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Ca. 3000 BC.A Mesopotamian black stone figurine of an animal, most likely a pig. It has an elongated body, small legs and pointed ears. Etched concentric circles form the eyes and decorate the figurine. When backlit the stone glows due to its semi translucent nature. It is drilled horizontally.Size: 45mm x 20mm; Weight: 16gProvenance: Private London collection of an Ancient Art dealer; Formerly in a central London family collection, 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 800 - 700 BC.A fabulous Greek cast-bronze horse figurine in a stylised form. The tubular animal widens slightly at the hips and tapers towards the chest, the body is supported by four cylindrical legs and a curved tail droops down. The horse's head is raised with a crested mane, a tapering ovoid snout and a pair of perky ears. The figurine has a textured green and brown patina and the whole surface is adorned with a stippled pattern. For similar see: Christie's Live Auction, 21909, Antiquities, Lot. 7. Size: 95mm x 90mm; Weight: 245gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 1 millenium BC.A bone figurine of an animal, standing on four legs, on a square base. The body of the figurine is extremely elongated with a tubular neck, long muzzle and raised triangular ears.Size: 170mm x 60mm; Weight: 260gProvenance: Private London collection, acquired on the European art market pre 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lladro figurines to include Clown Sitting on Ball, Penguin, Hare, Nao Nurse with Newborn and five smaller Nao examples Royal Doulton 'Lovers' figurine, two miniature Coalport, Holland seal, Goebel angel and Royal Adderley dog and animal figurines to include many from 'The Country Birds Collection' etc. One Box
This adorable panda baby figurine is expertly crafted from a combination of clear and black crystal, capturing the lovable charm of this beloved animal. This item has its original box which measures 2.5"H x 3.25"dia. Swarovski etched backstamp. Artist: Adi StockerIssued: 1994 - 2006Dimensions: 1"L x 0.5"W x 0.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
The animal subject of this box figurine is called a buffalo in the US and a bison in the UK. It looks scruffy because it is molting its heavy fur, needed for harsh winters on the plains. The interior shows a buffalo taking revenge on an early settler for the decimation of their population. Harmony Kingdom sticker on the bottom. Artist: Peter CalvesbertDimensions: 3.25"L x 2"W x 2.25"HManufacturer: Harmony KingdomCountry of Origin: EnglandCondition: Age related wear.
12th-8th century B.C.. Modelled in the round standing with head raised, recurved horns or antlers, slender muzzle with mouth detailing, incised ring-and-dot motif to shoulders and hips; mounted on a custom-made stand. Cf. Zahlhaas, G., Animals in Ancient Art, Out of Noah's Ark, from the Leo Mildenberg Collection, Mainz, 1997, figs.126,128, for similar. 69.2 grams total, 80 mm high including stand (31/8 in.). Stylistically, the item shares features with the Hattian stag figurine found in the royal tombs in Alacahöyük (now in the Museum of Anatolian Civilizations, Ankara, Turkey) and dating from the period 2100-2000 B.C. The use of ring-and-dot embellishments to the flanks is suggestive of some cultural continuity. The animal depicted is probably an ibex rather than a European stag. However, a date of manufacture in the period after the fall of the Hittite Empire in the 12th century B.C. seems more probable.London art market, 1978. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12263-220844. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website]
Roman Period, 30 B.C.-323 A.D.. Carved hardstone figure of a Hamadryas Baboon (papio hamadryus), sacred to Thoth, crouching with his forepaws resting on his knees and wearing a segmented and banded hood and collar with elaborately carved textural detailing; face chipped and lower body absent. Cf. Loffet, H.C., La Collection Emmacha: Antiquités Égyptiennes 2 – Objets divers, Paris, 2013, pp.84-7 no.105, for a stone baboon with a similarly elaborate decorated collar; Bartman, E., The Ince Blundell Collection of Classical Sculpture Volume III. The Ideal Sculpture, Liverpool, 2017, pp.185-6, pl.162a, for a baboon statuette with less stylised rendering. 