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Click here to subscribeFrederick ROBERTS JOHNSON (1900-1986) Polperro in the manner of Christopher Wood Oil on board, signed, 55cm x 69cm.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale. The work is unframed. Generally good condition, would benefit from a clean. It is painted onto very heavy cardboard, which has a 'soft' surface. The surface is stable and the colours are bright. There is 'dotting' which may be residue of historical damp (see photos). Some scratching into the paint surface is visible in a couple of areas but this is likely to be intentional by the hand of the artist.
(Cornwall) Eleven limpbacks 'A Budget of Cornish Poems, By Various Authors,' printed paper wraps, lacks rear wrap, string bound, frontis, pp.52, W. Wood, Devonport, n.d; Arthur Caddick. 'the Admiral Benbow Ballads. Smugglers-Pirates-Wreckers,' drawings by Roland Morris, printed card wraps, staple bound, illustrations throughout, vg, Worden Ltd, Marazion, n.d; Jack Penhale. 'The Mine Under the Sea,' first book edition, printed card wraps, some light spotting, vg, j. H. Lake, Falmouth, 1962; John Curnow Laity. 'Newlyn Copper,' printed paper wrpas, staple bound, Produced for the 1986 Newlyn Copper Exhibition at Penlee House, Penzance; With six other works. (11)
(Tuvalu and Kiribati) Thirty scarce publications mostly on and about the Ellice Islands and Gilbert Islands. Raobeia Ken Sigrah and Stacey M. King. 'Te Rii ni Banaba,' signed by the authors, card wraps, illustrations, charts and maps, vg to fine, Institute of Pacific Studies, University of the South Pacific, 2001; C. A. Small. 'Atoll Agriculture in the Gilbert and Ellice Islands,' first edition, card wraps with some spotting to inner flaps, illustrations throughout with colour frontis, Department of Agriculture, Tarawa, 1972; H.C. and H.E. Maude (ed). 'An Anthology of Gilbertese Oral Tradition. From the Grimble Papers and Other Collections,' translated by A.F. Grimble and Reid Cowell, colourful card wraps, typescript, Institute of Pacific Studies of The University of the South Pacific, 1994; 'Te Katake,' compiled and transcribed by Joan and Tony Whincup with the help of Tekaai Taake, Tibwere Ruita, Kaitama Teeba, and Errita Temare, Gilbertese text with English introduction and commentary by Bwere Eritaia and Tebouaki Tewei, Ministry, music score and lyrics with performers names, scarce with WorldCat showing one copy in thirteen libraries, Ministry of Education, Training and Culture, Tarawa, Kiribati, 1981; Rosemary Grimble (ed). 'Magic in the South Seas. Spells collected by Sir Arthur Grimble,' signed by Rosemary, small booklet staple bound, pp.20, fine, K.L. Goddard, n.d; Ten Tiroba (of Buariki) and Reid Cowell (trans). 'Traditional Stories from the Nothern Gilberts,' first edition, card wraps, references, pp.91, vg, Institute of Pacific Studies of the University of the South Pacific, 1990; Roniti Teiwaki. 'Management of Marine Resources in Kiribati, first edition, card wraps, vg, University of the South Seas, 1988; Roddy Cordon (compiler). 'Captain Ward. Pacific Navigator,' signed by the compiler, card wraps, b+w illustrations, vg, Cordon & Wood, Lincoln, 1995; 'Atoll Family,' signed, first edition, card wraps, vg, Cordon & Wood, Lincoln, 2002; 'Seven Years Island Hopping,' two volumes, both signed, card wraps, b+w illustrations, fine, Cordon & Wood, Lincoln, 1998; Ron Crocombe (ed). 'Land Tenure in the Pacific,' reprint, card wraps, Oxford University Press, 1977; Simati Faaniu, Vinaka Ielemia, Taulu Isako, Tito Isala et al (seventeen writers). 'Tuvalu. A History,' signed and inscribed to title page, card wraps, Institute of Pacific Studies and Extension Services, Ministry of Social Services, Tuvalu, 1983; R.G, and Marjorie Crocombe. 