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Lot 693

Abuja Pottery Two bowlsstoneware, with tenmoku glazeimpressed pottery seal marks to the base23cm and 24cm across (2). One with area of damage and repairs to the rim. Both with small chips to the base/foot. Both have the potter's and pottery seal marks obscured with glaze.

Lot 268

Andrew Hill (born 1964)a raku pottery bottle form, shouldered form covered to the foot with a rust glaze, an Abuja bowl by Bawa Ushafa and a stoneware charger,incised monogram, 25.5cm. high (3)

Lot 440

Attributed to LADI KWALI (1925-1984) for Abuja Pottery; a stoneware flagon or water jug with screw top covered in mottled iron and grey glaze, impressed marks (glaze filled), height 26cm.Provenance: Purchased from Abuja by the vendor's parents.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 311

GUGONG BONG for Abuja Pottery; a pair of stoneware mugs covered in tenmoku breaking to kaki glaze, impressed GB marks, height 14cm (2).Provenance: Purchased from Abuja by the vendor's parents.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 241

CLEMENT KOFI ATHEY for Abuja Pottery; a pair of stoneware soups covered in mottled iron and grey glaze, impressed CK marks, largest diameter 17cm (including handles), and an Abuja Pottery oil bottle, height 13.5cm (3).Provenance: Purchased from Abuja by the vendor's parents.Condition Report: Nick to oil bottle spout, otherwise appears good with no further signs of faults, damage or restorations.

Lot 196

Abuja Pottery; a stoneware plate covered in iron and white glaze with finger wipe decoration, diameter 28cm, and four similar smaller plates covered in iron and blue/grey glaze, largest diameter 21cm (5).Provenance: Purchased from Abuja by the vendor's parents.Condition Report: Some blistering to underside of largest plate, chip to footring and small blow to upperside of one of the smaller plates, otherwise appears good with no further signs of faults, damage or restorations.

Lot 436

KANDE USHAFA for Abuja Pottery; a trio of stoneware beakers covered in mottled grey and white glaze with combed decoration, impressed KU and pottery marks, tallest 12.5cm (3).Provenance: Purchased from Abuja by the vendor's parents.Condition Report: One has hairline extending 7cm from rim, otherwise appears good with no further signs of faults, damage or restorations.

Lot 192

ASIBO or ASIBI IDO for Abuja Pottery; a stoneware oil pot covered in mottled grey and white glaze, impressed AI mark, height 13.5cm.Note: the pot is likely to have had a stopper but this is missing. Condition Report: Nick to spout (only visible under UV light), otherwise appears good with no further signs of faults, damage or restorations.

Lot 193

BAWA USHAFA for Abuja Pottery; a stoneware charger covered in mottled grey glaze over iron slip with wax resist decoration, impressed BUA and pottery marks, diameter 35cm.Condition Report: Dent to footring but glazed over so inherent to manufacture, otherwise appears good with no further signs of faults, damage or restorations.

Lot 195

Abuja Pottery; a group of five stoneware cups and saucers covered in oatmeal and iron glaze with kaki decoration, impressed pottery marks, cup height 6cm, saucer diameter 15cm (5). Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 197

Abuja Pottery; a stoneware teapot covered in streaky blue/grey and iron glaze, impressed mark (glaze filled), height 18cm, and a matching milk jug and twin handled sugar bowl (3).Provenance: Purchased from Abuja by the vendor's parents.Condition Report: Chip to teapot spout, otherwise appears good with no further signs of faults, damage or restorations.

Lot 194

BAWA USHAFA for Abuja Pottery; a stoneware Gwari casserole covered in blue/grey glaze with kaki highlights, impressed BUA and pottery marks, diameter 29.5cm (including handles) (a/f).Condition Report: Rim broken and re-glued ion two places, otherwise appears good with no further signs of faults, damage or restorations.

Lot 191

ASIBO or ASIBI IDO for Abuja Pottery; a stoneware casserole covered in iron glaze with incised decoration, impressed AI and pottery marks, diameter 21.5cm.Provenance: Purchased from Abuja by the vendor's parents.Condition Report: Shallow chip to underside of one handle, otherwise appears good with no further signs of faults, damage or restorations.

Lot 7155

An Abuja studio pottery plate with incised fish detail. Seal to side mostly filled with glaze. Christies label to base. 26.5cm diameter Shows no  obvious signs of damage or restoration.