243 grams, 10.6 cm (4 1/8 in.). The baboon was considered an embodiment of the god Thoth. The animal was associated with both the sun and the moon, often depicted wearing a moon and crescent headgear. Together, these aspects symbolised the cycle of rebirth, as it was believed that the deceased travelled through the night and was reborn at dawn. Thoth was highly regarded for his connection to knowledge, healing, and writing. Scribes would wear a Thoth baboon amulet to ensure continued professional success. In the Roman era, Thoth became the 'primary pseudonymous authority for diverse priestly texts' (Frankfurter, D., Religion in Roman Egypt,New Jersey, 1998, p.240). As some religious centres with animal cults were maintained in the Roman Period, it is possible that this figurine was a votive offering to the god. Baboon figurines have also been discovered in Isis sanctuaries in Rome. This discovery may indicate the mythological connection between the two deities, as Thoth provides words to Isis, enabling her to revive her husband, Osiris.Ex Yorkshire, UK, collection, 1960s-1980s. [No Reserve]
FOUR BOXES OF BOOKS, GLASS AND CERAMICS, to include volume 1-16 of 'The Illustrated Encyclopaedia of Animal Life', five files full with issues of Country Companion, Royal Doulton Bunnykins 'Fisherman Bunny' DB170 in box, Royal family memorabilia, Aynsley 'Orchard Gold' serving plate, two Foreign figurines, Capodimonte lady sitting on a bench, a marble eagle figurine, selection of tea cups and saucers to include three Royal Albert, selection of glasses to include a quantity of vintage Babycham glasses, cut glass bud vases etc. (sd), (4 boxes)
This exquisite animal figurine features a hare poised gracefully in a crouched position, beautifully rendered in a rich red glaze. Flambe backstamp. Royal Doulton backstamp, signed FM. Issued: 1945-1996Dimensions: 1.5"L x 4.25"W x 3"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Collection of Historic and Child-Themed Royal Worcester and Royal Doulton Figurines This remarkable collection comprises a fine assortment of ceramic or porcelain figurines, showcasing craftsmanship from noted English manufacturers Royal Worcester and Royal Doulton. The set includes: - Two large figurines of women in historical dresses, crafted by Royal Worcester. The first figurine features a woman in a striking red gown with white accents and a matching red hat. The second figurine represents a woman in a light-coloured dress, potentially white or pastel shades. Both pieces bear the hallmark of Royal Worcester and significant identifiers; "Grandmother's Dress" with the model number 3081 and "Sweet Anne" numbered 3630, both modelled by F.G. Doughty. - Two smaller figurines depicting children with musical instruments: one child is seated playing a guitar or lute, and the other is standing playing a violin. - Four animal figurines detailed in a whimsical cartoon style: a mouse standing upright, a grey cat seated on a green base, a small brown bear in a relaxed position, and a striped tiger or cat lying down. - A poignant figurine of a young girl in a red dress embracing a white dog, bringing a tender, affectionate element to the collection. Additionally, the set includes a noteworthy piece from Royal Doulton, titled "Home Again," modelled by Royal Doulton Bone China in 1955, under model number H.N 2167, and registered under several Rd numbers including 878036, 3452, 7303, and 44/55. Together, these figures reflect a blend of historical and contemporary influences, highlighting both the prestigious craftsmanship and artistic traditions of Royal Worcester and Royal Doulton. These figurines not only possess aesthetic value but also serve as collectible items of significant historical interest.
Group of five Chinese carved jade animal figurines, including:One jade in the form of an insect, possibly a cicada. With inclusions along the underbelly of the insect.One jade resembling a rabbit. Carved of an opaque, pale grey jade.One jade in the form of a fowl, possibly a quail or hen. Of a pale jade with incised details to represent feathers.One jade in the form of a resting horse or ram. Neatly carved out of an earthy, extremely light brown jade with a slightly lighter hued head.One jade carved to represent a monkey on a leaf. Veins of the leaf are skillfully incised, visible from the bottom of the figurine.Height ranges from 1/2 in to 1 in; width ranges from 1 3/4 in to 2 in; depth ranges from 1/2 in to 1 in. Gross weight: 108.8 g.Condition: There are natural lines visible throughout all items, as expected; along the natural lines there is discoloration. There is an accretion of debris in the carved lines. There are chips throughout each item. There is calcification throughout.
