A Victorian walnut framed armchair, the oval back with floral surmount and padded arms with scrolling supports raised on cabriole front supports upon porcelain castors.
A Victorian walnut framed armchair, the shaped buttoned back with padded arms and scrolling upright supports, raised on cabriole front supports terminating in porcelain castors (leg damaged).
An Irish George II style mahogany framed armchair, 20th century the upholstered roll back and arms over a cushion seat, above a scallop shell and fern carved apron, raised on bold cabriole supports with acanthus carving and claw and ball feet.
A Harlequin set of six 19th century mahogany dining chairs, the veneered and rope twist top rails above a foliate open bar, the drop in seats on moulded sabre legs, comprising; two open armchairs and four side (one armchair smaller). (6)
A Victorian rosewood easy open armchair, the button back and padded arms to scroll hand rest and supports, the bow front seat on turned and petal carved legs to china castors.
A George III style mahogany open armchair, the carved undulating top rail above a pierced vase shape splat to scroll arms with stop fluted supports, drop in seat on square chamfered blind fret legs, reduced with leather castors.
An Adam style mahogany open armchair, the beaded oval back to padded arms with leaf hand rests on reeded scroll supports, the serpentine front fluted seat on floret headed turned legs.
A Victorian carved rosewood easy open armchair, the open back with a central splat, padded arms to scroll supports serpentine front seat on cabriole legs and brass castors.
A set of six early Victorian mahogany dining chairs, the curved and moulded tablet backs above a horizontal bar to a tapering seat on turned tapering legs comprising an open armchair and five side. (6)
A Victorian carved walnut easy open armchair, with leaf and husk decoration, the shaped button back to padded arms scroll supports and a serpentine front seat, the short scroll legs to knurled toes and a similar nursing chair. (2)
A collection of four late Victorian dolls, to include; a bisque costume doll in rush seated armchair, 14cm high, two bisque head and shoulder dolls, 9cm high and a glazed doll contained in a walnut (4)
A William IV mahogany framed armchair, the leather covered arched button back above scrolling arms and overstuffed seat, standing on gadrooned tapering legs with brass caps and castors
Ludwig Mies Van der Rohe for Knoll Associates, a single Bruno armchair, Model No. MR50, with chromed bent flat steel frame and leather covered padded back and seat.
An early 18th century walnut framed wing back armchair, the padded back above scrolling arms and cushion seat, standing on cabriole legs united with a shaped stretcher
A 19th century Yorkshire elm and fruitwood high back smoker Windsor armchair, the arched spindle turned back with pierced splat above bowed arms and saddle seat supported on ring turned legs united with a double stretcher
A 19th century Yorkshire elm and fruitwood high back smokers Windsor armchair, the arched spindle turned back with pierced splat above bowed arms and saddle seat supported on ring turned legs united with a double stretcher, stamped CR
A 19th century Yorkshire elm and yew wood high back smoker Windsor armchair, the arched spindle turned back with pierced splat above bowed arms and saddle seat, standing on turned legs united with an H-shaped stretcher
A 19th century Yorkshire elm high back smoker Windsor armchair, the arched spindle turned back with pierced splat above bowed arms and saddle seat supported on ring turned legs united with an H-shaped stretcher
A 19th century high back Windsor armchair, possibly West Country, the arched spindle turned back above bowed arms and saddle seat, standing on turned legs united with an H-shaped stretcher
A 19th century mahogany framed open armchair, the triple arched top rail above an anthemion carved pierced splat, acanthus carved arms and serpentine overstuffed seat with fluted apron supported on fluted square section tapering legs with spade feet
An Edwardian single mahogany framed bergere armchair, the carved top rail above a caned back, caned moulded downswept arms and previously caned seat, standing on acanthus carved fluted tapering legs, bearing label for Liberty, London
A 19th century West Country ash and elm 'bent arm' Windsor armchair, the arched spindle back above downswept arms and saddle seat supported on turned legs united with an H-shaped stretcher, with traces of original paint
A 19th century mahogany framed single armchair, the square back with three double vertical rails above an overstuffed seat, standing on turned tapering legs
A WILLIAM AND MARY STYLE WALNUT ARMCHAIR, the pierced and carved cresting over a caned back and seat above scrolling arms on turned and carved supports.
A WILLIAM AND MARY STYLE ARMCHAIR, the geometric moulded crest rail above a cane work back rest, over a cane seat with two carved arms, above turned and curved legs.
A 19th Century Puginesq armchair having moulded scroll side supports with pierced clover leaf ornament to the top rail, similar decorated scroll arms, solid seat with gothic arch apron and carved spandrels, on moulded legs.
A George III mahogany framed wing armchair upholstered in green floral weave raised on square chamfered legs united by stretchers, with brass cappings and castors.
A wing armchair in the early 18th Century manner upholstered in burgundy coloured velvet with scrolled arms, loose cushion, raised on moulded legs with massive paw feet.
A Pottery Tobacco Jar in the form of a Gentleman in an armchair wearing a green smoking jacket holding a pipe in his right hand and with a pink tasselled nightcap on his head, 21cm high.
A Merrythought Compton and Woodhouse limited edition (2950) golden mohair Still Hope teddy bear, tags and certificate, 15"/38cm; seated within an armchair. (2)
A George III mahogany shield back armchair of Hepplewhite design, the back fretted and carved with Prince of Wales feathers and drapery swags, shaped arms, the seat upholstered in floral needlework, on square tapered front legs.