Third Reich N.C.O. dress bayonet, 24cm blade by W.K.C., plated hilt with working mortise button, black chequered grips with badge of the Prussian Guards on one side, badge comprises a sunburst with an eagle in the centre surrounds by the motto 'Suum Cuique' - (To each their own), in its scabbard and frog, 41cm overall Salvaged by the vendor’s late father, John Pierce Lane. Lane was born in Oxford on 3rd April 1920. In the late 1930's he joined the Territorial Army and was called up to the regulars at the outbreak of war in 1939. He was in the artillery with the Northumberland Hussars. In June 1944, now with the officer rank of Captain, he participated in the allied invasion of France landing on Gold Beach in Normandy. Over the course of the next many months, he fought through northern France and into Belgium (the Battle of The Ardennes), then on into Holland with direct involvement in the Battle of Arnhem. Finally, he was part of the allied push into Germany resulting in German surrender and the end of the war. He remained in Germany for some months engaged in settlement, restructuring and social rebuilding work before finally returning to England for de-mob in 1946. He returned home with this and two other daggers/knives, which he acquired towards the very end of the war in Germany.
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FRANK REYNOLDS (1876-1953). 'A German Prisoner', 'The First Newsboy To Cry War Over' and 'A London Policeman', all signed and one dated January 4th 1918, pencil / charcoal on paper, unframed, 74 x 50 cm, in a card folder with provenance: 'Lightening Sketches' drawn by Frank Reynolds, the famous Punch artist at a concert in aid of church army huts on 4th January 1918 at Happisburgh Norfolk while he was a Lieut. attached to the 23d Cheshire Regt. T.F. 224 Mixed Brigade North Walsham. He drew with either hand. At the subsequent auction Capt Hugh Young M.C. R. Innis Fus. bought 'A German Prisoner' for £4-4/-. The other two sketches 'The First Newsboy To Cry War Over' and 'A London Policeman' were given to Capt. Young by the artist - Sheila E. Young 16th Septr 1948'
A COLLECTION OF OVER THIRTY-FIVE POP MUSIC TOUR / CONCERT PROGRAMMES, to include Rolling Stones Tour of Europe 1976, Rolling Stones Black and Blue, David Bowie Glass Spider Tour, ZZ Top Rocking The Castle, Yes World Tour 1977, Yes World Tour 1984, Thin Lizzy 1977, Thin Lizzy 1979, Marillion 1986, Marillion 1987/1988, Genesis Invisible Tour, Genesis We Can't Dance Tour, AC/DC 1986, AC/DC 1988, AC/DC1990/91, Monsters of Rock 1991, seven x Status Quo, to include 1982, 1997/1998, Rocking All Over The World and You're In The Army Now, Bruce Springsteen Born In The USA, Prince, ELO 1978, Bad Company 1979. three x Reading Festival to include 1990 and Glastonbury 2002
Aethelred II (978-1016), silver long cross Penny (c.997-1003), Barnstaple Mint, Moneyer Byrhsige, draped bust left, legend and beaded outer border surrounding both sides, legend commences lower left, +ÆÐELRÆD REX ANGLO, rev. long voided cross with tri-crescent ends, +BYR HSIG E M.O BARD, weight 1.45g (BMC IV, 3 as Bardney; BEH 15; SCBI 11:79 Stockholm; N.774; S.1151). Toned, one small rim chip, a couple of peck marks on reverse, otherwise good very fine and rare, with a great provenance.North lists 73 named mints in operation during the reign of Aethelred II with a further 14 unallocated. Barnstaple operates with seven moneyers in all types except first small cross at the start. Though Aethelred enjoyed such a long reign he was known as "The Unready" literally meaning ill-counselled from a history of bad advice and decision making. Born circa 967 Aethelred was supported by his mother and partisans that were led by Earl Aelfhere of Mercia; ascending the throne at no more than 12 years of age after the murder of his Half-Brother Edward at Corfe. The influential Aelfhere having died in 983 meant Aethelred became more vulnerable, and the Vikings began to start their raids once again. Aethelred chose to pay off the raiders rather than resist, becoming known for giving such ransoms payments willingly. This meant many hundreds of thousands of coins ended up being taken to Scandanavia where they were hoarded and why much of the coinage that survives today often exhibits "peck marks" where the Viking bankers have inserted a knife point to make sure the metal quality was good. The harrying continued until Swein Forkebeard held a great swathe of England by 1013, and Aethelred was under threat in London retreating to the Isle of Wight. England submitted to Swein but he died suddenly on the 2nd February 1014 at Gainsborough giving Aethelred the advantage and driving the Vikings out. Canute the second son of Swein, returned to attack in 1015 and by early 1016 was marching on Mercia, Aethelred however passed away on 23rd April 1016 in London at around the age of 52 just as his second son Edmund was moving south to link up with the army. Edmund was elected King but the army was his priority, and after winning a few battles suffered a defeat at Ashingdon on 18th October 1016. He retreated possibly wounded to West Mercia and negotiated a treaty giving him rule of Wessex. However Edmund died in Oxford on the 30th November 1016 giving control to Canute.Barnstaple is a seaport nearly 40 miles north west of Exeter on the River Taw estuary and is mentioned in the Burghal Hidage. Aethelstan is said to have driven the Danes over the Taw and lived in a palace at Barnstaple. The castle there was probably built by Joel of Totnes in the reign of William I, who also founded a Cluniac monastery dedicated to St Mary Magdalene. The legends translate as "Aethelred, King of the English" and "Byrhsige of Barnstaple."Provenance:Ex Richard Cyril Lockett, English part I, Glendining, 6-9th June 1955, lot 699.Ex F. Elmore-Jones, Glendining, 12-13th ay 1971, lot 68.Ex Spink Numismatic Circular July 1980, item 6269.
William I (1066-87), silver Penny, mule of two sceptre type (1071-74?) and two stars type (1074-77?), Lincoln Mint, moneyer Sigaerith, facing crowned bust with sceptre each side above shoulder, all within linear circle, legend commences at top with outer beaded circle surrounding both sides, +PILEM REX ANG, rev. annulet at centre of cross bottonnée, over quadrilateral with incurved sides, +SIGIIERIÐ OII LIIIC, weight 1.29g (Mossop plate LXXXI, 1, 20; BMC type IV/V -/330; N.844/845; S.1253/1254). Toned, weak in parts, very fine and one of only two known examples of this extremely rare mule that was unknown at the time the British Museum Catalogue of Norman Kings was published.The legends translate as "William, King of the English " and on the reverse "Siguerith of Lincoln" North records up to 26 moneyers working at Lincoln in this reign in all types.Mules of the two sceptres and two stars type are extremely rare as a numismatic phenomenon across all the mints of William I there are only two other occurrences first at the Hereford Mint under moneyer Aethelwine, of which two examples are on the Early Medieval Corpus and another at the Ipswich mint of moneyer Aegelbriht. The only other known example of this mule offered herewith, is that recorded in "The Lincoln Mint c.890-1279" by H. R. Mossop where the plate referenced above can be found and this coin appears on the Early Medieval Corpus as 1027.0847.Muling of dies can occur for a number of theoretical reasons but most likely boils down to availability of dies and a demand to strike coin, or perhaps an error in pairing dies at the time of die change, which occurred on a regular cyclical basis in the reign of William the Conquerer.The City of Lincoln situated on the north bank of the River Witham some 33 miles north east of Nottingham was occupied by the Danes in 918 but the army there submitted to Edward the Elder and in 942 was one of the Five Boroughs. William I built a castle here in 1067 and the minster of St Mary was taken by Remigius of Dorchester as his cathedral in 1072. Later Rannulf the Earl of Chester and William de Roumare Earl of Loncoln, seized the castle to hold against King Stephen in 1140. The King besieged the castle and was captured in defeat at the Battle of Lincoln with the town sacked and burnt. The castle was later surrendered to Stephen by Rannulf who three years later granted it back to him.Minting activity is thought to commence here with the "St Martin" coinage and then from Eadred to Henry III. In the middle of the reign of Henry I the signature of the Lincoln Mint changes to NICOLE until the end of Stephen's first type and in some later short cross coinage, this being a French name for the city seen in some mediaeval documents, with Lincolnia being the name in Latin. Provenance:Ex Lockdales Auction 175, 28th March 2020, lot 1534.
