We found 19356 price guide item(s) matching your search

Giuseppe Carocci (Italian 19th century), a set of four works depicting various views around Italy, aquatint with hand colouring, to include the Duomo and Palazzo Vecchio in Florence, each 14 cm x 19 cm, framed and glazed, the frames 26.5 cm x 31.5 cmQty: 4One of the four pictures has been removed from the frame and it has been trimmed with no plate mark present. Please view additional photo. The other three pictures have not been removed from the frame but it can be assumed that they are in similar condition.There is a large circular stain on the sky in one of the images. Discolouring, minor losses, and dirt marks present throughout, commensurate with age.

Lewis (Frederick Christian). Scenery of the River Dart, being a series of thirty-five views representing the most interesting features in its course from its source in the wildest & most uncultivated parts of Dartmoor to its mouth in the English Channel. 1821, 1st. edn. Calligraphic title with etched vignette, dedication, half-title with vignette, third vignette with an etched acknowledgement, list of subscribers, 36 aquatint plates (including one unnumbered). Disbound, without covers

*JOHN PIPER (1903-1992) 'Alpilles', signed and numbered 51/70 in pencil to the margin, etching with aquatint, printed at the Kelpra Studio. published by Marlborough Fine Art in 1990, the image 40cm x 61cm,  Framed dimensions: 65cm x 85cmExhibited: 'John Piper Retrospective', Bridport Arts Centre, Dorset, 6th December 1993-15th January 1994, number 44, Provenance: Purchased from the above exhibition, 14th January 1994 Deceased estate, Dorset, Literature: 'The Prints of John Piper, A Catalogue Raisonné, 1923-91', Levinson, Orde, publ. Lund Humphries, number 425.

*DAME ELISABETH FRINK (1930-1993) 'Bull', 1986, signed and numbered 35/100 in pencil to the margin, etching with aquatint in grey, printed at Kelpra Studio and with their blindstamp, on Velin Arches paper, 29.8cm x 27.4cm (sheet), Framed dimensions: 37.5cm x 36cmpublished by Harpvale Books as the frontispiece for the 1984 deluxe edition of 'Elisabeth Frink: Sculpture', a copy of which is included in this lot, signed to the frontispiece and further inscribed "Brian and Dorothy, with love from Alex and Lis" to the flyleaf, both in the hand of the artist (2), Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024)Literature: 'Elisabeth Frink, Original Prints, Catalogue Raisonne', Caroline Wiseman, 1998, number 136

*ADRIAN BARTLETT (1939-2024) 'Café Lepetit', signed and numbered 7/75 in pencil to the margin, etching and aquatint, the image 45.5cm x 30cm, Framed dimensions: 84.8cm x 64.2cm

§ Patrick Procktor RA (1936-2003) Cat Isigned 'Patrick Procktor' (lower right); numbered 4/13etching and aquatint29.5 x 36cmExhibited:London, Royal Academy of Arts, Summer Exhibition, 1995

§ Julian Trevelyan RA (1910-1988) St James' Parksigned 'Julian Trevelyan' (lower right); artist's proofetching and aquatint41.5 x 54cm

§ Richard Bawden RWS, NEAC, RE (1936-2024) The Parloursigned 'Richard Bawden' (lower right); numbered 24/85etching with aquatint43.5 x 61cmNot examined out of the frame, outermost margins are obscured by the mount so not available for inspection. Perhaps some slight acid mat burn where the margins meet the mount board, some slight discolouration commensurate with age and use, otherwise in very nice and presentable condition.

§ Richard Bawden RWS, NEAC, RE (1936-2024) The White Jugsigned 'Richard Bawden' (lower right); numbered 74/80etching with aquatint36 x 46cmThe margin is slightly discoloured

§ Terry Frost RA (1915-2003) Arbole, Arbole [Kemp 107]; from the Federico Garcia Lorca suitesigned 'Terry Frost' (lower right), numbered 1/5etching with aquatint and hand-colouring in colours on wove paper, printed at the Print Centre, published by Austin Desmond Contemporary, London75 x 57cmProvenance: The Collection of Lord Myners, former Chairman of the Board of Trustees at the Tate

Anne Aspinall (b. 1949)'Field Patterns - November', etching with aquatint in colours, pencil signed in the margin, titled and numbered 1/30, 20 x 24.5; together with Clare Leighton - 'T', wood engraving, 4.5 x 4.5cm (2)

Thomas Daniell'The Sacred Tree of the Hindoos at Gyah, Bahar', etching with aquatint in colours, no. XV, published by Robert Bowyer, 47.5 x 62cm, mounted but unframed Time stained, with some water staining to the margin. There are some small tears to the lower left edge and corner area, and there is a narrow band of tape to the back of the lower edge.

