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Lot 232
A mixed quantity of collectables including framed RAF patches, shield display with mounted pair of miniature kukri and cap badges, national unionist woman's association, St Johns Ambulance Association badge, various medals and tokens, post office volts & amps multi meter, Kodak retina close up camera, postcards, quartz watch etc
Lot 1039
A c1959 Watkins Westminster guitar amp with Tremolo all original vintage British Valve Amplifier with Footswitch blue covering largely intact fully working, overall good condition consistent with age and use recently checked and PAT tested. Similar to amps used during the Beatles early career. #watkins #watkinswestminster #wem
Lot 459
JOHN LENNON - John Lennon's First Ever Vox Amp - Fawn JMI Vox AC15 Twin - A 1962 Fawn JMI Vox AC15 Twin amplifier used and owned by John Lennon during his time in The Beatles. Lennon purchased this amp in 1962 and it was the first-ever Vox amp he used as part of The Fab Four. It is arguably one of the most significant Beatles and Lennon artefacts to come to market. It was the catalyst in forming the early tone and sound of one of The Beatles, considered one of the most influential bands of all time. The amp was used in many early live performances as well as the recording of The Beatles first album Please, Please Me recorded at Abbey Road studios. The history of this item was recently covered in a comprehensive article by Guitar World.When Brian Epstein became The Beatles' manager, he decided to completely overhaul their public image, including upgrading the equipment they used to perform. Lennon and Epstein visited Hessy's Music in Liverpool and hire-purchased a Fawn Vox AC15 Twin amp in July 1962 for £123, making four payments over the next few months. A scan of the original hire-purchase agreement can be seen on page 572 of the book Vox Amplifiers: The JMI Years by Jim Elyea. On the agreement, the amp's serial number was incorrectly noted as "1583" when, at that time, the serial numbers would have been in the 4000 range, so it was actually "4583". George Harrison also acquired a Vox Fawn AC30 Twin amp around the same time. Lennon can be seen using the amplifier extensively during the early days of The Beatles' rise to fame, including the only known film footage of them performing at the world famous Cavern Club, Liverpool on August 22 1962, four days after their newly appointed drummer, Ringo Starr had joined the band. This was the birth of what we now know as the legendary Fab Four. As well as many early live performances, the amp can be seen at the Abbey Road studios during the recording of the album Please Please Me in which Lennon's distinct Vox guitar tone can be heard on such tracks as "Love Me Do", "Please, Please Me", "How Do You Do It?" and P.S. I Love You". Photographs taken by Bill Connell and Les Chadwick on 22 August 1962 document The Beatles rehearsing at the Cavern Club and show the Vox amp being used by Lennon. As Starr officially joined the group four days earlier on 18 August, these may be some of the first images to feature him as part of the band. The amp can also be seen in photos taken during the Please Please Me recording sessions at Abbey Road Studios in Studio 2 which took place in September 1962. In these images, Lennon's Vox AC15 is equipped with chrome stand, as opposed to George Harrison's Vox AC30, which has no stand. As the band's popularity grew and their touring schedule increased, in early 1963 Brian Epstein secured an endorsement deal with Vox for their exclusive use of the brand and in return Vox would supply the band with amplifiers. Recent research shows the original Beatles Fawn amplifiers can be seen being used as late as November 1963 and possibly beyond and were used in conjunction with the new Black amplifiers due to the band's extensive schedules. Notable later performances where these amps can be seen in 1963 include January 31st at Birkenhead, March 7th at Harrogate and November 1963 in Ireland.The amp comprises a pine cabinet with a fawn Rexine exterior. A previous owner of the amp, unaware of its link to Lennon and The Beatles, decided to paint its exterior matt black. This coat of paint has been meticulously removed to expose the amplifiers original Fawn covering, this along with period correct brown diamond-patterned grille-cloth and Goodman Alnico Speakers has restored the amplifier to its original 1962 Lennon, Beatles format. The top side features three leather handles and various controls, including six black pointer knobs and a voltage selector switch. A Vox Amplifier plaque on the back displays the model number "AC15" and the serial number "4358", as mentioned in Vox Amplifiers: The JMI Years. It is powered by an attached UK plug and cable and comes with a single-button Vox foot switch. The lot also includes a contemporary wheeled flight case and a metal tubular stand. The amp's exterior exhibits signs of age, including general scuffing. Some of the Rexine has peeled away, revealing the pine underneath, and there are small holes in the grille-cloth cover. However, the lot remains in remarkable overall condition, considering its age and history. This is an exceptionally rare opportunity to own a key piece of vintage equipment that established the sound of the Beatles. This lot is accompanied by a printed still.Dimensions (amp): 26.5 cm x 69.5 cm x 51 cm (10.5" x 27.25" x 20"); (displayed on stand): 35 cm x 91 cm x 94 cm (13.75" x 35.75" x 37")Special shipping required: see special shipping notice in the Buyer's Guide.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £100,000 - 200,000 M Bidding for this lot will end on Friday, November 15th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Saturday, November 16th or Sunday, November 17th.