Canute (1016-35), silver short cross Penny (1029-35), Nottingham Mint, Moneyer Blacaman, diademed bust left with sceptre, legend surrounding commencing at top, CNV .T REX.:, rev. pellet in annulet at centre of voided short cross, linear circles and legend surrounding, +BLACANON ON SN, weight 0.97g (SCBI Copenhagen 15:3469; BMC type XVI 516; N.790; S.1159). Lightly toned, good very fine to almost extremely fine and very rare.The legends translate as "Canute King" on obverse and on the reverse "Blacaman of Nottingham."Despite Canute being essentially a Viking King from overseas, the coinages of England continued in a similar vein to those of Aethelred II, in that the types changed every six years, meaning there are three main types for this reign, of which the quatrefoil type was the first. According to North there were up to 74 mints in operation with perhaps four other enigmatic places that remain uncertain. Nottingham operated with up to five moneyers in this reign through four types.Canute could have been as young as 21 when he ascended the English throne after the 28th November 1016 upon the death of Edmund "Ironside" at Oxford. Though Edmund son of Aethelred II had a younger brother and two infant sons his advisers recognized Canute as successor. Though his birth date is not known, Canute was a commander in his Father's army from 1012, and at first had to settle a number of uprisings amongst the nobility and others, which he quelled by maintaining a large army and navy from heavy taxation. He kept Wessex at first for himself whilst dividing up other areas for regional government under trusted Danish allies. Canute had married Aelfgifu daughter of Ealdorman Aelfhelm of Northumbria, but set her aside to marry Aethelred's widow Emma in 1017 who had fled to Normandy, and this latter union helped maintain the political continuity and tradition of English Kingship. Harald of Denmark died childless in 1018 and Canute used his English troops and finance to extend power to Scandanvia making his infant son Harthacanute titular Governor and heir of Denmark. Canute attempted to invade Sweden, and actually took Norway in 1028 having had a pilgrimage to Rome the year before. Canute left his eldest son by Aelfgifu, Swein to rule Norway and was now the most powerful King of England ever at this time and is likely when the apocryphal story of him trying to vainly order the coastal tide to turn and retreat in front of his courtiers emerged. However, Norway was lost by 1034, Canute did not respond, and he passed away suddenly at Shaftesbury in his mid-forties on the 12th November 1035. Situated on the River Trent some 15 miles east of Derby, Nottingham was occupied by the Danes in 868 and became one of the Five Boroughs. Having been reduced by Edward the Elder in 922, Nottingham was retaken by Eadmund in 941. The Norman castle was built in a steep rocky hill south of the town in 1067 and during the anarchy was held for the Empress Matilda by William Peverel who later changed allegiance. Robert of Gloucester sacked the town in 1140 and the castle surrendered to Matilda in the year following. Minting activity occurs from the reign of Aethelstan until King Stephen.Provenance:Ex Classical Numismatic Group webshop, June 2020.
Aethelred II (978-1016), silver Penny, small CRVX type (c.991-997), Melton Mowbray Mint, Moneyer Cetel, draped bust left with sceptre, linear circle and legend surrounding, commences at top, +ÆÐELRED REX ANGLOR, rev. voided cross within linear circle, CRVX letters in consecutive angles, +CETEL M-O MEÐEL., weight 1.13g (BMC III; BEH -; N.770; S.1149). Toned, with a nice portrait and clear Mint reading, good very fine and extremely rare, this being the better quality example of the two in private hands.The mint of Melton Mowbray was only positively identified in a year 2000 article in the British Numismatic Journal volume 70 by Dr Mark Blackburn recording a coin found in 1999 at Easton Hampshire, with a full mint reading of MEÐELTV of the moneyer Hilde. This coin was subsequently acquired by the Fitzwilliam Museum and previous to that discovery it had been suggested by Michael Dolley that MEÐEL or similar readings, were from Peterborough and its Abbey which was known as Medeshampstead until late in the Tenth Century. At that time of writing based upon the physical evidence of a fragmentary coin of first-hand type of Aethelred II and coupled with known minting rights that the Abbot at Peterborough had been granted since 972, the subsequent theory was based on this being of the moneyer Hilde, having had links to Stamford. There had been an unknown type coin of Aethelred II reading PIZTAN at MEÐEL recorded in a mid-19th Century hoard from the Shetland Islands since lost, but this was partly dismissed by Dolley on the basis it was a probable misreading. A third coin of MEÐEL was identified in the Berlin Collection of Canute's quatrefoil type, moneyer Leofdaeg of Lincoln style. Therefore, this coin from the more recent Suffolk hoard and one other of this moneyer are likely the fourth and fifth coins known of this mint and the only ones that a collector can possibly own.Though Aethelred enjoyed such a long reign he was known as "The Unready" literally meaning ill-counselled from a history of bad advice and decision making. Born circa 967 Aethelred was supported by his mother and partisans that were led by Earl Aelfhere of Mercia; ascending the throne at no more than 12 years of age after the murder of his Half-Brother Edward at Corfe. The influential Aelfhere having died in 983 meant Aethelred became more vulnerable, and the Vikings began to start their raids once again. Aethelred chose to pay off the raiders rather than resist, becoming known for giving such ransoms payments willingly. This meant many hundreds of thousands of coins ended up being taken to Scandanavia where they were hoarded and why much of the coinage that survives today often exhibits "peck marks" where the Viking bankers have inserted a knife point to make sure the metal quality was good. The harrying continued until Swein Forkebeard held a great swathe of England by 1013, and Aethelred was under threat in London retreating to the Isle of Wight. England submitted to Swein but he died suddenly on the 2nd February 1014 at Gainsborough giving Aethelred the advantage and driving the Vikings out. Canute the second son of Swein, returned to attack in 1015 and by early 1016 was marching on Mercia, Aethelred however passed away on 23rd April 1016 in London at around the age of 52 just as his second son Edmund was moving south to link up with the army. Edmund was elected King, but the army was his priority, and after winning a few battles suffered a defeat at Ashingdon on 18th October 1016. He retreated possibly wounded to West Mercia and negotiated a treaty giving him rule of Wessex. However, Edmund died in Oxford on the 30th November 1016 giving control to Canute.Melton Mowbray on the River Eye is situated 19 miles north east of Leicester and there is evidence of early Anglo-Saxon settlement from the eighth century onward.The legends translate as "Aethelred King of the English" on obverse and "Cetel of Melton Mowbray" on the reverse.Provenance:Ex Millennium Hoard, Suffolk, Dix Noonan and Webb, Auction 165, 4th December 2019, lot 36.
THE POULTRY CLUB; A Hallmarked Silver Medallion, allover high relief design, reverse states "THE POULTRY CLUB" "founded 1977" engraved cartouche "NELSON SHOW" "PRESENTED TO F.BROWN 1928", another with vacant cartouche, both in original "J.A.RESTALL, JEWELLER, SILVERSMITH&MEDALLIST" "BIRMINGHAM" fitted cases, another similar, together with a small collection of military related items, including a boxed Festival of Britain crown piece, two RAF cap badges, US Army Air Force pilot wings style badge, two matchbox covers/holders, etc
* JANKEL ADLER (POLISH 1895 - 1949), FIGURE (OPUS 104) watercolour on paper, signed, titled label verso mounted, framed and under glass image size 48cm x 35cm, overall size 67cm x 53cm Labels verso: Gimpel Fils, London.Note: Polish painter. He was born at Tuszyn, near Łódź, and studied in Germany at the School of Arts and Crafts in Barmen (now part of Wuppertal), 1913–14. In about 1922 he settled in Düsseldorf, where he became a friend of Paul Klee and painted several murals, including frescos for the Planetarium. He left Germany in 1933 because of the rise of Nazism and travelled widely in the next few years, living mainly in Paris, where he worked with Hayter at Atelier 17. On the outbreak of war he joined the Polish army in France and in 1940 was evacuated to Britain, where he lived for the rest of his life, first in Scotland and then from 1943 in London. Adler was primarily a figure painter, best known for his portrayals of Jewish life in Poland (as a youth he had considered becoming a rabbi). His style in his mature work was eclectic and expressionistic, influenced by Klee and Picasso. In turn his cosmopolitanism was a stimulus against wartime isolation for several young British artists, notably Colquhoun and MacBryde (in the mid-1940s Adler shared a house with them in Bedford Gardens, London).
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), STORM BEACH watercolour on paper, signed, titled label versomounted, framed and under glassimage size 25cm x 33cm, overall size 47cm x 53cm Artist's label verso.Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.
* JAMES WATT RGI (SCOTTISH 1931 - 2022), COAST WITH LIGHTHOUSE oil on canvas, signed framed and under glass image size 41cm x 66cm, overall size 58cm x 84cm Note: James Watt was born in Port Glasgow in 1931 to Alexander Watt and his wife Isabella (nee Hooper). His entire family, including his grandfather, and everybody he knew, were in shipbuilding. He was always passionate about boats. He believed he was very lucky. "I was in the right place at the right time. I caught the tail-end of the Clydeside shipbuilding boom in the 1950s. Shipyards had full order-books and the river teemed with craft of every sort. So I always had a subject”. His paintings are in a formidable array of collections – including those of HM The Queen and Prince Philip, The Princess Royal, The Arts Council, The Hunterian, Glasgow Museums, Paisley Museum & Art Gallery, IBM, Britoil, the Danish Embassy, Yarrow Shipbuilders, McKean Museum and Art Gallery, Clyde Shipping Co, the Royal Bank of Scotland and also the town council in the Faroes. Watt went to Glasgow School of Art for four years where he was taught by Ted Odling, Douglas Percy Bliss, and David Donaldson. In 1958 he was one of 13 founders of the Glasgow Group, an artists' co-operative which continues to this day. Irritated by the conformist, unadventurous policies of local exhibiting societies like the Royal Scottish Academy and the RGI, and at the dearth of commercial outlets in the city, they got together with other GSA students and graduates to exhibit at Glasgow’s then-beautiful McLellan Galleries. The Glasgow Group was the Transmission Gallery of its day. After two years National Service in the army, from 1955 to 1957 he became an art teacher, and a much-beloved one at that. He was noted for his kindness and good counsel, and one former student says of him: "I had pretty much zero talent but he sparked a lifelong love and interest in art." Another remembered “His was the fastest-moving Volvo down the school drive. He was some man." Later Watt became a member of the RGI and was elected a member of Society of Scottish Artists in 1965. In 1997 he received The Royal Bank of Scotland Award at the Glasgow Institute. He dedicated much of his life to recording the River Clyde and its industries, and his vast body of work forms a vital archive of the river. Greenock's McLean Museum and Art Gallery exhibition, The Lost Clyde: The Paintings of James Watt, was mounted to celebrate his 90th birthday. James was also the father of Alison Watt OBE FRSE RSA, one of Britain's best-known painters.
