We found 197263 price guide item(s) matching your search

1920's/1930's art deco industrial table lamp with gold painted decoration.

An Art Deco cold-painted figural globe lamp, probably early 1940s, the original internally painted glass globe held aloft by a naked lady kneeling on an angular veined alabaster base, 17 cm wide x 44 cm overall height.A private estateGood order

A silver mounted decanter of lobed form, 28 cm high, together with a large filigree overlaid art deco style bottle and stopper, 25 cm high.The ship-type decanter is free from bruises, chips or cracks, the stopper is not correct for this and only sits on top of the decanterThe silver overlaid decanter is in good order and the interior of the collar is undamaged.

An Art Deco style Le Boss bedroom suite, comprising low wardrobe, two door wardrobe, and a dressing table. (3)

Koch, an Art Deco amethyst, moonstone, pearl and diamond sautoir, 1920s, the fancy-link platinum chain threaded with pearls and carved amethyst and moonstone links accented with rose-cut diamond roundels, suspending a fluted amethyst drop with a rose-cut diamond and calibré-cut amethyst surmount, chain length 62cm, pendant length 4.5cm, signed Koch

A lady's Art Deco diamond cocktail watch, 1920s, the rectangular white dial with black numeral indicators and blue steel hands, within a case of geometric design millegrain-set with single-cut diamonds, mounted in platinum, to a black cord strap, case width 1cm excluding winder, manual winding movement

An Art Deco diamond bracelet, 1930s, designed as an articulated line of circular-cut diamonds totalling approximately 5.00 carats, in square settings, length 16cm, French import assay marks for 18ct gold and platinum

An Art Deco diamond double-clip brooch, 1930s, dividing into two clips, each of geometric openwork design, each end terminating in a palmette, set with circular-cut and baguette diamonds, mounted in platinum, combined length 6.2cm

An Art Deco emerald and diamond wristwatch, the plain rectangular dial with Arabic numerals, the case set with four emeralds within a diamond surround on a cord band, length 17cm, manual winding movement, case

An Art Deco emerald and diamond bracelet, 1930s, set with a sequence of oval and cushion-shaped emeralds, the largest measuring approximately 10.0 x 7.3 x 2.2mm, to a bracelet composed of polished octagonal links set with single-cut diamonds, mounted in platinum, length 19cm, case stamped Hamilton & Co.

An Art Deco diamond ring, 1930s, designed as a stylised buckle, set with circular-cut, carré and baguette diamonds, mounted in platinum, size K, stamped PLAT

A group of jewellery including an Art Deco sapphire and diamond pendant, comprising: a gold pendant of wreath design, set with a circular-cut amethyst, suspending an oval amethyst drop, pendant length 3.6cm, necklace length 45cm, necklace stamped 750, later gilt clasp; a sapphire and diamond half-hoop ring mounted in 18ct gold, size O, British hallmarks; and an Art Deco pendant of geometric design, set with rose-cut diamonds and calibré-cut sapphires, mounted in gold and platinum, pendant length 2.7cm, French assay marks for 18ct gold, numbered 25904, silver chain

An Art Deco sapphire and diamond ring, 1930s, of toi-et-moi design, each side of palmette design, set with a shield-shaped sapphire and diamond respectively, within surrounds of baguette diamonds, mounted in platinum, size K

A lady's Art Deco diamond cocktail watch, 1920s, the rectangular silvered dial with Arabic numeral indicators and blued steel hands, to a platinum case of geometric design set with single-cut diamonds, on a black cord strap, case width 1cm excluding winder, manual winding movement, case interior stamped PLATINUM, case back numbered 3352, cord broken, case stamped Cartier

An Art Deco diamond and synthetic sapphire bracelet, circa 1920, composed of links intricately pierced with geometric designs, set with circular-cut diamonds and calibré-cut synthetic sapphires, mounted in platinum with millegrain borders and engraved foliate decoration to the galleries and clasp, length 17cm, case

Goldsmiths & Silversmiths Company, an Art Deco diamond necklace, London, 1930s, of geometric design, composed of links set with rows of baguette diamonds in channel settings, spaced by articulated panels of circular-cut diamonds, to a detachable back section composed of geometric and scrolled linking set with circular-cut, square and baguette diamonds, mounted in platinum, separating into two bracelets, total length 36.5cm, bracelet lengths 17.1 and 19.4cm respectively, in fitted case by The Goldsmiths and Silversmiths Company, with vacant compartment for a tiara

