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Three Tribal art various Australian aboriginal boomerangs

An Aboriginal carved wood boomerang, 29" long

AN ABORIGINAL HARDWOOD CLUB OR DIGGING STICK Australia, early 20th century, the tip carved with vertical fluting, 63cm long; together with an Aboriginal 'Lil Lil' bladed club, circa 1900, the head carved with repeating horseshoe motifs, 62cm long (2)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL SHIELD Australia, early 20th century, decorated to both sides with a fingernail incised geometric design, an added poker mark band to the face, 65cm high x 9cm wide, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL HEAVY HARDWOOD WAR CLUB OR DIGGING STICK Australia, inscribed 'Hooker Creek N.T.', early 20th century, decorated with three white-painted bands to one tapered end, 112cm longProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL WOOMERA Australia, attributable to the Birria Tribe of Windorah, Queensland, early 20th century, with spinifex resin handle and carved tip held in kangaroo sinew, 71cm long; together with another similar example, 20th century, also with spinifex resin handle and sinew fixed peg, 57cm long (2)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL BI-VALVE WOOMERA Australia, attributable to the Darumbal People of Queensland, early 20th century, the shell handle inset with red abrus seeds in spinifex resin and kangaroo sinew binding, the notched peg spear holder similarly bound in sinew and resin, 83cm longProvenance: The Richard Parr Collection, Isle of Wight.

A COLLECTION OF ABORIGINAL STONE ARTEFACTS Australian, comprising fifty individual pieces including digging tools, coolamon scrapers, spear points, knives/chisels and wood shaping tools, the largest 8cm long and the smallest 1.5cm long (50)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL FLAT CLUB Australia, inscribed 'Hermannsburg Mission', likely Larapinta, early 20th century, decorated with a white painted cross to the blade, 62.5cm longProvenance: The Richard Parr Collection, Isle of Wight.

A COLLECTION OF ABORIGINAL STONE ARTEFACTS Australian, including a Yam shaped gift token, 9cm high, and a collection of various axe heads including Māori, the largest 12cm high, the smallest 9cm high, some with associated stands (7)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL CARVED SHIELD Australia, the shield likely 19th century with later carvings, decorated with kangaroos, emus, trees and a figure with a gun, against a ground of incised markings, 65cm high x 13cm wide, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL PALE BEANWOOD SHIELD Australia, Central Desert, circa 1900, stone carved and unpolished, 69cm high x 20cm wide, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL PAINTED HARDWOOD MESSAGE STICK Australia, early 20th century, the front decorated in bands of yellow, grey and green, 28cm high x 7.5cm wideProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL SHIELD Australia, circa 1900, painted in black/grey and yellow ochre with linear banding, 86cm high x 8.5cm wide, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL MULGA WOOD BOOMERANG Australia, early 20th century, 57cm long; together with another similar mulga wood boomerang, 20th century, 81cm long (2)Provenance: The Richard Parr Collection, Isle of Wight.

A COLLECTION OF ABORIGINAL STONE TOOLS Australian, including a fire or grinding stone, with worn indent, 8cm wide, a large wood working tool or boomerang shaper, 18cm long, and several others similar (7)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL MULGA WOOD BOOMERANG Australia, early 20th century, 71.5cm long; together with another similar, mid 20th century, carved with emu and kangaroo, 43cm long; and a further boomerang, early 20th century, 53cm long (3)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL SHIELD South East Australia, early 20th century, decorated with incised linear banding, 75cm high x 8.5cm wide, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL 'ROOT BALL' CLUB Australia, Queensland, circa 1900, 38cm longProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL MULGA WOOD COOLAMON Australia, mid 20th century, 36cm long x 10cm wide; together with another similar, mid 20th century, with poker work decoration, 43cm long x 9cm wide (2)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL SHIELD Australia, 19th/20th century, incised with horizontal linear banding to both sides, 72cm high x 14.5cm wide, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL BOOMERANG Australia, likely Kadina, South Australia, late 19th century, decorated with poker work and incised carving, 61cm high, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL COOLAMON Australia, attributable to the Yidinjdji Tribe of North Queensland, 19th/20th century, stone carved with small spinifex resin repairs, 41.5cm long x 13cm wideProvenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL LEANGLE WAR CLUB Australia, early 20th century, carved with a hooked end and pommel handle, 52cm long x 25cm wide; together with another Aboriginal 'Lil Lil' bladed club, early 20th century, stone carved and polished, 64cm long (2)Provenance: The Richard Parr Collection, Isle of Wight.