SIX BOXES OF ASSORTED CERAMICS, including approximately fifteen figurines, Porceval figurine of a women with a parasol wearing a bonnet, Regal House collection figurine of a girl with a mirror in a pink dress, girl with a book in a green dress, Regal bedtime range girl in a blue night gown holding a teddy bear and a candle, etc, a selection of animal figurines including large black and white rabbit, dogs, donkeys, birds etc., handmade flower posy ornaments by Denton China, Adderley, planters and vases etc. (sd) (6 boxes)
TWO BOXES OF MIXED CERAMIC KITCHENWARE AND ORNAMENTS to include a box of Midwinter Spanish Garden kitchen and tea ware comprising a coffee pot, approximately twelve coffee cups, approximately twelve saucers, six dinner plates, six side plates, a cake plate, a boxed Royal Worcester sugar bowl and cream jug, a Shelley cream jug and sugar bowl set, a Royal Worcester Morning walk figurine, two Regal porcelain figurines to include Suzy and Marie, a pair of lustre KSP pheasants, a hand painted Japanese tea cup and saucer, a Copeland tea cup and saucer, a quantity of animal ornaments (2 boxes) (s.d)
A collection of porcelain animal figurines; swans, dolphin, elephant, and cat clock. A small oval April cover bow, and a double-handled oval floral bow. Also includes Winnie the Pooh Disney crystal figurine. Lenox backstamp. The longest piece, the bowl, measures: 11.25"L x 4.25"W x 2.25"H. The tallest, Winnie, measures: 4"L x 3.5"W x 4.5"H. Dimensions: See DescriptionCondition: Age related wear. As found.
This adorable panda baby figurine is expertly crafted from a combination of clear and black crystal, capturing the lovable charm of this beloved animal. This item has its certificate and original box which measures 2.5"H x 3.5"dia. Swarovski etched backstamp. Artist: Adi StockerIssued: 1994 - 2006Dimensions: 1"L x 0.5"W x 0.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Ca. 900 - 700 BC A greek figurine of a stag represented with short curved horns. The animal stands on four little legs and has a long, cylindrical body connected to a massive neck. Its muzzle is adorned with round protruding eyes and large nostrils. It has a long and horizontal tail. Size: 90mm x 50mm; Weight: 80g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 800 - 500 BC A beautiful figurine of an ibex, represented with moulded stepped horns. The animal, standing on four short legs, has a long, cylindrical muzzle, round eyes and an open mouth. A bronze flat loop is around the neck of the animal. In ancient Amlash society, horns held profound symbolic significance representing power, strength, and divine protection. They were commonly depicted in Luristan art and artefacts, adorning ceremonial objects, weaponry, and religious iconography. The horns symbolised the connection between humanity and the spiritual realm, serving as conduits for channelling cosmic energies and invoking divine blessings. For similar see: The Metropolitan Museum of Art, Accession Number 53.47.2. Size: 75mm x 60mm; Weight: 145g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
These hand painted animal figurines are part of the Royal Doulton Bronze Menagerie Family Collection. The Deer (3400M) figurine measures 6"L x 3.75"W x 3.75"H. The Giraffes (3402M) figurine measures 5.75"L x 3.75"W x 5.5"H. Both have artist signatures carved on the backs and Royal Doulton stickers on the bottoms. Artist: Valerie SkidmoreIssued: 1981Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear. One ear of the mother deer has been reglued.
Model No.62. A glossy bone china animal figure of two sleeping pigs with both ears down, in turquoise color variation.Royal Doulton backstamp. #RoyalDoulton #Figurine #PigsSnoozing Artist: Charles NokeIssued: 20th c.Dimensions: 3.5" L x 2.5" W x 1.5" HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Romano-British, 1st century AD, a bronze Boar figurine, 5.2 cms x 3.7 cms, solid cast moulding, the Boar is standing on four upright legs, with a ridged back, while the body is decorated with fine diagonal grooves indicating the coarse hair. The head has prominent ears and narrow recessed eyes, projecting curved tusks and a flat D-shaped snout with two indented nostrils. the open mouth is a straight slit. The tail at the rear is decorated with grooves, curled and hangs down. Intact, about extremely fine and in excellent condition with a smooth olive green patina; a charming and rare item £1,000-£1,200 --- Provenance: Found at Beltinge in Kent. The Boar was a symbol for both the Celts and the Romans. The XX Valeria Roman legion took part in the invasion of Britain in 43 AD and were initially based at Colchester. The legionary emblem was a charging running Boar. The Druids regarded the Boar as sacred and the animal was a symbol of strength and fertility appearing on a number of Iron Age coins.