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), BROKEN EDGE watercolour on paper, signed, titled label versomounted, framed and under glassimage size 43cm x 59cm, overall size 70cm x 85cmNote: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.
* JANKEL ADLER (POLISH 1895 - 1949), STANDING FIGURE (OPUS 119) pen and ink on paper, signed and dated 1945, titled label versomounted, framed and under glass image size 50cm x 11cm, overall size 71cm x 31cm Label verso: Gimpel FIls, London.Note: Polish painter. He was born at Tuszyn, near Łódź, and studied in Germany at the School of Arts and Crafts in Barmen (now part of Wuppertal), 1913–14. In about 1922 he settled in Düsseldorf, where he became a friend of Paul Klee and painted several murals, including frescos for the Planetarium. He left Germany in 1933 because of the rise of Nazism and travelled widely in the next few years, living mainly in Paris, where he worked with Hayter at Atelier 17. On the outbreak of war he joined the Polish army in France and in 1940 was evacuated to Britain, where he lived for the rest of his life, first in Scotland and then from 1943 in London. Adler was primarily a figure painter, best known for his portrayals of Jewish life in Poland (as a youth he had considered becoming a rabbi). His style in his mature work was eclectic and expressionistic, influenced by Klee and Picasso. In turn his cosmopolitanism was a stimulus against wartime isolation for several young British artists, notably Colquhoun and MacBryde (in the mid-1940s Adler shared a house with them in Bedford Gardens, London).
* JAMES WATT RGI (SCOTTISH 1931 - 2022), DORUS MHOR oil on canvas, signed, titled and dated 1983 versoframedimage size 31cm x 46cm, overall size 44cm x 59cm Note: James Watt was born in Port Glasgow in 1931 to Alexander Watt and his wife Isabella (nee Hooper). His entire family, including his grandfather, and everybody he knew, were in shipbuilding. He was always passionate about boats. He believed he was very lucky. "I was in the right place at the right time. I caught the tail-end of the Clydeside shipbuilding boom in the 1950s. Shipyards had full order-books and the river teemed with craft of every sort. So I always had a subject”. His paintings are in a formidable array of collections – including those of HM The Queen and Prince Philip, The Princess Royal, The Arts Council, The Hunterian, Glasgow Museums, Paisley Museum & Art Gallery, IBM, Britoil, the Danish Embassy, Yarrow Shipbuilders, McKean Museum and Art Gallery, Clyde Shipping Co, the Royal Bank of Scotland and also the town council in the Faroes. Watt went to Glasgow School of Art for four years where he was taught by Ted Odling, Douglas Percy Bliss, and David Donaldson. In 1958 he was one of 13 founders of the Glasgow Group, an artists' co-operative which continues to this day. Irritated by the conformist, unadventurous policies of local exhibiting societies like the Royal Scottish Academy and the RGI, and at the dearth of commercial outlets in the city, they got together with other GSA students and graduates to exhibit at Glasgow’s then-beautiful McLellan Galleries. The Glasgow Group was the Transmission Gallery of its day. After two years National Service in the army, from 1955 to 1957 he became an art teacher, and a much-beloved one at that. He was noted for his kindness and good counsel, and one former student says of him: "I had pretty much zero talent but he sparked a lifelong love and interest in art." Another remembered “His was the fastest-moving Volvo down the school drive. He was some man." Later Watt became a member of the RGI and was elected a member of Society of Scottish Artists in 1965. In 1997 he received The Royal Bank of Scotland Award at the Glasgow Institute. He dedicated much of his life to recording the River Clyde and its industries, and his vast body of work forms a vital archive of the river. Greenock's McLean Museum and Art Gallery exhibition, The Lost Clyde: The Paintings of James Watt, was mounted to celebrate his 90th birthday. James was also the father of Alison Watt OBE FRSE RSA, one of Britain's best-known painters.
* ROBERT HENDERSON BLYTH (BRITISH 1919 - 1970), VILLAGE watercolour on paper, signedmounted, framed and under glassimage size 27cm x 35.5cm, overall size 52cm x 56cmNote: Born in Glasgow he studied at the Glasgow School of Art from 1934 to 1939. In 1941, Henderson Blyth joined the Royal Army Medical Corps and served with them until the end of the Second World War. During the war, Henderson Blyth continued to paint and sketch despite being on active service, producing works often influenced by his experiences. Four paintings produced from this period were acquired by the War Artists' Advisory Committee. In 1946, Henderson Blyth began teaching at the Edinburgh School of Art and became an artist in residence at the acclaimed Hospitalfield House. In 1954, Henderson Blyth moved to Aberdeen to take a post at Gray's School of Art, where he became Head of Drawing in 1960, a post he maintained until his death in 1970. The Scottish Arts Council organised a memorial exhibition to Blyth which toured Scotland during 1972. 35 of his paintings are held in UK public collections.
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), ARRIVING TIDE watercolour on paper, signed, titled label versomounted, framed and under glass image sie 36cm x 47cm, overall size 61cm x 71cm Artist's label verso.Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.
* DOUGLAS PHILLIPS (SCOTTISH 1926 - 2012), SWEET NIGHT AIR oil on board, signed, titled labels versomounted, framed and under glass image size 15cm x 19cm, overall size 32cm x 36cm Handwritten artist's label versoExhibition label verso: The Art Of Giving, Christmas Exhibition, December '87, The Scottish Gallery, EdinburghNote: Douglas Phillips was born and brought up in Dundee. He studied at the former Dundee Art College in Bell Street before being called up to the army towards the end of the Second World War for service in India and Ceylon. On returning to Dundee he began work in the art department of DC Thomson where he illustrated for The Rover and The Victor, amongst others. After leaving D C Thomson’s went on to illustrate over 100 books but also continued to maintain a connection with the company, featuring in more than one thousand issues of The People’s Friend as the pen and brush of J Campbell Kerr. He also documented old Dundee with his lively pen and ink drawings and book collaborations with the late journalist, broadcaster and Courier columnist Ron Thompson. Latterly he followed in the footsteps of two artists he greatly admired, Joan Eardley and his good friend Lil Neilson, producing vibrant, expressive paintings of Catterline and the East Coast of Scotland which he loved so much. His work is held in public and private collections worldwide.
A Victorian South Africa medal with 1878-9 clasp and ribbon. Awarded to 1072 Pte William Hurd of the 80th Regiment of Foot of the Staffordshire Volunteers (marked). Born in 1859 in Hanley, Staffordshire, William enlisted on 11th June 1877. The regiment was sent to Natal in 1877, with William joining in 1878, where the regiment fought in the Ninth Cape Frontier War (1877-79) and then the Zulu War (1879), including the Battle of Ulundi (1879). In 1881, the regiment was amalgamated with the 38th (1st Staffordshire) Regiment to form The South Staffordshire Regiment. William moved to Army Reserve in 1883.
Revell, a boxed earlier issue harder to find group of plastic military kits comprising of H-549:169 Martin Lacrosse Rocket With Mobile Launcher, H-1814 Aerobee Hi Record Breaking Research Rocket along with H-547:98 US Army Tactical Rockets Set "Little John". Although unchecked for completeness or pre painted/pre assembled, conditions appear to be Fair to Good in generally Fair to Good boxes with crushing, scuffing etc. See photos.
Two Limoges porcelain coffee cans and saucers, one with ornate cobalt blue and gilt pattern, with hallmarked silver gilt holder cast as flowers and vines, hallmarked by Army & Navy Cooperative Society Ltd, London, 1906, other with elaborate red and gilt pattern, also with hallmarked silver holder by Adie Bros. (2) Further details: some wear and loss to gilding.
A collection of mixed six mixed porcelain coffee cans and saucers, one cobalt blue and gilt design, one green ground and gilt, black and white transfer, pink ground and others, varying manufacturers including Crown Staffordshire, Hammersley, Shelley, Coalport etc, all encased in hallmarked silver holders, by Army & Navy Cooperative Society, Deakin & Francis, CS Green & Co, Mappin & Webb and others. (6) Further details: Crown Staffordshire example cracked; slight loss to gilding and wear.
A collection of ten Coalport coffee cans and saucers, varying designs and colourways, four in cobalt blue and gilt pattern, three green ground, one pink and gilt, others with banner effect floral designs, all encased in hallmarked silver holders, various makers including Army & Navy Cooperative Society, Alexander Clark & Co, Goldsmiths & Silversmiths Co and others, one being silver plated holder. (10) Further details: one cobalt blue example with glued repairs of breakages to cup, some crazed, wear and loss to gilding.
