIAM AULT & CO. VASE, CIRCA 1893 glazed earthenware, impressed facsimile signature CHR. DRESSER, impressed number 248, and ink mark 14/6Dimensions:31.5cm highNote: Literature: Whiteway, Michael (edit.) Shock of the Old: Christopher Dresser's Design Revolution, London 2004, p.213, pl. 284 where a similar vase is illustrated.

CHRISTOPHER DRESSER (1834-1904) FOR WILLIAM AULT & CO. PAIR OF EWERS, CIRCA 1890 glazed earthenware, applied maker's mark to base/ no.125Dimensions:23cm highNote: Literature: Christopher Dresser: Ceramics, Glass and Metalware Crab Tree Farm 2015, p.21, no.5, where a signed example by Linthorpe Pottery of circa 1880 is illustrated

A 19th century oak and mahogany longcase clock, arched painted dial signed Jos Ault, Belper, gilt floral cream details, calendar aperture, single train movement, 224cm high, 51.5cm wide, 24cm deep

Elizabeth Ault (Contemporary) 'The Tree in the Middle of the Garden' & 'Garden with Trees' signed with initials (lower right), two oils on board 24 x 24cm (9.5" x 9.5") & 30  x 28cm (12" x 11") (2)

A 24 hour longcase clock by James Ault & Sons of Belper, with weight and pendulum but no key, hood broken and missing glass along with a late 20th Century grandmother clock

EMILY AULT 20th C. PENCIL SIGNED NUMBERED LIMITED LINO CUT JOHN CLARE IN EPPING FOREST 15 x 10cm. A PENCIL SIGNED LIMITED PRINT DEVILS COACH HORSE BEETLE 20 x 15 cm, TOGETHER WITH SHEILA HORTON 20th C. ARTIST PROOF PRINT BROTHER AND SISTER 16 x 21cm AND THREE OTHER WORKS BY VARIOUS HANDS (6)

Thomas Norman AULT (1880-1950) watercolour of field with trees and stile, signed and dated 1910, and a watercolour of an Italian ruin attributed verso "one of the Moody daughters"

An Ault Pottery Majolica jardinière, with matching pedestal stand. A/F

Two matching English Art Pottery vases, possibly William Ault after Linthorpe, c1890,   17cm h and a Doulton ware  globular vase, early 20th c (3) The pair with some light crazing otherwise good condition

Attributed to Christopher Dresser for Ault Pottery Two vases; one yellow and green and another green, circa 1895 Glazed ceramic Unmarked Green: 34cm high, yellow and green: 33.5cm high (2)

Alexander, C. H. O'D. A Book of Chess. New York, Harper & Row, 1973. Quer 8°. Mit vielen Textabb. und Diagrammen. 154 S., 5 Bll. Orig. Pappband mit Schutzumschlag. (44)* Lusis 41. Beiliegen: Smullyan, R. The Chess Mysteries of the Arabian Knights. New York, Knopf, 1981. 8°. Mit Textabbildungen und Diagrammen. XVII, 170 Seiten, 1 Bl. Original geheftet. / Zalewski, C. Enochian Chess of the Golden Dawn. A Four – Handed Chess Game. St. Paul, Llewellyn, 1994. 8°. Mit Textabb. XXX, 335 Seiten, 8 Bll. Orig. geheftet. / Ault, Leslie H. The chess tutor. Elements of Combinations. London, Barrie & Jenkins, ca. 1976. 8°. Mit Diagrammen. XVI, 329 Seiten. Orig. Pappband. Zustand für alle Teile: Innen etwas gebräunt, teilweise stärker.

A collection of various rolls of wallpaper dating from the 1960's together with a 'Wallpapers' book by Joanna Banham and a vintage Ault & Wiborg limited colour parade chart

A large Ault Pottery vase designed by Dr Christopher Dresser, model no.247, ovoid with cylindrical neck and twin angular handles, covered in a streaked aubergine and white glaze, impressed marks and facsimile signature, professional restoration, 50cm. high

A CHRISTOPHER DRESSER FOR AULT PLATTER, early 20th century, of plain circular form, the central roundel moulded and glazed in brown with a dove in flight within a streaky green border, impressed Henry Tooth monogram and signature, 11 1/4" diameter (Est. plus 24% premium inc. VAT)No chips, cracks or restoration