An Art Deco sapphire and diamond ring, set with a cushion-cut sapphire and four circular-cut diamonds, within a rounded square mount set with circular-cut diamonds and calibré-cut sapphires, mounted in platinum, size L

Asprey, an Art Deco sapphire and diamond ring, of stylised buckle design, centred with a raised channel-set band of calibré-cut sapphires, above pavé-set brilliant-cut diamonds to the shoulders, mounted in platinum, size O1/2, stamped ASPREY LONDON and indistinctly MADE IN FRANCE

An Art Deco natural pearl and diamond ring, early 20th century, centring on a natural pearl with three circular-cut diamonds to each shoulder, mounted in platinum, size L, indistinctly stamped to shank, fitted case stamped R. Bond & CoA verbal report from GCS states that the pearl is natural saltwater

An Art Deco onyx and diamond bracelet, 1930s and later, composed of rectangular links of carved onyx connected by a central line of links pavé-set with circular-cut diamonds, mounted in platinum, the clasp a later replacement, length 17.5cm, numbered 4171

Drayson, a superb Art Deco emerald and diamond bracelet, London, circa 1940, of geometric design, centring on a stylised buckle motif to a tapering bracelet and geometric clasp, set with calibré- and circular-cut emeralds and circular-cut, baguette and tapered baguette diamonds, mounted in platinum, length 18cm, signed Drayson, caseDrayson were a London-based family firm, and one of a very limited number of London jewellers whose Art Deco jewels truly rivalled the quality and style of their French competitors. Founded in 1936 by Keith Cecil Drayson as Cecil Drayson Ltd., the family was already deeply involved with the jewellery trade, and had been prominent dealers of antique jewellery and gemstones since the opening years of the 20th century. While Drayson jewels are rarely seen in general, the striking geometric design of this bracelet, with its array of sparkling circular and baguette diamonds dramatically crossed through by a line of deep green emeralds, appears to have been a favourite of the company's designers in the late 1930s, with a small group of other examples known, predominantly set with rubies and sapphires. The present bracelet however, is particularly lavish, with large circular-cut emeralds and diamonds taking the place of the channel-set calibré-cut stones more commonly used in these extraordinary bracelets. While Drayson's jewels are memorably stylish and beautifully made, the company's heyday was relatively brief - the firm did not outlive its founder, and was purchased by rivals SJ Rood after Drayson's death in 1963, marking the end of this illustrious London jeweller, whose designs rank among the best of British Art Deco jewels.

An Art Deco jadeite and diamond ring, 1920s, set with an oval jadeite plaque carved and pierced with a design of fruiting branches, to shoulders set with single-cut diamonds, size O

An Art Deco natural pearl and diamond necklace, 1920s, designed as a single strand of graduated pearls measuring 3.3-7.9mm, to a clasp of geometric design set with circular- and single-cut diamonds, mounted in platinum, length 53cmAccompanied by GCS report no. 5784-3291, dated 1st August 2025, stating that the 88 pearls are natural saltwater.

A diamond and sapphire ring, designed as a geometric cluster of Art Deco inspiration, centring on a brilliant-cut diamond weighing approximately 0.75 carats, within an openwork surround set with single-cut diamonds and calibré-cut sapphires, mounted in platinum, size M

An Art Deco diamond double-clip brooch, 1930s, each of abstract swirled design, set with circular- and single-cut diamonds, mounted in platinum and white gold, combining into a single brooch, total length 4.1cm

An Art Deco diamond ring, 1930s, of stylised buckle design, set with circular-cut and single-cut diamonds, mounted in platinum, size J1/2

An Art Deco diamond and synthetic sapphire brooch, circa 1920, designed as a wreath tied with a bow, suspending a length of ribbon, set with circular-cut diamonds and calibré-cut synthetic sapphires, mounted in platinum, length 7.8cm, one synthetic sapphire deficient

Art Deco platinum ring set with trapezoid cut diamonds weighing approximately 0.40 ct., two brilliant cut diamonds weighing approximately 0.60 ct. and square emerald weighing approximately 1,70 ct.emerald: probably from Colombia, inclusions Hallmark: platinum mark ‘dog's head’ size: 52.5 gross weight: 5.94 gr.