AN ABORIGINAL SHIELD Australia, probably 19th century, with a stone tool carved scalloped face, 87cm high x 9cm wide, with associated standProvenance: The Richard Parr Collection, Isle of Wight.

Late 19th / early 20th Century Aboriginal parrying shield with typical carved decoration, 77.5cm long

An Aboriginal carved hardwood parrying shield, 80cm. Condition - fair

An Aboriginal boomerang, engraved to one side, 76cm wide. Condition - fair to good

West African Metal Reliquary Handle (5) total items including a handle having a garish face and a bronze alloy construction; together with a Tiwi Islands Aboriginal spear, a tribal snake motif cane, a bamboo staff and a Brazos walking stick Property from: an Estate, Chicago (Gold Coast), Illinois Height: 24 3/4 inches, Width: 11 inches Condition: light to moderate wear, tarnish, verdigris Category: Collectibles > Ethnographic Estimated Sale Time: 1:32 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Ethnographica: an aboriginal club, 61.5cm long.

Treen and Tribal Art - a 19th century Australian Aboriginal stone carved boomerang, 57cm long; another similar (2)

Richard Bell (Australia, Aboriginal, bn. 1953), Methods of Control, oil on canvas, 91.5cm x 61.5cm.

Mary Dixon Aboriginal acrylic on canvas artwork - 97.5cm x 96cm

June Bird Aboriginal acrylic on canvas artwork - 136cm x 137cm

Peggy Purvis Aboriginal acrylic on canvas artwork - 137cm x 78.5cm 

Bronwyn Nangala Aboriginal acrylic on canvas artwork - 138cm x 137cm

PAUL A. NICHOLAS (BRITISH 1943-2017) 'GOLDFINCHES & YOUNG ON THISTLES', five birds on wild plants, signed and dated 1983 bottom right, watercolour / gouache on paper, approximate size 40cm x 33cm, together with an Australian watercolour landscape by Lance Chadd (1943-) his Aboriginal name is Tjyllyungo, signed bottom left, Aboriginal Art labels verso, approximate size 25cm x 35cm

A Large 20th Century Studio Pottery Dish – with black and white Aboriginal-type patterning, 17.75ins diameter

A collection of books on Oceanic art. Including 'The Fuller Collection of Pacific Artifacts', 'Dreamings: The Art of Aboriginal Australia', etc.Lots 1-58 in this auction are all from the same collection, the majority of which was collected in Papua New Guinea in the 1970s and 1980s.

Aboriginal Australian Boomerang - longer version for killing

Aboriginal Australian Boomerang

Aboriginal Australian Boomerang

Aboriginal Australian Boomerang

Aboriginal Australian Figure Set + Art on Marble & Slate

Aboriginal Australian landscape, gouache on paper, unsigned, 38cm x 55cm, framed Good condition

Report: on the control of the Aborigines in Formosa. Taihoku, Bureau of Aboriginal Affairs 1911. Mit 100 Tafeln, 4 Tabellen, 3 Diagrammen u. 3 kolor. Karten. 2 Bl., III, IV, 45 S. Lwd. d. Zt. mit Rtit. (Tls. etw. best. u. berieb.). Erste u. einzige Ausgabe. Komplett selten. - Wichtige Studie, die im Auftrag der japanischen Regierung durchgeführt worden ist. - Vord. Vors. mit mont. Visitenkarte "With the compliments of Rimpie Otsu, Superintendent, Bureau of Aboriginal Affairs".