'The Works of Ta'Unga. Records of a Polynesian Traveller in the South Seas, 1833-1896,' reprint, card wraps, vg, Institute of Pacific Studies, University of the South Pacific, 1984; Peter McQuarrie. 'Tokelau. People, Atolls and History,' signed by author, card wraps, vg, Published by the Author by First Edition Ltd, New Zealand, 2007; 'Strategic Atolls. Tuvalu and the Second World War,' card wraps, illustrations, MacMillan Brown Centre for Pacific Studies, University of Canterbury, 1994; John Hockings. 'Traditional Architecture in the Gilbert Islands,' first edition, card wraps, toning, good to vg, University of Queensland Press, 1989; Batiri T. Bataua, Kamaua Lobi, Baranite Kirata, Moarerei Kirion et al (fourteen writers). 'Kiribati. A Changing Atoll Culture,' first edition, card wraps, vg, Institute of Pacific Studies, 1985; Peter Kanere Koru and Ginette Sullivan (ed). 'Iango Mai Kiribati. Stories From Kiribati,' card wraps, illustrated throughout, vg, Kiribati Extension Centre and the Institution of Pacific Studie, 1986; Claudia Pond Eyley and Robin White. 'Twenty-Eight Days om Kiribati,' card wraps, illustrations throughout, vg to fine, New Woman's Press, Auckland, 1987; With ten other works. (30)Scarce publications. Tuvalu National Archives major project | Endangered Archives Programme From the library of Guy Slatter, whose lifelong passion for island life began in childhood with an interest in Pitcairn. After studying at Oxford and working for the BBC, he spent two years in the 1960s setting up a radio station in the Kiribati Islands. His deep connection to the Pacific led to many return visits, including work for a German museum, where he facilitated the export of an ethnic house for an exhibition. A dedicated scholar of Pacific history and culture, he built his collection of books over many years through a dealer in York and even translated two German works into English: The Material Culture of Kiribati and The Material Culture of Tuvalu.
A group of five medals awarded to Garfield Arthur Slade. 1939-1945 Star 1939-1945 War medal with oak leaf, GSM with Palestine clasp (named), QEII coronation medal, and a Police LS and GC (named). Also Included are his German POW grammar book, two olive wood photo albums, and two other books relating to Slade.The GSM is named G DS MN G.A. Slade C.GDS (Coldstream Guards)
Collection of mid to late 20th century ceramic tankards and jugs. Comprised of two Arthur Wood gilt decorated tankards, a Royal Doulton Bill Sikes D6981 limited edition character jug no. 0063 out of 2500, and a Royal Doulton Blacksmith D6571 character jug. Character jugs housed within their original boxes, measuring approx. 25cm x 18cm x 15cm, including the box.
A collection of late 19th / 20th century porcelain and ceramic wares. Comprised a late 19th century Victorian pair of cockerel shaped bookends in a yellow colourway, an Arthur Wood ceramic jug decorated in orange flowers, and a T.F. & S Phoenix Fuchsia jug decorated in orange and yellow flowers. Largest piece measuring approx. 20.5cm x 18cm.
Benjamin Pollock Hamlet vintage book, 1948, scenes and figures from Laurence Olivier's Hamlet, presented by Laurence Olivier, reproduced from the J Arthur Rank Enterprise, designed to fit Benjamin Pollock's miniature theatres, includes a synopsis of the plot arranged in fourteen scenes and directions for performing the play, the miniature actors are taken from photographs of the film cast, scenery specially drawn by Roger Furze, some tears and creases to the edges throughout; together with a leaflet We proudly present... new plays for Pollock's Toy theatres, includes Hamlet, The High Toby, etc; Good to Good Plus; (2). NB: The book's owner could cut out the characters, and juxtapose them against the scene settings to re-enact the play within Hamlet in a toy theatre. (There are also instructions for the creation of your own scratch-made theatre, using wood or a cereal box!)