A collection of seven Aynsley coffee cans and saucers, of varying designs and colourways to include; three with cobalt blue, gilt and painted designs, one with floral banners and cobalt blue rims; floral decorated and others, all encased with hallmarked silver holders, various makers including Walker & Hall, Army & Navy Cooperative Society, CS Green & Co, James Deakin & Sons, (one holder not fitting can properly) and an odd single saucer. (8) Further details: slight loss to gilding and wear.
A collection of six Aynsley coffee cans and saucers, of varying designs and colourways to include; a cobalt blue and gilt rimmed example, black and white classical designed example, decorative floral example and others, all encased with hallmarked silver holders, various makers including Deakin & Francis, Army & Navy Cooperative Society, Docker & Burn and others. (6) Further details: slight loss to gilding, wear, slight scratches.
A terracotta warrior head sculpture, inspired by the famed Terracotta Army of Qin Shi Huang, the first Emperor of China. The detailed facial features, textured hair, and topknot reflect the distinct craftsmanship associated with these historical artifacts. The base bears a museum mark from the Qin Shi Huang Museum, indicating it may be a replica or souvenir piece associated with the museum collection. The hollow construction is consistent with traditional terracotta techniques.Issued: 20th centuryDimensions: 6"HCondition: Age related wear.
Kate Bush: A collection of autographed items-the first; autographed letter written by Kate Bush to the vendor, dated 1st October 1980, the letter reads "Dear John, Thank you for your lovely letter. It was great to hear from you. Thanks for the photo too! I'm sure my Ma didn't mind you paying a visit, she thought you were nice, and as long as our dwelling remains discreet with you - there's NO problem. I'm really glad you enjoy my music - that means a lot. Hope you're well and happy. Lots of love Kate Bush xxxx";the second; autographed copy of "Army Dreamers", awarded to the vendor for winning the "Breathing" completion, the vinyl cover note reads "To dear John, Congratulations! Love Kate Bush xxx";the third; Lionheart/ Tour of Life programme, autographed by the stage performers touring with Bush, awarded to the vendor for winning a fan club competition, signed by Preston Heyman, Paddy Bush, Del Palmer, Brian Bath, Liz Pearson, Kevin McAlea, Ben Barson, Simon Drake, Alan Murphy, Stewart Avon Arnold, Glenys Grooves, and Gary Hurst, within an illustrated folder with club note, three tour postcards, and four flyers;together with related ephemera including - The Kate Bush Club Magazine #2 and #8, The Kate Bush Club welcome note, welcome letter, membership card, merchandise list, and a concert ticket for Kate Bush at Usher Hall Edinburgh on Friday 13 April 1979 at 8.00 pm. This item has not been authenticated, please satisfy yourself as to the veracity of this item prior to bidding Please satisfy yourself as to the veracity of this item prior to bidding
LEO DAVY (BRITISH 1924-1979) ⊕ LEO DAVY (BRITISH 1924-1979)CONCEPTsigned DAVY / 52 on the reverseoil on board61 x 30cm; 24 x 11 3/4in unframedLEO DAVY (LOTS 88-95) IntroductionThere have been those who seem to have been artists, almost it appears from the day of their birth; such people are incapable of deviating from their natural and compulsive obsession in a world of their own, a world in which their lives are entirely consistent with their work and their being are one and the same thing. Leo Davy was one of these. Sir Kyffin WilliamsBorn on Ilkley Moor, West Yorkshire, Davey was one of nine children. He refused to attend school with his siblings and instead was home schooled by his painter-art teacher father and musician mother. He became an accomplished artist and pianist early in his life and in his teens Davy entered one of his drawings into a national newspaper art competition; he won and at the age of 14 enrolled in the Kingston School of Art under Reginald Brill. Unable to be conscripted due to his inherited deafness, in 1942 he started at the Slade which had been evacuated to Oxford during the Blitz. One of only a few male students and with a keen interest in philosophy, Davy often sneaked into the university to attend lectures and made many friends among the philosophy students. Art was for him a philosophical enquiry. It was at the Slade that Davy met Kyffin Williams who had been invalided out of the army. Both men later became teachers, and lived for a while in Highgate North London. Williams was appointed Head of Art at Highgate School but Davy left teaching to concentrate on his art.Often described as an outsider or unconventional in his approach to life he communicated best through his work. His art was a very personal manifestation of himself - his maxim being ‘to paint as only I can paint.’ Determined not to make a living from his painting he worked as a toolmaker and tomato picker while living in an abandoned coastguard’s cottage in Lancing and later became an accomplished framer and gilder, firstly in London and then living on the north Cornish coast with his wife Antonia. Davy spent most of his life surviving with very little money, moving from garret to garret in London as the archetypal bohemian artist. For the majority of his life he shieded away from the art world and was hostile to showing his work. In fact, he rarely exhibited at all and sometimes turned down prospective purchasers for his deeply personal works. However, in 1950 Davy’s work was included in a summer show at Gimpel Fils alongside the pre-eminent artists of the day including William Gear, Victor Pasmore, Prunella Clough, Alan Davie and Patrick Heron. Having spent most of his life refusing to travel in his later life he did visit Paris twice with Antonia. He was mesmerised by the city. Davy died unexpectedly of a heart attack at his home in North Cornwall in 1987.This work is unframed. There is some accumulated mould across the surface, particularly located in the areas of black paint, likely caused by humidity during storage. This could benefit from a surface-clean and varnish. Otherwise this work is in good original condition. This work has been examined under ultraviolet light and there is no sign of restoration.
GEORGE MAYER-MARTON (HUNGARIAN 1897-1960) ⊕ GEORGE MAYER-MARTON (HUNGARIAN 1897-1960) EVENING OVER THE FUNFAIR watercolour on paper 39.5 x 57.5cm; 15 1/2 x 22 3/4in unframed Painted in 1951. GEORGE MAYER-MARTON (LOTS 1-8) Introduction HIS APPEARANCE, ACCENT AND MANNER SPOKE OF A LOST AND TO US LARGELY UNKNOWN MITTELEUROPA. Always meticulously dressed in a suit and wearing a hat and polished shoes, he would arrive in the college with his leather briefcase and don his professional white coat. In Their Safe Haven', Hungarian artists in Britain from the 1930s, compiled and edited by Robert Waterhouse, the bleak story of George Mayer-Marton's dispossession is graphically pieced together from the artist's diaries and first hand accounts. Born in Györ, North Hungary, the artist's formative years had largely been spent in Austria and Germany. During the First World War he had served on the front line in the Austrian army, and - leading up to the Anschluss - he lived in Vienna, happily married and, as vice-president of the Hagenbund, he was a leading voice among contemporary artists. But with Hitler's annexation of the country at the end of September 1938 with Grete his wife he fled Vienna for London. Mayer-Marton's diaries evoke with withering honesty the reception he received and his despairing sense of dislocation: 'For the moment, London spells turmoil, noise, rows of double decker buses and a language one doesn't understand... We observe the English art of 'splendid isolation', their culture of bureaucratic niceties, good manners and cold souls; their complete consideration for others out of consideration for their own piece and quiet.' (Waterhouse, p. 74). Eventually the couple set up home and a studio in St John's Wood, only for the premises to be hit by an incendiary bomb in 1940 during the Blitz. In the ensuing fire Mayer-Marton lost the vast majority of the work he had brought with him. At the end of the War he learnt of the murder of his and Grete's parents together with his brother in the Holocaust. Unsurprisingly these horrors took a mental toll: all too much for Grete, she suffered a nervous breakdown and died in a psychiatric hospital in Epsom in 1952. Yet, despite such a succession of tragedies, Mayer-Marton remained resolutely determined. He strove to replace the works lost in the London bombing, not simply with copies but because he felt challenged by the very different light and landscape of the British countryside, his lightness of touch and deftness of colour are abundantly apparent in the present selection of works. He was also appointed a senior lecturer at Liverpool College of Art, a post in which he flourished. His Liverpool students recalled Mayer-Marton's innovative approach to teaching. He introduced weekly 'Socratic method' seminars, challenging students with rhetorical questions ranging from 'Kant's moral imperative to Schopenhauer's aesthetic theory, the scientific ideas of Einstein, concepts of the primitive in art, abstraction, expressionism, the medieval guilds and so on... these seminars were a decade before the history and theory of art were incorporated into art school curricula in the 1960s' (Waterhouse, pp. 212-213). In Liverpool he also introduced new technical know-how, in particular fresco painting and the re-introduction of Byzantine-style mosaic practices. These he deployed in a series of large scale ecclesiastical commissions in the north-west, including the large Crucifixion mural at the former church of the Holy Rosary, Oldham (1955), Pentecost now in Liverpool Metropolitan Cathedral, and the Crowning of St Clare at St Clare's Church, Blackley. Small dogear upper left corner. There is slight wear to edges of paper. Otherwise this work is in good original condition.