Collection of Late Victorian - early 20th century hat pins and Art Deco hair decorations, the hat pins: two with simulated pearls and paste finials, two 'baroque pearl' and paste examples and two with turquoise and paste finials and various Art Deco sequin and beadwork hair combs and accessories 

Charlotte Rhead for Crown Ducal, circa 1930s Art Deco pottery hand painted charger/wall plate in the 'Blue Peony' pattern, featuring a pattern of tessellating lilac and blue flowers on a mottled white ground, signed and with hand painted 'Rhead' to base, 32cm diameterCondition ReportOverall in good order. There is some typical light glaze crazing overall, some minor misfired motting to central blue roundel, some minute scratching to enamels. 

Collection of Late Victorian and early 20th century evening bags, including: a silver-plated framed and embroidered blue silk bag, three beadwork bags, one embroidered with marcasite beads, the other with glass beads in floral design, a third in white, an Art Deco black silk bag with beadwork clasp, a silver-framed chainmail coin purse (6)

Collection of Art Deco silk, sequin and beadwork dress rosettes, trims, appliques and a collar from a dress, the collar with faux jet, silver sequins and beads, various embroidered silk rosettes, a collection of silver and clear beadwork flower-shaped rosettes, others embroidered with coloured beads and simulated pearls 

An Art Deco style mirrored side table, 20th century, with a circular top, 50cm diameter52.5cm highCondition ReportFair overall.

A pair of Art Deco oak frames of simple rectangular ebonised fillets each enclosing a watercolour of Venice69 x 54cmCondition Reportminor scuffs and blemishes, fading to watercolours

After Ferdinand Preiss, 20th century, an Art Deco resin and spelter figure, modelled as a dancer, with polychrome decoration, with faux ivory details, raised on a hexagonal shaped base, signed 'F.Preiss',11cm wide12.5cm deep38cm highCondition ReportWith restoration to the foot. Some rubbing to the decoration. Missing fingures to the raised hand. With chips to the base.

An Art Deco silver plated oval two handled tray with an angled border75cm wide together with a set of six modern Champagne fluteswith King'' masks30cm high (7)Condition ReportTarnished with surface scratches, but good levels of plate remain on the tray. The glasses appear to be unused.

An Art Deco wrought iron garden table, 20th century, with a later glass top, 85cm wide 180cm long, andsix modern wicker garden chairs, with cushion seats (7)Condition ReportUsed, cushions in bags. Glass fair.

An Art Deco Legras glass vase c.1930, of shouldered form, acid etched and enamelled with swirled motifs to a mottled red ground, acid etched and enamelled 'Legras' signature,20.5cm highCondition ReportMinor surface scratches, particularly to the underside of the foot rim. Small frits to the edge of the foot rim.

REPRODUCTION ART DECO DOUBLE FIGURE TABLE LAMP WITH GLASS DOME SHADE 

Two boxes of assorted Carlton ware china, to include cottage biscuit barrel, mushroom cruet, various posy vases, two section toast rack decorated with crab, etc together with a collection of Art Deco and later pottery to include a Clarice Cliff book vase, a Crown Devon Matlita bowl and matching lamp base, tea pot with kingfisher decoration etc (4 boxes)

Tafelaufsatz, Jugendstil,Laeuger Karlsruhe um 1920. Roter Scherben, hellgelb glasiert, grün bemalt, schwarzes Schlicker-Überdekor. Tiefe, rd. Schale m. ausschwingendem Rand auf auslaufendem Rundfuß. Wandung außen m. stilis. Blattdekor m. gezackten Kanten, d. Untergrund m. Linien- zeichnung. Am Boden Wappen-Pressmarke, Press-Schriftzüge "Prof. Läuger" u. "Made in Germany", Pressnr. Lippenrand m. kl. Chip u. 2 kl. rep. Chips. D 22,2 cmart deco, Badisches Wappen, grün, Keramik, Schlickermalerei, Schwarz