FIVE BOXES AND LOOSE HOMEWARE AND MISCELLANEOUS, to include nine vintage Milton Brook oval oven dishes with floral design, dishwasher, microwave and oven proof, Wedgwood dinner plates 'Royal Tuscan', eight white large ovenproof dishes rectangle and oval, set of six Hell's Kitchen red bowls with white inside, five half-moon shape plates white with red pattern and Marston's Burton-on-Trent on, Terraillion traditional style scales, twenty white ramekin dishes, jelly moulds, wooden egg timer, Arthur Wood jar with lid and vase, new in the box Power Octopus corkscrew, six piece melamine bowl set with lids new, a basket with a large selection of bottle openers etc. (5 boxes + loose) (sd/af)
FIVE BOXES OF DINNERWARE AND CERAMICS, to include Royal Worcester 'Worcester Herbs' pattern dinner ware, Royal Crown 'Anemone' pattern tea ware, Hornsea Pottery 'Regency Blue' pattern dinnerware, Churchill 'Indian Tree' pattern dinner plates, a mid-century Japanese tea set, an Arthur Wood Imari pattern teapot, etc. (s.d/a.f) (5 boxes)
CONTEMPORARY HIGH GLOSS WOOD EFFECT 'MARBLE' COFFEE & SIDE TABLE BY ALFRANK DESIGNS, heavy tables which appear to be constructed from marble, wrapped with wood effect & coated in high gloss resin/lacquer, produced by Dublin based Alfrank Designs Limited and retailed by Arthur Llewellyn Jenkins, coffee table, 48 (h) x 132 (w) x 76cms (d), side table, 56 (h) x 57 (w) x 55cms (d) (2)Provenance: private collection Vale of GlamorganComments: minor scratches, both tops lift from base for easy transportation
Douglas Arthur Teed (American, 1864-1929). Oil on board landscape painting depicting autumnal trees, 1904. Signed and dated along the lower right.Sight; height: 15 3/4 in x width: 21 1/2 in. Framed; height: 21 1/4 in x width: 27 in x depth: 1 3/4 in.Condition: The colors are bold and deep. There are no major visible losses or restorations. Some wear along the extreme edges of the painting, including a small scuff along the upper left edge. There are two lines running vertically along the left and right edges of the painting, possibly original to the artistic process. Framed under glass; wear to the frame including some chips to the gilt and the wood. Not inspected out of frame.
* Hagreen (Philip, 1890-1988). Madonna and Child, 1934, wood engraving on laid paper, signed and dated in pencil, image size approximately 8.7 x 5.5 cm, sheet size 10.5 x 8 cm, unframed, and Jones (David, 1895-1974). Bookplate for Arthur J. Penty, wood engraving on wove paper, image size approximately 8 x 4 cm, sheet size 13 x 10 cm, plus Gill (Eric, 1882-1940). Book-Plate, Ralph Edward Gathorne-Hardy, 1925, copper engraving on wove paper, image/sheet size 9 x 6 cm, unframed, and two further bookplates by the same artist, St Helena and St Angela Merici, 1922, book-plates for Petra and Elizabeth Gill, both likely later impressions on cream wove paper, and a Christmas Greetings card, circa 1918, incorporating St Michael (for Saint Michael's Magazine) by Gill, together with two ex-libris (Basil Hargrave and Sancti Caroli apud Hatfield) and a memorial card for the British sculptor Joseph Cribb, all unattributed but in the Ditchling manner, all unframedQTY: (9)NOTE:Physick: Book-Plate, Ralph Edward Gathorne-Hardy, P307St Helena, P204St Angela Merici, P205St Michael, P147
