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18th century | height: 14 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello comes from Liguria, Italy and dates back to the 18th century. Made of earthenware, it was used to store pharmaceutical mixtures. The inscription on the front "Pil: de Feru" indicates that the jar contained iron-based pills, which were used at the time to treat anemia and other health problems associated with iron deficiency. The jar is decorated with blue geometric patterns, which are emphasized at both ends by arch motifs, typical of ceramics of this period. Gothic calligraphy completes the decoration, with the dark lettering contrasting with the soft white background and blue decorative elements. This albarello not only fulfilled its function in pharmacies, but also provides insight into artistic traditions and pharmaceutical practices in northern Italy during the 18th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

Carved, gilded and polychromed Eucharist chest. Possibly France. Gothic. Circa 1300.21 x 27,5 x 18 cm.A marvellous chest for liturgical use that retains most of its original polychromy and gilding, although with some losses.The front and back, although not identical, have very similar decoration based on thin, stylised pointed arches with a marked Gothic aesthetic, finished with a half-pointed arch with three cavities inside, resembling stained-glass windows on the front. The sides are identically decorated with geometric and vegetation elements.It has a gabled lid that, on its front side, is decorated with branches which hide different types of flowers amongst them. On the other side it has two large rosettes like those found in the stained-glass windows of the most prominent Gothic cathedrals.The decoration is enriched by borders of dotted gold, sometimes single and sometimes double, which, when it was placed there, was intended to resemble goldsmith's work.The chest still has its original hinges, but the lock is missing.Inside, the lower part is painted red and the upper part depicts a blue sky with red and gold stars.The lower natural-wood strip that runs around almost the entire perimeter is modern, to complete what had been lost and  strengthen the structure.

R. Taylor, an early 19th-century 8-day oak long-case clock, the painted broken arch dial bearing the portrait of Queen Caroline, the hood with swan neck pediment, 47 cm wide x 25 cm deep x 220 cm overall height.Formerly of Donnington Castle House, near Newbury, Berkshire Formerly of Donnington Castle House, near Newbury, Berkshire The glass of the hood is cracked. There are no weights or pendulum, so not in working order.Updated:The movement looks very clean and looks as if it has been recently restored and re-gutted.The cheeks that support the movement are uneven. It would seem that a packing block is missing from the right-hand side. This causes the dial to sit awkwardly in the hood/mask. It is common for these to be replaced.The hood door has a cracked glass panel, the clock has some patches to the veneers.The trunk door does not have a key.The clock does not have either weights or a pendulum.In short this clock would need some work to make good but it looks as if most of the horological work has been done, but sadly it will require a pendulum and weights.

A George III mahogany longcase clock Norwich, with an eagle surmount,49cm wide25cm deep210cm highCondition ReportKnocks and wear throughout. With cracking to the veneer arch of the clock.

A George III mahogany stick barometer by Gilbert Wright & Hooke, London, with a break arch pediment, above the silvered dial, with a turned reservoir cover,97cm longCondition ReportWith minor knocks and wear, the brass finial to the top a little loose. With cracks to the veneer surrounding the dial. Mercury present. Please see the additional images. 

AN ILLUMINATED DALA'IL AL-KHAYRAT BY MUHAMMAD BIN SULAYMAN AL-JAZULI (D. 1465) Possibly Balkans, Western Ottoman Provinces, dated 1211 AH (1796 AD), signed by Muhammad Bin HassanArabic manuscript on European watermarked lined paper, 380ff. with 7 fly-leaves, with 27ll. of black ink naskh script to the page, the illuminated and polychrome-painted opening folio with a large, cusped arch in-filled with floral interlace, the text without diacritics, important passages underlined in red ink and marked with gold roundels, illustrated with an illuminated rectangular cartouche depicting a three-quarter aerial view of the two sacred enclosures of the holiest sites in Islam, the Masjid al-Haram in Mecca with the black Ka'ba in the centre and the Masjid an-Nabawi, the Prophet's Mosque, in Medina, the text set within black and red rules, and narrow gold borders, signed by Muhammad Bin Hassan and dated 1211 AH, accompanied by a note in French on one of the final fly-leaves referring to the location of its finding (Serbia), in a gilt printed brown calf leather binding with flap.16.3cm x 10.2cm the text panel23cm x 16.5cm the folio The handwritten French note accompanying this manuscript mentions that the tome was found in Serbia during WWI. It was retrieved by Maurice Guillier, the Lieutenant of the 260th Regiment, during the evacuation of the Serbian villages on the border with Ottoman territories in December 1915. The unusual horizontal format of the illuminated illustration of Mecca and Medina's sacred enclosures together with this provenance note raise interesting questions about the origins of this manuscript. The lack of diacritics in the text and rather plain naskh script point towards a provincial Ottoman production, perhaps in the Balkan regions, well before the rise of Balkan nationalism and independence movements, which triggered revolutions and anti-Islamic sentiments throughout the area from the early 19th century onwards. 16.3cm x 10.2cm the text panel, 23cm x 16.5cm the folio Qty: 1