Two Field Recording box sets of Folk and World music: Native North America Vol 1 - Aboriginal Folk Rock and Country, deluxe 3xLP box set (sealed); and Metaphonics - The Complete Field Works Recordings, 7xLP limited edition box set. (2)

PAUL A. NICHOLAS (BRITISH 1943-2017) 'GOLDFINCHES & YOUNG ON THISTLES', five birds on wild plants, signed and dated 1983 bottom right, watercolour / gouache on paper, approximate size 40cm x 33cm, together with an Australian watercolour landscape by Lance Chadd (1943-) his Aboriginal name is Tjyllyungo, signed bottom left, Aboriginal Art labels verso, approximate size 25cm x 35cm

Willett (F) African Art; Australian Aboriginal Bark Paintings 1912-1964 and one other (3)

Collection of Mid 20th Century Tribal items, Chieftains ebonised stick, Aboriginal stick and Tribal musical instrument.

A 19th Century Australian Aboriginal Waddy, of dark brown hard wood, of slightly flattened and tapering cylindrical form with pointed head and squared off butt, the whole deeply carved with diagonally incised lozenge panels with scroll carved grip, 76cm

A 19th Century Australian Aboriginal Hunting Boomerang, of dark brown hard wood, both sides with fine stone tool chip carved decoration, 86cmFine chip and crack to one end.

A 19th Century Australian Aboriginal Parrying Shield, Lower Murray River Region, in dense hard wood with a deep chestnut coloured patina, the bowed D shape fascia with stone chiselled decoration of wave and concentric lozenge strapwork, with integral handle, 77cm long, 8cm wide, 3.5cm deep.Each tip with a fine V shape hairline crack, no other damage.

A Rare Early 19th Century Australian Aboriginal War Club, Queensland, with unusual integral side spike/hook carved on the side of the haft, with linear carved decoration and chequered grip, 71cmGood condition.

Three Mid-19th Century Australian Aboriginal Boomerangs, comprising a Victoria Region Large War Boomerang, of wide ‘V’ shape, the back set with old paper label inscribed ‘3 Australian Boomerangs given to Mr.Herrenberg’s Mission’, 69cm; a Darling River Region Boomerang with finely adzed decoration to the surface, 65 cm; a Heavy War Boomerang, with linear carved decoration, 59cm (3)Footnote :- for similar examples see The Art of Eastern Australia, 2009, pages 217 and 223 1 - good condition. 2 - three tiny insect holes, otherwise good condition. 3 - good condition.

A 19th Century Australian Aboriginal War Club, in dense hard wood with rich brown patina, with a slightly swollen rounded lozenge shape head with pointed tip and fine chip carved decoration to the surface, the flattened cylindrical haft half plain from the head, the lower section with stone tool carved lozenge basket weave decoration, with pointed butt, 66cmFine grain splits to both sides of the head, one side with incised lettering.

A Mid-20th Century Australian Aboriginal 'Pukamani' Ceremonial Bark Panel, painted by Mira-lei (Long Peter, born 1900) of the Tiwi Tribe, with bands of geometric and dotted motifs interspersed with quartered circles in shades of ochre, white and black, with a typed label to verso inscribed "Painted from the memory of an old man's decorating of a pukamani pole, seen when Mira-lei was a boy", 49cm by 37cm, in a later glazed case. Footnote :- The Tiwi Islands (Bathurst or Melville Island) is north of Arnhem Land. The Islanders had a ceremony called the Pukamani which was performed after the death of a local tribesman.The burial Pukumani poles are gifts to please the spirits of the dead.

A signed Aboriginal oil painting. 47x14cm. Frame 61x38cm

Jeanie Lewis Napangardi (Australian Aboriginal, b. ca. 1950). Acrylic on canvas painting depicting bright dots in pink, orange, and yellow against a black background. Signed and numbered along the verso.Height: 48 in x width: 60 in x depth: 1 1/4 in.Condition: The colors are bold and bright and the surface is stable. There are no major tears, losses, or restorations visible when viewed under UV light. There are minute accretions and faint rounded scuffs throughout, particularly along the black regions of the painting; these attriubtes are possibly original to the artistic process. Light dust gathered along the surface. The work is not framed.

Seven various pictures and prints including an oil painting on canvas of two budgerigars, Salvador Dali print, Australian aboriginal painting, a print After Frederic William Burton and a further print framed to match After Edmund Blair Leighton, etc, largest 80 cm x 60 cm overall. (7)