Gämse und 2 Hirschkälber. Nymphenburg. Prägemarke, 20. Jh. 2x weiß, 1x polychrom staffiert. 1x Modell-Nr. 515, Entwurf 19. Jh. von Sebastian Habenschaden (1813-1868), Neuausformung ab 1914: auf einem Felssockel stehender Gamsbock (H 16,5 cm). / 2x Modell-Nr. 460, Entwurf um 1770 von Dominikus Auliczek (1734-1804), 1906 überarbeitet von Theodor Kärner (1884-1966): liegende Hirschkälber (H 6 cm). Zum Gamsbock: "Die Manufaktur Nymphenburg hat einige Tierskulpturen desMünchner Künstlers Sebastian Habenschaden (1813 – 1868)angekauft und zwischen 1910 und 1920 ausgeformt." (Petra Werner, in: Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 40/Kat.-Nr. 32)Zu den Hirschkälbern: Diese werden in der Figurenliste der Porzellanmanufaktur Nymphenburg als "liegendes kleines Reh" bezeichnet, obwohl sie die typischen Kennzeichen eines Hirschkalbes aufweisen. (Vergleiche Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 34/Kat.-Nr. 20). Provenienz : Deutsche Privatsammlung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 19:01 Uhr (CET) A chamois and 2 stag calves. Nymphenburg. Embossed mark, 20th century 2x white, 1x polychrome painted. 1x model no. 515, 19th century design by Sebastian Habenschaden (1813-1868), new design from 1914: chamois standing on a rock base (h 16.5 cm). / 2x model no. 460, design from around 1770 by Dominikus Auliczek (1734-1804), reworked in 1906 by Theodor Kärner (1884-1966): recumbent stag calves (h 6 cm). About the chamois buck: "The Nymphenburg manufactory has several animal sculptures by the Munich artist Sebastian Habenschadenden.Munich artist Sebastian Habenschaden (1813 - 1868)and sculpted them between 1910 and 1920." (Petra Werner, in: Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 40/cat. no. 32)Regarding the stag calves: these are described in the Porzellanmanufaktur Nymphenburg figurine list as "lying small deer", although they have the typical characteristics of a stag calf. (Compare catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 34/cat. no. 20). Provenance : German private collection. Call time 14 | June 2024 | presumably 19:01 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Tierfigur: Hahn. Meissen. 1963. Modell-Nr. O 204 (neue Form-Nr. 77328). Höhe: 9,5 cm. Modell von Erich Hösel 1912. Naturalistisch staffiert. Ritzmarke, Pressmarke, Schwertermarke. Schnabel von unten minimal bestoßen. Meissen-Manufaktur-Preis: 1290,- Euro * Partnerauktion Bergmann. Literatur : Bergmann (2010), Katalog-Nr. 575. Aufrufzeit 14. | Juni 2024 | voraussichtlich 16:09 Uhr (CET)Small animal figurine: rooster. Meissen. 1963. model no. O 204 (new mold no. 77328). Height: 9.5 cm. Model by Erich Hösel 1912. Naturalistically painted. Incised mark, pressed mark, sword mark. Bill minimally bumped from below. Meissen manufactory price: 1290,- Euro * Partner auction Bergmann. Literature : Bergmann (2010), catalog no. 575. Call time 14 | June 2024 | presumably 16:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Elch. Nymphenburg. Prägemarke und Stempelmarke, 1912-1975. Modell-Nr.: 161. Entwurf: 1906. BEHRENS, Hans (1882 Hamburg - 1952 Frankfurt a. Main) Unterglasurbemalung. H 20,5 cm. "Behrens Elch-Figur ist eine der frühesten Figuren im Programm der Manufaktur Nymphenburg, dienicht auf alte Modelle zurückgreift. Ihre detaillierte Modellierung lässt intensive Naturstudien desKünstlers vermuten. Behrens interessierte vor allem das Tier in Bewegung. Durch die Körperhaltung,die das Tier hier beim Fressen einnimmt, verschieben sich naturgemäß Muskelpartien und Körperachsen, die Behrens fein herausgearbeitet hat. Der Elch steht mit versetzten, den schweren Körper ausbalancierenden langen Läufen auf einem Sockel, wobei sein Kopf mit ausgeprägt muskulösem Kiefer am langen Hals zu Boden geführt ist". (Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 80/Kat.