AN INDIAN MONOCHROME TURQUOISE-GLAZED MOULDED POTTERY TILE Northern India or Sindh, late 18th - 19th centuryOf square shape, the red earthenware body covered in a glossy monochrome turquoise glaze, moulded with a raised cusped arch in the centre in-filled with repeating stylised lotus flowers, further floral scrollwork featured on the outer edges.27cm x 27cm 27cm x 27cm Qty: 1

TURNER J. M. W: Picturesque Views of the Southern Coast of England, from Drawings made principally by J. M. W. Turner, R.A. and engraved by W. B. Cooke, George Cooke, and other eminent Engravers. Two Volumes. John And Arthur Arch,, London,, 1826, 1st. edn. With 80 engraved plates (48 full page). Large 4to. Cont. half leather, little rubbed. Clean set. (2)

Unusual arch topped carved oak wall cabinet with glass door and sides

A 19th century Scottish longcase clock with 14" painted arch dial by Thomas Steel of Kirkintilloch with eight-day movement in mahogany traditional case

A REGENCY MAHOGANY ARCHITECTURAL CLOCK STAND the superstructure with ivory urn finials and broken arch pediment over inlaid fenestrations, the hinged central panel mounted with a Swiss-made timepiece, the base with three short drawers on bracket feet, 56cm high x 61cm wide x 27cm deepIvory Submission Reference: XBK4WTBEProvenance: The Les Watts Collection.

A George III oak settle with five ogee arch panel back, later solid seat with squab cushion, on cabriole legs, 185cm wide, 101cm high, 72cm deepGood overall condition, sturdy and ready for use. Most of the small corner spandrels on the legs have been replaced, but blend well. Old repair to right-hand foot and knee (to side) Small loss (with crack) below right-hand arm cushion is clean and tidy. Solid seat is formed of multiple short pine planks running back to front.

A Regency mahogany secretaire bookcase, the pierced fretwork swan neck crest above a gothic arch decorated moulded cornice, the centre section with two glazed panel doors with arched astragals, above a long fitted secretaire drawer with leather inset writing surface, and two further graduated long drawers with turned ebonised handles, flanked by two tall astragal glazed cabinets enclosing shelves, on bracket feet, 245cm wide, 53cm deep, 252cm high (in six sections)All over scuffs, scratches and wear commensurate with age and use, two carved pendants missing to cornice, a few shallow gouges to sides, one key present for glazed doors, drawer key not present, wear to base and base cut down, cut off base elements present

An oak cased longcase clock, the painted 13" dial with moon phase to the arch, subsidiary seconds and date dials and signed Thomas, Worcester, fitted with an eight-day movement, total height 216cm

Edwardian Adam Revival green-painted and parcel gilt 5' Kingsize four poster-bed, acanthus leaf moulded canopy with curled feather finials, on four turned posts painted with acanthus leaves and draped festoons, shaped arch headboard with painted oval panel depicting maidens of love leading a chariot holding Eros, with craquelure finish, dressed in silk curtains decorated with floral bouquets Dimensions: Height: 269cm  Length/Width: 173cm  Depth/Diameter: 222cm

XIX Century Mahogany Cupboard with Twin Arch Panelled Doors, two inner shelves, on plinth base, 91.5cm wideScratches and marks to top, some small dents to edges, one small chip to wood at back left corner