F C Lewis after F NashEntrance to Oxford from the London Road, etching with aquatint, hand-coloured, 20.5 x 27cm

T Fielding after Edward Dodwell'Dinner held at Delphi in honour of the painter by the elder of the Village of Chryso, etching with aquatint, 25.5 x 39cm

Estonian school (20th century)A coastal landscape with moored rowing boats, indistinctly signed in pencil to the margin, titled and numbered 29/150 variously inscribed verso, etching with aquatint, 31 x 49cm

Joan Williams (1922-2002)Lanzarote, etching with aquatint in colours, signed in pencil, inscribed and dated '75, no.25/50, 42 x 56cm

Jason Hicklin (b.1965) Iona, signed and dated '07 lower right, numbered 1/30, etching aquatint, 14.5 x 40 cm (PL), frame 34 x 58 cm

ARR David Hockney RA (b.1937) French Shop, signed and dated '71 lower right, numbered 298/500 lower right, etching and aquatint, 53.5 x 45 cm (PL), frame 64.5 x 54.5 cmCondition:The print is an etching, framed under glazing - not examined external to the frame. The sheet appears in overall good condition - no obvious tears, creases or losses. There is some minor ageing (yellowing) to the sheet around the edges. The full margins are visible and the platemark edges clearly defined. It is signed and dated to the lower right and numbered in pencil to the lower left. The print appears crisp and well preserved. There are some potential beginnings of foxing in the margins- sparsly distributed and faint - but otherwise fine. The glass has dirt and some accretions between the glass and print. The frame has some dents to the edges and general wear and tear.

ARR Phil Greenwood (b.1943) Pool Light, artist proof, signed lower right, aquatint, 41 x 47 cm (PL), frame 59 x 62 cm, together with 'True Light' from the edition of 250 and 'Dawn Gold' from the edition of 200, by the same hand (3)

ARR Phil Greenwood (b.1943) Sunset, artist proof, signed lower right, etching aquatint, 43 x 33 cm (PL), frame 65 x 51 cm, together with 'Forest Light' from the edition of 300 and 'Hilltop' from the edition of 250 by the same hand (3)

Valerie Thornton (1931-1991) etching and aquatint, a pair of works, Macquville and Terioux, both signed and dated '83, numbered from an edition of 150, images 27 x 12cm and 24 x 14cm, glazed frames

Charles Henry Baskett (1872-1953) 'The Collier' etching and aquatint of Maldon, signed and titled, 30cm x 17cm

Yigal Zemer (b.1938) 'Yellow Landscape III', pencil singed, titled and numbered, aquatint. 31cm x 38cm, in glazed frame.

Kane Cunningham (British 1961-): 'Towards Teesside', etching with aquatint signed titled and numbered 1/60 in pencil 24cm x 33cm

Kane Cunningham (British 1961-): Yorkshire Views, including Scarborough, Whitby, Staithes, York Potash, and Castle Howard, suite of twelve etchings with aquatint, variously signed titled and numbered in pencil (unframed)

Kane Cunningham (British 1961-): 'St Mark's Square - Venice', etching with aquatint signed titled and numbered 2/60 in pencil 30cm x 33cm

Kane Cunningham (British 1961-): 'Borrowdale', suite of ten artist's proof etchings with aquatint, in progressive states of completion, together with the first edition of the finished state, each signed titled and numbered in pencil 20cm x 38cm (11)

Kane Cunningham (British 1961-): 'Discovery', etching with aquatint signed titled and numbered 1/60 in pencil 24cm x 33cm

Kane Cunningham (British 1961-): 'Reclining Nude', etching with aquatint signed titled and numbered 1/60 in pencil 30cm x 33cm

Kane Cunningham (British 1961-): 'Castle Howard', pair etchings with aquatint signed titled and numbered 8/45 and 9/45 in pencil 23cm x 30cm (2) (unframed)

Kane Cunningham (British 1961-): 'Tunnel Construction', etching with aquatint signed titled and numbered 1/60 in pencil 33cm x 30cm

Kane Cunningham (British 1961-): 'Exploration Drilling', etching with aquatint signed titled and numbered 1/60 in pencil 30cm x 33cm

Kane Cunningham (British 1961-): 'Deep Shaft', etching with aquatint signed titled and numbered 1/60 in pencil 33cm x 30cm

Kane Cunningham (British 1961-): 'Castle Howard', etching with aquatint signed titled and numbered 6/45 in pencil 23cm x 30cm (unframed)

Kane Cunningham (British 1961-): 'York Potash - Teesside', etching with aquatint signed titled and numbered 1/60 in pencil 30cm x 33cm

Kane Cunningham (British 1961-): 'Scarborough', etching with aquatint signed titled and numbered 11/35 in pencil 25cm x 33cm

Nine framed prints and engravings, depicting English hunting scenes, to include, a drawing and engraving by Henry Alken, with an aquatint by E Duncan entitled To The Crack Riders of England. (9 items)

John Harris after Louis Robert Heyrault: a large hand coloured horse racing aquatint - 'Le Grand Steeple Chase de Dieppe de 1856', pub. by Goupil et Cie, Paris, 1861, 73 x 123cm, limed wooden frame.