PICQUART GEORGES: (1854-1914) French Army officer who served as Minister of War 1906-09 and is remembered for his role in the Dreyfus Affair, in which he played a key role in uncovering the real culprit. A.N.S., with his initials GP, to the recto of his personal printed oblong 12mo Visiting Card, featuring his printed name to the centre and address at Rue Yvon Villarceau at the base, n.p. (Paris?), n.d. (c.1906-13), to Armand Fallieres, in French. Picquart states that he will have the honour of accepting an invitation from the President of the Republic and their wife for 17th March. About EXArmand Fallieres (1841-1931) French statesman who served as President of France 1906-13.
PHILIP IV: (1605-1665) King of Spain 1621-65 and King Philip III of Portugal 1621-40. A very fine D.S., `Yo el Rey´, one page, large folio, Madrid, 23rd April 1632, addressed to the Duke of Feria, in Spanish. The heading the document states ''Don Phellipe, by the Grace of God, King of Castile, of Leon, Aragon, the Two Sicilies, of Jerusalem, Portugal, Navarre and the Indias, Archduke of Austria, Duke of Milan, Bourgogne and Brabant, Count of Habsbourg, Flanders and Tyrol''. The King orders the Duke of Feria, member of the council of State, to pay Eugenio Morante de la Madriz, his Secretary in Milan, an increase of salary, stating in part `Teniendo consideración que por ser corto el salario que Eugenio Morante de la Madriz, mi secretario goza en la ocupación de los papeles de la Secretaria de Milan donde hace muchos años que es el oficial mas antiguo de ella, y que no tiene lo necesario para poderse sustentar le he mandado socorrer con doscientos ducados Castellanos en cada uno de los años pasados por via de ayuda y librados en ese Estado, y siendo justo continuarselos por las mismas consideraciones y satisfacción que tengo de la asistencia y cuidado con que me sirve, he tenido por bien que se libren en el dicho Estado los del año pasado...´ (''Translation: "Considering that the salary that Eugenio Morante de la Madriz, my secretary, enjoys in the occupation of the papers of the Secretariat of Milan, where he has been the first senior official for many years, and that he does not have what is necessary to support himself, I have ordered that I help him with two hundred Castilian ducats in each of the past years by way of aid and delivered in that State, and it being fair to continue them for the same considerations and satisfaction that I have for the assistance and care with which he serves me, I have considered it good that those of last year be delivered in the said State...") Countersigned at the base by the secretary Antonio Carnero. Bearing a very large and attractive Royal paper seal affixed to the verso. Very small overall minor age wear to the right edge and two extremely small tears not affecting the text or signature, otherwise G to VGGómez Suárez de Figueroa y Córdoba (1587-1634) Spanish Nobleman, State counselor of the King, Diplomat and army Commander. 3rd Duke of Feria and 2nd Marquis of Villalba. Best known as the "Gran Duque de Feria" for his military skills. He is regarded as one of the last and more important military commanders of the Spanish Empire. The Duke of Feria was also appointed Viceroy of Valencia and Catalonia as well as Governor of Milan.
![[THE MAN IN THE IRON MASK]: MATTIOLI ERCOLE ANTONIO (1640-1694) Italian politician, a minister in the service of Charles IV,](https://cdn.globalauctionplatform.com/45b0b23d-f22f-42d7-a7e3-b28a016ddfe5/94f84762-480f-4872-987a-b28b010a8eba/468x382.jpg)
[THE MAN IN THE IRON MASK]: MATTIOLI ERCOLE ANTONIO (1640-1694) Italian politician, a minister in the service of Charles IV, Duke of Mantua. Mattioli was kidnapped and imprisoned by King Louis XIV of France, and during much of the 19th century a popular theory abounded that Mattioli was the Man in the Iron Mask. A.L.S., Ercole Mattioli, three pages, folio, Venice, 12th December 1676, to the Duchess of Savoy (´Madama Reale´), in Italian. Mattioli writes a largely social letter to his correspondent, regarding current visitors to Venice, including the Duke of Mantua, measures against the Turks on Zante and the provisioning of the army, the death of some hunters on the mainland from the cold, appointments to ambassadorial posts by the Venetian state, and the work starting on the two opera houses, in part, ´Sono alcuni giorni chi e qui il S. di Mantova; che ha prego ad affitto per Quattro mesi il Pallazzo a Santa Marias Formosa, che gli anni addietro godena il Signore Marchese. Colli continui disordini, che fa e per li infelice sanita che ha, fa molto temere che non sia per perderti......Li quattro Ambasciatori d´obbedienza puo essere che andarano a Roma, se restara stabilito il loro reticcimento nella sala Reggia di S. Pietro conformi qui si pretende.......…essendo in questo porto capitata la galera Morosini sallo che ha condotto... delli armi e di ingegnere sopra la fabrica di quelle fortificazioni... tutti li piu importanti e fortificando quelli che sono piu vicini alli ottomano. La pace di Collonia da molto da temere. Con tall´ocaasione si e inbefo che li indisposizione de Visir e riconoscuita non haver rimedio. Si perdera un gran soggesto di non ordinaria stimo tanto appresso il Sultano, quanto appresso li essercito......…per la prossima settimana si dara principio alla .. dell´opera del teatro di S. Luca e doppo a quella nel teatro Primani a S. Giovanni e Paolo´ (Translation: ´For some days now the Saint of Mantua has been here; he has kindly rented the Palace in Santa Maria Formosa for four months, which years ago was enjoyed by the Lord Marquis. With continuous unrest, and due to his poor health, there is great fear that he will not survive......The four ambassadors may have to go to Rome, if their refusal to enter the hall of St Peter's Palace as requested is upheld.......…as the Morosini galley that he led has arrived in this port... of the weapons and engineer in charge of the construction of those fortifications... all the most important ones and fortifying those that are closest to the Ottomans. The Peace of Cologne is to be feared. On that occasion it was understood that the indisposition of the Vizier was recognised as having no remedy. A great subject of no ordinary esteem, both with the Sultan and with the army, will be lost... ...next week work will begin on the ... of the work of the theatre of S. Luca and after that in the theatre Primani in S. Giovanni e Paolo´). Some very light, extremely minor age wear, and with a small, neat tear to the lower edge of the first page, only very slightly touching a few letters of text, otherwise VGMarie Jeanne Baptiste of Savoy-Nemours (1644-1724) Duchess consort of Savoy 1665-75 and Regent of Savoy 1675-84.
PHILIP II: (1527-1598) King of Spain 1556-98. During his marriage to Queen Mary I of England, he was King of England and Ireland 1554-58. A very fine L.S., `Yo el Rey´, one page, folio, San Lorenzo, Madrid, 29th July 1586, to the Prince of Parma,, in old Spanish. The King sends the present letter to his nephew, Governor and Captain General of Flanders, instructing to increase the monthly payment of Pedro Lobeto, granting four additional escudos per month, stating in part `Por ende, os encargamos y mandamos que deis orden desde el dia de la presentacion de esta carta y en adelante todo el tiempo a Pedro Lobeto que sirviere y residiere en la Infantería Española de los Tercios de Flandes ese mio ejercito y se le libren y paguen los cuatro escudos de ventaja cada mes...´ (Translation: "Therefore, we charge and command you to give orders from the day of presentation of this letter and henceforth for all time to Pedro Lobeto to serve and reside in the Spanish Infantry of the Tercios of Flanders in this army of mine and to free and pay him the four crowns of advantage each month...") Countersigned at the base by the King´s secretary. Bearing beneath the King´s signature a blind embossed Royal seal. Small overall age wear, mostly to edges. With address leaf. G to VG
NAPOLEON I: (1769-1821) Emperor of the French 1804-14, 1815. L.S., `Nap´, a bold ink signature, one page, gilt edges, 4to, at the Palace of Saint Cloud, 30th June 1810, to the Duc de Feltre, in French. The handwritten document is a letter dictated by Napoleon, addressed to his Minister of war, and relates to the besieges of the Spanish cities in Catalogne, Tortosa and Tarragone, including specific orders to his Marshals. Napoleon Bonaparte states in part `Monsieur le duc de Feltre, la prise de Mequinenza facilite beaucoup celle de Tortosa, puisque l´Ebre fournit naturellement le moyen de transporter l´équipage de siège; mais il est indispensable que le duc de Tarente fasse le siège de Tarragone pendant que le général Suchet fera celui de Tortosa. Envoyez un officier près du Duc de Tarente pour savoir ce qu´il faut...´ (Translation: "Monsieur the Duke de Feltre, the capture of Mequinenza greatly facilitates that of Tortosa, since the Ebro river naturally provides the means of transporting the siege crew; but it is essential that the Duke of Taranto makes the siege to Tarragona while General Suchet takes in cahrge the siege to Tortosa. Send an officer to meet the Duke of Taranto in order to know what is needed..." Further, Napoleon sends military orders and clearly explains that he wishes to be informed about anything related to the French armies in Catalogne, saying `Voici la saison où la cavalerie peut vivre partout. Je désire connaitre positivement la situation des choses à cette armée. Il faut qu´elle entre en communication avec l´armée d´Aragon. Le duc de Tarente pourra laisser plus de troupes sur ses derrières pour assurer ses communications avec la France...´ (Translation: "This is the season when the cavalry can live anywhere. I wish to know positively the situation of things in this army. It must enter into communication with the army of Aragon. The Duke of Taranto will be able to leave more troops behind him to ensure his communications with France...") Further again, and to a postscriptum, dated in Rambouillet, 10th July 1810, Napoleon orders to swipe all harvests, stating `Le temps de la récolte est arrivé; si le duc de Tarente reste inactif, l´ennemi la coupera et la renfermera dans ses places fortes. C´est le moment d´approvisionner Barcelone, en fauchant tout autour´ (Translation: "The harvest time has come; if the Duke of Taranto remains inactive, the enemy will collect it and confine it to its strongholds. It is time to supply Barcelona, mowing down everything around") Accompanied by the original small manuscript acknowledgement of receipt. Paper with watermark. VGEtienne Jacques Macdonald (1765-1840) Marshal of France. Duc de Tarante.Louis Gabriel Suchet (1770-1826) Marshal of France. Duc d´Albufera. One of the most brilliant of Napoleon´s Generals. Suchet was appointed commander of the Army of Aragon mentioned in the present letter by Napoleon, and Governor of that region. Within two years, he brought the area into complete submission by wise and skillful administration no less than by his valor. In April 1810, he defeated O´Donnell at the Siege of Lerida, then laid siege to Mequinenza in May, as reported on the present letter. Suchet would capture Tortosa on 2nd January 1811, and for his successful Siege of Tarragona from May to June 1811, Suchet was made a Marshal of the Empire by Napoleon on 8 July 1811.