William Walcot (British, 1874-1943) A pair of drypoint etchings on paper, signed in pencil (l.r.) 'St. Paul's from Fleet Street', 7¼ x 9¼in (18.5 x 23cm) 'Oxford Street from Marble Arch', 6 x 9in (15.5 x 23cm) the frames 47.5 x 40cm

William Walcot (British, 1874-1943) Arch of San Carlo, Naples drypoint etching on paper, signed in pencil (l.r.), c.1920 7½ x 6¾in (19 x 17cm), frame size 47.5 x 32.5cm

A GEORGE III MAHOGANY LONGCASE CLOCK LATE 18TH CENTURY The eight-day bell striking movement striking on a bell, the 13inch dial with a painted scene to the arch and inscription for the maker THOMAS WORSWICK LANCASTER above Roman numeral chapter ring and Arabic five minutes to the outside track and with central date aperture, the case attributed to Gillows of Lancaster, with fretwork and blind fretwork, fluted quarter columns, and canted plinth base 230cm high Condition Report: Movement is complete but is generally in neglected condition hence will require a clean/overhaul before putting to use. The hour hammer has been altered (in the 19th century) to have an external cock/pivot at the rear together with external spring/counter (to sound on a gong that was once fitted to the case backboard); the bell and stand are replacements. The dial is a little dirty/discoloured and may have originally had a rocking figure feature to the arch (no longer present and painted scene now fitted flush within the dial aperture. The movement rests on an old seatboard onto to cheek uprights of the case which appear not to have been packed hence movement and dial are probably original to the case. The case would have originally had a pierced/fretwork crest and the fretwork (no longer present) and the fretwork infill to the upper quadrants above the dial are most likely replacements. The case backboard may also be a replacement (or has been out of the case and re-fitted). Otherwise faults to the case are limited to relatively minor bumps, scratches, scuffs (most noticeably one to the front of the base) and light shrinkage.Clock has two weights, a case key but no winder. Condition Report Disclaimer

Henry VII, Facing Bust issue, Groat, class IIIc, mm. pansy, crown with inner arch plain, 2.68g/4h (N 1705; S 2199); Elizabeth I, Sixth issue, Shilling, mm. tun, bust 6B, 6.04g/1h (N 2014; S 2577) [2]. Fine or better £100-£120

An Priory Dutch dresser with arch top, two shelves, two drawers and doors below.

Black Forest-style longcase clock in the 18th century manner, broken-arch brass dial with roman numerals on silvered scalloped edged chapter ring and sunburst hands, the hood decorated with floral motifs and pagoda style top and glazed side doors opening to reveal 30-hour movement, 250cm high Condition ReportWeight, pendulum and key are present. Circular glass window has possibly been previously replaced. 

Georgian eight-day oak cased longcase clock by James Coates, Horncastle, with painted broken-arch dial, indistinctly signed, decorated with fruits and flowers, featuring rocking sailing ship flying the red ensign, roman numerals, subsidiary seconds dial and arched date aperture, eight-day movement cased in hood with swan neck pediment and fluted pillars, broken arched door with moulded surround, 215cm high Condition ReportClock comes with two weights and a pendulum. Door opens and closes, lock doesn't appear to work. Base is split on one corner. Surface marks, scratches and wear visible throughout the dial and case commensurate with age and previous use. Ship and its backing are well worn with signs of rust. All clocks are sold untested for timekeeping accuracies.  

Mid 18th century walnut longcase clock, the five pillared twin train movement by William Stumbels, Totnes, the broken-arch brass dial with silvered chapter ring, roman numerals for the hours, arabic minutes, subsidiary seconds dial, square date aperture, signed circular boss in arch, arched hood with corinthian pilasters, door with herringbone and crossbanded details and thumbnail moulding, all on bracket feet, 240cm high  William Stumbels (d.1769) has been described as the finest West Country clockmaker and one of the best outside London at the time and made clocks for the illustrations houses of the area incuding Powderham Castle near Exeter  Condition Report Dial has possibly been refinished/restored. All clocks and watches are sold untested for time keeping accuracies. Has two brass weights and pendulum. Arch back top of the hood is broken/split in two places, see additional photograph. Marks, small splits to the case and wear in places commensurate with age and previous use. 