Lot 64
Rory Gallagher: A Dallas Rangemaster Treble Booster,1960s,Serial no. 157783, grey casing, one control knob, on/off slider switch, with (3) inscribed on tape to top,4 1/4in (10.8cm) wide x 3in (7.5cm) high x 5in (12.8cm) deepFootnotes:From his time with Taste in the late 60s to the mid-70s, Rory used a Rangemaster Treble Booster with his Vox AC30 and Fender Tweed amps and it was integral to his sound.'I found that when using the treble booster, that along with the treble boost (on a Vox AC30) you got a built-in gain, because the transistors were fairly primitive. If I used the normal input - which was very bassy, as opposed to the brilliant input- I could get that nice rough edge without getting into a very fuzzy sound. I used that for years.'- Rory Gallagher.For further information on this lot please visit Bonhams.com
Lot 39
Rory Gallagher: A Hawk II Tonal Expander/Booster,1970s,By S. Hawk Ltd., with on/off, treble and gain boost switches and three-band EQ,4in (10.2cm) x 3in (7.6cm) x 3in (7.6cm)Footnotes:In the mid-70s, Rory switched from using his Dallas Rangemaster to a Hawk Booster with his Fender Tweed amps. The effect was first introduced in 1973.'I'm fortunate enough to have a couple of the old Fender tweed-covered amps - a Bassman and a Concert. I use them with a Hawk Booster, which was made by Di Marzio before he got into the pick-up business.' - Rory Gallagher, Kerrang magazine, February 1985.'Up until recently I was using a Hawk II, a small battery-operated treble and bass boost with three little graphic things on it which was quite handy, but with all these gadgets you always end up with slight noise from lights and so on, so I used to wrap that in tin foil'-Rory Gallagherwww.roryon.com/balance384.htmlFor further information on this lot please visit Bonhams.com
Lot 52
Rory Gallagher: A Vox Supreme Amplifier,1967,Serial no. ST1163 stamped on maker's plate to back, Super Twin, 100 watts, together with a Vox cabinet and three-way footswitch for Distortion, Vibrato and Reverb,size overall (including cabinet) 26in (66cm) wide x 44in (111.7cm) high x 12in (30.5cm) deepFootnotes:This amp is pictured (top left) with Rory in the back cover photograph of the 1990 album Fresh Evidence.Introduced in early 1967, the Supreme led JMI's new solid state range of amps. The Rolling Stones were the first band to be issued with this new amp in March 1967 and used the model for their European Tour that spring. For more information on the Supreme, see www.voxsupreme.org.uk.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 69
Rory Gallagher: A Fender Super Twin Amplifier,1976,Serial no. B18305 on back of chassis, also with label numbered 012579, black tolex, dark grille, one Fender speaker, the other with Re-Tec sticker, with footswitch, in flight case with stencil taped over,flight case 34in (86.4cm) wide x 38in (96.5cm) high x 18 1/2in (47cm) deepFootnotes:When asked whether old Fender amps were better than new ones, Rory answered: 'They seem to warm up sooner. They wouldn't have the wide tonal range that the new Fenders have - particularly the new Fender Super Twin which has a graphic equaliser, a master volume control, overdrive, and all that - but I probably have some interest in old amps over and above the actual music because of their appearance and because the guys in the Fifties used them.' - Rory Gallagher, March 1978. www.roryon.com/GP78.htmlThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 38
Rory Gallagher: A Fender Concert Amplifier,1961,Serial no. 04968 stamped into back of chassis, brown tolex and tweed grille, four 10in speakers, in flight case with Rory Gallagher Band stencilled in white, spare valves inside amp casing,flight case 28 1/2in (72.5cm) wide x 34in (86.3cm) high x 14 1/2in (36.8cm) deepFootnotes:This amp was bought by Rory in 1977 and used for both live and studio work.Speaking in March 1978, Rory commented: 'Recently I got a Fender Concert, which is an old brown one, from around 1959, with four 10' speakers. I use a Hawk booster through that just to roughen it up a bit, or if it's a quiet number I plug straight in and keep the guitar clean sounding.'- Rory Gallagherwww.roryon.com/GP78.htmlAfter keyboard player Lou Martin joined the band, Rory found that Fender amps suited the sound of the band better than the Vox AC30s he had previously used. He had three Fender favourites, the Bassman, Twin and Concert, sometimes pairing two of these together or using one with an AC30. With the Fenders, he used a Hawk II Tonal Expander as he had used a Rangemaster Treble Booster with the AC30.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 63