Luigi Kasimir (1881-1962), a Vienna street scene, etching and aquatint, signed in pencil, 15" x 18" (38 x 46cm), unframed.

Anna Ravenscroft, 'Gangland Cats', etching and aquatint, signed inscribed and numbered in pencil, plate size 10.5" x 7" (27 x 18cm).

After Thomas Rowlandson (1756-1827) Hand-coloured etching Four etched caricatures with contemporary hand-colouring, "Comfort in the Govt." 26.5cm x 37cm, "The Sad Discovery of the Graceless Apprentice" 25.5cm x 37.5cm, "A Cully Pillaged" 26.5cm x 37.5cm, published July 1st 1802 by S.W. Fores and "House-Breakers, with aquatint by J. Malton, 35.5cm x 43.5cm, all framed and glazed (4) Condition Report Varying degrees of browning to paper on all. accretions behind glass. Some minor foxing in places on some. House-Breakers with cloudy area on backside of glass but doesn't seem to have affected print. Some fading/discolouration. Minor creases to some. All with margins. General wear and tear.

C. R. Stock after Harrington Bird Aquatint engraving "The Leading Road Coaches leaving the White Horse Cellars XI AM, Summer Season, 1888", large aquatint, contemporary hand-colouring heightened with gum arabic, toned overall, slight creasing, laid on near-contemporary linen, printed by F. C. McQueen & Sons, 61 x 108 cm

After Thomas Daniell (1749-1840) Aquatint on paper Near Currah, on the River Ganges, pub. Robert Bowyer, Pall Mall, 1796, 66cm x 50  Condition Report Print looks original. See addition photos. browning and some discolouration to paper. Possibly some fading. Plate marks 48.5cm x 64.5cm

Jim Dine (American, b.1935) 'The Bee' Charcoal Enhanced Etching and Aquatint 1982, pencil signed and #32/40 lower left, on a full sheet of Arches paper, float mounted within a black linen mat behind acrylic in a gold-tone and black lacquer wood frame, accompanied by Broder Gallery, Madison, WI COA, Ref D'Oench & Feinberg 115 Property from: a Private Collector, Middleton, Wisconsin Height: 21 3/4 inches, Width: 18 3/4 inches (image)Frame Size: 42 1/2 inches by 38 inches Condition: light smudges in margin at center lower edge, frame having light wear Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:44 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6

Phil Greenwood (British, b.1943), Going Home, etching and aquatint, titled lower left, signed lower right and numbered 29/150, 57 x 51.5cm, Wilfred R E Fairclough (1907 - 1996), two: Christ Church, Oxford, etching, signed in pencil lower right and dated 1961, 29 x 28cm and Magdalen Bridge & Tower, Oxford, signed in pencil lower right, 27.5 x 28.5cm, all framed and glazed

Barbara Jackson (British 1936-): 'Priestly Blessing', aquatint signed and titled in pencil 49cm x 33cm

Napoleonic Wars.- [Bowyer (Robert)] The Campaign of Waterloo, illustrated with engravings of Les Quatre Bras, La Belle Alliance, Hougoumont, La Haye Sainte, and other principal scenes of action, first edition, 6 hand-coloured aquatint plates on 4 sheets (1 folding), engraved plan and 2 plates of portraits, wood-engraved illustration, occasional faint marginal spotting or soiling, front endpaper nearly loose, contemporary card cover (upper only; lacking lower) with mounted paper label, cloth backed, peeling away, worn and a little stained, [Abbey, Life 354; Bobins 1134; Tooley 98], folio, T. Bensley and Son, 1816.