-Nr. 88). Literatur : Woeckel (1978), S. 131f.; Trux (2001), S. 148. Provenienz : Deutsche Privatsammlung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 19:01 Uhr (CET) Elch. Nymphenburg. Mint mark and stamp mark, 1912-1975. model no.: 161. design: 1906. BEHRENS, Hans (1882 Hamburg - 1952 Frankfurt a. Main) Painted underglaze. H 20.5 cm. "Behrens elk figurine is one of the earliest figurines in the Nymphenburg manufactory's program, whichdoes not draw on old models. Its detailed modeling suggests intensive nature studies by the artist.artist's intensive studies of nature. Behrens was particularly interested in the animal in motion. The postureThe posture the animal adopts here while eating naturally shifts muscle groups and body axes, which Behrens has finely worked out. The elk stands on a pedestal with its long legs offset, balancing its heavy body, and its head is held to the ground by its long neck with a distinctly muscular jaw". (Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 80/cat. no. 88). Literature : Woeckel (1978), p. 131f.; Trux (2001), p. 148. Provenance : German private collection. Aufrufzeit 14. | June 2024 | probably 19:01 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Hirschkuh mit Kalb. Rosenthal. Marke Kunstabteilung Stammwerk Selb, 1950er Jahre. Bezeichnet. Modell-Nr.: K 1565. Entwurf: 1935. HEIDENREICH, Fritz (1895 Mähring - 1966 Selb) Unterglasurbemalung. H 36 cm. "Der Entwerfer Fritz Heidenreich (1895 – 1966) erlernte das Töpferhandwerk. Aufgrund einer Armverletzung, die er im Ersten Weltkrieg erlitt, konnte er seinen Beruf nicht mehr ausüben. Daraufhin besuchte er die Kunstgewerbeschule in Nürnberg und anschließend von 1917 bis 1919 die Porzellanfachschule in Selb. 1919 trat er in die Kunstabteilung von Rosenthal ein, zunächst als Retuscheur. Ab 1934 kreierte er eigene Entwürfe und dominierte von nun an das Figurenprogramm, vor allem im Bereich der Tierplastik." (Petra Werner, in: Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 41/Kat.-Nr. 33). Provenienz : Deutsche Privatsammlung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 19:21 Uhr (CET)Hirschkuh with calf. Rosenthal. Mark from the art department at the main factory in Selb, 1950s. Inscribed. Model no.: K 1565. design: 1935. HEIDENREICH, Fritz (1895 Mähring - 1966 Selb) Painted underglaze. H 36 cm. "The designer Fritz Heidenreich (1895 - 1966) learned the craft of pottery. Due to an arm injury he suffered during the First World War, he was no longer able to pursue his profession. He then attended the arts and crafts school in Nuremberg and then the porcelain school in Selb from 1917 to 1919. In 1919, he joined Rosenthal's art department, initially as a retoucher. From 1934, he created his own designs and from then on dominated the figurine program, especially in the field of animal sculpture." (Petra Werner, in: Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 41/cat. no. 33). Provenance : German private collection. Call time 14 | June 2024 | presumably 19:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Platzhirsch. Hutschenreuther. Löwenmarke, 2. H. 20. Jh. Bezeichnet. Modell-Nr.: 2541 (8258). Entwurf: 1958. ACHTZIGER, Hans (1918 Selb – 2003) Unterglasurbemalung. H 43 cm, L 48 cm. Beide Geweihstangen restauriert, 1 Geweihspitze lose anbei. "Der Selber Hans Achtziger (1918 – 2003) absolvierte von 1934 bis 1937 eine Modelleur-Ausbildung in der Porzellanfabrik Lorenz Hutschenreuther, bevor er anschließend bis 1939 an der Fachschule für Porzellanindustrie in Selb bei Fritz Klee studierte. Nach dem Zweiten Weltkrieg war er von 1946 bis 1948 Schüler der Bildhauerklasse von Hans Panzer auf der Meisterschule für Bau- und Kunsthandwerker in München. Anschließend nahm er seine langjährige Entwurfstätigkeit in der Hutschenreuther Kunstabteilung auf, wo er ab 1961 die Leitung übernahm. Er prägte das Figurenprogramm der Hutschenreuther Kunstabteilung ganz entscheidend und gab der Kollektion beachtliche Impulse. In der Gestaltung seiner Tierfiguren zielte er darauf ab, einen Bewegungsmoment lebendig einzufangen, was ihm mit der Figur des Platzhirsches durchaus gelang." (Petra Werner, in: Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 34/Kat.