18th century George III mahogany eight-day longcase clock, the silvered broken-arch dial with roman numerals and hands, square date aperture and silent/chime lever signed James Wilson, Sweetings Alley, Royal Exchange, the arch-topped hood with brass ball finial, matching case door, 210cm high (lacking weights)Condition ReportPendulum present, lacking weights. Case back is worn and damaged, with old repairs visible. All clocks and watches are sold untested for timekeeping accuracies. Overall condition of the dial is good, with marks and wear in places caused through use. Marks, scratches and wear in places throughout the case commensurate with age and use.

18th century 30-hour oak longcase clock, single hand on 11" square brass dial with roman numerals and arch calendar aperture, hood topped with three brass eagle and ball finials, 203cm high 

An oak and ebony inset open waterfall bookcase in Arts & Crafts style, circa 1900; with four shelves flanked by arch topped and moulded sides with columnar supports; 155cm high, 122cm wide, 35cm deep

Charles Frodsham, London a small mahogany mantel clock having an eight-day duration timepiece movement, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, with cast-brass corner spandrels and roundel set within the arch engraved Chas. Frodsham, Clockmaker to H.M. King George VI, the oak case with caddy top surmounted by a brass carrying handle.

Junghans, Wurttenberg, an oak mantel clock having an eight-day duration movement chiming the quarters on four gong rods with the silvered arched dial having black Arabic numerals and two subsidiary dials to the arch for Chime/Silent and Regulation, the oak flat-top case with gadrooned moulding to the pediment, fluted canted corners, and carved decoration to the top corners, height 39cm. Hamburg American Clock Company an oak mantel clock the eight-day duration movement striking the hours on a gong with the backplate stamped with the cross-sword trademark of the maker, the square brass dial having black Arabic numerals, the oak case having a gadrooned pediment, three turned finials, fluted pillars and bracket feet, the interior of the door having a paper label for H.A.C, with the cross-sword trademark, height 47cm.

A late 17th/early 18th Century oak rectangular coffer, with a plain triple panel hinged top, the front with channel moulded frieze and stiles and applied corbels, having a central geometrically moulded and fielded panel flanked by a domed arch panel to either side, 136cm length, 67cm height, 55cm depth.

Peerless, Germany a contemporary walnut longcase clock the eight-day duration spring-driven movement chiming the quarters on a nest of eight gong rods and striking the hours on a further four gong rods, the backplate stamped with the trademark for Peerless and numbered 1832092, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals with the arch having a silvered dial for selecting Westminster/Whittington or Winchester, the mahogany and walnut case having an arched moulding to the trunk door and cast-brass capitals to the hood pillars, height 172cm.

Junghans, Germany, an oak Westminster chiming mantel clock having an eight-day duration movement chiming the quarter-hours on four rods and the hour on a further rod, the backplate stamped with the trademark for Junghans and numbered A06, the arche brass dial with silvered chapter set with black Arabic numerals and blued teel fleur-de-lys hands, with two subsidiary dials to the arch for Chime/Silent and regulation, the flat-topped oak case with turned pillars, moulded base and top, all standing on pad feet, height 45cm.Junghans, an oak mantel clock having an eight-day duration movement striking on a gong, with the backplate stamped with the Junghans trademark, the square dial with silvered dial having black Roman numerals and blued-steel fleur-de-lys hands, the oak case with carved decoration and a pediment top, height 39.5cm.

A Regency inlaid mahogany bracket clock having an eight-day duration double-fusee, five-pillar movement striking the hours and half-hours on a bell, with wheat-ear border engraving, the eight-inch round painted convex dial having black Roman numerals and decorative blued-steel hands, the arch-topped mahogany case inlaid with boxwood stringing, with ebonised mouldings, cast-brass handles, brass steeple fretwork to the sides and standing on brass ball feet, height 47.5cm

An 18th century oak longcase clock, having an eight-day duration movement striking on a bell with the twelve-inch break-arch brass dial having a silvered chapter ring engraved with black Roman numerals and decorative blued-steel hands, with the centre having a subsidiary seconds dial and date aperture, with cast-brass female-head spandrels to the four corners, the arch with a brass boss engraved Tempus Fugit and with an engraved eagle, the oak case with mahogany crossbanding to the trunk and hood and with star-inlaid decoration to the trunk, the break-arch hood having three-quarter plain pillars and surmounted by a cast-brass eagle finial, all standing on bracket feet, height 217cm without finial, 234cm including finial..

