Australia. A nineteenth-century Australian emu egg inkwell, mounted in silver-coloured metal, of
Australia. A nineteenth-century Australian emu egg inkwell, mounted in silver-coloured metal, of ovoid and circular form, with central applied re...
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Australia. A nineteenth-century Australian emu egg inkwell, mounted in silver-coloured metal, of ovoid and circular form, with central applied re...
China. A late nineteenth or early twentieth-century Chinese silver five-light candelabrum, the four arms formed as dragons, the central stem deco...
An early eighteenth-century Queen Anne English provincial silver tobacco box, of oval form, with moulded border enclosing contemporary Armorial fo...
Two French First Standard silver (0.950) models of antelope, each of hollow cast construction, and modelled in a standing position, with textured ...
A late nineteenth or early twentieth-century German silver Nef table centrepiece, modelled in the form of a longship, the single-masted vessel, wi...
A George V silver two-handle dragon pedestal bowl, with scalloped rim surmounted by foliate scrolls, the body with applied cut-card work style ado...
Portugal. A pair of nineteenth-century Portuguese cast silver figural three-light candelabra, each stem with a cast classical figure, holding a c...
Royal Navy Interest. A Victorian silver and enamel calling card vesta case, of rectangular form, with applied enamel plaque of a calling card, 'C...
(†) Rod Kelly. An Elizabeth II eighteen-carat gold beaker, four-sided, raised by hand, and chased in low relief, decorated with oak leaves and ac...
John Maitland Talbot (1861-1909). A suite of three Scottish Arts & Crafts graduated silver and enamel pots or vases, each of cuboid form, applied...
Unframed - Acrylic paint 700mm x 700mm "ARTIST STATEMENT: This artwork represents a 1950's housewife gazing longingly into a fridge full of spir...