-Nr. 42). Provenienz : Deutsche Privatsammlung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 19:13 Uhr (CET)Platzhirsch. Hutschenreuther. Lion mark, 2nd half 20th c. Marked. Model no.: 2541 (8258). Design: 1958. ACHTZIGER, Hans (1918 Selb - 2003) Painted underglaze. H 43 cm, L 48 cm. Both antlers restored, 1 antler tip loosely attached. "Hans Achtziger (1918 - 2003) from Selb trained as a modeler at the Lorenz Hutschenreuther porcelain factory from 1934 to 1937, before studying under Fritz Klee at the technical college for the porcelain industry in Selb until 1939. After the Second World War, he was a student in Hans Panzer's sculpture class at the master school for builders and craftsmen in Munich from 1946 to 1948. He then took up his many years of design work in the Hutschenreuther art department, where he became head in 1961. He had a decisive influence on the figurine program of the Hutschenreuther art department and gave the collection considerable impetus. In the design of his animal figurines, he aimed to capture a moment of movement vividly, which he certainly succeeded in doing with the figure of the Platzhirsch." (Petra Werner, in: Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 34/cat. no. 42). Provenance : German private collection. Call time 14 | June 2024 | presumably 19:13 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Fuchs. Royal Copenhagen. Wellenmarke und Stempelmarke, 2. H. 20. Jh. Modell-Nr.: 437. Entwurf: 1903. NIELSEN, Erik (1857 Oksendrup – 1947 Tuvilde) Unterglasurbemalung. H 26 cm. "Der sitzende Rotfuchs von Erik Nielsen (1857 – 1947) gehört zu jenen Tierdarstellungen, mit denen die Königliche Porzellanmanufaktur seit der Pariser Weltausstellung 1900 Weltruf erlangte. Nielsen begann als Modelleur bei Bing & Grøndahl, bevor er 1887 zur Königlichen Porzellanmanufaktur wechselte, für die er bis 1926 tätig war. Hauptsächlich schuf er Tierplastik. Das Fuchsmodell wurde später auch in verkleinerter Form sowie mit anderer Bemalung als Polarfuchs in das Figurenprogramm aufgenommen." (Petra Werner, in: Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 76/Kat.-Nr. 83). Provenienz : Deutsche Privatsammlung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 19:06 Uhr (CET)Fuchs. Royal Copenhagen. Wave mark and stamp mark, 2nd half 20th century. Model no.: 437. Design: 1903. NIELSEN, Erik (1857 Oksendrup - 1947 Tuvilde) Painted underglaze. H 26 cm. "The seated red fox by Erik Nielsen (1857 - 1947) is one of the animal depictions with which the Royal Porcelain Manufactory achieved world renown after the Paris World Exhibition in 1900. Nielsen began as a modeler at Bing & Grøndahl before moving to the Royal Porcelain Manufactory in 1887, where he worked until 1926. He mainly created animal sculptures. The fox model was later also included in the figurine program in a smaller form and with different painting as an arctic fox." (Petra Werner, in: Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 76/cat. no. 83). Provenance : German private collection. Call time 14 | June 2024 | presumably 19:06 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Tauben. 1x ROYAL COPENHAGEN, Modell-Nr. 3510, Entwurf um 1920 von Theodor Madsen (1880-1965), monogrammiert "TM": Haustaube (H 19 cm). / 1x ROSENTHAL, Modell-Nr. K 1590, Entwurf 1936 von Fritz Heidenreich (1895-1966), bezeichnet: Fächertaube (H 14 cm). Zur Haustaube: "Theodor Christian Madsen (1880 – 1965) zählt neben Carl Frederik Liisberg, Erik Nielsen und Christian Thomsen zu den erfolgreichsten Künstlern der frühen Kopenhagener Tierplastik. An der Königlichen Porzellanmanufaktur Kopenhagen zum Modelleur ausgebildet und nach Studium an der Akademie in Kopenhagen, arbeitete er von1896 bis 1935 in der Manufaktur." (Petra Werner, in: Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 37/Kat.