* Gill (Eric, 1882-1940). Eve, Ex-Libris Jacob Weiss, 1935, wood engraving on thin laid paper, with margins, tipped onto backing card, image size 10.2 x 6.6 cm, sheet size 13.3 x 9.5 cm, unframed, plus Angel holding a book, Ex-Libris Elizabeth Foster [and] Arthur Graham Carey, 1928, wood engraving on laid paper, image/sheet size 9.5 x 5.5 cm, unframed, and Ex-Libris Mary Gill, 1926, copper engraving on wove paper, with margins, tipped onto backing card, plate size 6 x 3.1 cm, sheet size 12 x 6.6 cm, plus Inter ubera mea, 1930, wood engraving on wove paper (originally one of the illustrations to Canticum Canticorum), printed by Hague & Gill at Pigotts, High Wycombe for Burns Oates & Washbourne Ltd, 28 Ashley Place, London, S. W. 1 as a folded Christmas Card, with lettering printed in red, image size 5.7 x 6.5 cm, sheet size 18.5 x 12.3 cm, together with five further ex-libris by the same artist for Nigel Warren (Griffin and Motto), Philip Hoffer (Lion), Ananda Coomaraswamy (Girl with Deer), Everard Meynell and Austen St Barbe Harrison (Cupid), two memorial cards by for Janet Mary Pepler (Animals All) and David Whiteman Pepler (Resurrection), and an ex-libris by an unknown artist for John W. McConnell, all unframedQTY: (12)NOTE:Physick: Eve, P885Angel holding a book, P501Ex-Libris Mary Gill, P371Inter ubera mea, P662Griffin and Motto, P922Lion, P502Girl with Deer, P173Ex-Collectione Everard Meynell, P59Cupid, P887Animals All, P50Resurrection, P866
Stanley Webb Davies (1894-1978) an oak dining room suite, comprising: a draw-leaf dining table,the central section carved with lozenge designs, the apron and legs chamfered, inscribed with 'SWD' monogram and dated '1946', and with craftsman's monogram for Brian Braithwaite,132cm wide, 228cm extended80.5cm deep75cm high,six chairs,each with a solid back splat and channelled uprights, with drop-in seat, worn, each carved with 'SWD' monogram and dated '1946', and with craftsman's monogram for Richard (Lile Dicky) Cloudsdale, 44cm wide45cm deep93cm high, seat 47cm high,a sideboard,with an arrangement of two drawers, one with a sliding cutlery tray, over a pair of panelled cupboards, with visible tenon joints, carved with 'SWD' monogram and dated '1946', with craftsmen monograms for Ernest John Oldcorn and Fred Ellison,151cm wide53cm deep87cm high (8)Stanley Webb Davies (1894-1978) was a notable British furniture maker renowned for his work within the Arts and Crafts Movement. Based in Windermere, in the English Lake District, his craftsmanship reflected the Movement's ideals, emphasising traditional techniques, high-quality materials, and integrity in design and production.Born in Darwen, Lancashire, into a family of industrialists, Davies initially followed a path that seemed far removed from craftsmanship. He studied history at New College, Oxford, graduating in 1915. During the First World War, as a conscientious objector, he refused to fight, choosing instead to join the Friends War Victims Relief team in France, building huts for refugees.After the war, Davies sought a simpler and more meaningful life. He apprenticed with Arthur Romney Green (1872-1945) at his workshop in Christchurch, Hampshire, where he learned the traditional woodworking techniques that would define his career. In 1926, with help from his father, he built his workshop, 'Gatesbield', in Windermere - designed by the architect Kenneth Cross - and worked there for the rest of his life.Davies was committed to handcrafting every piece of furniture in his workshop, rejecting industrialised methods. His designs emphasised simplicity, functionality and the natural beauty of wood. His works often featured oak and other fine woods, combined with restrained decoration, such as carved details or inlays. Each piece bore both his monogram and that of the craftsman, along with the date it was made, reflecting pride in their craftsmanship.After his death in 1978, Davies continued to inspire future generations of craftsmen, leaving behind a legacy of finely crafted furniture that is highly collectable today.The craftsmen working on this suite were Brian Braithwaite (c.1940-54), Richard (Lile Dicky) Cloudsdale (1908-1991), Ernest John Oldcorn (1894-1968) and Fred Ellison (1919-2003).Condition ReportAll pieces used.Table - some colour change to the extended leaves. Surfaces with usage and wear. Chairs - all tight - seats appear to be the original covers.