Rory Gallagher: A Vox AC30 Top Boost Amplifier,1960s, Serial no. 3195 on backplate, black tolex combo, with two 12in Crescendo speakers by Fane Acoustic Ltd., Vox stencilled to front, with footswitch and spare valves, in flight case with Rory Gallagher Band stencilled in white, flight case 31in (78.8cm) wide x 29in (73.7cm) high x 14 1/2in (36.8cm) deepFootnotes:This amp was purchased by Rory in 1970 from Sound City, London.Rory was a big fan of the AC30 and had several in his collection. Although he brought in various other amps over the years into his live rig, e.g. Fender, Marshall and Ampeg, an AC30 was invariably part of his setup. He first started using one in 1963, with the Fontana Showband, and it is arguably the amp most associated with him.'They are the most reliable amp...really, very loud, and solid - although they do need a little bit of something...like a treble booster, I reckon. Somebody worked out once that they give the closest to the true wattage; they give 28 watts of real power, whereas some other makes only give 55 that are supposed to be one hundred watts. And they have a certain arrogant kind of tone, particularly if you get a nice treble booster like a Rangemaster. You can get amazing sounds out of them. Anyway, The Shadows were using them, and that was an instant encouragement, an endorsement.' - Rory Gallagher, November 1974. www.roryon/gadget250.htmlPlease contact the dept for images of this amp being used on stage by Rory at the Lisdoonvarna Festival Ireland, 1983.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 54
Rory Gallagher: A Stramp Custom K80 Powerbaby Amplifier Together With K81 Cabinet,1971,The 50W amp with red felt covering, grille with logo, two 12in speakers; the black cabinet with 2 x 12in speakers, front Stramp Rory Gallagher logo, transit label, in flight case with Rory Gallagher stencilled in white,amp 27in (68.5cm) wide x 16in (40.5cm) high x 10in (25.5cm) deep; cabinet 26 1/2in (67.3cm) wide x 14 1/2in (37.5cm) high x 10in (25.5cm) deep; flight case 31in (78.7cm) wide x 28in (71.1cm) high x 25in (63.5cm) deepFootnotes:Rory used these between 1971 and 1973 (Ground Guitar, 2022). On stage, they would be stacked on top of each other. This German-made unit was one of the various brands Rory experimented with for live work. There is footage of Rory using them for an appearance on German TV's Beat-Club, 1971.Stramp amps were used by guitarists like Rory Gallagher and Leslie West and bassists such as John Entwistle, Jack Bruce and Gerry McAvoy. All made in Germany, Stramp amps remain scarce to this day.Live PerformanceRory Gallagher, The Beat Club Sessions, Germany, 1971, www.youtube.com/watch?v=7AaKfX2p7AkLiteratureDan Kopilovic, Rory Gallagher's Guitars And Gear, published 30 July 2022, www.groundguitar.com/rory-gallagher-gear/This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 51