ROUSSELET DE CHATEAURENAULT FRANCOIS LOUIS: (1637-1716) French Vice Admiral and Marshal of France who saw action in the Franco-Spanish War, the Nine Years´ War and the War of the Spanish Succession. An excellent A.L.S., Chateaurenault, four pages, small 4to, n.p. (Vigo Bay), n.d. (October 1702), to a gentleman, in French. The Vice Admiral commences his letter by stating ´Mr de Gastines Commissaire general ordonnateur a la suite des vaisseaux que j'ai l'honneur de commander doit avoir receu presentement les soixante mil ecus que la Reyne a ordonne pour leur subistance et je vous supplie d´en faire le versement a sa Majeste´ (Translation: ´Mr. de Gastines, Commissioner General, responsible for the ships that I have the honor of commanding, must have now received the sixty thousand crowns that the Queen ordered for their maintenance and I beg you to pay it to Her Majesty´) and continues to send news and intelligence of the current situation, ´Nous sommes icy toujours mouilles dans une tres grande inquietude de ce que les vivres que nous attendons de la Corogne ne peuvent venir icy, les vens contraires les y retenant depuis trois semaines qu´ils y sont charges. Cela est d´autant plus facheux qu´il n´y a point desperance d´avoir de pain en ce lieu ou l´annee a ete mauvaise et le pais peu abondant......Nous avons ete d´autant plus inquiets que nous avons eu l´alarme hier au soir, sur ce qu´il a paru une flote a la vue de cette terre, dans le sens qu´il nous emblait que les vens violens qui avaient regne, avoient du obliger les ennemis de depasser ce lieu quand mesme ils auroient eu dessein d´y venir. Mais apres bien de la peine que j´ai eu cette nuit et le matin, nous avons lieu de croire que c´est la flote du Bresil qu´on a vu. J´ai deux batimens dehors qui m´en doivent donner incessamment des nouvelles. Je ne sceay Monsieur si vous aurez sceu que les ennemis se sont separes sur le cap St. Vincent et que vingt cinq de leurs plus gros et meilleurs vaisseaux renforces d´equipage ont fait la route de l´Amerique, et que le reste de leur armee a fait celle du Nord-Ouest qui est vraysemblablement celle d´Angleterre. Il nous a paru que cette nouvelle nous devoit otter toute inquietude. Cependant nous n´avons rien neglige icy, et le travail des bateries a ete toujours son chemin, parce que ce devoit etre la surete du pais et des vaisseaux de la flote quand nous serons partis d´icy. Sur la nouvelle que j´ai eu qui m´a paru tres certaine que les ennemis allaient a l´Amerique, j´ai cru qu´il etoit d´un service tres important pour la France et l´Espagne que les colonies de l´Amerique des deux Royaumes en fussent avertis. Je crois Monsieur que vous scavez l´etat de nos isles, et particulierement de St Christophe qui d´elle-meme auroit bien de la peine de soutenir la superiorite ou la colonie angloise y est. Il y a mesme d´autres mesures a prendre sur les autres isles. Le gouverneur en est nomme mais il est encor en France......Cela m´a fait prendre le dessein d´envoyer une fregate fraiche carenee premierement a la Martinique pour avertir toutes les isles franciaises, et de la ranger les costes d´Espagne et de bouquer par le canal de bahama pour s´en revenir en France, pendant que l´intendant des isles enverra un peit batiment du port pour donner cette nouvelle a porter a St Dominigue. Je n´attends, pour faire partir le batiment, que les vens propres pour cela et le pain qui luy manque.......Mr Don Juan de Larea Secretaire d´estat des Indes est arrive, et nous luy avons remis Mr de Barbanson et moy tous les registres que des gens de confiance de notre part y avoient fait de tout le debarquement. La pluye qu´il fait presque toujours dehors nous a enpeche qu´on ait envoye......l´argent parce qu´elle se seroit entierement gastee. Presentement Mr de Larea est charge de tout Dieu mercy, mais il sera remarque qu´on n´avoit jamais espere une pareille exactitude. Je ne secay de quel seront les soins de Mr de Larea pour la declaration des effets des ennemis´ (Translation: ´We are still anchored here in great anxiety because the supplies we are expecting from Corunna cannot come here, as the adverse winds have kept them there for the three weeks they have been loaded. This is all the more annoying as there is no hope of having any bread in this place where the year has been bad and the land scarce........We were all the more worried because we were alarmed yesterday evening when we saw this land and it seemed to us that the violent winds that had been prevailing must have forced the enemies to leave this place even if they had intended to come here. But after all the trouble I went through last night and in the morning, we have reason to believe that it was the Brazilian fleet that we saw. I have two boats outside which should give me news shortly. I do not know, Sir, whether you will have learned that the enemies have separated at Cape St. Vincent and that twenty-five of their biggest and best ships, reinforced with crew, have sailed for America, and that the rest of their army has sailed to the north-west, which is probably that of England. It seemed to us that this news should remove all concern. However, we have not neglected anything here, and the work on the batteries has continued, because it should be the safety of the country and of the ships on the water when we leave here. On the news that I had, which seemed very certain to me, that the enemies were going to America, I thought that it would be of very important service to France and Spain if the American colonies of the two Kingdoms were warned. I believe Sir that you are aware of the state of our islands, and in particular of St Christopher, which on its own would have great difficulty in maintaining the superiority of the English colony there. There are even other measures to be taken on the other islands. The governor has been appointed but he is still in France.....This has led me to take the decision to send a freshly tinkered fregate first to Martinique to warn all the French islands, and to stow it on the Spanish coast and to sail through the Bahama channel to return to France, while the intendant of the islands will send a small vessel from the port to deliver this news to be taken to St Dominigue. All I am waiting for to get the ship underway is the necessary funds and the bread it will need.......Mr Don Juan de Larea, Secretary of State for the Indies, has arrived, and we have given him Mr de Barbanson and myself all the registers that people we trusted on our behalf had made of the entire disembarkation. The rain that is almost always falling outside prevented us from sending......the money because it would have spoiled completely. At the moment Mr de Larea is in charge of everything, thank God, but it will be noted that we never expected such accuracy. I am not sure what care Mr de Larea will take in declaring the effects of the enemies´). A rare letter of excellent content, written at the time of the Battle of Vigo Bay in the opening years of the War of the Spanish Succession. Some light age toning and wear and with a few small, neat splits to the lower edges, G
ROMMEL ERWIN: (1891-1944) German Field Marshal of World War II. D.S., Rommel, in pencil, one page, 4to, Africa, 30th January 1942, in German. The typed document is a Verleihungsliste ("Award list") for the Iron Cross of 1stnd Class, and lists an officer, Karl Neumeyer, along with other brief details of his date of birth and his rank, Lieutenant, etc. Signed by Rommel at the base in his capacity as Generaloberst and Oberbefehlshaber of the Panzer Army. With two former binder holes to the left edge, covered to the verso. VG
O´TOOLE PETER: (1932-2013) British actor, an Academy Award nominee for Best Actor on eight occasions, the first being in 1962 for his performance as T. E. Lawrence in Lawrence of Arabia. O´Toole was the recipient of an Academy Honorary Award in 2003. A good signed 8 x 10 photograph of O´Toole in a head and shoulders pose in costume as the British Army officer T. E. Lawrence from the epic biographical adventure drama film Lawrence of Arabia, directed by David Lean. Signed by the actor in blue fountain pen ink with his name alone to a light area at the base of the image. About EX
MASO MARQUEZ BARTOLOME DE JESUS: (1830-1907) Cuban Politician and military Patriot. A main figure of Cuban independence. President of the Cuban ''Republic in Arms'' 1897-98. D.S., `Bart. Masó´, two pages, Cuba, 1st of August 1898, to officer Eligio Fariñas, in Spanish. The partially printed document, bearing the heading ''El Presidente de la Republica de Cuba'', is a military appointment in favour of Eligio Fariñas, appointing him as infantry Lieutenant. Signed at the base by the President of the Republic Bartolomé Masó. The present document is signed during the short period of 12 months that Masó was President. Bearing to the front three blind embossed seals, one of the Liberating Army. With several countersignatures to the verso by several members of the government, including Jose Clemente Vivanco (1873-1946), also bearing several ink stamps of various ministries of the Republic of Cuba. Overall age wear and creasing, mostly to edges. F to G
AMERICAN FIGHTER ACES: Selection of signed printed images of various sizes (8 x 11 and smaller), evidently neatly removed from books or magazines (a few multiple signed), by various United States Army Air Forces fighter aces of World War II, comprising Francis ´Gabby´ Gabreski (3 signatures), Robert Johnson (3 signatures), Hubert Zemke (2 signatures) and Walker ´Bud´ Mahurin. Most of the images depict the pilots in their flying gear or uniforms and one colour image depicts various American fighter aircraft, including the Thunderbolts flown by Gabreski and Johnson. G to VG, 5