4-tlg. Tee-Kernstück, Art Deco,Schwäbisch Gmünd um 1930. 830er Silber. Fa. Gottlieb Kurz. Glatter, zum ausschwingenden Rundfuß hin zuschwingend gerundeter Körper m. breit gekehlter Schulter u. flachem Deckel m. Palisander-Scheibenknauf. Rund geschwungener Henkel m. gestuftem Ansatz. Best. aus: Teekanne, Sahnegießer, Zuckerdose, kl. ov. Tablett, zus. ca. 1.000g Oberfläche leicht berieben, Teekanne m. leichten Dellen/ Deckel gestaucht, Sahnegießer- Wandung minim. gedellt.glatt, Gottlieb Kurz, Palisander, schlicht

Tee-Service für 6 Pers.,Nymphenburg um 1940. Form "Lotos", Entw.: Wolfgang v. Wersin. Hellbeiger Fond, d. Kanten u. Henkel m. feinen hellgrauen Streifen. Am Boden grünes Rauten- schild, Press-Rautenschild, Press- u. Malernr. Best. aus: 6 Teetassen m. UT, 6 Kuchenteller, Teekanne, Sahnegießer, Zuckerdose, kl. rechteckiges Tablett, zus. 22 Teile. 1 Tassenlippe m. kl. Chip.art deco, beige, Lotos, Rautenschild, Wolfgang von Wersin

Gr. Vase, Art Deco, Moser/ Karlsbad um 1930.Kristallglas. Hoher, nach oben leicht auf- schwingender Korpus m. breit facettierter Wandung (innen glatt gerundet), unten leicht verjüngt. Am Boden ov. geätzte Marke "Moser". Oberfläche partiell minim. berieben. H 29,8 cmBöhmen, facettiert, Kristallglas, schlicht

5-flamm. Leuchter, Art Deco,Schwäbisch Gmünd um 1930. 830er Silber. Fa. Gebrüder Deyhle. 5 gr. Arme in Füllhorn-Form m. weiten Tropfschalen u. kl. Voluten-Enden, um mittigen Knauf gebündelt. Auf weitem Rundsockel m. breit gekehltem Rand u. 3 gr. Kugelfüßen. Untere Partie m Hammerschlag- Oberfläche, in Sockel-Kehlung schauseitig Monogr.gravur "ER". Oberfläche partiell leicht berieben, 1 Fuß m. Sockelkante minim. gestaucht. D 30 cm 940gER, Füllhorn, Gebrüder Deyhle, Hammerschlag, Monogramm

Kl. Tafelaufsatz, Art Deco, um 1920.Heller Scherben, grün glasiert u. schwarz bemalt. Flache, rd. Schale m. steilem Rand auf kurzem, nach unten leicht ausschwingendem Schaft. Rand m. Streifendekor, an Kante in schachbrett- artig versetzte Rechtecke auslaufend, feines Liniendekor. Am Boden geritzt "S", Pressnr. "612", Malernr. "20". Glasur m. Krakelée, Bodenkante minim. berieben. D 16 cm Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.geometrisches Dekor, grün, Keramik, Majolika, S, Schwarz, Wien

Keramik Wiener WerkstätteGudrun Baudisch (1907 Pöls - 1982 Salzburg) Tischlampe mit Frauenkopf, um 1928. Roter Scherben, bunt glasiert u. bemalt. Auf gestuftem Sockel hoher zylindr. Schaft, flankiert v. vollplast. Frauenkopf m. kurzem Haar, d. lange Schal d. Stufe d. Sockels herabflatternd. Am Boden (unglas.) Pressmarken "WW", "Made in Austria", "410", "GB". Metallmontierung f. 1 Glüh- birne, überfangen v. ovalem, kon. Schirm m. hellbeigem Seidenbezug. Sockelwandung m. Brandriß, Standkante minimalst bestoßen, obere Schaft-Kante m. 1 minim. Chip, Schirm minim. fleckig. Keramik H 25 cm, Ges.H 48 cm410, art deco, bunt, farbig, GB, Jugendstil, Österreich, Wien, WW

5-tlg. Kaffee-/ Tee-Service,Georg Jensen um 1930-40. Sterlingsilber. Modell "Magnolia". Ovoider Korpus m. leichter Hammerschlag-Oberfläche auf 3 Tatzenfüßen, d. abgesetzt gewölbte Schulter m. leicht vertieft sitzendem, kuppeligem Deckel m. gr. Blüten-Knauf m. Perlendekor. Seitl. ab- schweifender Henkel m. profil. Bein-Griff. Best. aus: Kaffeekanne, Heißwasserkanne, Teekanne, Sahnegießer, gr. ov. Tablett, ges. 4.530g Oberflächen partiell leicht berieben, Bein m. versch. starken Trocknungsrissen, Kaffeekanne m. Delle u. gestauchtem Fuß. Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.art deco, Blütenknauf, Dänemark, Hammerschlag, Jugendstil, Kopenhagen, Magnolia, Oval, Perlen, Sterlingsilber