Blackmantle (Bernard) The English Spy, 2 vol., first edition, first issue with misdated plate, aquatint plates by Robert Cruikshank, crushed burgundy morocco by Riviere & Son, bordered in gilt, decorative gilt turn-ins with marbled endpapers, spines a little dulled, a very attractive copy overall, slip-case, 1825; and c.50 others, mixed antiquarian, v.s. (c.50) 

PHILLLIPS RICHARD (Pubs).  A Collection of Modern & Contemporary Voyages & Travels. Vol.1 only. Commencing  with Cassas`s Travels in Istria & Dalmatia. Fldg. aquatint frontis. of Trieste, fldg. eng. map (damp stng.) & 5 good fldg. aquatint plates, as called for. 1805; cloth bound with C. G. Kuttner, Travels through Denmark, Sweden, Austria and Part of Italy, fldg. eng. map (damp stng.),1805; & without titles, An Itinerary from London to Constantinople in Sixty Days in the Year 1794, & Kotzebue`s Travels; also Bryan Edwards, History ... of the British Colonies in the West Indies, vol. 1 only, 576pp., eng. frontis, plates & fldg. maps (some torn), 1807. (2)

Collection of four engravings Hedging and Ditching from Liber Studiorum by J.M.W. Turner, sepia etching with aquatint, 21 x 29cm (image); Mother and three children resting by Anthonie Watherloo, etching, 29 x 24cm (image); and two reproduction prints: Frederik Bloemaert - Farm Buildings, and Jan van der Velde - Landcsape Brewery (4)

MALTON (James) An Essay on British Cottage Architecture. Being an attempt to perpetuate on Principle that peculiar mode of Building which was originally the effect of Chance, 1st edition, London 1798, folio, half-title, 21 aquatint plates, some spotting and slight damp staining, original marbled boards, rebacked by Bell Golding

A folder of miscellaneous antique and later prints and a few drawings to include: Dubourg, Claudian Aqueduct, coloured aquatint, pub. 1820, watermark of J. Whatman 1816 Dubourg, The Queen returning from the House of Lords, coloured aquatint, published 1821 Bickham, Love Relaps’d, coloured 18th Century engraving;A 17th Century German engraving after Dietterlin, engraved by S. GlonerusThe Indian Guitar and its Scale, coloured engraving, published 181819th century photographs of Bethlehem and Ely CathedralJohn Fullwood, Maidenhead-on-Thames, etching, signed in pencil, and others

After Henry Fuseli R.A. Lycidas, by Frederick Christian Lewis and Moses Haughton engraving and aquatint, proof before title, inscribed in ink 'Under the opening eye-lids of the morn / What time the gray-fly winds her sultry horn :/ Lycidas' bearing collectors stamp GV (lower right) 33 x 25cm together with another engraving after Fuseli of The Nightmare by William Raddon Lycidas - crease mark to top left (shown) possible tear or repaired tear halfway down right side (shown) crease bottom right (shown) Mount in poor state (shown), ageing and dirt but the overall tone is largely even, unexamined out of frame. Sight size 33 x 25cm, framed is 48 x 36cm The Night Mare - trimmed but seemingly not laid down as the left hand edge is lifting. Uneven trimming line to top edge. Unexamined out of frame. Patches of rubbing (some shown). Trimmed print is 18 x 23cms, framed is 39 x 35cm

PAPWORTH (John B) Rural Residences consisting of a Series of designs for Cottages, Decorated Cottages, Small Villas and other Ornamental Buildings. London: for R. Ackermann 1818, 8vo, half title, 27 hand coloured aquatint plates including frontis as required, ex libris stamp to title, p.56 and last page of text, occasional slight stains, half grained moroccoProvenance:Dominic Winter, lot 410, sale 23/8/00

THE PROPHETIC MESSENGER FOR 1833, with hand coloured aquatint folding frontis, London, William Carlton Wright (1)

WEALE (J), PUBLIC WORKS OF GREAT BRITAIN, large paper edition, title with engraved vignette of London & Birmingham Railway Station Watford, with 152 of 153 aquatint plates (lacking final plate but with facsimile replacement), 3/4 tan leather with red cloth boards, London, John Weale, 1838 (1).

Graham Clarke prints (b 1941) two etching and aquatint hand coloured limited edition prints signed and titled ' Turnip Court' 114/250 and 'Mallards in Flight' 56/250 in original frame, published by Christies Contemporary Art.

Graham Clarke (b. 1941)  limited edition etching and aquatint hand coloured, signed and titled 'Nethercott'  36/300 printed on Barcham Green's handmade Wealden paper and cloured published by Christies Contemporary Art, certificate to the verso, in original frame 91.5cm x 66cm.

Graham Clarke (b1941)  limited edition 27/250  signed and titled 'The Nasty Tern' hand coloured etching and aquatint circa 1984 framed and glazed print 89cm x 76.5cm

Graham Clarke (b. 1941) a large pencil signed & titled limited edition 119/150 hand coloured etching and aquatint  'Archipelago', published by Christies contemporary art circa 1977. Presented in original metal frame with perspex glazing, 84cm x 69cm.