FRANCIS I: (1494-1547) King of France 1515-47. A fine and lengthy L.S., Francoys, two pages, folio, Sallèles, 12th September 1542, to François de Tournon, in Middle French. The King acknowledges receipt of his trusted adviser´s letters, and those of the Sieur de Langey, and states that he recognises the need to reinforce Piedmont, remarking ´je suis d’avis de faire présentement une petite dépense pour éviter à une plus grande et gros danger´ (Translation: ´I am of the opinion that we should make a small expenditure now to avoid larger and greater danger´) and continuing to outline his military and fiscal strategies, ´Et premièrement il faut tacher par tous moyens possibles de faire que les Suisses qui viennent présentement en mon service se départent et que la moitié aille en Piedmont et l’autre ici et ce qui les doit mouvoir est qu’il y a de ceux de leur nation audit Piémont comme il y a en ce pays......s’il est possible, afin qu’elles fassent deux effets : l’un qu’elles empêchent des desseins du marquis del Gouast et l’autre qu’elles aident à exécuter les entreprises des sieurs de Langey et de Boutieres. Et en employant ce peu de temps qui reste pour faire la guerre nous ferons peu de dépense qui en épargnera beaucoup....... Au demeurant, je vous prie pourvoir aux châteaux qui sont à la Tarantaize afin que l’entreprise du marquis del Gouast ne puisse porter grand dommage. Et davantage j’ai vu par les lettres que m’a écrites Monsieur le maréchal d’Annebault que je vous envoie comme il est besoin pour la fortification des îles y dépendre encore cent cinquante écus et deux cents. Par quoi je vous prie les y vouloir envoyer afin que pour si peu de chose ce château, qui est de si grande importance, ne se perde´ (Translation: ´And first of all, we must try by all possible means to get the Swiss who are currently in my service to split up, with half going to Piedmont and the other half here, and what should motivate them is that there are those from their nation in the said Piedmont as there are in this country...... if it is possible, so that they have two effects: one is that they prevent the plans of the Marquis del Gouast and the other is that they help to carry out the enterprises of the Sieurs de Langey and de Boutieres. And by using the little time that remains to wage war, we will incur little expense, which will save a lot....... Moreover, I beg you to provide for the castles that are at Tarantaize so that the enterprise of the Marquis del Gouast cannot cause great damage. And furthermore, I have seen from the letters that Marshal d'Annebault wrote to me that I am sending you as is necessary for the fortification of the islands to send another one hundred and fifty écus and two cents. I therefore ask you to send them so that this castle, which is of such great importance, is not lost for so little´). Countersigned at the conclusion by Bayard, a Secretary of State, and with the integral address leaf. Letters by King Francis I in which he writes in detail regarding military affairs are rare and desirable. VGFrançois de Tournon (1489-1562) French Augustinian friar, a Cardinal-Bishop, diplomat and courtier who was also a military supply officer of French forces operating in Provence, Savoy and Piedmont.Guillaume du Bellay (1491-1543) Seigneur de Langey. French General and diplomat. Excelling at secret negotiations and prodigiously active, Langey was the most able diplomat at the command of Francis I. Alfonso d´Avalos (1502-1546) Marquis del Gouast. Italian condottiero of Aragonese origins, renowned for his servicein favour of Charles V, Holy Roman Emperor and King of Spain. Gouast commanded the Imperial army in Italy during the Italian War of 1542 and was defeated by the French at the Battle of Ceresole.Guigues Guiffrey (1497-1545) Marquis de Boutières. French Knight and Lieutenant General who was active during the Italian Wars, distinguishing himself with his cavalry charges. Boutières led the French army in Piedmont.Claude d'Annebault (1495-1552) French military officer, a Marshal of France (1538-52), Admiral of France (1543-52) and Governor of Piedmont in 1541, who was also one of the most powerful figures during the reign of Francis I. The present letter is written exactly two months after the Italian War of 1542-46 commenced. A later conflict in the Italian Wars of 1494-1559, the Italian War of 1542-46 pitted King Francis I and Suleiman I of the Ottoman Empire against the Holy Roman Emperor Charles V and King Henry VIII of England. The course of the war saw extensive fighting in Italy, France, and the Low Countries, as well as attempted invasions of Spain and England. The conflict was inconclusive and ruinously expensive for the major participants (contrary to the belief the King expresses in the present letter that by going to war France would ´avoid larger and greater danger´)
FOUCAULD CHARLES DE: (1858-1916) Foucauld was a former cavalry Officer in the French army, he would later become an Explorer, and finally a Catholic Priest. Foucauld lived as a hermit, among the Tuareg in the Algerian Sahara. In 1916 Foucauld was assassinated and is considered by the Catholic Church a martyr. He was beatified in 2005 by Benedict XVI. The Little Brothers of Jesus were found after him. An excellent and rare A.L.S., `Fr[ere] Ch. de Jésus´, four pages, grid paper, small 8vo, Insalah (Oasis Sahariennes), 9th February 1908, to abbott Max Caron, superior of the Versailles seminar, in French. To the upper left corner, Foucauld annotates "IESUS CARITAS´, adding a sketch of a cross above a heart. In the same way, Foucauld adds the same sketch to the heading of each page. To a cleanly written letter, Foucauld states in part `Vos prières me sont trop précieuses pour que je ne vienne pas vous les demander pour moi et les pauvres infidèles qui m´entourent. Cette partie du Royaume de JESUS reste douloureusement abandonnée, délaissée. Le vénéré et Saint Préfet apostolique du Sahara ne dispose que de quelques prêtres pour des populations dispersées sur d´immenses espaces...´ (Translation: "Your prayers are too precious to me for me not to come and ask them for myself and the poor infidels around me. This part of the Kingdom of JESUS remains painfully abandoned, neglected. The venerated and Holy Apostolic Prefect of the Sahara has only a few priests for populations scattered over immense spaces...") Further, Foucauld expresses his thoughts about his future and destiny, stating `A la fin de l´été je retournerai à Beni Abbès, sur la frontière du Maroc, et là la misère spirituelle est plus grande encore. Priez pour tant d´âmes qui après 1900 ans n´ont pas reçu la Bonne Nouvelle ou en ont perdu la connaissance et le souvenir depuis bien des siècles... Mes yeux verront-ils ici-bas cette Basilique? Tout semble me retenir à jamais au Sahara et près du Maroc, mais les desseins de Dieu sont si cachés à nos yeux qu´on ne sait jamais ce que réserve l´avenir...´ (Translation: "At the end of the summer I will return to Beni Abbès, on the border of Morocco, and there the spiritual misery is even greater. Pray for so many souls who after 1900 years have not received the Good News or have lost the knowledge and memory of it for many centuries... Will my eyes see this Basilica down here? Everything seems to keep me forever in the Sahara and near Morocco, but God's designs are so hidden from our eyes that we never know what the future will be...") An interesting spiritual content letter. VG
OSTEN-SACKEN FABIAN GOTTLIEB VON: (1752-1837) Baltic-German Field Marshal and General of the Russian Army. He governed Paris during the city's brief occupation by the anti-French coalition in 1814 and a second time in 1815. A.L.S., `Sacken´, one page, folio, Paris, 7th June 1816, to Count Pierre Dupont de l´Étang, in French. Osten-Sacken asks for a favour to his correspondent regarding a person he wishes to recommend, stating `Monsieur le comte, J´ai l´honneur de vous prier d´écouter avec obligeance Monsieur de Beaudot, chevalier de St. louis et de le traiter aussi favorablement que vous pourrez; c´est la derniere preuve que j´aurai peut-être l´honneur de réclamer de Votre Excellence mais c´est celle à laquelle je tiens davantage puisque j´ai des obligations personnelles à la famille respectable à laquelle appartient Monsieur de Beaudot...´ (Translation: "Sir Count, I have the honour to ask you to listen kindly to Monsieur de Beaudot, Knight of St. Louis, and to treat him as favourably as you can; this is the last proof that I may have the honour of requesting from Your Excellency, but it is the one to which I hold more since I have personal obligations to the respectable family to which Monsieur de Beaudot belongs...") Bearing at the base a red wax seal in fine condition. Very small minor creasing to the deges, otherwise GPierre Dupont de l´Étang (1765-1840) French Army officer, Nobleman and Politician who served during the French Revolutionary and Napoleonic wars. Dupont de l´Étang was defeated in the Battle of Bailen after his Swiss troops deserted and returned to their former allegiance. Painfully wounded in the hip, Dupont felt constrained to capitulate. Altogether 17.600 French soldiers laid down their arms in the disaster. Madrid fell to the resurgent Spanish forces and this soon compelled Napoleon to intervene with his Grand Army in order to salvage the situation. Dupont fell into the Emperor's disgrace. Dupont was sent before a cout-martial, deprived of his rank and title, and imprisoned from 1812 to 1814. Released only by the initial Restoration, he was employed by Louis XVIII in a military command, which he lost on the return of Napoleon during the Hundred Days. But the Second Restoration saw him reinstated to the army and appointed a member of the conseil privé of Louis XVIII. Between April and December 1814, he was Minsiter of war.