Rory Gallagher: A Vox Mark XII Special 12-String Electric Guitar,1967,Serial no. 76414 stamped to neckplate, made in England, teardrop-shaped body with black finish, three pickups with four controls, three-way pickup selector and six push-button controls, tremolo tailpiece, battery backplate, circular padding to back, unbound neck with Brazilian rosewood fingerboard, dot markers, headstock with decal and original Vox six-a-side tuners, in Fender tweed gig bag with lead,CITES 24GBA10E11PBV,guitar 41 1/2in (105cm) longFootnotes:'I've got this old Vox 12-string from the days of Beatlemania...'- Rory GallagherRory would have acquired this distinctive guitar as he was a big Brian Jones fan. Brian was the first person Rory ever saw playing slide guitar and that made a serious impression on him.Speaking about this guitar, Rory was quoted in Music Maker magazine, June 1978 issue: 'I have another very singular one. It is a Vox Phantom (sic), Brian Jones used to use one a while ago. The body is shaped like an egg. The one I have has 12 strings and has supplies like mid-range adaptors, fuzz and repeat built-in. The only difficult part is the placement of the push button switches. They are placed on the rhythm plate and therefore they are very much in the way during playing. I would like to change that because otherwise, it is a very good instrument. Guitars with 12 strings are very suitable for rhythm guitar work.''I've got this old Vox 12-string from the days of Beatlemania, which I've had for a couple of months. It's got an out-of-phase switch, you pull this up and it turns on this whole section. This I've turned into a tone control instead of a repeat tremolo thing, which isn't quite effective. The fuzz is quite good, but fuzz on a 12-string is unnecessary. Treble, you need, bass you need, top boost you might need. The mid boost is very good, flick this on and you get three positions which I haven't seen on any guitar yet, but if you had this on a Stratocaster...the only thing is, with a battery inside it and a surge of power, you're a little bit up and down on batteries. But I'll use this for recording, I've used it on stage once or twice.' - Rory Gallagher, Guitar magazine, 1978.Literature 'Rory Gallagher', Music Maker magazine, June 1978 issue, translated by Iris Rasenberg, www.roryon.com/mm678-315.htmlJohn Dalton,'I try to keep the balance between madness and technique', Guitar magazine, September 1978, www.roryon.com/balance384.htmlVox Mark XII:The Vox Mark XII guitar, famously known as the 'Teardrop' guitar, gained prominence in the 1960s, particularly through its association with British rock music. The guitar was a radical departure from traditional guitar designs, created by a company who were better known for amps. The unique shape of the guitar made it lightweight and comfortable to play. It was popularised by Brian Jones of The Rolling Stones, who helped cement its place in rock history. Known for its jangly, bright tone and stylish look, the Mark XII became a symbol of the British Invasion era. Today, it remains a beloved collectable, celebrated for its role in shaping the sound and image of 1960s rock music.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Lot 60
Rory Gallagher: An Eccleshall Telecaster-Style Electric Guitar,1980s,Serial no. C313 on the neckplate which is also inscribed Presented To Rory Gallagher By Gordon Morris Eccleshall Guitars, single-cutaway body with brown burst finish, two pickups with push/pull volume/tone control, three-way selector switch, three-ply plastic pickguard, six-saddle bridge, birdseye maple neck, ebony fingerboard, dot markers, headstock with six-in-line Schaller tuners, in Fender gig bag,guitar 38 1/2in (98cm) longFootnotes:This guitar, a Chris Eccleshall custom-build, was a gift from a fan to Rory. Rory used it on the track Continental Op, from the 1987 Defender album.'Main guitar was my Eccleshall Telecaster with Gibson PAFs, lead phrases were a white Tele, but the slide was the Gretsch Corvette through an AC30. The sound was basically like an old-fashioned radio blowing up. I don't like fuzz guitar actually, just amps that are getting ready to blow!' - Rory Gallagher, Making Music, 1987.LiteratureJon Lewin, 'Rory's Story', Making Music, October 1987, www.roryon.com/RorystoryA proportion of the proceeds from the sale of this guitar will be donated equally to the mental health charities, Mind and ICAP, in memory of John 'Jay Jay' Joyce, a dedicated Rory fan who recently passed away.About Mind:Mind, the mental health charity, provides advice and support to empower anyone experiencing a mental health problem. They campaign to improve services, raise awareness and promote understanding. They won't give up until everyone experiencing a mental health problem gets both support and respect. For more information, please visit: mind.org.ukAbout ICAP:ICAP, is a charity that offers counselling and psychotherapy for the Irish community in Britain. They provide accessible, culturally sensitive counselling and psychotherapy in a secure, confidential environment via face-to-face, online and telephone therapy.For more information, please visit: www.icap.org.ukFor further information on this lot please visit Bonhams.com