Lot 7124

A collection of Abuja Pottery including a Gugong Bong small jug, 10.5cm high, Tanko Mohammed vase 8.7cm high, plus two cups and saucers with UZB seal, saucers 21.5cm diameter Glaze not covering the tip of the jug (not a chip) otherwise no other obvious signs of damage or restoration.

Lot 214

Bawa Ushafa for Abuja Pottery A stoneware charger, stamped 'B.U.A' and 'Abuja' in Arabic to the base. 40.5cm dia. Footnote: The Abuja pottery, located in Nigeria, has a rich history closely tied to British potter Michael Cardew. In 1951, Cardew was invited by the Nigerian government to establish a pottery training center in Abuja, aiming to merge traditional African pottery techniques with modern European methods. His vision was to create a sustainable craft industry that empowered local potters and elevated Nigerian ceramics on the global stage.Cardew’s approach focused on integrating indigenous skills with technical knowledge of glazing, kiln-building, and stoneware production. Under his guidance, the Abuja Pottery Training Centre became a hub for innovation, producing functional and aesthetically refined pottery that blended Nigerian cultural elements with Cardew’s European techniques.One of the most notable outcomes of this collaboration was the development of Abuja Ware, characterized by its unique forms and rich glazes, made from local clays. The center also trained renowned Nigerian potters like Ladi Kwali, whose works gained international recognition. Michael Cardew's influence left a lasting legacy, establishing Abuja pottery as a celebrated craft tradition that continues to thrive.

Lot 1065

A pair of Abuja Pottery stoneware studio pottery mugs - ovoid with moulded rim and angled handle, in an iron glaze with grey-green wavy lines and stripes, impressed pottery mark below handle, 10.7cm high; and a cup and saucer by Abuja Pottery, with incised foliate decoration, glazed in mottled blue-grey, the saucer 15.3cm diameter. (3) * Small frit to glaze to edge of one handle. Otherwise in good condition.

Lot 10

An Abuja pottery tankard 14.5cm highHandle repaired in four places

Lot 111

A collection of various studio pottery including a Daniel Boyle glazed pottery teapot bearing impressed mark to base, 17.5 cm high, a Fishley Holland green glazed bowl, 9.5 cm diameter, a small ochre glazed Catherine Ball bowl, 7.8 cm diameter x 5.4 cm high, a small Abuja bowl, two further bowls, a wrythen incised onion-shaped vase and a shallow dish CONDITION REPORTS The Daniel Boyle teapot - there is a chip to the inside of the lid. The Fishley bowl - has several small chips/losses to the glaze as well as crazing throughout. The Catherine Ball bowl has a couple of small chips/areas of roughness to the rim. The Abuja bowl has some roughness to the rim, crazing all over and the shallow dish has some chips to the underside of the rim. Otherwise all items have general wear and tear, in need of a light clean - see images for more details

Lot 428

Abuja Pottery; a pair of stoneware plates covered in mottled grey glaze decorated with armadillos, impressed pottery marks, diameter 27.5cm (2).Condition Report: Chips to rim and footring on one plate, otherwise appears good with no further signs of faults, damage or restorations.

Lot 424

Abuja Pottery, in the manner of Ladi Kwali and Halima Audu; a monumental earthenware water pot with impressed and incised decoration picked out in corn starch or white slip, made circa 1960, height 58.5cm.For a similar example see 'Pioneer Studio Pottery: The Milner-White Collection' by Sarah Riddick (Lund Humphries, 1990), pp 26-27. Provenance: The sculptor Adrian Sorrell collection; purchased from the Gordon Reece Gallery, Knaresborough. Condition Report: Minor nicks to rim, otherwise appears good with no further signs of faults, damage or restorations.

Lot 58

BAWA USHAFA for Abuja Pottery; a stoneware coffee pot covered in chun and iron glaze, impressed BUA mark, height 17cm, and an ash tray impressed 'Nigeria 1960', diameter 12.5cm (2).Condition Report: Coffee has chips to spout, rim and inside cover, otherwise appears good with no further signs of faults, damage or restorations.

Lot 207

HASSAN LAPAI for Abuja Pottery; a stoneware cup and saucer covered in mottled grey glaze, impressed HLP and pottery marks, cup height 5cm, saucer diameter 14.5cm.Condition Report: Glaze flake and re-glued rim chip to cup, otherwise appears good with no further signs of faults, damage or restorations.

Lot 426

Abuja Pottery; a near pair of stoneware dishes covered in mottled grey glaze, impressed pottery marks, largest diameter 21cm (2).Condition Report: Both dishes slightly warped, small chip to rim of one, chip to footring of other, otherwise appears good with no further signs of faults, damage or restorations.