A LARGE GROUP OF DECORATIVE ITEMS to include seven onyx table lamp bases, an Arthur Wood 'Garden' water jug, a walking stick with various Austrian souvenir badges attached, a table lamp base decorated with Japanese images, two mirrors, a brass table lamp depicting a blacksmith with his dog, two carriage clocks, a West German wooden mantel clock, a plated serving tray, a steel Bain Marie, etc (qty) (s.d/lamps untested)
A signed menu from Bradford's First Sportsman's Dinner, at the Midland Hotel on 17th April 1939, to celebrate the benefit year of Yorkshire Cricketer Arthur Wood, with some discolouration to the covers and marks inside, bearing nine signatures on the back in both pen and pencil, including Sutcliffe, Wardlow, Verity etc.
A mixed collection of pottery to include Gibson & Son ewer jug with flora and fauna decoration, two other ewer jugs including Wilton, Arthur Wood Poole vase, Thomas Forrester and Sons Phoeniz Ware vase, Royal Doulton The Gleaners jug, and a chintz toast rack **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**
Arthur Wardle (1864-1949) watercolour Tiger and Python, signed lower right, with bronze medal dated 1891 and awarded by the Crystal Palace for the painting, 64 x 82cm, in moulded wood frame. The painting was a gift from the artist to the vendor's grandfather, who was a publican based in central London, the painting being one of two given
TWO BOXES AND LOOSE SUNDRY ITEMS, to include an Arthur Wood 'Astoria' lustre bowl and water jug, a rainmaker instrument, an onyx table lighter and dog, a small bag of jewellery to include a silver 'Lincoln Imp' on a chain, a Shelley lustre bird of prey, a quantity of assorted animal shaped ornaments, two fish in a 'Dyson' box, four brass horses, a number of Indian souvenirs, three resin sculptures comprising a dragon skull feature, an encounter with a wizard, and an electric water feature (2 boxes and loose) (s.d)
SIX BOXES AND LOOSE MISECELLANEOUS CERMAICS AND GLASS, to include a Villeroy & Boch hanging ornament of a teapot boxed, dinner plates, side plates and bowls, designs include 'Flora' and 'Twist Dora', a selection of Midwinter plates, bowls, jugs etc, designs include 'wild oats', 'green leaves', 'summer' etc. Royal Doulton dinner plates, side plates etc. Wedgwood plates and bowl, Royal Worcester soufflé dishes and ramakin pots, serving dishes and plates, Poole covered jar, Coalport covered jar, a selection of planters names include Sylvac 4536, 4211, Churchill, Arthur Wood, Denby, etc. twelve boxed champagne flutes, Dartington lead crystal tealight holders, daisy dessert bowls, large bowl, cake plates, Rosenthal plate, two covered jars, seven Murano style glass sweets and two bud vases, (one sweet has a Murano Italia makers sticker on), two large cut glass bowls (6 boxes + loose), (sd/af)
A COLLECTION OF ROYAL COMMEMORATIVE MUGS AND SIMILAR, comprising two 1937 Coronation of King George mugs designed by Dame Laura Knight Reg. No. 814375/6 (one by Myott & Son is visibly crazed), a large Torquay Ware tankard decorated with a kingfisher on one side and H.M.S 'Apollo' on the other (crazed), a Crown Ducal mug decorated in gold, red and black on a white ground 1937 (crazed), two Wedgwood tankards designed by Richard Guyatt for the 1947 Wedding of Queen Elizabeth, a Wedgwood souvenir mug designed by Carl Toms for the investiture of H.R.H Charles Prince of Wales, an Arthur Wood tankard titled 'Darts', a Coalport limited edition 631/2000 for the Bristol 600 exhibition with certificate of authenticity, and a Crown Ducal tankard titled 'The Singing Waiter' (nibbles to paint around rim) (11) (Condition Report: crazing to some pieces in varying degrees, most obvious damage is mentioned in description)
Arthur Boris Klein (Russian, 1893-1985) a set of prints from 'The Dirty Dogs of Paris' series. Titled 'Sus Ause Curreuse', 'Chacun son tour' and 'Hotel de la Gare', hand coloured etchings showing anthropomorphised dogs. All under dark green mount and gilt and light wood frame, under glass. Two are 45cm x 17.5cm 55cm x 27.5cm overall. The other is 46cm x 20cm, 62cm x 37cm overall.