A set of four yew-wood and elm Gothic Windsor elbow chairs in the 18th Century manner, the pointed arch backs with Gothic pointed and fret cut splats, having shaped solid seats on cabriole legs, united by crinoline stretchers.

Lenzkirch, an inlaid walnut mantel clock the eight-day duration movement striking the quarters on two gong rods and stamped on the rear with the Lenzkirch trademark and numbered 331327, the break-arch brass dial having a raised silvered chapter ring with black Roman numerals, the arch having a fast/Slow regulation, the case with inlaid decoration, height 37cm.

19th Century mahogany longcase clock, the broken arch dial above an arched panel door on conforming plinth, the painted dial with Roman numerals, subsidiary seconds and two train movement, together with a Bakelite Enfield mantel clock

Pair of 19th Century arch topped bar glazed mirrored windows, 172cm high x 76cm wide (Reputedly from Field Place, Broadbridge Heath, Horsham)

1930's Walnut arch top dressing mirror, 127 x 35cm

Late 19th / early 20th Century German walnut arch top mantel clock, the gilded and silvered dial with Roman numerals, with a two train W & H movement striking on a gong

A VICTORIAN POLISHED STEEL AND LEATHER MOUNTED CLUB FENDER, the stuffed brown hide seat on tubular supports, with dipped centre arch. 56cm high, 180cm wide, 58cm deep

A SET OF FOUR IRISH GEORGIAN MAHOGANY SIDE CHAIRS MID 18TH CENTURY, each shaped back with double-arch top rail and scalloped corners, pierced vase shaped splat, upholstered seat, on cabochon capped cabriole legs and hairy paw feet

A 19TH CENTURY CONTINENTAL WALNUT FRAMED TAPESTRY UPHOLSTERED ARCH BACK SIDE CHAIR (2)56cm wide; 110cm high, together with a George I walnut vase back side chair, 53cm wide; 103cm highUpholstery to both chairs in this lot suffer with damages and losses, the George I chair has a missing section to veneer towards the top rail, slightly loose joins to the supports, old marks and scratches present to the frames. 

AN ITALIAN MICRO MOSAIC PANEL DEPICTING THE ROMAN FORUMLate 19th Century Depicting the Temple of Vespasian and Titus, Temple of Saturn opposite the Arch of Septimius Severus, mounted in a giltwood frame within a circular aperture, 28.5cm x 28.5cmCondition Report: A few holes to the frame, visible in the image, possibly from old worm activity. A few cracks in places. The mosaic has been removed from the frame to check for a signature and there is nothing visible.Overall in good condition. 

A SARYK JUVAL AND TWO OTHERS (3)The dark brown field with eight madder serrated guls; a diamond border, plant skirt ends, 107 x 168cm, circa 1950 together with a Tabriz rug, Persian, the pale indigo field with an ivory medallion, pale pink spandrels all with floral vines; two floral borders, 206 x 133cm, circa 1930 also with a Kerman tree of life prayer rug, Persian, the ivory mehrab with intertwined floral trees with pairs of birds, rising to a pink arch of birds and flowers; a pale indigo tree & bird border, 234 x 140cm, circa 1920Condition: Generally good but tears to centre andGood, ends need attention, slight repair to each side, needs a clean andWorn, ends and sides need attention, needs a clean

A 19TH CENTURY GILT FRAMED ARCH TOP OVERMANTEL MIRRORWith cartouche crests, 90cm wide; 144cm highOne crack to the bottom section of the frame, gilt fairly worn in places, see additional images. 