Lot 427

Abuja Pottery; a near pair of stoneware plates covered in mottled grey glaze decorated with armadillos, impressed pottery marks, largest diameter 27.5cm (2).Condition Report: Chip to footring of slightly smaller plate, otherwise appears good with no further signs of faults, damage or restorations.

Lot 425

Abuja Pottery; a large stoneware casserole covered in tenmoku breaking to kaki glaze decorated with armadillos, impressed pottery mark, diameter 27cm.Condition Report: Chips to rim and edge of cover, tight hairlines extending 6cm from rim, otherwise appears good with no further signs of faults, damage or restorations.

Lot 429

Abuja Pottery; a stoneware plate covered in mottled grey glaze decorated with a scorpion, impressed pottery mark, diameter 27.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 690

Michael O'Brien (b.1930) at Wenford BridgeJugwith honey glazeimpressed potter's and pottery seals16cm high; and an Abuja jug (2).

Lot 1595

An Abuja stoneware studio pottery vase, the shoulders detailed with vertical lines of decoration beneath the cylindrical neck with flared rim, impressed mark to side edge, height 14.5cm.

Lot 264

Geoffrey Whiting (1919-1988) a stoneware jug, 13cm high, a Abuja pottery jug, 14.5cm high, a Dave Wilson pottery mug and three others (6)

Lot 1058

Abuja pottery, Nigeria pouring vessel with celadon glaze mottled incised decoration to the shoulders. Unmarked. Height approx 11cm. No signs of damage. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.

Lot 366

LADI KWALI (1925-1984) for Abuja Pottery; a stoneware mug covered in iron glaze with incised decoration, impressed LK and pottery marks, height 16cm.Condition Report: Glaze has crawled slightly internally to edge of base, otherwise appears good with no further signs of faults, damage or restorations.

Lot 539

* Studio Pottery. A mixed collection, including a faceted cut sided vase by Nick Rees (1949 -) at Muchelney Pottery, covered in a dark blue glaze, impressed personal and pottery marks to base, 13.5 cm high, plus a stoneware coffee pot by Hassan Lapai for Abuja Pottery, blue brushwork decoration over a speckled grey glaze, impressed personal seal to base, 22 cm high, together with a small stoneware honey pot by Sid Tustin at Winchcombe Pottery, plus pieces by David Lloyd-Jones, Chris Keenan, Amanda Brier and Louise Darby, and some further unsigned workQTY: (11)

Lot 107

 Abuja pottery, Nigeria 2 small bowls with pale blue glaze. Diameters approx 14cm & 11cm. Both unmarked. No signs of damage to either piece. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.

Lot 108

Abuja pottery, Nigeria 2 small brown glaze bowls. One marked Echeta to base, impressed mark to base of smaller item. Diameters approx 15cm & 10cm. No signs of damage. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.

Lot 105

 Abuja pottery, Nigeria small plate with blue fish design on a green ground. Diameter approx 16.7cm. Impressed marks to the underside partially obscured by glaze. No signs of damage. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.

Lot 73

Two Abuja pottery teapots by Hassan Lapai, circa 1960s, green drip glazed, both with makers marks, 14cm high x 19cm wide and the other 12.5cm high x 18cm wide

Lot 1137

An Abuja studio pottery jug and a similar mug - sold with four comb decorated small plates

Lot 1143

Three Abuja studio pottery lidded bowls, with incised decoration on a tenmoku glaze ground - sold with two extra lids

Lot 1146

A large Abuja studio pottery teapot with incised decoration on a temoku glaze ground

Lot 773

Abuja Pottery (attr.) stoneware flagon, ovoid with everted neck, strap handle and threaded stopper, resist decorated with leaves in dark brown, iron and greenish glazes, impressed Abuja seal and a personal seal, both filled with glaze, 38cm high

Lot 232

LADI KWALI (1925-1984) for Abuja Pottery; a small stoneware plate covered in iron and green ash glaze, impressed LK and pottery marks. diameter 14cm.Condition Report: Glaze misses to well and nick to rim, otherwise appears good with no further signs of faults, damage or restorations.

Lot 344

An Abuja pottery charger with Winchcombe style finger-wipe river pattern, probably Michael Cardew, Abuja mark, maker's mark glazed over, 36cm diameter

Lot 521

Michael Cardew (1901-1983) for Abuja Pottery - a studio stoneware footed table bowl, having a slightly rounded rim, ribbed body with stylised combed Tenmoku glaze, artist monogram and Abuja seal mark to outer edge of foot rim, dia.27.5cmApprox. 12x4mm surface chip to top edge of top rim.Small areas of roughness to interior surface due to glaze imperfections.Fine hairline to body of bowl, also running through footrim.Some light scuffs/scratches to glaze surface.