-Nr. 26)Zur Fächertaube: "Einige Figurenmodelle von Fritz Heidenreich wurden sowohl als Gruppenkomposition wie auch als Einzelfigur herausgebracht. Dazu gehört die Figur der Taube, die eine Einzelfigur der Figurengruppe Modellnummer K 1591 darstellt, bei der sich ein Taubenpaar gegenüber steht. Die Figur lässt deutlich erkennen, dass Heidenreich den naturalistisch geprägtenFigurenstil von Theodor Kärner weiterführt. Der plumpe Körper des weit verbreiteten Vogels ist durch eine ausgeprägte Brustmuskulatur, breite Flügel, einen kurzen Hals und kleinen Kopf mit kurzem, spitzen Schnabel charakterisiert." (Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 77/Kat.-Nr. 85. Provenienz : Deutsche Privatsammlung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 19:46 Uhr (CET) 2 pigeons. 1x ROYAL COPENHAGEN, model no. 3510, designed around 1920 by Theodor Madsen (1880-1965), monogrammed "TM": Domestic pigeon (H 19 cm). / 1x ROSENTHAL, model no. K 1590, design 1936 by Fritz Heidenreich (1895-1966), marked: Fan pigeon (H 14 cm). On the domestic pigeon: "Alongside Carl Frederik Liisberg, Erik Nielsen and Christian Thomsen, Theodor Christian Madsen (1880 - 1965) is one of the most successful artists of early Copenhagen animal sculpture. He trained as a modeller at the Royal Porcelain Manufactory in Copenhagen and, after studying at the Copenhagen Academy, worked at the manufactory from 1896 to 1935." (Petra Werner, in: Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 37/cat. no. 26)On the fan dove: "Some of Fritz Heidenreich's figurine models were produced both as group compositions and as individual figures. These include the figure of the dove, which is a single figure from the figure group model number K 1591, in which a pair of doves stand facing each other. The figure clearly shows that Heidenreich had adopted the naturalisticfigure style of Theodor Kärner. The plump body of the widespread bird is characterized by pronounced chest muscles, broad wings, a short neck and small head with a short, pointed beak." (Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 77/cat. no. 85. Provenance : German private collection. Aufrufzeit 14 | June 2024 | probably 19:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Late 3rd-early 2nd millennium B.C. Modelled in the round, with humped shoulder and downturned horns. 60 grams, 83 mm (3 1/4 in.). Private collection Mr S.A., acquired in 1991. Thence by descent.The figurine was modelled simplistically and only the presence of a hump and horns makes it possible to identify the animal as a zebu, which was common in the prehistoric Mesopotamian world. Similar figurines, which reproduced animals and humans, are typical of Amorite art, named after a group of semi-nomadic populations who lived in the north-western part of the Near East in the 3rd and 2nd millennium B.C. From the 20th century B.C., the incursions and armed pressure that the Amorites exerted on the kingdom of Ur overthrew the existing dynasties and created several kingdoms throughout Mesopotamia whose dynasties retained a strong attachment to their original culture. (For this specific lot, 5% import VAT is applicable on the hammer price.)
A collection of three vintage 20th century animal figurines. The lot comprising a Waterford Crystal glass horse head paperweight complete with original label, a Beswick china pig figurine marked Ch Wallqueen 40 to underside, and a bronze resin sculptured sleeping greyhound signed ARJ '87. Tallest measures approx. 13cm tall.