Gr. Brotschale,Art Deco, Schwäbisch Gmünd um 1930. 800er Silber. Fa. Otto Wolter. Rechteckige Form, zu rechteckigem Fuß zuschwingend, d. Längs- seiten halbrd. ausgestellt. Flache, nach außen abgeknickte Kante, an d. Enden zu leicht gewölbten Griffflächen verbreitert. Hammerschlag- Oberfläche, diese minim. berieben, Griffkante minim. verzogen. L 38,8 cm 906gHammerschlag, Otto Wolter, rechteckig, schlicht

Ovales Tablett, Bruckmann um 1920.800er Silber. Händlerstempel "Kiesel". Glatter Spiegel, gerahmt v. schmalem, gewölbtem Rand, umlaufend gerippt. Spiegel minim. berieben. L 35,9 cm 502gart deco, gerippt, Kiesel, Oval, schlicht

Ovale Brotschale, Art Deco,Schwäbisch Gmünd um 1930. 835er Silber. Fa. Gebr. Kühn. Glatter Spiegel, gerahmt v. hohem Rand m. mehrfach gefurchter Wandung u. nach außen gebogener Kante. Oberfläche leicht berieben, Kante m. kl. Delle. L 27 cm 240gGebr. Kühn, Oval

Gr. Gebäckdose, Art Deco, Berlin 1930.Sterlingsilber, gehämmert. Fa. H.J. Wilm. Gedrückte Kugelform m. ausgestelltem, mittig leicht heraufgezogenem Klappdeckel m. betonter Kante u. Kugelknauf. Deckel u. Wandung um- laufend m. Gravurdekor m. gekreuzten Linien u. stilis. Blättern, am ausschwingenden Stand u. Boden in reduzierter Form wiederholt. Boden m. Widmungsgravur "zum 25jährigen Dienstjubiläum, 1. Juli 1930, Vereinigte Kugellagerfabriken Aktiengesellschaft Berlin". Oberfläche leicht berieben. D 19,5 cm ca. 737g1. Juli 1930, Gravur, Gravurdekor, Hammerschlag, H.J. Wilm, Sterlingsilber, Vereinigte Kugellagerfabriken Aktiengesellschaft Berlin, Widmungsgravur

Siegerpokal "Kilometerrennen SportwagenKlasse B", ADAC Freiburg 1927. 900er Silber. Fa. Gebr. Hemmerle, München. Hohe, schlanke Röhre, oben leicht aus- schwingend, m. Hammerschlag-Oberfläche, auf gestufter Basis m. 4 geflügelten Medaillon-Füßen m. Adlerrelief d. ADAC. Wandung schauseitig m. Ovalmedaillon "Internationale Freiburger Rekord- tage des ADAC 1927, Kilometerrennen Sport- wagen Klasse B, 1. Preis", verso Viktorien- Medaillon, darunter umlaufend relief. Schriftzug "Allgemeiner Deutscher Automobil-Club". Oberfläche leicht berieben, Lippenrand minim. verzogen. H 17 cm 385gAdler, art deco, Automobil, Autorennen, Rennsport, Gebr. Hemmerle, Hammerschlag, Internationale Freiburger Rekordtage des ADAC 1927, München, Viktoria

Silver and white metal brooches including an Art Deco "Duette" style, an amber and a horse brooch

Pair of Art Deco nut birds (Dunhill style) bookends

Art Deco chrome plated golfer pin tray

18ct gold Art Deco-style cluster ring with central sapphire surrounded by fan cut sapphires, and white gold set with 10 diamonds. Approx UK size U and weight 5g

Vintage clothing: beadwork belt, Art Deco beadwork bags or purses, thimbles and accessories, etc

Vintage clothing : 1960s space age white belt with large chrome buckle, Art Deco Style beaded belt and others

Wooden Art Deco style Candle Light Holder Lady Figurines[30cm]