Lot 669

Abuja Pottery, attributed to Ladi Kwali (Nigerian,1925-84) - Large water pot, void with everted collar neck, stoneware with incised decoration, impressed marks (partially glaze filled), 34cm high

Lot 671

Abuja Pottery large footed bowl, stoneware, decorated in the manner of Michael Cardew with incised with stylised motif within banding, impressed marks (glaze filled) 32cm diameter

Lot 672

Bawa Ushafa for Abuja Pottery - Stoneware 'Gwari' casserole, impressed marks, 25cm diameter (overall)

Lot 673

Abuja Pottery - Group of stoneware plates, bowls, etc. by or attributed to Abuja, to include plate with combed decoration by Tanko Mohammed, 22cm diameter; footed bowl with inscribed decoration by Lami Toto, 18cm diameter; impressed marks (the majority glaze filled) (12)

Lot 674

Abuja Pottery – Group of stoneware tea and coffee wares, to include four mugs by Bawa Ushafa, four Tanko Muhammed cups and saucers, a covered bowl by Abu Karo, and a large cup and saucer impressed marks; together with a stoneware coffee pot and two milk jugs attributed to Abuja, covered in speckled brown/grey glaze, 25cm high and smaller

Lot 675

Ladi Kwali (1925-84) for Abuja Pottery - Tankard, spreading cylindrical form with pronounced thumbpiece, stoneware painted with stylised ears of corn in blue on mottled grey-green glaze, impressed marks, 15cm high

Lot 676

Michael Cardew (1901-83) for Abuja Pottery - Stoneware cup and cover, grey-green glaze with bands of striated decoration, impressed ‘M C’ and Abuja seals, 11cm high overallThe pottery in Abuja Nigeria was founded in 1951 by Michael Cardew in his capacity as Pottery Officer to the Nigerian colonial authorities. Cardew's established reputation ensured that the pottery quickly attracted international interest leading to acclaimed exhibitions in London 1958 and 1959

Lot 746

Gugong Bong, an Abuja studio pottery mug, circa 1967-71, tankard form, tenmoku glazed with spiral design to the body, conical based cylinder form with pronounced thumbpiece, impressed seal mark GB, 15.5cm high Note: an almost identical example of the same form with the same spiral motif is in the British Museum, formerly belonging to Sir David Attenborough; Gugong Bong trained under Michael Cardew, and his work is also in the Victoria and Albert Museum, London.

Lot 250

Ladi Kwali (1925-1984), Abuja pottery large two-handled lidded bowl, marked LK and Abuja, 30cm diameter

Lot 80

ARR Abuja Pottery a stoneware jug with reflective brown-red linear decoration atop a dark green glaze, impressed P.K mark beneath handle, 25cm high

Lot 21

ARR Michel Cardew (1901-1983), Abuja Pottery, a waisted jar in brown and blue glazes, 18cm highSmall rim chip, otherwise good condition

Lot 6149

An Abuja Pottery stoneware flagon with screw top in the Michael Cardew tradition, strap handle. Brown, iron and greenish glazes with wide oval and straight line detail. Impressed Abuja seal below handle partially filled and a personal seal completely filled with glaze. 27.5cm high. No obvious signs of damage or restoration to the flagon or the screw top.

Lot 714

3 pieces of Studio pottery, Seth Cardew cup and saucer and a large Abuja pottery tankard, both with makers stamp and another jug, tallest 15cmAll in good condition, Abuja tankard has a small chip to rim, no other chips, cracks or restoration

Lot 341

LADI KWALI (1925-1984) for Abuja Pottery; a stoneware plate covered in grey and kaki glaze with meander decoration, impressed LK and pottery marks (personal mark partially glaze filled), diameter 17.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 208

GUGONG BONG for Abuja Pottery; a stoneware dish with finger wipe decoration, impressed GB and pottery marks, diameter 21 cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 380

† MICHAEL CARDEW (1901-1983) for Abuja Pottery; a stoneware sugar shaker with screw top covered in tenmoku breaking to kaki glaze with incised decoration, impressed MC and pottery marks, label written in the hand of Jutta Cardew (Seth's wife), height 15cm. Provenance: Cardew family collection.Condition Report: Kiln kiss to one side and small glaze flakes to underside of screw top, otherwise appears good with no further signs of faults, damage or restorations.

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