A MODERN BLACK LACQUER CHINOISERIE DECORATED WALL MIRRORWith arch frieze, 73cm wide; 117cm high

A REGENCY STYLE WHITE PAINTED STRAP IRON GARDEN BENCHWith interlaced Gothic arch back, 109cm wide; 104cm high

A BELUCHISTAN RUG AND TWO OTHERS (3)The indigo fields with dark columns of madder and orange stylised flower heads; an orange border with hooked medallions, 206 x 111cm, circa 1970s together with a Caucasian rug, the madder field with two bold medallions with single star, two borders, 153 x 112cm, circa 1960 and also a Keyseri prayer rug, Turkish, the sage mehrab with a flowering tree and birds and an ivory arch; a pale orange palmette and bird border, 183 x 121cm, circa 21st centuryCondition: Good and Good andVery good

A GEORGE II STYLE PARCEL GILT WALNUT WALL MIRRORWith cartouche crest and broken arch pediment, 81cm wide; 153cm high

A CHIPPENDALE STYLE BOOKCASE ON STAND, with a pierced broken arch pediment, the double glazed doors enclosing three adjustable shelves, atop a base with pierced geometric designs, width 113cm x depth 34cm x height 230cm (condition report: one key, the bookcase itself appears Georgian, the pediment and base are Edwardian, some marks, repairs, alterations, crack to one pane of glass to the left door, other wear and usage)

ARMCHAIR, Victorian walnut with velvet cord chenille upholstery, buttoned arch back and turned supports with ceramic castors, 72cm W.

Large assortment of figurines to include Border Fine Arts Brambly Hedge 'Poppie's babies clock', 'Floral Arch', '3 baby mice in bath', 'Poppy in chair', 'Basil Reclining', 'Bridesmaid', 'Wilfred Jigging', 'Primrose Teddy mouse', 'Mrs Toadflax and hamper', 'Teasel', 'Basil with Bottles', 'Minister', 'Poppy Eyebright' ,'The Table', 'Lady Mouse and Primrose', 'Dusty Dogwood', ' Mrs Apple and Wilfred', 'Lady Woodmouse', 'Mr Toadflax', 'Mr Apple toasting', 'Primrose reciting', 'Toy Chest', 'Wilfred and Teddy mouse', 'Clover and Catkin', Lady woodmouse and Primrose', 'Lady Woodmouse', 'Pageboy', 'Bunk beds', together with Enesco Brambley Hedge 'Mrs Toadflax thimble', 'Mrs Apple thimble', 'Basil thimble', 'Poppy thimble' and Classic Collectables, 'Happy Birthday Wilfred' No 217 of 500 and 'Old Mrs Bright Eye and Brambley Hedge Bookends (3 boxes)

20th century- 8-day oak cased mantle clock in 18th century period style, with a break arch brass dial, silvered chapter, etched dial centre and cast brass spandrels, three train movement chiming the quarters on 8 gong rods, with a floating balance escapement and strike/silent feature. With Key.Dimensions: Height: 44cm  Length/Width: 30cm  Depth/Diameter: 18cm

A nineteenth century Lucca walnut cased wall clock, with an eight day movement and striking on gong, a shaped arch pediment and turned finials above a rectangular door carved in the Rococo taste with leafy scrolls and trellis, complete with pendulum and key, H-74cm excluding pediment. Stamped Lucca on the back of the movement with the serial number 72464 with a smaller 34 further to the right. Cosmetically in good condition showing only one small 1cm chip to one of the pillars (side) unseen from front view. No other damage, no woodworm and no repairs, only age related wear and tear including surface rubbing, tiny nicks and marks.

Royal Mint United Kingdom Silver Proof Pattern Collection, four one pound '£1' coins depicting bridges to include: The Forth Bridge, Telford Bridge, Egyptian Arch, Millenium Bridge, in original case.

A selection of cold painted metal miniature animals, figures, Noah's Arch; and other items.

Two large lever arch albums of PHQ GB cards

EARLY 19TH C. WELSH OAK & MAHOGANY 8-DAY LONGCASE CLOCK, B. Rice (Neath), painted Roman dial with subsidiary seconds and calendar aperture, signed dial with moon phase in the arch, swan neck pediment between real moulded columns, reeded quarter column trunk and box base raised bracket feet, dial 11.5in (dia.), 215cms (h)Provenance: private collection SwanseaComments: dial with original craquelure and paint, case missing back legs, loose moulding to trunk, generally good condition

EARLY 19TH C. OAK 8-DAY LONGCASE CLOCK, H. Robinson (Shrewsbury & Ludlow), painted Roamn dial with moonphase in the arch, castles and abbey ruins in the spandrels, crossbanded case with baluster columns in the hood and trunk, dial 12in., 228cms (h)Provenance: private collection CardiffComments; hands loose, dial rubbed, case faded, inspection advised.