Ca. 1st millennium BC.A bronze freestanding figurine depicting a stag. The animal features an uplifted neck that gracefully extends to a forward-facing head adorned with majestic horns. From the backside emerges a small loop, possibly for suspension. Size: 105mm x 60mm; Weight: 115g Provenance: Private UK collection; From an old British collection formed in the 1990s.
Ca. 1st millennium BC.A bronze freestanding figurine depicting a stag. The animal presents a slender body on delicate, long legs, with each leg with a loop. From the backside of the animal, a vertical rod emerges, leading to an openwork cage-style finial. In the ancient culture of Luristan, nestled within the rugged terrain of western Persia, the stag holds profound significance. Revered for its strength, grace, and symbolic resonance, the stag occupies a central place in Luristan mythology and artistic expression.To the people of Luristan, the stag embodies the essence of vitality and resilience, its majestic antlers reaching towards the heavens like branches of an ancient tree. In their stories and folklore, the stag is often depicted as a guardian spirit, a noble creature that guides and protects those who venture into the wild landscapes of Luristan. Size: 145mm x 85mm; Weight: 260g Provenance: Private UK collection; From an old British collection formed in the 1990s.
Ca. 1st millennium BC.A Western Asiatic bronze freestanding figurine depicting a bull carrying a smaller animal on its back. The larger animal stands on elongated legs, gazing forward with a short neck and a head characterized by a distinct snout, small ears, and majestic horns. For similar see: Christie's, Live Auction 5399 Antiquities, Lot. 10. Size: 90mm x 65mm; Weight: 100g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Featuring the jovial trickster of the animal kingdom, the monkey, known for its lightheartedness and good sense of humor. This clear glass figurine captures their playful spirit. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1992Dimensions: 2"L x 2"W x 2.5"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Collection of Beswick Ware and Royal Doulton Beatrix Potter and other animal groups to include: 'Ginger and Pickles', 'Mrs Rabbit and the Four Bunnies', 'Peter and Benjamin picking up onions' etc. (7) (B.P. 21% + VAT)Mrs Rabbit and the Four Bunnies figurine - there is a broken ear. The others are in good condition with no obvious damage.
An animal figurine of a Russian Hunting Sighthound in a sprint stance. Beige, green, black, and brown glaze. Royal Doulton backstamp. Underside marked: The Property Of Royal Doulton Tableware LTD Not Produced For Sale. Issued: c. 2000Dimensions: 13.25"L x 4.25"W x 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Enchanting lead crystal horse figurine that was part of The Peaceful Countryside collection. Majestic animal, it shines in clear crystal with matte crystal tail and mane. Signed by artist. Swarovski etched backstamp. This item has its original box. Box measures: 7.75"L x 7.75"W x 4"H. Artist: Stefanie NedereggerIssued: 2006-2011Dimensions: 2.25"L x 5.75"W x 5.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Jugendstil-Tierfigur: Hahn. Meissen. 1987. Modell-Nr. 77342 (alte Form-Nr. V 130). Höhe: 19 cm. Modell von Erich Hösel 1909. Naturalistisch bemalt. Ritzmarke, Pressmarke, Malermarke, Schwertermarke. Hösel, Bildhauer, studierte an der Akademie in Dresden. 1899-1903 Lehrer an der Akademie in Kassel, 1904 Professor. 1903-1929 an der Manufaktur Meissen, 1912 Gestaltungsdirektor. Meissen-Manufaktur-Preis: 2790,- Euro * Partnerauktion Bergmann. Literatur : Bergmann (2010) Katalog-Nr. 570. Aufrufzeit 23. | Feb 2024 | voraussichtlich 19:00 Uhr (CET)Art Nouveau animal figurine: rooster. Meissen. 1987. model no. 77342 (old mold no. V 130). Height: 19 cm. Model by Erich Hösel 1909. Naturalistically painted. Incised mark, press mark, painter's mark, sword mark. Hösel, sculptor, studied at the academy in Dresden. 1899-1903 teacher at the academy in Kassel, 1904 professor. 1903-1929 at the Meissen manufactory, 1912 design director. Meissen manufactory price: 2790,- Euro * Partner auction Bergmann. Literature : Bergmann (2010) catalog no. 570. Call time 23 | Feb 2024 | presumably 19:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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