Lot 25
1960s Rock Ola Jukebox - USAAmerican jukebox made by Rock Ola, Tempo 2 model, wood and metal cabinet, chromes and glass front window. Façade decorated in the style of the wings of a 1960s Cadillac Eldorado. Includes 60 45 RPM records, i.e. 120 tracks to listen to (Elvis Presley, Rolling Stones, Chuck Berry...). One of the brand's first models with stereo tube amps. 220-volt electrical system. This jukebox was recently restored by an enthusiast and collector, it is in perfect working order.175 x 82 cm - Depth 75 cm For further information on this lot please visit Bonhams.com
Lot 1149
Three Helmsman model MMI/SRCM Control Units and other items, each with 16v ac and 12v dc ouputs, metered volts and amps, all appear VG, together with a Bassett-Lowke speed controller, numerous B-L point motor units and several switches, and a 'mimic' switchboard showing a previous track layout, mostly G (qty)
Lot 276
Wellington & The Peninsular War. Marindin (Captain A.H., The Black Watch), The Salamanca Campaign, with maps and plans, London: Hugh Rees, 1906, loosely-inserted folding and other bound-in full-page amps, original publisher's red cloth, split and worn, 4to; Myatt's British Sieges of the Peninsular War, 2008, dj, hb, folio; Atlas of the Peninsular War 1808-1814, 2000, dj, hb, folio; Greenhill Books and other academic imprints, including biographies and memoirs of protagonists; military histories of various campaigns and battles, including Waterloo; etc., mixed bindings and sizes, (approx. 80)
Lot 287
10 Elektromotoren1) Motor auf Gußsockel, 110/120 Volt Wechselstrom, Schalter im Sockel, Kraftübertragung auf Riemenscheibe, Höhe 30 cm. - 2) Unbezeichnet, 220 Volt, schwarze Lackierung. - 3) Atas, 110/220 Volt Wechselstrom, 0,7 Ampere, mit Riemenscheibe. - 4) ESV 40, 220 Volt Wechselstrom. - 5) PNE 30, 220 Volt Wechselstrom, 75 Watt, auf Holzsockel. - 6) Unbezeichnet, 220 Volt Wechselstrom, Bakelitgehäuse. - 7) Groschopp & Co., 220 Volt Wechselstrom. - 8) Merz, 220/230 Volt Wechselstrom, 0,15 Ampere. - 9) PME Uni, Paris, 24 Volt, mit Riemenscheibe. - Und: 10) Schorch-Werke, 220 Volt, mit Riemenscheibe. - Alle Motoren funktionieren. Start Price: EUR 240 Zustand: (2-3/2)10 Eletric Motors1) Motor on cast-iron base, 110/120 volts AC, switch in base, power transmission on pulley, height 11 ¾ in. - 2) Unlabeled, 220 volts, black paint. - 3) Atas, 110/220 volts AC, 0.7 amps, with belt pulley. - 4) ESV 40, 220 volts AC. - 5) PNE 30, 220 volts AC, 75 watts, on wood base. - 6) Unlabeled, 220 volts AC, bakelite case. - 7) Groschopp & Co., 220 volts AC. - 8) Merz, 220/230 volts AC, 0.15 amps. - 9) PME Uni, Paris, 24 volts, with pulley. - And: 10) Schorch-Werke, 220 volts, with pulley. - All working. Start Price: EUR 240 Condition: (2-3/2)
Lot 4150
Sealey Road Start 12v Emergency jump starter with air compressor 900 Amps. Please note this lot has the standard Ewbank's standard buyers premium payable on top of the hammer price and not the reduced rate for cars and motorbikes. To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows before the auction day on the 28th of June. Saturday 15th June: 10am - 2pm, Monday 17th of June: 9am - 5pm, Tuesday 18th of June: 9am-7pm. Wednesday 19th of June: 9am-5pm, Thursday 20th of June: 9am-5pm, Friday 21st of June: 9am-5pm, Monday 24th of June: 9am - 5pm, Tuesday 25th of June: 9am-5pm, Wednesday 26th of June: 9am-5pm and Thursday 27th of June: 9am-5pm. Morning of the Auction on Friday 28th of June.