MYRDAL GUNNAR: (1898-1987) Swedish economist and sociologist, known for his study of race relations and his book An American Dilemma: The Negro Problem and Modern Democracy (1944). Myrdal was presented with the Nobel Memorial Prize in Economic Sciences in 1974. T.L.S., Gunnar Myrdal, one page, 4to (folding air mail stationery), Stockholm, 1st July 1965, to Dick Hall, Group Leader of The Salvation Army in Chicago. Myrdal states that it was a pleasure to receive his correspondent´s letter ´and hear about the activity of your children and youth´, continuing to remark ´This is only to wish them continued success and happiness´. VG
ISMAY HASTINGS: (1887-1965) British General in the British Indian Army, politician and diplomat who served as Winston Churchill´s chief military assistant during World War II and was the first Secretary General of NATO. The personal printed small oblong 12mo Visiting Card of Ismay, unsigned, featuring his printed name (´General Lord Ismay´) to the centre and addresses in Paris and Wormington Grange, Broadway (Gloucestershire) to the lower corners, with three lines of text in his hand, sending his and his wife´s best wishes for the New Year. About EX
![[DREYFUS AFFAIR]: Georges Picquart (1854-1914) French Army officer who served as Minister of War 1906-09 and is remembered fo](https://cdn.globalauctionplatform.com/45b0b23d-f22f-42d7-a7e3-b28a016ddfe5/946c051b-9f90-4adc-a7f7-b28c00ad68db/468x382.jpg)
[DREYFUS AFFAIR]: Georges Picquart (1854-1914) French Army officer who served as Minister of War 1906-09 and is remembered for his role in the Dreyfus Affair, in which he played a key role in uncovering the real culprit. The personal printed oblong 12mo Visiting Card of Picquart, unsigned, featuring his printed name to the centre and address at Rue Yvon Villarceau, Paris, at the base, with two lines of text in his hand, in French, ´avec ses bons souvenirs et tous ses voeux de nouvelle annee´ (Translation: ´with fond memories and best wishes for the New Year´). Some light scuffing and minor age wear; Armand du Paty de Clam (1853-1916) French Army officer and amateur graphologist who was a key figure in the Dreyfus Affair. The personal printed oblong 12mo Visiting Card of du Paty de Clam, unsigned, featuring his printed name (´Ferdinand du Paty de Clam´) to the centre, with military rank beneath and address at Jardin Royal to the base. One small, heavy crease to the lower right corner, and with some minor traces of former mounting to the verso. G, 2
MILLER GLENN: (1904-1944) American big band trombonist and bandleader. T.L.S., Glenn Miller, one page, 8vo, n.p., 16th August 1944, to Miss. Jean Stacey. Miller states, in full, ´I´m sorry to inform you that the United States Army does not permit the distribution of photographs of its officers. We hope you continue to find enjoyment in our musical efforts´. Accompanied by the original envelope. VG
MUNNINGS ALFRED: (1878-1959) English painter, a member of the Newlyn School from 1912-14, and regarded as one of the finest painters of horses. A good collection of A.Ls.S. (5; one a brief illustrated message on a postcard), a T.L.S., five original pencil drawings, and a few pieces of printed ephemera. The autograph and typed letters signed Alfred Munnings, A. J. Munnings, and with his initials AJ, twelve pages (total), 4to and smaller, various places (Dedham, Essex & Withypool, Somerset), early to mid-1940s, to various correspondents including the portrait painter Maurice Codner. Munnings states, in part, ´I am not sure about the Tissot, as I told that secretary to remove the pictures if the raids started & they should have done so. How awful, that lovely [painting?] which nobody really cared for & which as Lutyens said was ruined by the overlighting of the chandeliers. What a hateful lot of buggers used that room.....& what a disagreable rascañ that Drysdale was wo stood in the way of everything. Damn him, what a pity he wasn´t in the drawing room when the bomb fell. My place in Chelsea has had it - windows out & all glass in frames broken......Winston in chair first dinner. Next Thursday Lord Gort in chair & they all give Winston a snuff box´ (to Maurice Codner, 30th September 1940, accompanied by the original envelope), ´I can´t tell you how glad I was to see that good notice of your work in The Times on Friday. You couldn´t want better and who ever the present (sic; President) is he is a more sane fellow than the last & I find him very good. Far better than the other old blighter - well - I was glad I read it out to Violet who never cares much about critics, & she was delighted. I´ve always seen you gradually gaining & burrowing in. You´re as undefeatable as the Hun. And to think you´re doing this in spite of the bombs & with only one eye......I´ve just written a line to Oswald Birley, poor fellow......I´m losing the will to work´ (to Maurice Codner, 4th November 1941, in pencil), ´What a pity that you could not remain at such a stage of brilliance for the rest of your natural life - or unnatural life, or whatever your present existence may be - Can´t you buy up a quantity of that same sherry & consume at intervals & go on flying through the air like a blazing comet?......Hunting all over England should be stopped. That´s my opinion. People who go wouldn´t if the hounds didn´t. Absolute not. Have you had time to go & see the exhibition of under 20 guinea pictures yet at Trafalgar Square? If not, go & let me know......You & I should go & stay at Bradley Farm up in the woods & hills near here for a month & live on cream & stuff & work.....trees galore & stone buildings & the rest & when it rained we´d do masterpieces indoors - big sitting rooms......write again my lad of wax - any f - g lately?´ (to Maurice Codner, n.d. [c. September 1942], in pencil), ´One day I´ll be round there. On Exmoor now, Army took my house at Dedham´ (to A. R. Blundell, 22nd March 1944), ´The man who did that plate of an old poplar tree is [a] great artist. If you can do such a thing as that although it is uncared for by the crowd is someone to be reckoned with. If only you could [do] an oil like that & as well!! It is superb. I saw it in Emmons´ house at Flatford Mill & looked & looked [at] it again having seen it in the R.A. It is equal to anything of its kind I know´ (to Blundell, 3rd January 1946; actually 1947), the postcard featuring an ink drawing by Munnings of a skier lying face down in the snow, with a mountain, trees and sun in the background, wishing the recipient a Happy Easter and hand addressed by Munnings to Mr. and Mrs. John Napper, April 1956. Together with five original pencil sketches by Munnings, one signed in full, three with initials, and one unsigned, the largest measuring approximately 20.5 x 16.5 cm, the majority depicting horses and one of a cow feeding her calves. All are matted and framed. Also including a small collection of ephemera etc. including printed illustrated 8vo booklets advertising new signed artist´s proofs of the works Going to the Meet, The Whip and A Little Piece of England, a catalogue for a Loan Collection of Pictures by Alfred Munnings exhibited at the Art Galleries of the Norwich Castle Museum, August - September 1928, etc. One letter with some tears and staining (only FR), generally G to about VG, Sml Qty.
LIVERPOOL EARL OF: (1770-1828) British Prime Minister 1812-27 & WELLINGTON DUKE OF: (1769-1852) Anglo-Irish Field Marshal, the Victor of Waterloo, 1815. British Prime Minister 1828-30, 1834. D.S., Liverpool and Wellington, by both individually, one page (vellum), oblong folio, Whitehall, 8th October 1821. The partially printed document, completed in manuscript, is a military commission appointing Edward Barrard to be a Lieutenant and Captain in the 1st (or Grenadier) Regiment of Foot Guards commanded by Frederick, Duke of York. Signed by Liverpool and Wellington at the head in their capacity as Lord Justices, on behalf of King George IV, and further signed by two other Lords Justices, Frederick, Duke of York (1763-1827) British Field Marshal, son of King George III and Commander-in-Chief of the British Army 1795-1809, 1811-27, and Charles Manners-Sutton (1755-1828) British clregyman who served as Archbishop of Canterbury 1805-28. An unusual grouping of signatures. Two large areas of the document have been cut away to the right upper and lower corners, presumably in order to remove further signatures, and the seal is missing. Some light dust staining and age wear, FR
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