Lot 554
Three ‘Power Cab’ digital control items: Complete DCC Starter set; Deluxe Handheld Throttle; Smart Booster power supply 5 amps. With reference manual, other paperwork and some holders and circuit boards. All (E) (BE)Cosmetically it appears excellent.We have no means of testing working order.
Lot 144
A high quality photo print depicting Eric Clapton on stage. 30x40cm. Image by Max Browne. EC admires Albert Lee’s showpiece ‘Country Boy’."Albert Lee and Eric Clapton - Shot at The Rainbow Theatre, London, 5th February 1981. This was a warm-up gig for the band’s USA tour - memorable for the cancellation of most of it when Eric developed an acute stomach ulcer shortly after it began and subsequently became teetotal! Here Albert is soloing on his featured number, ‘Country Boy’ with Eric looking on admiringly from behind the amps. (Published in ‘Eric Clapton - Live History’, 2019)"
Lot 532
A Pair of Audio Note 300b PSET Interstage Mono Block Valve Amplifiers, black/chrome, with a complete set of valves Note from the Vendor: These are from a kit supplied directly from HIfi Collective in the UK in 2010. They have a set of upgraded components as follows: • 2 x matched pairs TJ globe mesh plate 300b valves • 100R Shinkoh 1 Watt resistors x 2 • 330R Shinkoh 1 Watt resistors x 2 • 1.2kR Shinkoh 1 Watt resistors x 4 • 1kR Charcroft naked z foil resistors x 2 • AN Alumina valve base x 2 • AN UX4 valve base x 4 • 470uF 16V Elma Simlic x 2 • 220uF 100V Nichicon KZ type x 4 • 15k 12W Mills x 4 • 1k5 12W Mills x 8 Absolutely everything with the exception of some filament supply wiring is supplied by Audio Note Kits/Hifi Collective. The amps have about 200-300 hours on the valves, so barely run in, all voltages are spot on, the amps are fully functional and at design specification, and sound fantastic into my AN-E speakers. Included is the constructional book (a substantial thing!).
Lot 347
Sammlung Induktionsspulen und weitere Teile, um 19201) Große Induktionsspule, für Funkenlängen bis 10 cm, 10 Volt, 2 Ampere, Gesamtmaße 57 x 30 x 22 cm. - 2) Vierpoliger Drehschalter auf Marmorsockel. - 3) Widerstand mit Lampenfassung. - 4) 11 kleine Induktionsspulen, Frankreich, für Schulen oder Universitäten. - Und: 5) 2 Spulen in Messinggehäusen. Start Price: EUR 180 Zustand: (3+/-)Collection of Induction Coils and other Parts, c. 19201) Large induction coil, for spark lengths up to 4 in., 10 volts, 2 amps, overall dimensions 22 ½ x 11 ¾ x 8 ¾ in. - 2) Four-pole rotary switch on marble base. - 3) Resistor with lamp socket. - 4) 11 small induction coils, France, for schools or universities. - And: 5) 2 coils in brass housings. Start Price: EUR 180 Condition: (3+/-)
Lot 391
A COLLECTION OF ASSORTED MILITARY ELECTRICAL DEVICES AND GUAGES, this lot includes nineteen small gauges that are for measuring amps, kilos, volts, D.C Amperes and volts, these are various sizes, also included are three larger dials and include an ammeter, a moving iron and one other, all these devices have the military broad arrow on the front dial, none of these items have been tested, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
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418 item(s)/page